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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 48 245 it is the complementary color RGB 2 207 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 48 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 48 245 shade: RGB 255 48 240, RGB 255 66 255, RGB 255 84 255, RGB 255 102 255 and RGB 255 120 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 48 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 48 245 shade: RGB 253 48 245, RGB 236 30 226, RGB 219 12 207, RGB 202 0 188 and RGB 185 0 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 48 245 shade: RGB 252 47 244, RGB 252 47 189, RGB 252 47 134, RGB 252 47 79 and RGB 252 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 48 245 shade: RGB 252 47 244, RGB 205 47 252, RGB 150 47 252, RGB 95 47 252 and RGB 47 47 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 48 245 shade matches the following richer shades: RGB 252 47 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 48 245 shade: RGB 252 47 244, RGB 235 64 229, RGB 219 81 213, RGB 202 98 198 and RGB 185 115 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 48 245 shade: RGB 150 47 252, RGB 205 47 252, RGB 252 47 246, RGB 252 47 191 and RGB 252 47 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 48 245 shade: RGB 216 2 207, RGB 252 7 242, RGB 252 47 244, RGB 253 88 246 and RGB 253 129 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 48 245 shade: RGB 253 48 245, RGB 252 95 47 and RGB 47 252 177

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 48 245 shade: RGB 253 48 245, RGB 246 252 47 and RGB 47 246 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 48 245 shade: RGB 253 48 245, RGB 252 95 47, RGB 47 252 54 and RGB 47 205 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 48 245 shade: RGB 253 48 245, RGB 252 157 47, RGB 47 252 54 and RGB 47 143 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 3 / 1

HEX #FD30F5

RGB 253 48 245

HSL 302.34, 0.98%, 0.59%

LAB 61.3, 91.03, -53.75

 

Complementary color

CMYK 99 / 0 / 95 / 19

HEX #02CF0A

RGB 2 207 10

HSL 122.34, 0.98%, 0.41%

LAB 72.67, -73.38, 70.07

 

CMYK 0 / 81 / 6 / 0

HEX #FF30F0

RGB 255 48 240

HSL 304.35, 1%, 0.59%

LAB 61.36, 90.69, -50.84

 

CMYK 0 / 74 / 0 / 0

HEX #FF42FF

RGB 255 66 255

HSL 300, 1%, 0.63%

LAB 63.65, 88.52, -55.53

 

CMYK 0 / 67 / 0 / 0

HEX #FF54FF

RGB 255 84 255

HSL 300, 1%, 0.66%

LAB 65.61, 82.94, -52.42

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 0 / 53 / 0 / 0

HEX #FF78FF

RGB 255 120 255

HSL 300, 1%, 0.74%

LAB 70.81, 68.59, -44.22

 

CMYK 0 / 81 / 3 / 1

HEX #FD30F5

RGB 253 48 245

HSL 302.34, 0.98%, 0.59%

LAB 61.3, 91.03, -53.75

 

CMYK 0 / 87 / 4 / 7

HEX #EC1EE2

RGB 236 30 226

HSL 302.91, 0.84%, 0.52%

LAB 56.34, 88.52, -51.17

 

CMYK 0 / 95 / 5 / 14

HEX #DB0CCF

RGB 219 12 207

HSL 303.48, 0.9%, 0.45%

LAB 51.64, 85.02, -48

 

CMYK 0 / 100 / 7 / 21

HEX #CA00BC

RGB 202 0 188

HSL 304.16, 1%, 0.4%

LAB 47.22, 80.46, -44.2

 

CMYK 0 / 100 / 9 / 27

HEX #B900A9

RGB 185 0 169

HSL 305.19, 1%, 0.36%

LAB 43.03, 74.92, -39.83

 

CMYK 0 / 81 / 3 / 1

HEX #FC2FF4

RGB 252 47 244

HSL 302.34, 0.97%, 0.59%

LAB 61.01, 90.91, -53.66

 

CMYK 0 / 81 / 25 / 1

HEX #FC2FBD

RGB 252 47 189

HSL 318.44, 0.97%, 0.59%

LAB 58.42, 83.79, -26.6

 

CMYK 0 / 81 / 47 / 1

HEX #FC2F86

RGB 252 47 134

HSL 334.54, 0.97%, 0.59%

LAB 56.54, 78.38, 2.79

 

CMYK 0 / 81 / 69 / 1

HEX #FC2F4F

RGB 252 47 79

HSL 350.63, 0.97%, 0.59%

LAB 55.37, 74.92, 33.89

 

CMYK 0 / 81 / 81 / 1

HEX #FC2F2F

RGB 252 47 47

HSL 0, 0.97%, 0.59%

LAB 55, 73.8, 51.19

 

CMYK 0 / 81 / 3 / 1

HEX #FC2FF4

RGB 252 47 244

HSL 302.34, 0.97%, 0.59%

LAB 61.01, 90.91, -53.66

 

CMYK 19 / 81 / 0 / 1

HEX #CD2FFC

RGB 205 47 252

HSL 286.24, 0.97%, 0.59%

LAB 54.07, 84.07, -69.66

 

CMYK 40 / 81 / 0 / 1

HEX #962FFC

RGB 150 47 252

HSL 270.15, 0.97%, 0.59%

LAB 46.37, 75.94, -82.53

 

CMYK 62 / 81 / 0 / 1

HEX #5F2FFC

RGB 95 47 252

HSL 254.05, 0.97%, 0.59%

LAB 40.4, 69.85, -92.58

 

CMYK 81 / 81 / 0 / 1

HEX #2F2FFC

RGB 47 47 252

HSL 240, 0.97%, 0.59%

LAB 37.24, 66.73, -97.92

 

CMYK 0 / 81 / 3 / 1

HEX #FC2FF4

RGB 252 47 244

HSL 302.34, 0.97%, 0.59%

LAB 61.01, 90.91, -53.66

 

CMYK 0 / 81 / 3 / 1

HEX #FC2FF4

RGB 252 47 244

HSL 302.34, 0.97%, 0.59%

LAB 61.01, 90.91, -53.66

 

CMYK 0 / 73 / 3 / 8

HEX #EB40E5

RGB 235 64 229

HSL 302.11, 0.81%, 0.59%

LAB 58.96, 81.15, -48.7

 

CMYK 0 / 63 / 3 / 14

HEX #DB51D5

RGB 219 81 213

HSL 302.61, 0.66%, 0.59%

LAB 57.8, 69.18, -41.67

 

CMYK 0 / 51 / 2 / 21

HEX #CA62C6

RGB 202 98 198

HSL 302.31, 0.5%, 0.59%

LAB 57.43, 54.76, -33.89

 

CMYK 0 / 38 / 2 / 27

HEX #B973B6

RGB 185 115 182

HSL 302.57, 0.33%, 0.59%

LAB 57.99, 38.02, -24.05

 

CMYK 40 / 81 / 0 / 1

HEX #962FFC

RGB 150 47 252

HSL 270.15, 0.97%, 0.59%

LAB 46.37, 75.94, -82.53

 

CMYK 19 / 81 / 0 / 1

HEX #CD2FFC

RGB 205 47 252

HSL 286.24, 0.97%, 0.59%

LAB 54.07, 84.07, -69.66

 

CMYK 0 / 81 / 2 / 1

HEX #FC2FF6

RGB 252 47 246

HSL 301.76, 0.97%, 0.59%

LAB 61.12, 91.2, -54.61

 

CMYK 0 / 81 / 24 / 1

HEX #FC2FBF

RGB 252 47 191

HSL 317.85, 0.97%, 0.59%

LAB 58.5, 84.03, -27.62

 

CMYK 0 / 81 / 46 / 1

HEX #FC2F88

RGB 252 47 136

HSL 333.95, 0.97%, 0.59%

LAB 56.59, 78.55, 1.69

 

CMYK 0 / 99 / 4 / 15

HEX #D802CF

RGB 216 2 207

HSL 302.52, 0.98%, 0.43%

LAB 50.86, 85.26, -49.28

 

CMYK 0 / 97 / 4 / 1

HEX #FC07F2

RGB 252 7 242

HSL 302.45, 0.98%, 0.51%

LAB 59.21, 95.59, -55.41

 

CMYK 0 / 81 / 3 / 1

HEX #FC2FF4

RGB 252 47 244

HSL 302.34, 0.97%, 0.59%

LAB 61.01, 90.91, -53.66

 

CMYK 0 / 65 / 3 / 1

HEX #FD58F6

RGB 253 88 246

HSL 302.55, 0.98%, 0.67%

LAB 65.37, 79.69, -47.86

 

CMYK 0 / 49 / 2 / 1

HEX #FD81F8

RGB 253 129 248

HSL 302.42, 0.97%, 0.75%

LAB 71.8, 62.75, -38.88

 

CMYK 0 / 81 / 3 / 1

HEX #FD30F5

RGB 253 48 245

HSL 302.34, 0.98%, 0.59%

LAB 61.3, 91.03, -53.75

 

CMYK 0 / 62 / 81 / 1

HEX #FC5F2F

RGB 252 95 47

HSL 14.05, 0.97%, 0.59%

LAB 60.86, 57.7, 56.64

 

CMYK 81 / 0 / 30 / 1

HEX #2FFCB1

RGB 47 252 177

HSL 158.05, 0.97%, 0.59%

LAB 88.64, -64.47, 22.64

 

CMYK 0 / 81 / 3 / 1

HEX #FD30F5

RGB 253 48 245

HSL 302.34, 0.98%, 0.59%

LAB 61.3, 91.03, -53.75

 

CMYK 2 / 0 / 81 / 1

HEX #F6FC2F

RGB 246 252 47

HSL 61.76, 0.97%, 0.59%

LAB 95.76, -23.12, 86.96

 

CMYK 81 / 2 / 0 / 1

HEX #2FF6FC

RGB 47 246 252

HSL 181.76, 0.97%, 0.59%

LAB 88.71, -43.17, -16.16

 

CMYK 0 / 81 / 3 / 1

HEX #FD30F5

RGB 253 48 245

HSL 302.34, 0.98%, 0.59%

LAB 61.3, 91.03, -53.75

 

CMYK 0 / 62 / 81 / 1

HEX #FC5F2F

RGB 252 95 47

HSL 14.05, 0.97%, 0.59%

LAB 60.86, 57.7, 56.64

 

CMYK 81 / 0 / 79 / 1

HEX #2FFC36

RGB 47 252 54

HSL 122.05, 0.97%, 0.59%

LAB 87.24, -81.07, 74.33

 

CMYK 81 / 19 / 0 / 1

HEX #2FCDFC

RGB 47 205 252

HSL 193.76, 0.97%, 0.59%

LAB 76.86, -23.77, -34.21

 

CMYK 0 / 81 / 3 / 1

HEX #FD30F5

RGB 253 48 245

HSL 302.34, 0.98%, 0.59%

LAB 61.3, 91.03, -53.75

 

CMYK 0 / 38 / 81 / 1

HEX #FC9D2F

RGB 252 157 47

HSL 32.2, 0.97%, 0.59%

LAB 72.9, 27.61, 67.47

 

CMYK 81 / 0 / 79 / 1

HEX #2FFC36

RGB 47 252 54

HSL 122.05, 0.97%, 0.59%

LAB 87.24, -81.07, 74.33

 

CMYK 81 / 43 / 0 / 1

HEX #2F8FFC

RGB 47 143 252

HSL 211.9, 0.97%, 0.59%

LAB 59.23, 10.65, -61.97

 

Description

Color code: RGB 253 48 245 | qconv.com Color code: RGB 253 48 245 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 48 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 48 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 3 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 3% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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