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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 31 176 it is the complementary color RGB 2 224 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 31 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 31 176 shade: RGB 255 31 171, RGB 255 49 190, RGB 255 67 209, RGB 255 85 228 and RGB 255 103 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 31 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 31 176 shade: RGB 253 31 176, RGB 236 13 157, RGB 219 0 138, RGB 202 0 119 and RGB 185 0 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 31 176 shade: RGB 252 32 176, RGB 252 32 117, RGB 252 32 57 and RGB 252 32 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 31 176 shade: RGB 252 32 176, RGB 252 32 235, RGB 210 32 252, RGB 151 32 252 and RGB 91 32 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 31 176 shade matches the following richer shades: RGB 252 32 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 31 176 shade: RGB 252 32 176, RGB 234 50 170, RGB 216 69 165, RGB 198 87 159 and RGB 180 105 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 31 176 shade: RGB 208 32 252, RGB 252 32 238, RGB 252 32 179, RGB 252 32 120 and RGB 252 32 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 31 176 shade: RGB 201 2 132, RGB 241 2 158, RGB 252 32 176, RGB 253 73 190 and RGB 253 114 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 31 176 shade: RGB 253 31 176, RGB 252 150 32 and RGB 32 252 238

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 31 176 shade: RGB 253 31 176, RGB 179 252 32 and RGB 32 179 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 31 176 shade: RGB 253 31 176, RGB 252 150 32, RGB 32 252 106 and RGB 32 135 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 31 176 shade: RGB 253 31 176, RGB 252 216 32, RGB 32 252 106 and RGB 32 69 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 30 / 1

HEX #FD1FB0

RGB 253 31 176

HSL 320.81, 0.98%, 0.56%

LAB 57.07, 85.5, -21.12

 

Complementary color

CMYK 99 / 0 / 65 / 12

HEX #02E04F

RGB 2 224 79

HSL 140.81, 0.98%, 0.44%

LAB 78.4, -73.83, 56.52

 

CMYK 0 / 88 / 33 / 0

HEX #FF1FAB

RGB 255 31 171

HSL 322.5, 1%, 0.56%

LAB 57.25, 85.4, -17.9

 

CMYK 0 / 81 / 25 / 0

HEX #FF31BE

RGB 255 49 190

HSL 318.93, 1%, 0.6%

LAB 59.14, 84.11, -26.02

 

CMYK 0 / 74 / 18 / 0

HEX #FF43D1

RGB 255 67 209

HSL 314.68, 1%, 0.63%

LAB 61.55, 81.78, -33.13

 

CMYK 0 / 67 / 11 / 0

HEX #FF55E4

RGB 255 85 228

HSL 309.53, 1%, 0.67%

LAB 64.45, 78.53, -39.29

 

CMYK 0 / 60 / 3 / 0

HEX #FF67F7

RGB 255 103 247

HSL 303.16, 1%, 0.7%

LAB 67.78, 74.55, -44.6

 

CMYK 0 / 88 / 30 / 1

HEX #FD1FB0

RGB 253 31 176

HSL 320.81, 0.98%, 0.56%

LAB 57.07, 85.5, -21.12

 

CMYK 0 / 94 / 33 / 7

HEX #EC0D9D

RGB 236 13 157

HSL 321.26, 0.9%, 0.49%

LAB 52.46, 82.16, -17.27

 

CMYK 0 / 100 / 37 / 14

HEX #DB008A

RGB 219 0 138

HSL 322.19, 1%, 0.43%

LAB 48.13, 77.83, -12.75

 

CMYK 0 / 100 / 41 / 21

HEX #CA0077

RGB 202 0 119

HSL 324.65, 1%, 0.4%

LAB 44.07, 72.51, -7.55

 

CMYK 0 / 100 / 46 / 27

HEX #B90064

RGB 185 0 100

HSL 327.57, 1%, 0.36%

LAB 39.97, 67.16, -2.1

 

CMYK 0 / 87 / 30 / 1

HEX #FC20B0

RGB 252 32 176

HSL 320.73, 0.97%, 0.56%

LAB 56.94, 85.14, -21.33

 

CMYK 0 / 87 / 54 / 1

HEX #FC2075

RGB 252 32 117

HSL 336.82, 0.97%, 0.56%

LAB 55.09, 80.01, 10.88

 

CMYK 0 / 87 / 77 / 1

HEX #FC2039

RGB 252 32 57

HSL 353.18, 0.97%, 0.56%

LAB 54.05, 77.07, 44.93

 

CMYK 0 / 87 / 87 / 1

HEX #FC2020

RGB 252 32 32

HSL 0, 0.97%, 0.56%

LAB 53.85, 76.48, 57.3

 

CMYK 0 / 87 / 30 / 1

HEX #FC20B0

RGB 252 32 176

HSL 320.73, 0.97%, 0.56%

LAB 56.94, 85.14, -21.33

 

CMYK 0 / 87 / 7 / 1

HEX #FC20EB

RGB 252 32 235

HSL 304.64, 0.97%, 0.56%

LAB 59.64, 92.27, -50.82

 

CMYK 17 / 87 / 0 / 1

HEX #D220FC

RGB 210 32 252

HSL 288.55, 0.97%, 0.56%

LAB 53.77, 87.98, -70.1

 

CMYK 40 / 87 / 0 / 1

HEX #9720FC

RGB 151 32 252

HSL 272.45, 0.97%, 0.56%

LAB 45.14, 80.09, -84.55

 

CMYK 64 / 87 / 0 / 1

HEX #5B20FC

RGB 91 32 252

HSL 256.09, 0.97%, 0.56%

LAB 38.35, 74.58, -95.99

 

CMYK 0 / 87 / 30 / 1

HEX #FC20B0

RGB 252 32 176

HSL 320.73, 0.97%, 0.56%

LAB 56.94, 85.14, -21.33

 

CMYK 0 / 87 / 30 / 1

HEX #FC20B0

RGB 252 32 176

HSL 320.73, 0.97%, 0.56%

LAB 56.94, 85.14, -21.33

 

CMYK 0 / 79 / 27 / 8

HEX #EA32AA

RGB 234 50 170

HSL 320.87, 0.81%, 0.56%

LAB 54.74, 76.93, -21.49

 

CMYK 0 / 68 / 24 / 15

HEX #D845A5

RGB 216 69 165

HSL 320.82, 0.65%, 0.56%

LAB 53.57, 66, -20.61

 

CMYK 0 / 56 / 20 / 22

HEX #C6579F

RGB 198 87 159

HSL 321.08, 0.49%, 0.56%

LAB 53.3, 52.54, -17.75

 

CMYK 0 / 42 / 14 / 29

HEX #B4699A

RGB 180 105 154

HSL 320.8, 0.33%, 0.56%

LAB 54.17, 36.84, -13.73

 

CMYK 17 / 87 / 0 / 1

HEX #D020FC

RGB 208 32 252

HSL 288, 0.97%, 0.56%

LAB 53.46, 87.68, -70.62

 

CMYK 0 / 87 / 6 / 1

HEX #FC20EE

RGB 252 32 238

HSL 303.82, 0.97%, 0.56%

LAB 59.8, 92.68, -52.24

 

CMYK 0 / 87 / 29 / 1

HEX #FC20B3

RGB 252 32 179

HSL 319.91, 0.97%, 0.56%

LAB 57.06, 85.46, -22.9

 

CMYK 0 / 87 / 52 / 1

HEX #FC2078

RGB 252 32 120

HSL 336, 0.97%, 0.56%

LAB 55.16, 80.22, 9.18

 

CMYK 0 / 87 / 75 / 1

HEX #FC203E

RGB 252 32 62

HSL 351.82, 0.97%, 0.56%

LAB 54.11, 77.23, 42.19

 

CMYK 0 / 99 / 34 / 21

HEX #C90284

RGB 201 2 132

HSL 320.8, 0.98%, 0.4%

LAB 44.41, 73.37, -15.06

 

CMYK 0 / 99 / 34 / 5

HEX #F1029E

RGB 241 2 158

HSL 320.84, 0.98%, 0.48%

LAB 53.18, 84.05, -16.68

 

CMYK 0 / 87 / 30 / 1

HEX #FC20B0

RGB 252 32 176

HSL 320.73, 0.97%, 0.56%

LAB 56.94, 85.14, -21.33

 

CMYK 0 / 71 / 25 / 1

HEX #FD49BE

RGB 253 73 190

HSL 321, 0.98%, 0.64%

LAB 61.1, 77.08, -23.03

 

CMYK 0 / 55 / 19 / 1

HEX #FD72CD

RGB 253 114 205

HSL 320.72, 0.97%, 0.72%

LAB 67.52, 62.99, -21.71

 

CMYK 0 / 88 / 30 / 1

HEX #FD1FB0

RGB 253 31 176

HSL 320.81, 0.98%, 0.56%

LAB 57.07, 85.5, -21.12

 

CMYK 0 / 40 / 87 / 1

HEX #FC9620

RGB 252 150 32

HSL 32.18, 0.97%, 0.56%

LAB 71.29, 30.87, 70.81

 

CMYK 87 / 0 / 6 / 1

HEX #20FCEE

RGB 32 252 238

HSL 176.18, 0.97%, 0.56%

LAB 89.91, -50.62, -7.09

 

CMYK 0 / 88 / 30 / 1

HEX #FD1FB0

RGB 253 31 176

HSL 320.81, 0.98%, 0.56%

LAB 57.07, 85.5, -21.12

 

CMYK 29 / 0 / 87 / 1

HEX #B3FC20

RGB 179 252 32

HSL 79.91, 0.97%, 0.56%

LAB 91.37, -49.57, 84.55

 

CMYK 87 / 29 / 0 / 1

HEX #20B3FC

RGB 32 179 252

HSL 199.91, 0.97%, 0.56%

LAB 69.17, -11.17, -46.22

 

CMYK 0 / 88 / 30 / 1

HEX #FD1FB0

RGB 253 31 176

HSL 320.81, 0.98%, 0.56%

LAB 57.07, 85.5, -21.12

 

CMYK 0 / 40 / 87 / 1

HEX #FC9620

RGB 252 150 32

HSL 32.18, 0.97%, 0.56%

LAB 71.29, 30.87, 70.81

 

CMYK 87 / 0 / 58 / 1

HEX #20FC6A

RGB 32 252 106

HSL 140.18, 0.97%, 0.56%

LAB 87.47, -77.62, 55.39

 

CMYK 87 / 46 / 0 / 1

HEX #2087FC

RGB 32 135 252

HSL 211.91, 0.97%, 0.56%

LAB 56.75, 14.43, -65.98

 

CMYK 0 / 88 / 30 / 1

HEX #FD1FB0

RGB 253 31 176

HSL 320.81, 0.98%, 0.56%

LAB 57.07, 85.5, -21.12

 

CMYK 0 / 14 / 87 / 1

HEX #FCD820

RGB 252 216 32

HSL 50.18, 0.97%, 0.56%

LAB 86.95, -3.34, 83.14

 

CMYK 87 / 0 / 58 / 1

HEX #20FC6A

RGB 32 252 106

HSL 140.18, 0.97%, 0.56%

LAB 87.47, -77.62, 55.39

 

CMYK 87 / 73 / 0 / 1

HEX #2045FC

RGB 32 69 252

HSL 229.91, 0.97%, 0.56%

LAB 40.56, 55.06, -92.42

 

Description

Color code: RGB 253 31 176 | qconv.com Color code: RGB 253 31 176 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 31 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 31 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 30 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 30% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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