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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 248 8 it is the complementary color RGB 2 7 247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 248 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 248 8 shade: RGB 255 248 3, RGB 255 255 22, RGB 255 255 41, RGB 255 255 60 and RGB 255 255 79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 248 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 248 8 shade: RGB 253 248 8, RGB 236 230 0, RGB 219 212 0, RGB 202 194 0 and RGB 185 176 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 248 8 shade: RGB 252 247 7, RGB 252 181 7, RGB 252 115 7, RGB 252 49 7 and RGB 252 7 7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 248 8 shade: RGB 252 247 7, RGB 191 252 7, RGB 125 252 7, RGB 59 252 7 and RGB 7 252 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 248 8 shade matches the following richer shades: RGB 252 247 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 248 8 shade: RGB 252 247 7, RGB 232 228 27, RGB 212 208 48, RGB 191 189 68 and RGB 171 169 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 248 8 shade: RGB 252 113 7, RGB 252 179 7, RGB 252 244 7, RGB 195 252 7 and RGB 130 252 7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 248 8 shade: RGB 175 172 1, RGB 216 212 2, RGB 252 247 7, RGB 252 248 48 and RGB 253 249 89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 248 8 shade: RGB 253 248 8, RGB 7 252 48 and RGB 146 7 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 248 8 shade: RGB 253 248 8, RGB 7 252 244 and RGB 244 7 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 248 8 shade: RGB 253 248 8, RGB 7 252 48, RGB 7 15 252 and RGB 252 7 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 248 8 shade: RGB 253 248 8, RGB 7 252 121, RGB 7 15 252 and RGB 252 7 138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 97 / 1

HEX #FDF808

RGB 253 248 8

HSL 58.78, 0.98%, 0.51%

LAB 95.18, -18.98, 92.41

 

Complementary color

CMYK 99 / 97 / 0 / 3

HEX #0207F7

RGB 2 7 247

HSL 238.78, 0.98%, 0.49%

LAB 31.53, 76.22, -104.65

 

CMYK 0 / 3 / 99 / 0

HEX #FFF803

RGB 255 248 3

HSL 58.33, 1%, 0.51%

LAB 95.33, -18.19, 92.95

 

CMYK 0 / 0 / 91 / 0

HEX #FFFF16

RGB 255 255 22

HSL 60, 1%, 0.54%

LAB 97.16, -21.37, 92.71

 

CMYK 0 / 0 / 84 / 0

HEX #FFFF29

RGB 255 255 41

HSL 60, 1%, 0.58%

LAB 97.2, -21.03, 89.73

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3C

RGB 255 255 60

HSL 60, 1%, 0.62%

LAB 97.27, -20.49, 85.23

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4F

RGB 255 255 79

HSL 60, 1%, 0.65%

LAB 97.37, -19.71, 79.39

 

CMYK 0 / 2 / 97 / 1

HEX #FDF808

RGB 253 248 8

HSL 58.78, 0.98%, 0.51%

LAB 95.18, -18.98, 92.41

 

CMYK 0 / 3 / 100 / 7

HEX #ECE600

RGB 236 230 0

HSL 58.47, 1%, 0.46%

LAB 89.12, -17.43, 87.96

 

CMYK 0 / 3 / 100 / 14

HEX #DBD400

RGB 219 212 0

HSL 58.08, 1%, 0.43%

LAB 82.99, -15.77, 82.87

 

CMYK 0 / 4 / 100 / 21

HEX #CAC200

RGB 202 194 0

HSL 57.62, 1%, 0.4%

LAB 76.76, -14.09, 77.7

 

CMYK 0 / 5 / 100 / 27

HEX #B9B000

RGB 185 176 0

HSL 57.08, 1%, 0.36%

LAB 70.43, -12.35, 72.44

 

CMYK 0 / 2 / 97 / 1

HEX #FCF707

RGB 252 247 7

HSL 58.78, 0.98%, 0.51%

LAB 94.84, -18.92, 92.19

 

CMYK 0 / 28 / 97 / 1

HEX #FCB507

RGB 252 181 7

HSL 42.61, 0.98%, 0.51%

LAB 78.32, 14.37, 80.32

 

CMYK 0 / 54 / 97 / 1

HEX #FC7307

RGB 252 115 7

HSL 26.45, 0.98%, 0.51%

LAB 64.14, 48.03, 71

 

CMYK 0 / 81 / 97 / 1

HEX #FC3107

RGB 252 49 7

HSL 10.29, 0.98%, 0.51%

LAB 54.98, 72.72, 65.94

 

CMYK 0 / 97 / 97 / 1

HEX #FC0707

RGB 252 7 7

HSL 0, 0.98%, 0.51%

LAB 52.8, 78.95, 64.93

 

CMYK 0 / 2 / 97 / 1

HEX #FCF707

RGB 252 247 7

HSL 58.78, 0.98%, 0.51%

LAB 94.84, -18.92, 92.19

 

CMYK 24 / 0 / 97 / 1

HEX #BFFC07

RGB 191 252 7

HSL 74.94, 0.98%, 0.51%

LAB 92, -45.53, 88.21

 

CMYK 50 / 0 / 97 / 1

HEX #7DFC07

RGB 125 252 7

HSL 91.1, 0.98%, 0.51%

LAB 88.92, -67.5, 84.48

 

CMYK 77 / 0 / 97 / 1

HEX #3BFC07

RGB 59 252 7

HSL 107.27, 0.98%, 0.51%

LAB 87.27, -81.21, 82.46

 

CMYK 97 / 0 / 92 / 1

HEX #07FC15

RGB 7 252 21

HSL 123.43, 0.98%, 0.51%

LAB 86.86, -84.86, 80.61

 

CMYK 0 / 2 / 97 / 1

HEX #FCF707

RGB 252 247 7

HSL 58.78, 0.98%, 0.51%

LAB 94.84, -18.92, 92.19

 

CMYK 0 / 2 / 97 / 1

HEX #FCF707

RGB 252 247 7

HSL 58.78, 0.98%, 0.51%

LAB 94.84, -18.92, 92.19

 

CMYK 0 / 2 / 88 / 9

HEX #E8E41B

RGB 232 228 27

HSL 58.83, 0.82%, 0.51%

LAB 88.31, -17.83, 84.37

 

CMYK 0 / 2 / 77 / 17

HEX #D4D030

RGB 212 208 48

HSL 58.54, 0.66%, 0.51%

LAB 81.47, -15.85, 73.24

 

CMYK 0 / 1 / 64 / 25

HEX #BFBD44

RGB 191 189 68

HSL 59.02, 0.49%, 0.51%

LAB 74.75, -14.23, 59.1

 

CMYK 0 / 1 / 49 / 33

HEX #ABA958

RGB 171 169 88

HSL 58.55, 0.33%, 0.51%

LAB 67.83, -10.81, 41.72

 

CMYK 0 / 55 / 97 / 1

HEX #FC7107

RGB 252 113 7

HSL 25.96, 0.98%, 0.51%

LAB 63.77, 48.97, 70.78

 

CMYK 0 / 29 / 97 / 1

HEX #FCB307

RGB 252 179 7

HSL 42.12, 0.98%, 0.51%

LAB 77.85, 15.41, 79.99

 

CMYK 0 / 3 / 97 / 1

HEX #FCF407

RGB 252 244 7

HSL 58.04, 0.98%, 0.51%

LAB 94.06, -17.48, 91.62

 

CMYK 23 / 0 / 97 / 1

HEX #C3FC07

RGB 195 252 7

HSL 73.96, 0.98%, 0.51%

LAB 92.24, -44.02, 88.49

 

CMYK 48 / 0 / 97 / 1

HEX #82FC07

RGB 130 252 7

HSL 89.88, 0.98%, 0.51%

LAB 89.1, -66.08, 84.7

 

CMYK 0 / 2 / 99 / 31

HEX #AFAC01

RGB 175 172 1

HSL 58.97, 0.99%, 0.35%

LAB 68.48, -14.71, 70.51

 

CMYK 0 / 2 / 99 / 15

HEX #D8D402

RGB 216 212 2

HSL 58.88, 0.98%, 0.43%

LAB 82.75, -17.03, 82.4

 

CMYK 0 / 2 / 97 / 1

HEX #FCF707

RGB 252 247 7

HSL 58.78, 0.98%, 0.51%

LAB 94.84, -18.92, 92.19

 

CMYK 0 / 2 / 81 / 1

HEX #FCF830

RGB 252 248 48

HSL 58.82, 0.97%, 0.59%

LAB 95.18, -18.74, 86.42

 

CMYK 0 / 2 / 65 / 1

HEX #FDF959

RGB 253 249 89

HSL 58.54, 0.98%, 0.67%

LAB 95.73, -17.13, 74.07

 

CMYK 0 / 2 / 97 / 1

HEX #FDF808

RGB 253 248 8

HSL 58.78, 0.98%, 0.51%

LAB 95.18, -18.98, 92.41

 

CMYK 97 / 0 / 81 / 1

HEX #07FC30

RGB 7 252 48

HSL 130.04, 0.98%, 0.51%

LAB 86.94, -83.85, 75.54

 

CMYK 42 / 97 / 0 / 1

HEX #9207FC

RGB 146 7 252

HSL 274.04, 0.98%, 0.51%

LAB 43.2, 83.37, -87.77

 

CMYK 0 / 2 / 97 / 1

HEX #FDF808

RGB 253 248 8

HSL 58.78, 0.98%, 0.51%

LAB 95.18, -18.98, 92.41

 

CMYK 97 / 0 / 3 / 1

HEX #07FCF4

RGB 7 252 244

HSL 178.04, 0.98%, 0.51%

LAB 89.95, -49.78, -10.16

 

CMYK 3 / 97 / 0 / 1

HEX #F407FC

RGB 244 7 252

HSL 298.04, 0.98%, 0.51%

LAB 58.43, 95.74, -62.32

 

CMYK 0 / 2 / 97 / 1

HEX #FDF808

RGB 253 248 8

HSL 58.78, 0.98%, 0.51%

LAB 95.18, -18.98, 92.41

 

CMYK 97 / 0 / 81 / 1

HEX #07FC30

RGB 7 252 48

HSL 130.04, 0.98%, 0.51%

LAB 86.94, -83.85, 75.54

 

CMYK 97 / 94 / 0 / 1

HEX #070FFC

RGB 7 15 252

HSL 238.04, 0.98%, 0.51%

LAB 32.73, 76.16, -105.45

 

CMYK 0 / 97 / 16 / 1

HEX #FC07D3

RGB 252 7 211

HSL 310.04, 0.98%, 0.51%

LAB 57.61, 91.61, -40.47

 

CMYK 0 / 2 / 97 / 1

HEX #FDF808

RGB 253 248 8

HSL 58.78, 0.98%, 0.51%

LAB 95.18, -18.98, 92.41

 

CMYK 97 / 0 / 52 / 1

HEX #07FC79

RGB 7 252 121

HSL 147.92, 0.98%, 0.51%

LAB 87.51, -76.69, 48.64

 

CMYK 97 / 94 / 0 / 1

HEX #070FFC

RGB 7 15 252

HSL 238.04, 0.98%, 0.51%

LAB 32.73, 76.16, -105.45

 

CMYK 0 / 97 / 45 / 1

HEX #FC078A

RGB 252 7 138

HSL 327.92, 0.98%, 0.51%

LAB 54.74, 84.21, -2.21

 

Description

Color code: RGB 253 248 8 | qconv.com Color code: RGB 253 248 8 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 248 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 248 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 97 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 97% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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