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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 246 26 it is the complementary color RGB 2 9 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 246 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 246 26 shade: RGB 255 246 21, RGB 255 255 40, RGB 255 255 59, RGB 255 255 78 and RGB 255 255 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 246 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 246 26 shade: RGB 253 246 26, RGB 236 228 7, RGB 219 210 0, RGB 202 192 0 and RGB 185 174 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 246 26 shade: RGB 252 245 27, RGB 252 185 27, RGB 252 124 27, RGB 252 63 27 and RGB 252 27 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 246 26 shade: RGB 252 245 27, RGB 198 252 27, RGB 138 252 27, RGB 77 252 27 and RGB 27 252 38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 246 26 shade matches the following richer shades: RGB 252 245 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 246 26 shade: RGB 252 245 27, RGB 234 228 46, RGB 215 210 64, RGB 197 193 83 and RGB 178 176 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 246 26 shade: RGB 252 125 27, RGB 252 185 27, RGB 252 245 27, RGB 200 252 27 and RGB 140 252 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 246 26 shade: RGB 196 190 1, RGB 236 229 2, RGB 252 245 27, RGB 253 247 68 and RGB 253 249 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 246 26 shade: RGB 253 246 26, RGB 27 252 65 and RGB 155 27 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 246 26 shade: RGB 253 246 26, RGB 27 252 245 and RGB 245 27 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 246 26 shade: RGB 253 246 26, RGB 27 252 65, RGB 27 35 252 and RGB 252 27 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 246 26 shade: RGB 253 246 26, RGB 27 252 132, RGB 27 35 252 and RGB 252 27 147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 90 / 1

HEX #FDF61A

RGB 253 246 26

HSL 58.15, 0.98%, 0.55%

LAB 94.68, -17.83, 90.22

 

Complementary color

CMYK 99 / 96 / 0 / 10

HEX #0209E5

RGB 2 9 229

HSL 238.15, 0.98%, 0.45%

LAB 29.07, 71.45, -98.54

 

CMYK 0 / 4 / 92 / 0

HEX #FFF615

RGB 255 246 21

HSL 57.69, 1%, 0.54%

LAB 94.83, -17.07, 91.05

 

CMYK 0 / 0 / 84 / 0

HEX #FFFF28

RGB 255 255 40

HSL 60, 1%, 0.58%

LAB 97.2, -21.05, 89.93

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3B

RGB 255 255 59

HSL 60, 1%, 0.62%

LAB 97.27, -20.52, 85.51

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 3 / 90 / 1

HEX #FDF61A

RGB 253 246 26

HSL 58.15, 0.98%, 0.55%

LAB 94.68, -17.83, 90.22

 

CMYK 0 / 3 / 97 / 7

HEX #ECE407

RGB 236 228 7

HSL 57.9, 0.94%, 0.48%

LAB 88.61, -16.39, 87.02

 

CMYK 0 / 4 / 100 / 14

HEX #DBD200

RGB 219 210 0

HSL 57.53, 1%, 0.43%

LAB 82.46, -14.78, 82.48

 

CMYK 0 / 5 / 100 / 21

HEX #CAC000

RGB 202 192 0

HSL 57.03, 1%, 0.4%

LAB 76.23, -13.07, 77.31

 

CMYK 0 / 6 / 100 / 27

HEX #B9AE00

RGB 185 174 0

HSL 56.43, 1%, 0.36%

LAB 69.89, -11.32, 72.05

 

CMYK 0 / 3 / 89 / 1

HEX #FCF51B

RGB 252 245 27

HSL 58.13, 0.97%, 0.55%

LAB 94.35, -17.75, 89.78

 

CMYK 0 / 27 / 89 / 1

HEX #FCB91B

RGB 252 185 27

HSL 42.13, 0.97%, 0.55%

LAB 79.31, 12.52, 78.18

 

CMYK 0 / 51 / 89 / 1

HEX #FC7C1B

RGB 252 124 27

HSL 25.87, 0.97%, 0.55%

LAB 65.9, 43.92, 68.07

 

CMYK 0 / 75 / 89 / 1

HEX #FC3F1B

RGB 252 63 27

HSL 9.6, 0.97%, 0.55%

LAB 56.42, 69.06, 61.19

 

CMYK 0 / 89 / 89 / 1

HEX #FC1B1B

RGB 252 27 27

HSL 0, 0.97%, 0.55%

LAB 53.56, 77.17, 59.18

 

CMYK 0 / 3 / 89 / 1

HEX #FCF51B

RGB 252 245 27

HSL 58.13, 0.97%, 0.55%

LAB 94.35, -17.75, 89.78

 

CMYK 21 / 0 / 89 / 1

HEX #C6FC1B

RGB 198 252 27

HSL 74.4, 0.97%, 0.55%

LAB 92.44, -42.61, 86.67

 

CMYK 45 / 0 / 89 / 1

HEX #8AFC1B

RGB 138 252 27

HSL 90.4, 0.97%, 0.55%

LAB 89.44, -63.38, 82.97

 

CMYK 69 / 0 / 89 / 1

HEX #4DFC1B

RGB 77 252 27

HSL 106.67, 0.97%, 0.55%

LAB 87.62, -78.07, 80.71

 

CMYK 89 / 0 / 85 / 1

HEX #1BFC26

RGB 27 252 38

HSL 122.93, 0.97%, 0.55%

LAB 86.99, -83.48, 77.93

 

CMYK 0 / 3 / 89 / 1

HEX #FCF51B

RGB 252 245 27

HSL 58.13, 0.97%, 0.55%

LAB 94.35, -17.75, 89.78

 

CMYK 0 / 3 / 89 / 1

HEX #FCF51B

RGB 252 245 27

HSL 58.13, 0.97%, 0.55%

LAB 94.35, -17.75, 89.78

 

CMYK 0 / 3 / 80 / 8

HEX #EAE42E

RGB 234 228 46

HSL 58.09, 0.82%, 0.55%

LAB 88.53, -16.54, 80.66

 

CMYK 0 / 2 / 70 / 16

HEX #D7D240

RGB 215 210 64

HSL 58.01, 0.65%, 0.55%

LAB 82.33, -14.91, 68.91

 

CMYK 0 / 2 / 58 / 23

HEX #C5C153

RGB 197 193 83

HSL 57.89, 0.5%, 0.55%

LAB 76.46, -12.74, 54.63

 

CMYK 0 / 1 / 43 / 30

HEX #B2B066

RGB 178 176 102

HSL 58.42, 0.33%, 0.55%

LAB 70.51, -10.17, 38.05

 

CMYK 0 / 50 / 89 / 1

HEX #FC7D1B

RGB 252 125 27

HSL 26.13, 0.97%, 0.55%

LAB 66.09, 43.43, 68.21

 

CMYK 0 / 27 / 89 / 1

HEX #FCB91B

RGB 252 185 27

HSL 42.13, 0.97%, 0.55%

LAB 79.31, 12.52, 78.18

 

CMYK 0 / 3 / 89 / 1

HEX #FCF51B

RGB 252 245 27

HSL 58.13, 0.97%, 0.55%

LAB 94.35, -17.75, 89.78

 

CMYK 21 / 0 / 89 / 1

HEX #C8FC1B

RGB 200 252 27

HSL 73.87, 0.97%, 0.55%

LAB 92.57, -41.85, 86.82

 

CMYK 44 / 0 / 89 / 1

HEX #8CFC1B

RGB 140 252 27

HSL 89.87, 0.97%, 0.55%

LAB 89.52, -62.77, 83.07

 

CMYK 0 / 3 / 99 / 23

HEX #C4BE01

RGB 196 190 1

HSL 58.15, 0.99%, 0.39%

LAB 75.18, -14.66, 76.21

 

CMYK 0 / 3 / 99 / 7

HEX #ECE502

RGB 236 229 2

HSL 58.21, 0.98%, 0.47%

LAB 88.86, -16.92, 87.61

 

CMYK 0 / 3 / 89 / 1

HEX #FCF51B

RGB 252 245 27

HSL 58.13, 0.97%, 0.55%

LAB 94.35, -17.75, 89.78

 

CMYK 0 / 2 / 73 / 1

HEX #FDF744

RGB 253 247 68

HSL 58.05, 0.98%, 0.63%

LAB 95.09, -17.17, 80.8

 

CMYK 0 / 2 / 57 / 1

HEX #FDF96D

RGB 253 249 109

HSL 58.33, 0.97%, 0.71%

LAB 95.89, -15.88, 66.15

 

CMYK 0 / 3 / 90 / 1

HEX #FDF61A

RGB 253 246 26

HSL 58.15, 0.98%, 0.55%

LAB 94.68, -17.83, 90.22

 

CMYK 89 / 0 / 74 / 1

HEX #1BFC41

RGB 27 252 65

HSL 130.13, 0.97%, 0.55%

LAB 87.11, -81.96, 70.83

 

CMYK 38 / 89 / 0 / 1

HEX #9B1BFC

RGB 155 27 252

HSL 274.13, 0.97%, 0.55%

LAB 45.33, 81.58, -84.21

 

CMYK 0 / 3 / 90 / 1

HEX #FDF61A

RGB 253 246 26

HSL 58.15, 0.98%, 0.55%

LAB 94.68, -17.83, 90.22

 

CMYK 89 / 0 / 3 / 1

HEX #1BFCF5

RGB 27 252 245

HSL 178.13, 0.97%, 0.55%

LAB 90.07, -48.92, -10.5

 

CMYK 3 / 89 / 0 / 1

HEX #F51BFC

RGB 245 27 252

HSL 298.13, 0.97%, 0.55%

LAB 59.18, 94.15, -61.1

 

CMYK 0 / 3 / 90 / 1

HEX #FDF61A

RGB 253 246 26

HSL 58.15, 0.98%, 0.55%

LAB 94.68, -17.83, 90.22

 

CMYK 89 / 0 / 74 / 1

HEX #1BFC41

RGB 27 252 65

HSL 130.13, 0.97%, 0.55%

LAB 87.11, -81.96, 70.83

 

CMYK 89 / 86 / 0 / 1

HEX #1B23FC

RGB 27 35 252

HSL 237.87, 0.97%, 0.55%

LAB 34.93, 70.89, -101.78

 

CMYK 0 / 89 / 15 / 1

HEX #FC1BD7

RGB 252 27 215

HSL 309.87, 0.97%, 0.55%

LAB 58.4, 90.34, -41.49

 

CMYK 0 / 3 / 90 / 1

HEX #FDF61A

RGB 253 246 26

HSL 58.15, 0.98%, 0.55%

LAB 94.68, -17.83, 90.22

 

CMYK 89 / 0 / 48 / 1

HEX #1BFC84

RGB 27 252 132

HSL 148, 0.97%, 0.55%

LAB 87.74, -74.24, 43.76

 

CMYK 89 / 86 / 0 / 1

HEX #1B23FC

RGB 27 35 252

HSL 237.87, 0.97%, 0.55%

LAB 34.93, 70.89, -101.78

 

CMYK 0 / 89 / 42 / 1

HEX #FC1B93

RGB 252 27 147

HSL 328, 0.97%, 0.55%

LAB 55.67, 83.08, -6.2

 

Description

Color code: RGB 253 246 26 | qconv.com Color code: RGB 253 246 26 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 246 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 246 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 90 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 90% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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