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Color name
RGB 253 205 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 205 108 it is the complementary color RGB 2 50 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 205 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 205 108 shade: RGB 255 205 103, RGB 255 223 122, RGB 255 241 141, RGB 255 255 160 and RGB 255 255 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 205 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 205 108 shade: RGB 253 205 108, RGB 236 187 89, RGB 219 169 70, RGB 202 151 51 and RGB 185 133 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 205 108 shade: RGB 252 205 109, RGB 252 166 109, RGB 252 127 109 and RGB 252 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 205 108 shade: RGB 252 205 109, RGB 252 243 109, RGB 222 252 109, RGB 184 252 109 and RGB 145 252 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 205 108 shade matches the following richer shades: RGB 252 205 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 205 108 shade: RGB 252 205 109, RGB 240 201 121, RGB 228 197 133, RGB 216 193 145 and RGB 204 189 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 205 108 shade: RGB 252 128 109, RGB 252 166 109, RGB 252 204 109, RGB 252 243 109 and RGB 224 252 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 205 108 shade: RGB 251 177 28, RGB 252 191 68, RGB 252 205 109, RGB 253 219 149 and RGB 254 233 190

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 205 108 shade: RGB 253 205 108, RGB 128 252 109 and RGB 147 109 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 205 108 shade: RGB 253 205 108, RGB 109 252 204 and RGB 204 109 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 205 108 shade: RGB 253 205 108, RGB 128 252 109, RGB 109 157 252 and RGB 233 109 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 205 108 shade: RGB 253 205 108, RGB 109 252 133, RGB 109 157 252 and RGB 252 109 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 57 / 1

HEX #FDCD6C

RGB 253 205 108

HSL 40.14, 0.97%, 0.71%

LAB 84.81, 6.11, 53.96

 

Complementary color

CMYK 99 / 66 / 0 / 42

HEX #023293

RGB 2 50 147

HSL 220.14, 0.97%, 0.29%

LAB 24.95, 27.23, -56.75

 

CMYK 0 / 20 / 60 / 0

HEX #FFCD67

RGB 255 205 103

HSL 40.26, 1%, 0.7%

LAB 84.95, 6.57, 56.51

 

CMYK 0 / 13 / 52 / 0

HEX #FFDF7A

RGB 255 223 122

HSL 45.56, 1%, 0.74%

LAB 89.6, -1.2, 53.06

 

CMYK 0 / 5 / 45 / 0

HEX #FFF18D

RGB 255 241 141

HSL 52.63, 1%, 0.78%

LAB 94.35, -8.54, 49.78

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA0

RGB 255 255 160

HSL 60, 1%, 0.81%

LAB 98.16, -13.5, 45.4

 

CMYK 0 / 0 / 30 / 0

HEX #FFFFB3

RGB 255 255 179

HSL 60, 1%, 0.85%

LAB 98.45, -11.32, 36.42

 

CMYK 0 / 19 / 57 / 1

HEX #FDCD6C

RGB 253 205 108

HSL 40.14, 0.97%, 0.71%

LAB 84.81, 6.11, 53.96

 

CMYK 0 / 21 / 62 / 7

HEX #ECBB59

RGB 236 187 89

HSL 40, 0.79%, 0.64%

LAB 78.52, 7.14, 55.19

 

CMYK 0 / 23 / 68 / 14

HEX #DBA946

RGB 219 169 70

HSL 39.87, 0.67%, 0.57%

LAB 72.15, 8.33, 56.31

 

CMYK 0 / 25 / 75 / 21

HEX #CA9733

RGB 202 151 51

HSL 39.74, 0.6%, 0.5%

LAB 65.69, 9.71, 57.17

 

CMYK 0 / 28 / 83 / 27

HEX #B98520

RGB 185 133 32

HSL 39.61, 0.71%, 0.43%

LAB 59.15, 11.33, 57.46

 

CMYK 0 / 19 / 57 / 1

HEX #FCCD6D

RGB 252 205 109

HSL 40.28, 0.96%, 0.71%

LAB 84.72, 5.78, 53.36

 

CMYK 0 / 34 / 57 / 1

HEX #FCA66D

RGB 252 166 109

HSL 23.92, 0.96%, 0.71%

LAB 75.5, 26.13, 42.27

 

CMYK 0 / 50 / 57 / 1

HEX #FC7F6D

RGB 252 127 109

HSL 7.55, 0.96%, 0.71%

LAB 67.26, 46.07, 31.9

 

CMYK 0 / 57 / 57 / 1

HEX #FC6D6D

RGB 252 109 109

HSL 0, 0.96%, 0.71%

LAB 63.95, 54.6, 27.59

 

CMYK 0 / 19 / 57 / 1

HEX #FCCD6D

RGB 252 205 109

HSL 40.28, 0.96%, 0.71%

LAB 84.72, 5.78, 53.36

 

CMYK 0 / 4 / 57 / 1

HEX #FCF36D

RGB 252 243 109

HSL 56.22, 0.96%, 0.71%

LAB 94.27, -13.35, 64.32

 

CMYK 12 / 0 / 57 / 1

HEX #DEFC6D

RGB 222 252 109

HSL 72.59, 0.96%, 0.71%

LAB 94.42, -29.43, 63.88

 

CMYK 27 / 0 / 57 / 1

HEX #B8FC6D

RGB 184 252 109

HSL 88.53, 0.96%, 0.71%

LAB 92.09, -43.44, 60.62

 

CMYK 42 / 0 / 57 / 1

HEX #91FC6D

RGB 145 252 109

HSL 104.9, 0.96%, 0.71%

LAB 90.2, -56.18, 57.95

 

CMYK 0 / 19 / 57 / 1

HEX #FCCD6D

RGB 252 205 109

HSL 40.28, 0.96%, 0.71%

LAB 84.72, 5.78, 53.36

 

CMYK 0 / 19 / 57 / 1

HEX #FCCD6D

RGB 252 205 109

HSL 40.28, 0.96%, 0.71%

LAB 84.72, 5.78, 53.36

 

CMYK 0 / 16 / 50 / 6

HEX #F0C979

RGB 240 201 121

HSL 40.34, 0.8%, 0.71%

LAB 82.74, 3.95, 44.88

 

CMYK 0 / 14 / 42 / 11

HEX #E4C585

RGB 228 197 133

HSL 40.42, 0.64%, 0.71%

LAB 80.81, 2.39, 36.12

 

CMYK 0 / 11 / 33 / 15

HEX #D8C191

RGB 216 193 145

HSL 40.56, 0.48%, 0.71%

LAB 78.92, 1.12, 27.18

 

CMYK 0 / 7 / 23 / 20

HEX #CCBD9D

RGB 204 189 157

HSL 40.85, 0.32%, 0.71%

LAB 77.08, 0.21, 18.11

 

CMYK 0 / 49 / 57 / 1

HEX #FC806D

RGB 252 128 109

HSL 7.97, 0.96%, 0.71%

LAB 67.46, 45.58, 32.15

 

CMYK 0 / 34 / 57 / 1

HEX #FCA66D

RGB 252 166 109

HSL 23.92, 0.96%, 0.71%

LAB 75.5, 26.13, 42.27

 

CMYK 0 / 19 / 57 / 1

HEX #FCCC6D

RGB 252 204 109

HSL 39.86, 0.96%, 0.71%

LAB 84.48, 6.29, 53.08

 

CMYK 0 / 4 / 57 / 1

HEX #FCF36D

RGB 252 243 109

HSL 56.22, 0.96%, 0.71%

LAB 94.27, -13.35, 64.32

 

CMYK 11 / 0 / 57 / 1

HEX #E0FC6D

RGB 224 252 109

HSL 71.75, 0.96%, 0.71%

LAB 94.56, -28.66, 64.07

 

CMYK 0 / 29 / 89 / 2

HEX #FBB11C

RGB 251 177 28

HSL 40.09, 0.97%, 0.55%

LAB 77.3, 16.29, 76.39

 

CMYK 0 / 24 / 73 / 1

HEX #FCBF44

RGB 252 191 68

HSL 40.11, 0.97%, 0.63%

LAB 80.95, 10.61, 67.22

 

CMYK 0 / 19 / 57 / 1

HEX #FCCD6D

RGB 252 205 109

HSL 40.28, 0.96%, 0.71%

LAB 84.72, 5.78, 53.36

 

CMYK 0 / 13 / 41 / 1

HEX #FDDB95

RGB 253 219 149

HSL 40.38, 0.96%, 0.79%

LAB 88.79, 2.56, 38.75

 

CMYK 0 / 8 / 25 / 0

HEX #FEE9BE

RGB 254 233 190

HSL 40.31, 0.97%, 0.87%

LAB 93.04, 0.7, 23.52

 

CMYK 0 / 19 / 57 / 1

HEX #FDCD6C

RGB 253 205 108

HSL 40.14, 0.97%, 0.71%

LAB 84.81, 6.11, 53.96

 

CMYK 49 / 0 / 57 / 1

HEX #80FC6D

RGB 128 252 109

HSL 112.03, 0.96%, 0.71%

LAB 89.54, -61.01, 57.01

 

CMYK 42 / 57 / 0 / 1

HEX #936DFC

RGB 147 109 252

HSL 255.94, 0.96%, 0.71%

LAB 56.26, 47.18, -66.47

 

CMYK 0 / 19 / 57 / 1

HEX #FDCD6C

RGB 253 205 108

HSL 40.14, 0.97%, 0.71%

LAB 84.81, 6.11, 53.96

 

CMYK 57 / 0 / 19 / 1

HEX #6DFCCC

RGB 109 252 204

HSL 159.86, 0.96%, 0.71%

LAB 90.43, -49.76, 11.47

 

CMYK 19 / 57 / 0 / 1

HEX #CC6DFC

RGB 204 109 252

HSL 279.86, 0.96%, 0.71%

LAB 62.34, 60.33, -56.38

 

CMYK 0 / 19 / 57 / 1

HEX #FDCD6C

RGB 253 205 108

HSL 40.14, 0.97%, 0.71%

LAB 84.81, 6.11, 53.96

 

CMYK 49 / 0 / 57 / 1

HEX #80FC6D

RGB 128 252 109

HSL 112.03, 0.96%, 0.71%

LAB 89.54, -61.01, 57.01

 

CMYK 57 / 38 / 0 / 1

HEX #6D9DFC

RGB 109 157 252

HSL 219.86, 0.96%, 0.71%

LAB 65.27, 11.23, -52.21

 

CMYK 8 / 57 / 0 / 1

HEX #E96DFC

RGB 233 109 252

HSL 292.03, 0.96%, 0.71%

LAB 65.97, 67.43, -50.39

 

CMYK 0 / 19 / 57 / 1

HEX #FDCD6C

RGB 253 205 108

HSL 40.14, 0.97%, 0.71%

LAB 84.81, 6.11, 53.96

 

CMYK 57 / 0 / 47 / 1

HEX #6DFC85

RGB 109 252 133

HSL 130.07, 0.96%, 0.71%

LAB 89.19, -62.69, 45.42

 

CMYK 57 / 38 / 0 / 1

HEX #6D9DFC

RGB 109 157 252

HSL 219.86, 0.96%, 0.71%

LAB 65.27, 11.23, -52.21

 

CMYK 0 / 57 / 10 / 1

HEX #FC6DE4

RGB 252 109 228

HSL 310.07, 0.96%, 0.71%

LAB 67.45, 68.3, -34.64

 

Description

Color code: RGB 253 205 108 | qconv.com Color code: RGB 253 205 108 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 205 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 205 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 57 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 57% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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