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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 169 63 it is the complementary color RGB 2 86 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 169 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 169 63 shade: RGB 255 169 58, RGB 255 187 77, RGB 255 205 96, RGB 255 223 115 and RGB 255 241 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 169 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 169 63 shade: RGB 253 169 63, RGB 236 151 44, RGB 219 133 25, RGB 202 115 6 and RGB 185 97 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 169 63 shade: RGB 253 169 63, RGB 253 117 63, RGB 253 66 63 and RGB 253 63 63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 169 63 shade: RGB 253 169 63, RGB 253 220 63, RGB 234 253 63, RGB 183 253 63 and RGB 132 253 63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 169 63 shade matches the following richer shades: RGB 253 169 63

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 169 63 shade: RGB 253 169 63, RGB 237 167 78, RGB 221 165 94, RGB 206 163 110 and RGB 190 161 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 169 63 shade: RGB 253 66 63, RGB 253 116 63, RGB 253 167 63, RGB 253 218 63 and RGB 237 253 63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 169 63 shade: RGB 231 130 2, RGB 252 150 22, RGB 253 169 63, RGB 253 187 103 and RGB 253 205 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 169 63 shade: RGB 253 169 63, RGB 110 253 63 and RGB 91 63 253

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 169 63 shade: RGB 253 169 63, RGB 63 253 167 and RGB 167 63 253

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 169 63 shade: RGB 253 169 63, RGB 110 253 63, RGB 63 148 253 and RGB 205 63 253

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 169 63 shade: RGB 253 169 63, RGB 63 253 72, RGB 63 148 253 and RGB 253 63 243

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 75 / 1

HEX #FDA93F

RGB 253 169 63

HSL 33.47, 0.98%, 0.62%

LAB 75.83, 22.31, 64.21

 

Complementary color

CMYK 99 / 55 / 0 / 25

HEX #0256C0

RGB 2 86 192

HSL 213.47, 0.98%, 0.38%

LAB 38.68, 21.04, -61.26

 

CMYK 0 / 34 / 77 / 0

HEX #FFA93A

RGB 255 169 58

HSL 33.81, 1%, 0.61%

LAB 76.03, 22.95, 66.44

 

CMYK 0 / 27 / 70 / 0

HEX #FFBB4D

RGB 255 187 77

HSL 37.08, 1%, 0.65%

LAB 80.37, 14.37, 63.07

 

CMYK 0 / 20 / 62 / 0

HEX #FFCD60

RGB 255 205 96

HSL 41.13, 1%, 0.69%

LAB 84.88, 6.11, 59.62

 

CMYK 0 / 13 / 55 / 0

HEX #FFDF73

RGB 255 223 115

HSL 46.29, 1%, 0.73%

LAB 89.52, -1.75, 56.25

 

CMYK 0 / 5 / 47 / 0

HEX #FFF186

RGB 255 241 134

HSL 53.06, 1%, 0.76%

LAB 94.27, -9.18, 53.01

 

CMYK 0 / 33 / 75 / 1

HEX #FDA93F

RGB 253 169 63

HSL 33.47, 0.98%, 0.62%

LAB 75.83, 22.31, 64.21

 

CMYK 0 / 36 / 81 / 7

HEX #EC972C

RGB 236 151 44

HSL 33.44, 0.83%, 0.55%

LAB 69.57, 24.03, 64.83

 

CMYK 0 / 39 / 89 / 14

HEX #DB8519

RGB 219 133 25

HSL 33.4, 0.8%, 0.48%

LAB 63.26, 25.96, 64.63

 

CMYK 0 / 43 / 97 / 21

HEX #CA7306

RGB 202 115 6

HSL 33.37, 0.94%, 0.41%

LAB 56.91, 28.12, 63

 

CMYK 0 / 48 / 100 / 27

HEX #B96100

RGB 185 97 0

HSL 31.46, 1%, 0.36%

LAB 50.53, 30.51, 58.93

 

CMYK 0 / 33 / 75 / 1

HEX #FDA93F

RGB 253 169 63

HSL 33.47, 0.98%, 0.62%

LAB 75.83, 22.31, 64.21

 

CMYK 0 / 54 / 75 / 1

HEX #FD753F

RGB 253 117 63

HSL 17.05, 0.98%, 0.62%

LAB 64.93, 48.67, 53.26

 

CMYK 0 / 74 / 75 / 1

HEX #FD423F

RGB 253 66 63

HSL 0.95, 0.98%, 0.62%

LAB 57.21, 69.33, 45.09

 

CMYK 0 / 75 / 75 / 1

HEX #FD3F3F

RGB 253 63 63

HSL 0, 0.98%, 0.62%

LAB 56.88, 70.26, 44.73

 

CMYK 0 / 33 / 75 / 1

HEX #FDA93F

RGB 253 169 63

HSL 33.47, 0.98%, 0.62%

LAB 75.83, 22.31, 64.21

 

CMYK 0 / 13 / 75 / 1

HEX #FDDC3F

RGB 253 220 63

HSL 49.58, 0.98%, 0.62%

LAB 88.17, -4.04, 75.97

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3F

RGB 234 253 63

HSL 66, 0.98%, 0.62%

LAB 95.2, -27.89, 81.92

 

CMYK 28 / 0 / 75 / 1

HEX #B7FD3F

RGB 183 253 63

HSL 82.11, 0.98%, 0.62%

LAB 91.99, -47.42, 77.76

 

CMYK 48 / 0 / 75 / 1

HEX #84FD3F

RGB 132 253 63

HSL 98.21, 0.98%, 0.62%

LAB 89.63, -64.07, 74.69

 

CMYK 0 / 33 / 75 / 1

HEX #FDA93F

RGB 253 169 63

HSL 33.47, 0.98%, 0.62%

LAB 75.83, 22.31, 64.21

 

CMYK 0 / 33 / 75 / 1

HEX #FDA93F

RGB 253 169 63

HSL 33.47, 0.98%, 0.62%

LAB 75.83, 22.31, 64.21

 

CMYK 0 / 30 / 67 / 7

HEX #EDA74E

RGB 237 167 78

HSL 33.58, 0.82%, 0.62%

LAB 73.67, 17.44, 54.92

 

CMYK 0 / 25 / 57 / 13

HEX #DDA55E

RGB 221 165 94

HSL 33.54, 0.65%, 0.62%

LAB 71.62, 12.89, 44.39

 

CMYK 0 / 21 / 47 / 19

HEX #CEA36E

RGB 206 163 110

HSL 33.13, 0.49%, 0.62%

LAB 69.78, 9.15, 33.5

 

CMYK 0 / 15 / 34 / 25

HEX #BEA17D

RGB 190 161 125

HSL 33.23, 0.33%, 0.62%

LAB 67.96, 5.42, 22.72

 

CMYK 0 / 74 / 75 / 1

HEX #FD423F

RGB 253 66 63

HSL 0.95, 0.98%, 0.62%

LAB 57.21, 69.33, 45.09

 

CMYK 0 / 54 / 75 / 1

HEX #FD743F

RGB 253 116 63

HSL 16.74, 0.98%, 0.62%

LAB 64.75, 49.15, 53.07

 

CMYK 0 / 34 / 75 / 1

HEX #FDA73F

RGB 253 167 63

HSL 32.84, 0.98%, 0.62%

LAB 75.38, 23.36, 63.76

 

CMYK 0 / 14 / 75 / 1

HEX #FDDA3F

RGB 253 218 63

HSL 48.95, 0.98%, 0.62%

LAB 87.67, -3.03, 75.5

 

CMYK 6 / 0 / 75 / 1

HEX #EDFD3F

RGB 237 253 63

HSL 65.05, 0.98%, 0.62%

LAB 95.42, -26.69, 82.2

 

CMYK 0 / 44 / 99 / 9

HEX #E78202

RGB 231 130 2

HSL 33.54, 0.98%, 0.46%

LAB 64.13, 32.26, 70.25

 

CMYK 0 / 40 / 91 / 1

HEX #FC9616

RGB 252 150 22

HSL 33.39, 0.97%, 0.54%

LAB 71.26, 30.7, 73.19

 

CMYK 0 / 33 / 75 / 1

HEX #FDA93F

RGB 253 169 63

HSL 33.47, 0.98%, 0.62%

LAB 75.83, 22.31, 64.21

 

CMYK 0 / 26 / 59 / 1

HEX #FDBB67

RGB 253 187 103

HSL 33.6, 0.97%, 0.7%

LAB 80.41, 15.1, 51.2

 

CMYK 0 / 19 / 43 / 1

HEX #FDCD90

RGB 253 205 144

HSL 33.58, 0.96%, 0.78%

LAB 85.28, 9.26, 36.73

 

CMYK 0 / 33 / 75 / 1

HEX #FDA93F

RGB 253 169 63

HSL 33.47, 0.98%, 0.62%

LAB 75.83, 22.31, 64.21

 

CMYK 57 / 0 / 75 / 1

HEX #6EFD3F

RGB 110 253 63

HSL 105.16, 0.98%, 0.62%

LAB 88.89, -69.9, 73.71

 

CMYK 64 / 75 / 0 / 1

HEX #5B3FFD

RGB 91 63 253

HSL 248.84, 0.98%, 0.62%

LAB 42.57, 62.79, -89.56

 

CMYK 0 / 33 / 75 / 1

HEX #FDA93F

RGB 253 169 63

HSL 33.47, 0.98%, 0.62%

LAB 75.83, 22.31, 64.21

 

CMYK 75 / 0 / 34 / 1

HEX #3FFDA7

RGB 63 253 167

HSL 152.84, 0.98%, 0.62%

LAB 88.97, -65.22, 28.2

 

CMYK 34 / 75 / 0 / 1

HEX #A73FFD

RGB 167 63 253

HSL 272.84, 0.98%, 0.62%

LAB 50.53, 73.14, -76.21

 

CMYK 0 / 33 / 75 / 1

HEX #FDA93F

RGB 253 169 63

HSL 33.47, 0.98%, 0.62%

LAB 75.83, 22.31, 64.21

 

CMYK 57 / 0 / 75 / 1

HEX #6EFD3F

RGB 110 253 63

HSL 105.16, 0.98%, 0.62%

LAB 88.89, -69.9, 73.71

 

CMYK 75 / 42 / 0 / 1

HEX #3F94FD

RGB 63 148 253

HSL 213.16, 0.98%, 0.62%

LAB 61.07, 9.62, -59.55

 

CMYK 19 / 75 / 0 / 1

HEX #CD3FFD

RGB 205 63 253

HSL 284.84, 0.98%, 0.62%

LAB 55.71, 79.68, -67.56

 

CMYK 0 / 33 / 75 / 1

HEX #FDA93F

RGB 253 169 63

HSL 33.47, 0.98%, 0.62%

LAB 75.83, 22.31, 64.21

 

CMYK 75 / 0 / 72 / 1

HEX #3FFD48

RGB 63 253 72

HSL 122.84, 0.98%, 0.62%

LAB 87.86, -78.22, 69.38

 

CMYK 75 / 42 / 0 / 1

HEX #3F94FD

RGB 63 148 253

HSL 213.16, 0.98%, 0.62%

LAB 61.07, 9.62, -59.55

 

CMYK 0 / 75 / 4 / 1

HEX #FD3FF3

RGB 253 63 243

HSL 303.16, 0.98%, 0.62%

LAB 62.43, 87.16, -50.84

 

Description

Color code: RGB 253 169 63 | qconv.com Color code: RGB 253 169 63 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 169 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 169 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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