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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 108 189 it is the complementary color RGB 2 147 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 108 189. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 253 108 189 shade: RGB 255 108 184, RGB 255 126 203, RGB 255 144 222, RGB 255 162 241 and RGB 255 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 108 189. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 253 108 189 shade: RGB 253 108 189, RGB 236 90 170, RGB 219 72 151, RGB 202 54 132 and RGB 185 36 113

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 253 108 189 shade: RGB 252 109 189, RGB 252 109 150, RGB 252 109 112 and RGB 252 109 109

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 253 108 189 shade: RGB 252 109 189, RGB 252 109 228, RGB 238 109 252, RGB 200 109 252 and RGB 161 109 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 253 108 189 shade matches the following richer shades: RGB 252 109 189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 253 108 189 shade: RGB 252 109 189, RGB 240 121 188, RGB 228 133 186, RGB 216 145 185 and RGB 204 157 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 253 108 189 shade: RGB 238 109 252, RGB 252 109 228, RGB 252 109 190, RGB 252 109 152 and RGB 252 109 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 253 108 189 shade: RGB 251 28 152, RGB 252 68 171, RGB 252 109 189, RGB 253 149 207 and RGB 254 190 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 253 108 189 shade: RGB 253 108 189, RGB 252 200 109 and RGB 109 247 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 253 108 189 shade: RGB 253 108 189, RGB 190 252 109 and RGB 109 190 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 253 108 189 shade: RGB 253 108 189, RGB 252 200 109, RGB 109 252 171 and RGB 109 161 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 253 108 189 shade: RGB 253 108 189, RGB 252 243 109, RGB 109 252 171 and RGB 109 118 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 25 / 1

HEX #FD6CBD

RGB 253 108 189

HSL 326.48, 0.97%, 0.71%

LAB 65.97, 63.49, -15.06

 

Complementary color

CMYK 99 / 0 / 55 / 42

HEX #029342

RGB 2 147 66

HSL 146.48, 0.97%, 0.29%

LAB 53.25, -51.6, 33.39

 

CMYK 0 / 58 / 28 / 0

HEX #FF6CB8

RGB 255 108 184

HSL 328.98, 1%, 0.71%

LAB 66.09, 63.44, -12.01

 

CMYK 0 / 51 / 20 / 0

HEX #FF7ECB

RGB 255 126 203

HSL 324.19, 1%, 0.75%

LAB 69.82, 57.76, -17.07

 

CMYK 0 / 44 / 13 / 0

HEX #FF90DE

RGB 255 144 222

HSL 317.84, 1%, 0.78%

LAB 73.86, 51.84, -21.46

 

CMYK 0 / 36 / 5 / 0

HEX #FFA2F1

RGB 255 162 241

HSL 309.03, 1%, 0.82%

LAB 78.14, 45.83, -25.28

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 57 / 25 / 1

HEX #FD6CBD

RGB 253 108 189

HSL 326.48, 0.97%, 0.71%

LAB 65.97, 63.49, -15.06

 

CMYK 0 / 62 / 28 / 7

HEX #EC5AAA

RGB 236 90 170

HSL 327.12, 0.79%, 0.64%

LAB 59.93, 63.86, -13.56

 

CMYK 0 / 67 / 31 / 14

HEX #DB4897

RGB 219 72 151

HSL 327.76, 0.67%, 0.57%

LAB 53.95, 63.95, -11.75

 

CMYK 0 / 73 / 35 / 21

HEX #CA3684

RGB 202 54 132

HSL 328.38, 0.58%, 0.5%

LAB 48.08, 63.61, -9.5

 

CMYK 0 / 81 / 39 / 27

HEX #B92471

RGB 185 36 113

HSL 328.99, 0.67%, 0.43%

LAB 42.41, 62.57, -6.65

 

CMYK 0 / 57 / 25 / 1

HEX #FC6DBD

RGB 252 109 189

HSL 326.43, 0.96%, 0.71%

LAB 65.99, 62.76, -15.04

 

CMYK 0 / 57 / 40 / 1

HEX #FC6D96

RGB 252 109 150

HSL 342.8, 0.96%, 0.71%

LAB 64.83, 58.2, 5.44

 

CMYK 0 / 57 / 56 / 1

HEX #FC6D70

RGB 252 109 112

HSL 358.74, 0.96%, 0.71%

LAB 64, 54.82, 25.97

 

CMYK 0 / 57 / 57 / 1

HEX #FC6D6D

RGB 252 109 109

HSL 0, 0.96%, 0.71%

LAB 63.95, 54.6, 27.59

 

CMYK 0 / 57 / 25 / 1

HEX #FC6DBD

RGB 252 109 189

HSL 326.43, 0.96%, 0.71%

LAB 65.99, 62.76, -15.04

 

CMYK 0 / 57 / 10 / 1

HEX #FC6DE4

RGB 252 109 228

HSL 310.07, 0.96%, 0.71%

LAB 67.45, 68.3, -34.64

 

CMYK 6 / 57 / 0 / 1

HEX #EE6DFC

RGB 238 109 252

HSL 294.13, 0.96%, 0.71%

LAB 66.63, 68.67, -49.31

 

CMYK 21 / 57 / 0 / 1

HEX #C86DFC

RGB 200 109 252

HSL 278.18, 0.96%, 0.71%

LAB 61.86, 59.37, -57.17

 

CMYK 36 / 57 / 0 / 1

HEX #A16DFC

RGB 161 109 252

HSL 261.82, 0.96%, 0.71%

LAB 57.6, 50.25, -64.24

 

CMYK 0 / 57 / 25 / 1

HEX #FC6DBD

RGB 252 109 189

HSL 326.43, 0.96%, 0.71%

LAB 65.99, 62.76, -15.04

 

CMYK 0 / 57 / 25 / 1

HEX #FC6DBD

RGB 252 109 189

HSL 326.43, 0.96%, 0.71%

LAB 65.99, 62.76, -15.04

 

CMYK 0 / 50 / 22 / 6

HEX #F079BC

RGB 240 121 188

HSL 326.22, 0.8%, 0.71%

LAB 66.39, 53.41, -14.04

 

CMYK 0 / 42 / 18 / 11

HEX #E485BA

RGB 228 133 186

HSL 326.53, 0.64%, 0.71%

LAB 67.14, 43.24, -11.95

 

CMYK 0 / 33 / 14 / 15

HEX #D891B9

RGB 216 145 185

HSL 326.2, 0.48%, 0.71%

LAB 68.28, 32.68, -9.82

 

CMYK 0 / 23 / 10 / 20

HEX #CC9DB7

RGB 204 157 183

HSL 326.81, 0.32%, 0.71%

LAB 69.73, 21.62, -6.68

 

CMYK 6 / 57 / 0 / 1

HEX #EE6DFC

RGB 238 109 252

HSL 294.13, 0.96%, 0.71%

LAB 66.63, 68.67, -49.31

 

CMYK 0 / 57 / 10 / 1

HEX #FC6DE4

RGB 252 109 228

HSL 310.07, 0.96%, 0.71%

LAB 67.45, 68.3, -34.64

 

CMYK 0 / 57 / 25 / 1

HEX #FC6DBE

RGB 252 109 190

HSL 326.01, 0.96%, 0.71%

LAB 66.02, 62.89, -15.56

 

CMYK 0 / 57 / 40 / 1

HEX #FC6D98

RGB 252 109 152

HSL 341.96, 0.96%, 0.71%

LAB 64.88, 58.41, 4.37

 

CMYK 0 / 57 / 55 / 1

HEX #FC6D72

RGB 252 109 114

HSL 357.9, 0.96%, 0.71%

LAB 64.04, 54.98, 24.89

 

CMYK 0 / 89 / 39 / 2

HEX #FB1C98

RGB 251 28 152

HSL 326.64, 0.97%, 0.55%

LAB 55.69, 83.17, -9.15

 

CMYK 0 / 73 / 32 / 1

HEX #FC44AB

RGB 252 68 171

HSL 326.41, 0.97%, 0.63%

LAB 59.68, 76.24, -14.26

 

CMYK 0 / 57 / 25 / 1

HEX #FC6DBD

RGB 252 109 189

HSL 326.43, 0.96%, 0.71%

LAB 65.99, 62.76, -15.04

 

CMYK 0 / 41 / 18 / 1

HEX #FD95CF

RGB 253 149 207

HSL 326.54, 0.96%, 0.79%

LAB 74.11, 46.41, -12.85

 

CMYK 0 / 25 / 11 / 0

HEX #FEBEE2

RGB 254 190 226

HSL 326.25, 0.97%, 0.87%

LAB 83.65, 28.41, -8.92

 

CMYK 0 / 57 / 25 / 1

HEX #FD6CBD

RGB 253 108 189

HSL 326.48, 0.97%, 0.71%

LAB 65.97, 63.49, -15.06

 

CMYK 0 / 21 / 57 / 1

HEX #FCC86D

RGB 252 200 109

HSL 38.18, 0.96%, 0.71%

LAB 83.5, 8.36, 51.93

 

CMYK 57 / 2 / 0 / 1

HEX #6DF7FC

RGB 109 247 252

HSL 182.1, 0.96%, 0.71%

LAB 90.23, -35.9, -13.75

 

CMYK 0 / 57 / 25 / 1

HEX #FD6CBD

RGB 253 108 189

HSL 326.48, 0.97%, 0.71%

LAB 65.97, 63.49, -15.06

 

CMYK 25 / 0 / 57 / 1

HEX #BEFC6D

RGB 190 252 109

HSL 86.01, 0.96%, 0.71%

LAB 92.43, -41.32, 61.09

 

CMYK 57 / 25 / 0 / 1

HEX #6DBEFC

RGB 109 190 252

HSL 206.01, 0.96%, 0.71%

LAB 74.26, -7.33, -38.11

 

CMYK 0 / 57 / 25 / 1

HEX #FD6CBD

RGB 253 108 189

HSL 326.48, 0.97%, 0.71%

LAB 65.97, 63.49, -15.06

 

CMYK 0 / 21 / 57 / 1

HEX #FCC86D

RGB 252 200 109

HSL 38.18, 0.96%, 0.71%

LAB 83.5, 8.36, 51.93

 

CMYK 57 / 0 / 32 / 1

HEX #6DFCAB

RGB 109 252 171

HSL 146.01, 0.96%, 0.71%

LAB 89.77, -56.45, 27.44

 

CMYK 57 / 36 / 0 / 1

HEX #6DA1FC

RGB 109 161 252

HSL 218.18, 0.96%, 0.71%

LAB 66.34, 8.91, -50.52

 

CMYK 0 / 57 / 25 / 1

HEX #FD6CBD

RGB 253 108 189

HSL 326.48, 0.97%, 0.71%

LAB 65.97, 63.49, -15.06

 

CMYK 0 / 4 / 57 / 1

HEX #FCF36D

RGB 252 243 109

HSL 56.22, 0.96%, 0.71%

LAB 94.27, -13.35, 64.32

 

CMYK 57 / 0 / 32 / 1

HEX #6DFCAB

RGB 109 252 171

HSL 146.01, 0.96%, 0.71%

LAB 89.77, -56.45, 27.44

 

CMYK 57 / 53 / 0 / 1

HEX #6D76FC

RGB 109 118 252

HSL 236.22, 0.96%, 0.71%

LAB 55.31, 34.38, -68.14

 

Description

Color code: RGB 253 108 189 | qconv.com Color code: RGB 253 108 189 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 108 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 108 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 25 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 25% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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