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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 71 27 it is the complementary color RGB 3 184 228. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 71 27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 71 27 shade: RGB 255 71 22, RGB 255 89 41, RGB 255 107 60, RGB 255 125 79 and RGB 255 143 98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 71 27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 71 27 shade: RGB 252 71 27, RGB 235 53 8, RGB 218 35 0, RGB 201 17 0 and RGB 184 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 71 27 shade: RGB 251 72 28 and RGB 251 28 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 71 27 shade: RGB 251 72 28, RGB 251 132 28, RGB 251 192 28, RGB 250 251 28 and RGB 190 251 28

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 71 27 shade matches the following richer shades: RGB 251 72 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 71 27 shade: RGB 251 72 28, RGB 232 83 47, RGB 214 95 66, RGB 195 106 84 and RGB 177 117 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 71 27 shade: RGB 251 28 106, RGB 251 28 47, RGB 251 69 28, RGB 251 129 28 and RGB 251 188 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 71 27 shade: RGB 195 40 2, RGB 235 48 3, RGB 251 72 28, RGB 252 105 69 and RGB 252 138 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 71 27 shade: RGB 252 71 27, RGB 166 251 28 and RGB 28 77 251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 71 27 shade: RGB 252 71 27, RGB 28 251 69 and RGB 69 28 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 71 27 shade: RGB 252 71 27, RGB 166 251 28, RGB 28 210 251 and RGB 114 28 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 71 27 shade: RGB 252 71 27, RGB 99 251 28, RGB 28 210 251 and RGB 181 28 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 89 / 1

HEX #FC471B

RGB 252 71 27

HSL 11.73, 0.97%, 0.55%

LAB 57.35, 66.47, 61.85

 

Complementary color

CMYK 99 / 19 / 0 / 11

HEX #03B8E4

RGB 3 184 228

HSL 191.73, 0.97%, 0.45%

LAB 69.4, -23.26, -32.82

 

CMYK 0 / 72 / 91 / 0

HEX #FF4716

RGB 255 71 22

HSL 12.62, 1%, 0.54%

LAB 57.87, 67.32, 64.11

 

CMYK 0 / 65 / 84 / 0

HEX #FF5929

RGB 255 89 41

HSL 13.46, 1%, 0.58%

LAB 60.4, 61.02, 59.02

 

CMYK 0 / 58 / 76 / 0

HEX #FF6B3C

RGB 255 107 60

HSL 14.46, 1%, 0.62%

LAB 63.43, 53.91, 53.25

 

CMYK 0 / 51 / 69 / 0

HEX #FF7D4F

RGB 255 125 79

HSL 15.68, 1%, 0.65%

LAB 66.89, 46.29, 47.55

 

CMYK 0 / 44 / 62 / 0

HEX #FF8F62

RGB 255 143 98

HSL 17.2, 1%, 0.69%

LAB 70.72, 38.42, 42.22

 

CMYK 0 / 72 / 89 / 1

HEX #FC471B

RGB 252 71 27

HSL 11.73, 0.97%, 0.55%

LAB 57.35, 66.47, 61.85

 

CMYK 0 / 77 / 97 / 8

HEX #EB3508

RGB 235 53 8

HSL 11.89, 0.93%, 0.48%

LAB 52.09, 66.85, 62.45

 

CMYK 0 / 84 / 100 / 15

HEX #DA2300

RGB 218 35 0

HSL 9.63, 1%, 0.43%

LAB 47.12, 66.54, 60.31

 

CMYK 0 / 92 / 100 / 21

HEX #C91100

RGB 201 17 0

HSL 5.07, 1%, 0.39%

LAB 42.49, 65.18, 56.41

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 71 / 89 / 2

HEX #FB481C

RGB 251 72 28

HSL 11.84, 0.97%, 0.55%

LAB 57.3, 65.84, 61.37

 

CMYK 0 / 89 / 89 / 2

HEX #FB1C1C

RGB 251 28 28

HSL 0, 0.97%, 0.55%

LAB 53.41, 76.78, 58.58

 

CMYK 0 / 71 / 89 / 2

HEX #FB481C

RGB 251 72 28

HSL 11.84, 0.97%, 0.55%

LAB 57.3, 65.84, 61.37

 

CMYK 0 / 47 / 89 / 2

HEX #FB841C

RGB 251 132 28

HSL 27.98, 0.97%, 0.55%

LAB 67.35, 39.59, 68.82

 

CMYK 0 / 24 / 89 / 2

HEX #FBC01C

RGB 251 192 28

HSL 44.13, 0.97%, 0.55%

LAB 80.9, 8.47, 79.15

 

CMYK 0 / 0 / 89 / 2

HEX #FAFB1C

RGB 250 251 28

HSL 60.27, 0.97%, 0.55%

LAB 95.75, -21.43, 90.66

 

CMYK 24 / 0 / 89 / 2

HEX #BEFB1C

RGB 190 251 28

HSL 76.41, 0.97%, 0.55%

LAB 91.7, -45.19, 85.72

 

CMYK 0 / 71 / 89 / 2

HEX #FB481C

RGB 251 72 28

HSL 11.84, 0.97%, 0.55%

LAB 57.3, 65.84, 61.37

 

CMYK 0 / 71 / 89 / 2

HEX #FB481C

RGB 251 72 28

HSL 11.84, 0.97%, 0.55%

LAB 57.3, 65.84, 61.37

 

CMYK 0 / 64 / 80 / 9

HEX #E8532F

RGB 232 83 47

HSL 11.68, 0.8%, 0.55%

LAB 55.63, 55.95, 50.52

 

CMYK 0 / 56 / 69 / 16

HEX #D65F42

RGB 214 95 66

HSL 11.76, 0.64%, 0.55%

LAB 54.94, 44.95, 39.11

 

CMYK 0 / 46 / 57 / 24

HEX #C36A54

RGB 195 106 84

HSL 11.89, 0.48%, 0.55%

LAB 54.61, 33.27, 28.03

 

CMYK 0 / 34 / 42 / 31

HEX #B17567

RGB 177 117 103

HSL 11.35, 0.32%, 0.55%

LAB 55.12, 21.88, 17.39

 

CMYK 0 / 89 / 58 / 2

HEX #FB1C6A

RGB 251 28 106

HSL 339.01, 0.97%, 0.55%

LAB 54.43, 79.67, 16.55

 

CMYK 0 / 89 / 81 / 2

HEX #FB1C2F

RGB 251 28 47

HSL 354.89, 0.97%, 0.55%

LAB 53.54, 77.16, 49.73

 

CMYK 0 / 73 / 89 / 2

HEX #FB451C

RGB 251 69 28

HSL 11.03, 0.97%, 0.55%

LAB 56.93, 66.86, 61.1

 

CMYK 0 / 49 / 89 / 2

HEX #FB811C

RGB 251 129 28

HSL 27.17, 0.97%, 0.55%

LAB 66.74, 41.09, 68.36

 

CMYK 0 / 25 / 89 / 2

HEX #FBBC1C

RGB 251 188 28

HSL 43.05, 0.97%, 0.55%

LAB 79.93, 10.54, 78.41

 

CMYK 0 / 79 / 99 / 24

HEX #C32802

RGB 195 40 2

HSL 11.81, 0.98%, 0.39%

LAB 42.95, 58.72, 55.19

 

CMYK 0 / 80 / 99 / 8

HEX #EB3003

RGB 235 48 3

HSL 11.64, 0.97%, 0.47%

LAB 51.59, 68.18, 63.4

 

CMYK 0 / 71 / 89 / 2

HEX #FB481C

RGB 251 72 28

HSL 11.84, 0.97%, 0.55%

LAB 57.3, 65.84, 61.37

 

CMYK 0 / 58 / 73 / 1

HEX #FC6945

RGB 252 105 69

HSL 11.8, 0.97%, 0.63%

LAB 62.7, 54.11, 47.87

 

CMYK 0 / 45 / 56 / 1

HEX #FC8A6E

RGB 252 138 110

HSL 11.83, 0.96%, 0.71%

LAB 69.47, 40.67, 34.19

 

CMYK 0 / 72 / 89 / 1

HEX #FC471B

RGB 252 71 27

HSL 11.73, 0.97%, 0.55%

LAB 57.35, 66.47, 61.85

 

CMYK 34 / 0 / 89 / 2

HEX #A6FB1C

RGB 166 251 28

HSL 82.87, 0.97%, 0.55%

LAB 90.41, -53.86, 84.13

 

CMYK 89 / 69 / 0 / 2

HEX #1C4DFB

RGB 28 77 251

HSL 226.82, 0.97%, 0.55%

LAB 42.03, 49.94, -89.44

 

CMYK 0 / 72 / 89 / 1

HEX #FC471B

RGB 252 71 27

HSL 11.73, 0.97%, 0.55%

LAB 57.35, 66.47, 61.85

 

CMYK 89 / 0 / 73 / 2

HEX #1CFB45

RGB 28 251 69

HSL 131.03, 0.97%, 0.55%

LAB 86.84, -81.32, 69.23

 

CMYK 73 / 89 / 0 / 2

HEX #451CFB

RGB 69 28 251

HSL 251.03, 0.97%, 0.55%

LAB 36.1, 74.21, -99.21

 

CMYK 0 / 72 / 89 / 1

HEX #FC471B

RGB 252 71 27

HSL 11.73, 0.97%, 0.55%

LAB 57.35, 66.47, 61.85

 

CMYK 34 / 0 / 89 / 2

HEX #A6FB1C

RGB 166 251 28

HSL 82.87, 0.97%, 0.55%

LAB 90.41, -53.86, 84.13

 

CMYK 89 / 16 / 0 / 2

HEX #1CD2FB

RGB 28 210 251

HSL 191.03, 0.97%, 0.55%

LAB 78.05, -27.81, -31.85

 

CMYK 55 / 89 / 0 / 2

HEX #721CFB

RGB 114 28 251

HSL 263.14, 0.97%, 0.55%

LAB 40.2, 77.11, -92.29

 

CMYK 0 / 72 / 89 / 1

HEX #FC471B

RGB 252 71 27

HSL 11.73, 0.97%, 0.55%

LAB 57.35, 66.47, 61.85

 

CMYK 61 / 0 / 89 / 2

HEX #63FB1C

RGB 99 251 28

HSL 100.9, 0.97%, 0.55%

LAB 87.84, -73.35, 80.95

 

CMYK 89 / 16 / 0 / 2

HEX #1CD2FB

RGB 28 210 251

HSL 191.03, 0.97%, 0.55%

LAB 78.05, -27.81, -31.85

 

CMYK 28 / 89 / 0 / 2

HEX #B51CFB

RGB 181 28 251

HSL 281.17, 0.97%, 0.55%

LAB 49.03, 84.39, -77.45

 

Description

Color code: RGB 252 71 27 | qconv.com Color code: RGB 252 71 27 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 71 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 71 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 89 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 89% 1% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

75% - Simey.me ~ Simon Goe...
Link: http://simey.me

14% - 株式会社 北の達人コーポレーション|トッ...
Link: http://www.kitanotatsujin.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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