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Color name
RGB 252 58 111

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 58 111 it is the complementary color RGB 3 197 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 58 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 58 111 shade: RGB 255 58 106, RGB 255 76 125, RGB 255 94 144, RGB 255 112 163 and RGB 255 130 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 58 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 58 111 shade: RGB 252 58 111, RGB 235 40 92, RGB 218 22 73, RGB 201 4 54 and RGB 184 0 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 58 111 shade: RGB 252 59 111, RGB 252 59 59 and RGB 252 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 58 111 shade: RGB 252 59 111, RGB 252 59 163, RGB 252 59 215, RGB 236 59 252 and RGB 184 59 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 58 111 shade matches the following richer shades: RGB 252 59 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 58 111 shade: RGB 252 59 111, RGB 235 75 119, RGB 219 91 126, RGB 203 107 133 and RGB 187 123 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 58 111 shade: RGB 252 59 216, RGB 252 59 165, RGB 252 59 113, RGB 252 59 62 and RGB 252 107 59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 58 111 shade: RGB 225 3 63, RGB 251 18 82, RGB 252 59 111, RGB 252 99 141 and RGB 253 140 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 58 111 shade: RGB 252 58 111, RGB 252 235 59 and RGB 59 190 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 58 111 shade: RGB 252 58 111, RGB 113 252 59 and RGB 59 113 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 58 111 shade: RGB 252 58 111, RGB 252 235 59, RGB 59 252 197 and RGB 59 75 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 58 111 shade: RGB 252 58 111, RGB 210 252 59, RGB 59 252 197 and RGB 100 59 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 56 / 1

HEX #FC3A6F

RGB 252 58 111

HSL 343.61, 0.97%, 0.61%

LAB 56.95, 73.9, 17.05

 

Complementary color

CMYK 98 / 0 / 27 / 23

HEX #03C590

RGB 3 197 144

HSL 163.61, 0.97%, 0.39%

LAB 70.85, -53.82, 15.17

 

CMYK 0 / 77 / 58 / 0

HEX #FF3A6A

RGB 255 58 106

HSL 345.38, 1%, 0.61%

LAB 57.39, 74.37, 20.71

 

CMYK 0 / 70 / 51 / 0

HEX #FF4C7D

RGB 255 76 125

HSL 343.58, 1%, 0.65%

LAB 59.81, 70.1, 12.84

 

CMYK 0 / 63 / 44 / 0

HEX #FF5E90

RGB 255 94 144

HSL 341.37, 1%, 0.68%

LAB 62.74, 64.96, 5.95

 

CMYK 0 / 56 / 36 / 0

HEX #FF70A3

RGB 255 112 163

HSL 338.6, 1%, 0.72%

LAB 66.13, 59.2, -0.03

 

CMYK 0 / 49 / 29 / 0

HEX #FF82B6

RGB 255 130 182

HSL 335.04, 1%, 0.75%

LAB 69.9, 53.04, -5.22

 

CMYK 0 / 77 / 56 / 1

HEX #FC3A6F

RGB 252 58 111

HSL 343.61, 0.97%, 0.61%

LAB 56.95, 73.9, 17.05

 

CMYK 0 / 83 / 61 / 8

HEX #EB285C

RGB 235 40 92

HSL 344, 0.83%, 0.54%

LAB 51.78, 72.75, 20.9

 

CMYK 0 / 90 / 67 / 15

HEX #DA1649

RGB 218 22 73

HSL 344.39, 0.82%, 0.47%

LAB 46.92, 70.73, 25.49

 

CMYK 0 / 98 / 73 / 21

HEX #C90436

RGB 201 4 54

HSL 344.77, 0.96%, 0.4%

LAB 42.42, 67.7, 30.82

 

CMYK 0 / 100 / 81 / 28

HEX #B80023

RGB 184 0 35

HSL 348.59, 1%, 0.36%

LAB 38.4, 63.28, 36.77

 

CMYK 0 / 77 / 56 / 1

HEX #FC3B6F

RGB 252 59 111

HSL 343.83, 0.97%, 0.61%

LAB 57.05, 73.62, 17.18

 

CMYK 0 / 77 / 77 / 1

HEX #FC3B3B

RGB 252 59 59

HSL 0, 0.97%, 0.61%

LAB 56.23, 71.02, 46.14

 

CMYK 0 / 77 / 77 / 1

HEX #FC3B3B

RGB 252 59 59

HSL 0, 0.97%, 0.61%

LAB 56.23, 71.02, 46.14

 

CMYK 0 / 77 / 56 / 1

HEX #FC3B6F

RGB 252 59 111

HSL 343.83, 0.97%, 0.61%

LAB 57.05, 73.62, 17.18

 

CMYK 0 / 77 / 35 / 1

HEX #FC3BA3

RGB 252 59 163

HSL 327.67, 0.97%, 0.61%

LAB 58.48, 78.03, -11.42

 

CMYK 0 / 77 / 15 / 1

HEX #FC3BD7

RGB 252 59 215

HSL 311.5, 0.97%, 0.61%

LAB 60.54, 84.13, -38.13

 

CMYK 6 / 77 / 0 / 1

HEX #EC3BFC

RGB 236 59 252

HSL 295.03, 0.97%, 0.61%

LAB 59.88, 86.35, -60.06

 

CMYK 27 / 77 / 0 / 1

HEX #B83BFC

RGB 184 59 252

HSL 278.86, 0.97%, 0.61%

LAB 52.23, 77.15, -72.79

 

CMYK 0 / 77 / 56 / 1

HEX #FC3B6F

RGB 252 59 111

HSL 343.83, 0.97%, 0.61%

LAB 57.05, 73.62, 17.18

 

CMYK 0 / 77 / 56 / 1

HEX #FC3B6F

RGB 252 59 111

HSL 343.83, 0.97%, 0.61%

LAB 57.05, 73.62, 17.18

 

CMYK 0 / 68 / 49 / 8

HEX #EB4B77

RGB 235 75 119

HSL 343.5, 0.8%, 0.61%

LAB 56.11, 64.19, 10.69

 

CMYK 0 / 58 / 42 / 14

HEX #DB5B7E

RGB 219 91 126

HSL 343.59, 0.64%, 0.61%

LAB 56.14, 53.23, 6.23

 

CMYK 0 / 47 / 34 / 20

HEX #CB6B85

RGB 203 107 133

HSL 343.75, 0.48%, 0.61%

LAB 56.98, 40.77, 3.04

 

CMYK 0 / 34 / 25 / 27

HEX #BB7B8C

RGB 187 123 140

HSL 344.06, 0.32%, 0.61%

LAB 58.62, 27.3, 1.11

 

CMYK 0 / 77 / 14 / 1

HEX #FC3BD8

RGB 252 59 216

HSL 311.19, 0.97%, 0.61%

LAB 60.59, 84.26, -38.63

 

CMYK 0 / 77 / 35 / 1

HEX #FC3BA5

RGB 252 59 165

HSL 327.05, 0.97%, 0.61%

LAB 58.55, 78.23, -12.49

 

CMYK 0 / 77 / 55 / 1

HEX #FC3B71

RGB 252 59 113

HSL 343.21, 0.97%, 0.61%

LAB 57.09, 73.75, 16.06

 

CMYK 0 / 77 / 75 / 1

HEX #FC3B3E

RGB 252 59 62

HSL 359.07, 0.97%, 0.61%

LAB 56.26, 71.12, 44.54

 

CMYK 0 / 58 / 77 / 1

HEX #FC6B3B

RGB 252 107 59

HSL 14.92, 0.97%, 0.61%

LAB 62.95, 52.81, 53.1

 

CMYK 0 / 99 / 72 / 12

HEX #E1033F

RGB 225 3 63

HSL 343.78, 0.97%, 0.45%

LAB 47.54, 73.91, 32.65

 

CMYK 0 / 93 / 67 / 2

HEX #FB1252

RGB 251 18 82

HSL 343.52, 0.97%, 0.53%

LAB 53.55, 79.62, 29.81

 

CMYK 0 / 77 / 56 / 1

HEX #FC3B6F

RGB 252 59 111

HSL 343.83, 0.97%, 0.61%

LAB 57.05, 73.62, 17.18

 

CMYK 0 / 61 / 44 / 1

HEX #FC638D

RGB 252 99 141

HSL 343.53, 0.96%, 0.69%

LAB 62.96, 61.69, 7.93

 

CMYK 0 / 45 / 32 / 1

HEX #FD8CAB

RGB 253 140 171

HSL 343.54, 0.97%, 0.77%

LAB 71.27, 46.07, 2.9

 

CMYK 0 / 77 / 56 / 1

HEX #FC3A6F

RGB 252 58 111

HSL 343.61, 0.97%, 0.61%

LAB 56.95, 73.9, 17.05

 

CMYK 0 / 7 / 77 / 1

HEX #FCEB3B

RGB 252 235 59

HSL 54.72, 0.97%, 0.61%

LAB 91.88, -12.07, 80.59

 

CMYK 77 / 25 / 0 / 1

HEX #3BBEFC

RGB 59 190 252

HSL 199.27, 0.97%, 0.61%

LAB 72.75, -14.89, -40.57

 

CMYK 0 / 77 / 56 / 1

HEX #FC3A6F

RGB 252 58 111

HSL 343.61, 0.97%, 0.61%

LAB 56.95, 73.9, 17.05

 

CMYK 55 / 0 / 77 / 1

HEX #71FC3B

RGB 113 252 59

HSL 103.21, 0.97%, 0.61%

LAB 88.66, -69.05, 74.74

 

CMYK 77 / 55 / 0 / 1

HEX #3B71FC

RGB 59 113 252

HSL 223.21, 0.97%, 0.61%

LAB 51.57, 30.28, -74.32

 

CMYK 0 / 77 / 56 / 1

HEX #FC3A6F

RGB 252 58 111

HSL 343.61, 0.97%, 0.61%

LAB 56.95, 73.9, 17.05

 

CMYK 0 / 7 / 77 / 1

HEX #FCEB3B

RGB 252 235 59

HSL 54.72, 0.97%, 0.61%

LAB 91.88, -12.07, 80.59

 

CMYK 77 / 0 / 22 / 1

HEX #3BFCC5

RGB 59 252 197

HSL 162.9, 0.97%, 0.61%

LAB 89.2, -58.91, 13.18

 

CMYK 77 / 70 / 0 / 1

HEX #3B4BFC

RGB 59 75 252

HSL 235.03, 0.97%, 0.61%

LAB 42.75, 53.26, -88.77

 

CMYK 0 / 77 / 56 / 1

HEX #FC3A6F

RGB 252 58 111

HSL 343.61, 0.97%, 0.61%

LAB 56.95, 73.9, 17.05

 

CMYK 17 / 0 / 77 / 1

HEX #D2FC3B

RGB 210 252 59

HSL 73.06, 0.97%, 0.61%

LAB 93.29, -37.04, 80.73

 

CMYK 77 / 0 / 22 / 1

HEX #3BFCC5

RGB 59 252 197

HSL 162.9, 0.97%, 0.61%

LAB 89.2, -58.91, 13.18

 

CMYK 60 / 77 / 0 / 1

HEX #643BFC

RGB 100 59 252

HSL 252.75, 0.97%, 0.61%

LAB 42.56, 65.32, -88.99

 

Description

Color code: RGB 252 58 111 | qconv.com Color code: RGB 252 58 111 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 58 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 58 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 56 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 56% 1% C M Y K

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Provide designers and agencies with accurate color values.

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