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Color name
RGB 252 34 56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 34 56 it is the complementary color RGB 3 221 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 34 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 34 56 shade: RGB 255 34 51, RGB 255 52 70, RGB 255 70 89, RGB 255 88 108 and RGB 255 106 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 34 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 34 56 shade: RGB 252 34 56, RGB 235 16 37, RGB 218 0 18, RGB 201 0 0 and RGB 184 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 34 56 shade: RGB 251 33 55 and RGB 251 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 34 56 shade: RGB 251 33 55, RGB 251 33 114, RGB 251 33 173, RGB 251 33 232 and RGB 212 33 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 34 56 shade matches the following richer shades: RGB 251 33 55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 34 56 shade: RGB 251 33 55, RGB 233 52 70, RGB 215 70 84, RGB 197 88 99 and RGB 179 106 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 34 56 shade: RGB 251 33 175, RGB 251 33 117, RGB 251 33 59, RGB 251 66 33 and RGB 251 124 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 34 56 shade: RGB 200 3 22, RGB 240 3 27, RGB 251 33 55, RGB 252 74 92 and RGB 252 115 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 34 56 shade: RGB 252 34 56, RGB 233 251 33 and RGB 33 146 251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 34 56 shade: RGB 252 34 56, RGB 59 251 33 and RGB 33 59 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 34 56 shade: RGB 252 34 56, RGB 233 251 33, RGB 33 251 226 and RGB 52 33 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 34 56 shade: RGB 252 34 56, RGB 168 251 33, RGB 33 251 226 and RGB 117 33 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 78 / 1

HEX #FC2238

RGB 252 34 56

HSL 353.94, 0.97%, 0.56%

LAB 54.16, 76.7, 45.59

 

Complementary color

CMYK 99 / 0 / 10 / 13

HEX #03DDC7

RGB 3 221 199

HSL 173.94, 0.97%, 0.44%

LAB 79.53, -49.33, -1.86

 

CMYK 0 / 87 / 80 / 0

HEX #FF2233

RGB 255 34 51

HSL 355.38, 1%, 0.57%

LAB 54.7, 77.32, 49.03

 

CMYK 0 / 80 / 73 / 0

HEX #FF3446

RGB 255 52 70

HSL 354.68, 1%, 0.6%

LAB 56.25, 74.13, 40.24

 

CMYK 0 / 73 / 65 / 0

HEX #FF4659

RGB 255 70 89

HSL 353.84, 1%, 0.64%

LAB 58.38, 69.77, 31.94

 

CMYK 0 / 65 / 58 / 0

HEX #FF586C

RGB 255 88 108

HSL 352.81, 1%, 0.67%

LAB 61.06, 64.43, 24.45

 

CMYK 0 / 58 / 50 / 0

HEX #FF6A7F

RGB 255 106 127

HSL 351.54, 1%, 0.71%

LAB 64.24, 58.36, 17.84

 

CMYK 0 / 87 / 78 / 1

HEX #FC2238

RGB 252 34 56

HSL 353.94, 0.97%, 0.56%

LAB 54.16, 76.7, 45.59

 

CMYK 0 / 93 / 84 / 8

HEX #EB1025

RGB 235 16 37

HSL 354.25, 0.87%, 0.49%

LAB 49.7, 74.45, 50.15

 

CMYK 0 / 100 / 92 / 15

HEX #DA0012

RGB 218 0 18

HSL 355.05, 1%, 0.43%

LAB 45.56, 71.33, 54.02

 

CMYK 0 / 100 / 100 / 21

HEX #C90000

RGB 201 0 0

HSL 0, 1%, 0.39%

LAB 41.87, 66.96, 56.19

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 87 / 78 / 2

HEX #FB2137

RGB 251 33 55

HSL 353.94, 0.96%, 0.56%

LAB 53.89, 76.59, 45.8

 

CMYK 0 / 87 / 87 / 2

HEX #FB2121

RGB 251 33 33

HSL 0, 0.96%, 0.56%

LAB 53.71, 76.07, 56.67

 

CMYK 0 / 87 / 78 / 2

HEX #FB2137

RGB 251 33 55

HSL 353.94, 0.96%, 0.56%

LAB 53.89, 76.59, 45.8

 

CMYK 0 / 87 / 55 / 2

HEX #FB2172

RGB 251 33 114

HSL 337.71, 0.96%, 0.56%

LAB 54.88, 79.41, 12.36

 

CMYK 0 / 87 / 31 / 2

HEX #FB21AD

RGB 251 33 173

HSL 321.47, 0.96%, 0.56%

LAB 56.7, 84.46, -19.97

 

CMYK 0 / 87 / 8 / 2

HEX #FB21E8

RGB 251 33 232

HSL 305.23, 0.96%, 0.56%

LAB 59.36, 91.54, -49.58

 

CMYK 16 / 87 / 0 / 2

HEX #D421FB

RGB 212 33 251

HSL 289.27, 0.96%, 0.56%

LAB 54.08, 87.94, -69.03

 

CMYK 0 / 87 / 78 / 2

HEX #FB2137

RGB 251 33 55

HSL 353.94, 0.96%, 0.56%

LAB 53.89, 76.59, 45.8

 

CMYK 0 / 87 / 78 / 2

HEX #FB2137

RGB 251 33 55

HSL 353.94, 0.96%, 0.56%

LAB 53.89, 76.59, 45.8

 

CMYK 0 / 78 / 70 / 9

HEX #E93446

RGB 233 52 70

HSL 354.03, 0.8%, 0.56%

LAB 52.09, 68.08, 34.32

 

CMYK 0 / 67 / 61 / 16

HEX #D74654

RGB 215 70 84

HSL 354.21, 0.64%, 0.56%

LAB 51.23, 57.38, 24.29

 

CMYK 0 / 55 / 50 / 23

HEX #C55863

RGB 197 88 99

HSL 353.94, 0.48%, 0.56%

LAB 51.55, 44.52, 15.29

 

CMYK 0 / 41 / 37 / 30

HEX #B36A71

RGB 179 106 113

HSL 354.25, 0.32%, 0.56%

LAB 53.04, 29.97, 8.7

 

CMYK 0 / 87 / 30 / 2

HEX #FB21AF

RGB 251 33 175

HSL 320.92, 0.96%, 0.56%

LAB 56.77, 84.67, -21.02

 

CMYK 0 / 87 / 53 / 2

HEX #FB2175

RGB 251 33 117

HSL 336.88, 0.96%, 0.56%

LAB 54.95, 79.61, 10.66

 

CMYK 0 / 87 / 76 / 2

HEX #FB213B

RGB 251 33 59

HSL 352.84, 0.96%, 0.56%

LAB 53.93, 76.71, 43.63

 

CMYK 0 / 74 / 87 / 2

HEX #FB4221

RGB 251 66 33

HSL 9.08, 0.96%, 0.56%

LAB 56.6, 67.93, 58.93

 

CMYK 0 / 51 / 87 / 2

HEX #FB7C21

RGB 251 124 33

HSL 25.05, 0.96%, 0.56%

LAB 65.78, 43.65, 66.13

 

CMYK 0 / 99 / 89 / 22

HEX #C80316

RGB 200 3 22

HSL 354.21, 0.97%, 0.4%

LAB 41.85, 66.67, 47.97

 

CMYK 0 / 99 / 89 / 6

HEX #F0031B

RGB 240 3 27

HSL 353.92, 0.98%, 0.48%

LAB 50.3, 76.55, 55.74

 

CMYK 0 / 87 / 78 / 2

HEX #FB2137

RGB 251 33 55

HSL 353.94, 0.96%, 0.56%

LAB 53.89, 76.59, 45.8

 

CMYK 0 / 71 / 63 / 1

HEX #FC4A5C

RGB 252 74 92

HSL 353.93, 0.97%, 0.64%

LAB 58.38, 67.71, 30.1

 

CMYK 0 / 54 / 49 / 1

HEX #FC7381

RGB 252 115 129

HSL 353.87, 0.96%, 0.72%

LAB 65.39, 53.45, 18.21

 

CMYK 0 / 87 / 78 / 1

HEX #FC2238

RGB 252 34 56

HSL 353.94, 0.97%, 0.56%

LAB 54.16, 76.7, 45.59

 

CMYK 7 / 0 / 87 / 2

HEX #E9FB21

RGB 233 251 33

HSL 64.95, 0.96%, 0.56%

LAB 94.49, -28.26, 88.34

 

CMYK 87 / 42 / 0 / 2

HEX #2192FB

RGB 33 146 251

HSL 208.9, 0.96%, 0.56%

LAB 59.75, 7.44, -60.61

 

CMYK 0 / 87 / 78 / 1

HEX #FC2238

RGB 252 34 56

HSL 353.94, 0.97%, 0.56%

LAB 54.16, 76.7, 45.59

 

CMYK 76 / 0 / 87 / 2

HEX #3BFB21

RGB 59 251 33

HSL 112.84, 0.96%, 0.56%

LAB 87.01, -80.34, 79.05

 

CMYK 87 / 76 / 0 / 2

HEX #213BFB

RGB 33 59 251

HSL 232.84, 0.96%, 0.56%

LAB 38.58, 60.16, -95.14

 

CMYK 0 / 87 / 78 / 1

HEX #FC2238

RGB 252 34 56

HSL 353.94, 0.97%, 0.56%

LAB 54.16, 76.7, 45.59

 

CMYK 7 / 0 / 87 / 2

HEX #E9FB21

RGB 233 251 33

HSL 64.95, 0.96%, 0.56%

LAB 94.49, -28.26, 88.34

 

CMYK 87 / 0 / 10 / 2

HEX #21FBE2

RGB 33 251 226

HSL 173.12, 0.96%, 0.56%

LAB 89.3, -53.38, -1.74

 

CMYK 79 / 87 / 0 / 2

HEX #3421FB

RGB 52 33 251

HSL 245.23, 0.96%, 0.56%

LAB 35.56, 72, -100.14

 

CMYK 0 / 87 / 78 / 1

HEX #FC2238

RGB 252 34 56

HSL 353.94, 0.97%, 0.56%

LAB 54.16, 76.7, 45.59

 

CMYK 33 / 0 / 87 / 2

HEX #A8FB21

RGB 168 251 33

HSL 82.84, 0.96%, 0.56%

LAB 90.52, -53.04, 83.43

 

CMYK 87 / 0 / 10 / 2

HEX #21FBE2

RGB 33 251 226

HSL 173.12, 0.96%, 0.56%

LAB 89.3, -53.38, -1.74

 

CMYK 53 / 87 / 0 / 2

HEX #7521FB

RGB 117 33 251

HSL 263.12, 0.96%, 0.56%

LAB 40.95, 76.12, -91.03

 

Description

Color code: RGB 252 34 56 | qconv.com Color code: RGB 252 34 56 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 34 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 34 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 78 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 78% 1% C M Y K

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Provide designers and agencies with accurate color values.

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