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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 25 185 it is the complementary color RGB 3 230 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 25 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 25 185 shade: RGB 255 25 180, RGB 255 43 199, RGB 255 61 218, RGB 255 79 237 and RGB 255 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 25 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 25 185 shade: RGB 252 25 185, RGB 235 7 166, RGB 218 0 147, RGB 201 0 128 and RGB 184 0 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 25 185 shade: RGB 251 23 184, RGB 251 23 122, RGB 251 23 61 and RGB 251 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 25 185 shade: RGB 251 23 184, RGB 251 23 245, RGB 195 23 251, RGB 134 23 251 and RGB 73 23 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 25 185 shade matches the following richer shades: RGB 251 23 184

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 25 185 shade: RGB 251 23 184, RGB 232 42 176, RGB 213 61 168, RGB 194 80 160 and RGB 175 99 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 25 185 shade: RGB 194 23 251, RGB 251 23 247, RGB 251 23 187, RGB 251 23 126 and RGB 251 23 65

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 25 185 shade: RGB 189 2 134, RGB 230 3 163, RGB 251 23 184, RGB 252 64 196 and RGB 252 105 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 25 185 shade: RGB 252 25 185, RGB 251 133 23 and RGB 23 251 224

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 25 185 shade: RGB 252 25 185, RGB 187 251 23 and RGB 23 187 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 25 185 shade: RGB 252 25 185, RGB 251 133 23, RGB 23 251 88 and RGB 23 141 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 25 185 shade: RGB 252 25 185, RGB 251 202 23, RGB 23 251 88 and RGB 23 73 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 27 / 1

HEX #FC19B9

RGB 252 25 185

HSL 317.71, 0.97%, 0.54%

LAB 56.97, 87.07, -26.52

 

Complementary color

CMYK 99 / 0 / 70 / 10

HEX #03E646

RGB 3 230 70

HSL 137.71, 0.97%, 0.46%

LAB 80.21, -76.4, 62

 

CMYK 0 / 90 / 29 / 0

HEX #FF19B4

RGB 255 25 180

HSL 319.57, 1%, 0.55%

LAB 57.32, 87.13, -23.03

 

CMYK 0 / 83 / 22 / 0

HEX #FF2BC7

RGB 255 43 199

HSL 315.85, 1%, 0.58%

LAB 59.08, 86.41, -31.28

 

CMYK 0 / 76 / 15 / 0

HEX #FF3DDA

RGB 255 61 218

HSL 311.44, 1%, 0.62%

LAB 61.36, 84.63, -38.51

 

CMYK 0 / 69 / 7 / 0

HEX #FF4FED

RGB 255 79 237

HSL 306.14, 1%, 0.65%

LAB 64.13, 81.89, -44.8

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 90 / 27 / 1

HEX #FC19B9

RGB 252 25 185

HSL 317.71, 0.97%, 0.54%

LAB 56.97, 87.07, -26.52

 

CMYK 0 / 97 / 29 / 8

HEX #EB07A6

RGB 235 7 166

HSL 318.16, 0.94%, 0.47%

LAB 52.47, 83.32, -22.6

 

CMYK 0 / 100 / 33 / 15

HEX #DA0093

RGB 218 0 147

HSL 319.54, 1%, 0.43%

LAB 48.28, 78.51, -17.99

 

CMYK 0 / 100 / 36 / 21

HEX #C90080

RGB 201 0 128

HSL 321.79, 1%, 0.39%

LAB 44.2, 73.15, -12.93

 

CMYK 0 / 100 / 41 / 28

HEX #B8006D

RGB 184 0 109

HSL 324.46, 1%, 0.36%

LAB 40.07, 67.74, -7.66

 

CMYK 0 / 91 / 27 / 2

HEX #FB17B8

RGB 251 23 184

HSL 317.63, 0.97%, 0.54%

LAB 56.67, 86.99, -26.42

 

CMYK 0 / 91 / 51 / 2

HEX #FB177A

RGB 251 23 122

HSL 333.95, 0.97%, 0.54%

LAB 54.58, 81.39, 7.13

 

CMYK 0 / 91 / 76 / 2

HEX #FB173D

RGB 251 23 61

HSL 350, 0.97%, 0.54%

LAB 53.45, 78.24, 41.98

 

CMYK 0 / 91 / 91 / 2

HEX #FB1717

RGB 251 23 23

HSL 0, 0.97%, 0.54%

LAB 53.15, 77.4, 60.34

 

CMYK 0 / 91 / 27 / 2

HEX #FB17B8

RGB 251 23 184

HSL 317.63, 0.97%, 0.54%

LAB 56.67, 86.99, -26.42

 

CMYK 0 / 91 / 2 / 2

HEX #FB17F5

RGB 251 23 245

HSL 301.58, 0.97%, 0.54%

LAB 59.63, 94.6, -56.43

 

CMYK 22 / 91 / 0 / 2

HEX #C317FB

RGB 195 23 251

HSL 285.26, 0.97%, 0.54%

LAB 50.9, 87.05, -74.32

 

CMYK 47 / 91 / 0 / 2

HEX #8617FB

RGB 134 23 251

HSL 269.21, 0.97%, 0.54%

LAB 42.23, 79.93, -88.86

 

CMYK 71 / 91 / 0 / 2

HEX #4917FB

RGB 73 23 251

HSL 253.16, 0.97%, 0.54%

LAB 35.97, 75.67, -99.42

 

CMYK 0 / 91 / 27 / 2

HEX #FB17B8

RGB 251 23 184

HSL 317.63, 0.97%, 0.54%

LAB 56.67, 86.99, -26.42

 

CMYK 0 / 91 / 27 / 2

HEX #FB17B8

RGB 251 23 184

HSL 317.63, 0.97%, 0.54%

LAB 56.67, 86.99, -26.42

 

CMYK 0 / 82 / 24 / 9

HEX #E82AB0

RGB 232 42 176

HSL 317.68, 0.81%, 0.54%

LAB 53.97, 79.07, -26.21

 

CMYK 0 / 71 / 21 / 16

HEX #D53DA8

RGB 213 61 168

HSL 317.76, 0.64%, 0.54%

LAB 52.19, 68.45, -24.54

 

CMYK 0 / 59 / 18 / 24

HEX #C250A0

RGB 194 80 160

HSL 317.89, 0.48%, 0.54%

LAB 51.55, 54.72, -21.08

 

CMYK 0 / 43 / 13 / 31

HEX #AF6399

RGB 175 99 153

HSL 317.37, 0.32%, 0.54%

LAB 52.22, 38.22, -16.17

 

CMYK 23 / 91 / 0 / 2

HEX #C217FB

RGB 194 23 251

HSL 285, 0.97%, 0.54%

LAB 50.74, 86.91, -74.58

 

CMYK 0 / 91 / 2 / 2

HEX #FB17F7

RGB 251 23 247

HSL 301.05, 0.97%, 0.54%

LAB 59.74, 94.87, -57.37

 

CMYK 0 / 91 / 25 / 2

HEX #FB17BB

RGB 251 23 187

HSL 316.84, 0.97%, 0.54%

LAB 56.79, 87.32, -27.97

 

CMYK 0 / 91 / 50 / 2

HEX #FB177E

RGB 251 23 126

HSL 332.89, 0.97%, 0.54%

LAB 54.69, 81.68, 4.88

 

CMYK 0 / 91 / 74 / 2

HEX #FB1741

RGB 251 23 65

HSL 348.95, 0.97%, 0.54%

LAB 53.5, 78.37, 39.75

 

CMYK 0 / 99 / 29 / 26

HEX #BD0286

RGB 189 2 134

HSL 317.65, 0.98%, 0.37%

LAB 42.13, 71.13, -20

 

CMYK 0 / 99 / 29 / 10

HEX #E603A3

RGB 230 3 163

HSL 317.71, 0.97%, 0.46%

LAB 51.3, 82.32, -22.7

 

CMYK 0 / 91 / 27 / 2

HEX #FB17B8

RGB 251 23 184

HSL 317.63, 0.97%, 0.54%

LAB 56.67, 86.99, -26.42

 

CMYK 0 / 75 / 22 / 1

HEX #FC40C4

RGB 252 64 196

HSL 317.87, 0.97%, 0.62%

LAB 60.2, 80.33, -27.86

 

CMYK 0 / 58 / 17 / 1

HEX #FC69D1

RGB 252 105 209

HSL 317.55, 0.96%, 0.7%

LAB 66.06, 67.21, -26.2

 

CMYK 0 / 90 / 27 / 1

HEX #FC19B9

RGB 252 25 185

HSL 317.71, 0.97%, 0.54%

LAB 56.97, 87.07, -26.52

 

CMYK 0 / 47 / 91 / 2

HEX #FB8517

RGB 251 133 23

HSL 28.95, 0.97%, 0.54%

LAB 67.54, 39, 70.22

 

CMYK 91 / 0 / 11 / 2

HEX #17FBE0

RGB 23 251 224

HSL 172.89, 0.97%, 0.54%

LAB 89.19, -54.37, -0.88

 

CMYK 0 / 90 / 27 / 1

HEX #FC19B9

RGB 252 25 185

HSL 317.71, 0.97%, 0.54%

LAB 56.97, 87.07, -26.52

 

CMYK 25 / 0 / 91 / 2

HEX #BBFB17

RGB 187 251 23

HSL 76.84, 0.97%, 0.54%

LAB 91.51, -46.4, 86.2

 

CMYK 91 / 25 / 0 / 2

HEX #17BBFB

RGB 23 187 251

HSL 196.84, 0.97%, 0.54%

LAB 71.34, -16.27, -42.27

 

CMYK 0 / 90 / 27 / 1

HEX #FC19B9

RGB 252 25 185

HSL 317.71, 0.97%, 0.54%

LAB 56.97, 87.07, -26.52

 

CMYK 0 / 47 / 91 / 2

HEX #FB8517

RGB 251 133 23

HSL 28.95, 0.97%, 0.54%

LAB 67.54, 39, 70.22

 

CMYK 91 / 0 / 65 / 2

HEX #17FB58

RGB 23 251 88

HSL 137.11, 0.97%, 0.54%

LAB 86.94, -79.9, 62.31

 

CMYK 91 / 44 / 0 / 2

HEX #178DFB

RGB 23 141 251

HSL 208.95, 0.97%, 0.54%

LAB 58.22, 9.93, -63.06

 

CMYK 0 / 90 / 27 / 1

HEX #FC19B9

RGB 252 25 185

HSL 317.71, 0.97%, 0.54%

LAB 56.97, 87.07, -26.52

 

CMYK 0 / 20 / 91 / 2

HEX #FBCA17

RGB 251 202 23

HSL 47.11, 0.97%, 0.54%

LAB 83.34, 3.22, 81.91

 

CMYK 91 / 0 / 65 / 2

HEX #17FB58

RGB 23 251 88

HSL 137.11, 0.97%, 0.54%

LAB 86.94, -79.9, 62.31

 

CMYK 91 / 71 / 0 / 2

HEX #1749FB

RGB 23 73 251

HSL 226.84, 0.97%, 0.54%

LAB 41.08, 52.11, -91.01

 

Description

Color code: RGB 252 25 185 | qconv.com Color code: RGB 252 25 185 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 25 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 25 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 27 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 27% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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