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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 231 129 it is the complementary color RGB 3 24 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 231 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 231 129 shade: RGB 255 231 124, RGB 255 249 143, RGB 255 255 162, RGB 255 255 181 and RGB 255 255 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 231 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 231 129 shade: RGB 252 231 129, RGB 235 213 110, RGB 218 195 91, RGB 201 177 72 and RGB 184 159 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 231 129 shade: RGB 251 231 130, RGB 251 198 130, RGB 251 165 130, RGB 251 133 130 and RGB 251 130 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 231 129 shade: RGB 251 231 130, RGB 239 251 130, RGB 207 251 130, RGB 174 251 130 and RGB 141 251 130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 231 129 shade matches the following richer shades: RGB 251 231 130

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 231 129 shade: RGB 251 231 130, RGB 241 224 141, RGB 231 217 151, RGB 220 210 161 and RGB 210 203 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 231 129 shade: RGB 251 165 130, RGB 251 197 130, RGB 251 229 130, RGB 241 251 130 and RGB 209 251 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 231 129 shade: RGB 249 215 50, RGB 250 223 90, RGB 251 231 130, RGB 252 238 170 and RGB 253 246 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 231 129 shade: RGB 252 231 129, RGB 130 251 132 and RGB 181 130 251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 231 129 shade: RGB 252 231 129, RGB 130 251 229 and RGB 229 130 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 231 129 shade: RGB 252 231 129, RGB 130 251 132, RGB 130 152 251 and RGB 251 130 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 231 129 shade: RGB 252 231 129, RGB 130 251 169, RGB 130 152 251 and RGB 251 130 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 49 / 1

HEX #FCE781

RGB 252 231 129

HSL 49.76, 0.95%, 0.75%

LAB 91.43, -5.83, 51.88

 

Complementary color

CMYK 98 / 81 / 0 / 51

HEX #03187E

RGB 3 24 126

HSL 229.76, 0.95%, 0.25%

LAB 16.4, 36.13, -57.72

 

CMYK 0 / 9 / 51 / 0

HEX #FFE77C

RGB 255 231 124

HSL 49.01, 1%, 0.74%

LAB 91.63, -5.06, 54.54

 

CMYK 0 / 2 / 44 / 0

HEX #FFF98F

RGB 255 249 143

HSL 56.79, 1%, 0.78%

LAB 96.41, -12.29, 51.37

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA2

RGB 255 255 162

HSL 60, 1%, 0.82%

LAB 98.19, -13.28, 44.46

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC8

RGB 255 255 200

HSL 60, 1%, 0.89%

LAB 98.81, -8.6, 26.37

 

CMYK 0 / 8 / 49 / 1

HEX #FCE781

RGB 252 231 129

HSL 49.76, 0.95%, 0.75%

LAB 91.43, -5.83, 51.88

 

CMYK 0 / 9 / 53 / 8

HEX #EBD56E

RGB 235 213 110

HSL 49.44, 0.76%, 0.68%

LAB 85.19, -5.18, 53.06

 

CMYK 0 / 11 / 58 / 15

HEX #DAC35B

RGB 218 195 91

HSL 49.13, 0.63%, 0.61%

LAB 78.86, -4.41, 54.19

 

CMYK 0 / 12 / 64 / 21

HEX #C9B148

RGB 201 177 72

HSL 48.84, 0.54%, 0.54%

LAB 72.45, -3.52, 55.22

 

CMYK 0 / 14 / 71 / 28

HEX #B89F35

RGB 184 159 53

HSL 48.55, 0.55%, 0.46%

LAB 65.94, -2.44, 55.99

 

CMYK 0 / 8 / 48 / 2

HEX #FBE782

RGB 251 231 130

HSL 50.08, 0.94%, 0.75%

LAB 91.36, -6.14, 51.29

 

CMYK 0 / 21 / 48 / 2

HEX #FBC682

RGB 251 198 130

HSL 33.72, 0.94%, 0.75%

LAB 83.18, 10.75, 41.14

 

CMYK 0 / 34 / 48 / 2

HEX #FBA582

RGB 251 165 130

HSL 17.36, 0.94%, 0.75%

LAB 75.47, 28.04, 31.19

 

CMYK 0 / 47 / 48 / 2

HEX #FB8582

RGB 251 133 130

HSL 1.49, 0.94%, 0.75%

LAB 68.68, 44.48, 22.11

 

CMYK 0 / 48 / 48 / 2

HEX #FB8282

RGB 251 130 130

HSL 0, 0.94%, 0.75%

LAB 68.08, 45.97, 21.31

 

CMYK 0 / 8 / 48 / 2

HEX #FBE782

RGB 251 231 130

HSL 50.08, 0.94%, 0.75%

LAB 91.36, -6.14, 51.29

 

CMYK 5 / 0 / 48 / 2

HEX #EFFB82

RGB 239 251 130

HSL 65.95, 0.94%, 0.75%

LAB 95.56, -20.64, 56.16

 

CMYK 18 / 0 / 48 / 2

HEX #CFFB82

RGB 207 251 130

HSL 81.82, 0.94%, 0.75%

LAB 93.39, -32.69, 53.03

 

CMYK 31 / 0 / 48 / 2

HEX #AEFB82

RGB 174 251 130

HSL 98.18, 0.94%, 0.75%

LAB 91.51, -44.27, 50.29

 

CMYK 44 / 0 / 48 / 2

HEX #8DFB82

RGB 141 251 130

HSL 114.55, 0.94%, 0.75%

LAB 89.98, -54.52, 48.08

 

CMYK 0 / 8 / 48 / 2

HEX #FBE782

RGB 251 231 130

HSL 50.08, 0.94%, 0.75%

LAB 91.36, -6.14, 51.29

 

CMYK 0 / 8 / 48 / 2

HEX #FBE782

RGB 251 231 130

HSL 50.08, 0.94%, 0.75%

LAB 91.36, -6.14, 51.29

 

CMYK 0 / 7 / 41 / 5

HEX #F1E08D

RGB 241 224 141

HSL 49.8, 0.78%, 0.75%

LAB 88.89, -5.5, 42.68

 

CMYK 0 / 6 / 35 / 9

HEX #E7D997

RGB 231 217 151

HSL 49.5, 0.63%, 0.75%

LAB 86.43, -4.74, 34.29

 

CMYK 0 / 5 / 27 / 14

HEX #DCD2A1

RGB 220 210 161

HSL 49.83, 0.46%, 0.75%

LAB 83.9, -4.11, 25.58

 

CMYK 0 / 3 / 19 / 18

HEX #D2CBAB

RGB 210 203 171

HSL 49.23, 0.3%, 0.75%

LAB 81.49, -2.82, 16.85

 

CMYK 0 / 34 / 48 / 2

HEX #FBA582

RGB 251 165 130

HSL 17.36, 0.94%, 0.75%

LAB 75.47, 28.04, 31.19

 

CMYK 0 / 22 / 48 / 2

HEX #FBC582

RGB 251 197 130

HSL 33.22, 0.94%, 0.75%

LAB 82.94, 11.27, 40.83

 

CMYK 0 / 9 / 48 / 2

HEX #FBE582

RGB 251 229 130

HSL 49.09, 0.94%, 0.75%

LAB 90.85, -5.13, 50.68

 

CMYK 4 / 0 / 48 / 2

HEX #F1FB82

RGB 241 251 130

HSL 64.96, 0.94%, 0.75%

LAB 95.71, -19.87, 56.37

 

CMYK 17 / 0 / 48 / 2

HEX #D1FB82

RGB 209 251 130

HSL 80.83, 0.94%, 0.75%

LAB 93.52, -31.96, 53.21

 

CMYK 0 / 14 / 80 / 2

HEX #F9D732

RGB 249 215 50

HSL 49.75, 0.94%, 0.59%

LAB 86.49, -3.65, 78.32

 

CMYK 0 / 11 / 64 / 2

HEX #FADF5A

RGB 250 223 90

HSL 49.88, 0.94%, 0.67%

LAB 88.85, -5.48, 66.4

 

CMYK 0 / 8 / 48 / 2

HEX #FBE782

RGB 251 231 130

HSL 50.08, 0.94%, 0.75%

LAB 91.36, -6.14, 51.29

 

CMYK 0 / 6 / 33 / 1

HEX #FCEEAA

RGB 252 238 170

HSL 49.76, 0.93%, 0.83%

LAB 93.77, -5.1, 34.68

 

CMYK 0 / 3 / 17 / 1

HEX #FDF6D3

RGB 253 246 211

HSL 50, 0.91%, 0.91%

LAB 96.61, -3.27, 17.69

 

CMYK 0 / 8 / 49 / 1

HEX #FCE781

RGB 252 231 129

HSL 49.76, 0.95%, 0.75%

LAB 91.43, -5.83, 51.88

 

CMYK 48 / 0 / 47 / 2

HEX #82FB84

RGB 130 251 132

HSL 120.99, 0.94%, 0.75%

LAB 89.58, -57.29, 46.54

 

CMYK 28 / 48 / 0 / 2

HEX #B582FB

RGB 181 130 251

HSL 265.29, 0.94%, 0.75%

LAB 63.96, 43.45, -53.41

 

CMYK 0 / 8 / 49 / 1

HEX #FCE781

RGB 252 231 129

HSL 49.76, 0.95%, 0.75%

LAB 91.43, -5.83, 51.88

 

CMYK 48 / 0 / 9 / 2

HEX #82FBE5

RGB 130 251 229

HSL 169.09, 0.94%, 0.75%

LAB 91.41, -39.27, 0.03

 

CMYK 9 / 48 / 0 / 2

HEX #E582FB

RGB 229 130 251

HSL 289.09, 0.94%, 0.75%

LAB 69.18, 56.25, -44.84

 

CMYK 0 / 8 / 49 / 1

HEX #FCE781

RGB 252 231 129

HSL 49.76, 0.95%, 0.75%

LAB 91.43, -5.83, 51.88

 

CMYK 48 / 0 / 47 / 2

HEX #82FB84

RGB 130 251 132

HSL 120.99, 0.94%, 0.75%

LAB 89.58, -57.29, 46.54

 

CMYK 48 / 39 / 0 / 2

HEX #8298FB

RGB 130 152 251

HSL 229.09, 0.94%, 0.75%

LAB 65.1, 18.3, -51.87

 

CMYK 0 / 48 / 1 / 2

HEX #FB82F9

RGB 251 130 249

HSL 300.99, 0.94%, 0.75%

LAB 71.77, 61.9, -39.49

 

CMYK 0 / 8 / 49 / 1

HEX #FCE781

RGB 252 231 129

HSL 49.76, 0.95%, 0.75%

LAB 91.43, -5.83, 51.88

 

CMYK 48 / 0 / 33 / 2

HEX #82FBA9

RGB 130 251 169

HSL 139.34, 0.94%, 0.75%

LAB 90.14, -51.56, 29.07

 

CMYK 48 / 39 / 0 / 2

HEX #8298FB

RGB 130 152 251

HSL 229.09, 0.94%, 0.75%

LAB 65.1, 18.3, -51.87

 

CMYK 0 / 48 / 15 / 2

HEX #FB82D5

RGB 251 130 213

HSL 318.84, 0.94%, 0.75%

LAB 70.37, 56.1, -21.84

 

Description

Color code: RGB 252 231 129 | qconv.com Color code: RGB 252 231 129 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 231 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 231 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 49 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 49% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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