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Color name
RGB 252 183 48

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 183 48 it is the complementary color RGB 3 72 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 183 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 183 48 shade: RGB 255 183 43, RGB 255 201 62, RGB 255 219 81, RGB 255 237 100 and RGB 255 255 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 183 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 183 48 shade: RGB 252 183 48, RGB 235 165 29, RGB 218 147 10, RGB 201 129 0 and RGB 184 111 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 183 48 shade: RGB 251 183 49, RGB 251 128 49, RGB 251 73 49 and RGB 251 49 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 183 48 shade: RGB 251 183 49, RGB 251 237 49, RGB 211 251 49, RGB 156 251 49 and RGB 101 251 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 183 48 shade matches the following richer shades: RGB 251 183 49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 183 48 shade: RGB 251 183 49, RGB 234 177 65, RGB 218 172 82, RGB 201 166 99 and RGB 184 161 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 183 48 shade: RGB 251 72 49, RGB 251 126 49, RGB 251 180 49, RGB 251 234 49 and RGB 214 251 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 183 48 shade: RGB 215 143 3, RGB 251 169 8, RGB 251 183 49, RGB 252 197 89 and RGB 253 211 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 183 48 shade: RGB 252 183 48, RGB 79 251 49 and RGB 99 49 251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 183 48 shade: RGB 252 183 48, RGB 49 251 180 and RGB 180 49 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 183 48 shade: RGB 252 183 48, RGB 79 251 49, RGB 49 120 251 and RGB 221 49 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 183 48 shade: RGB 252 183 48, RGB 49 251 79, RGB 49 120 251 and RGB 251 49 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 81 / 1

HEX #FCB730

RGB 252 183 48

HSL 39.71, 0.97%, 0.59%

LAB 78.91, 14.05, 72.42

 

Complementary color

CMYK 99 / 65 / 0 / 19

HEX #0348CF

RGB 3 72 207

HSL 219.71, 0.97%, 0.41%

LAB 36.29, 36.25, -73.89

 

CMYK 0 / 28 / 83 / 0

HEX #FFB72B

RGB 255 183 43

HSL 39.62, 1%, 0.58%

LAB 79.21, 15.17, 74.32

 

CMYK 0 / 21 / 76 / 0

HEX #FFC93E

RGB 255 201 62

HSL 43.21, 1%, 0.62%

LAB 83.64, 6.45, 72.14

 

CMYK 0 / 14 / 68 / 0

HEX #FFDB51

RGB 255 219 81

HSL 47.59, 1%, 0.66%

LAB 88.22, -1.9, 69.52

 

CMYK 0 / 7 / 61 / 0

HEX #FFED64

RGB 255 237 100

HSL 53.03, 1%, 0.7%

LAB 92.9, -9.8, 66.72

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF77

RGB 255 255 119

HSL 60, 1%, 0.73%

LAB 97.68, -17.25, 63.88

 

CMYK 0 / 27 / 81 / 1

HEX #FCB730

RGB 252 183 48

HSL 39.71, 0.97%, 0.59%

LAB 78.91, 14.05, 72.42

 

CMYK 0 / 30 / 88 / 8

HEX #EBA51D

RGB 235 165 29

HSL 39.61, 0.84%, 0.52%

LAB 72.67, 15.81, 71.79

 

CMYK 0 / 33 / 95 / 15

HEX #DA930A

RGB 218 147 10

HSL 39.52, 0.91%, 0.45%

LAB 66.36, 17.81, 69.82

 

CMYK 0 / 36 / 100 / 21

HEX #C98100

RGB 201 129 0

HSL 38.51, 1%, 0.39%

LAB 60, 20.04, 65.99

 

CMYK 0 / 40 / 100 / 28

HEX #B86F00

RGB 184 111 0

HSL 36.2, 1%, 0.36%

LAB 53.56, 22.47, 60.75

 

CMYK 0 / 27 / 80 / 2

HEX #FBB731

RGB 251 183 49

HSL 39.8, 0.96%, 0.59%

LAB 78.81, 13.66, 71.97

 

CMYK 0 / 49 / 80 / 2

HEX #FB8031

RGB 251 128 49

HSL 23.47, 0.96%, 0.59%

LAB 66.65, 42.08, 61.05

 

CMYK 0 / 71 / 80 / 2

HEX #FB4931

RGB 251 73 49

HSL 7.13, 0.96%, 0.59%

LAB 57.56, 65.95, 52.55

 

CMYK 0 / 80 / 80 / 2

HEX #FB3131

RGB 251 49 49

HSL 0, 0.96%, 0.59%

LAB 55, 73.1, 50.09

 

CMYK 0 / 27 / 80 / 2

HEX #FBB731

RGB 251 183 49

HSL 39.8, 0.96%, 0.59%

LAB 78.81, 13.66, 71.97

 

CMYK 0 / 6 / 80 / 2

HEX #FBED31

RGB 251 237 49

HSL 55.84, 0.96%, 0.59%

LAB 92.26, -13.79, 83.66

 

CMYK 16 / 0 / 80 / 2

HEX #D3FB31

RGB 211 251 49

HSL 71.88, 0.96%, 0.59%

LAB 93.04, -36.58, 83.18

 

CMYK 38 / 0 / 80 / 2

HEX #9CFB31

RGB 156 251 49

HSL 88.22, 0.96%, 0.59%

LAB 89.99, -56.59, 79.31

 

CMYK 60 / 0 / 80 / 2

HEX #65FB31

RGB 101 251 49

HSL 104.55, 0.96%, 0.59%

LAB 87.96, -72.11, 76.71

 

CMYK 0 / 27 / 80 / 2

HEX #FBB731

RGB 251 183 49

HSL 39.8, 0.96%, 0.59%

LAB 78.81, 13.66, 71.97

 

CMYK 0 / 27 / 80 / 2

HEX #FBB731

RGB 251 183 49

HSL 39.8, 0.96%, 0.59%

LAB 78.81, 13.66, 71.97

 

CMYK 0 / 24 / 72 / 8

HEX #EAB141

RGB 234 177 65

HSL 39.76, 0.8%, 0.59%

LAB 75.65, 10.22, 62.52

 

CMYK 0 / 21 / 62 / 15

HEX #DAAC52

RGB 218 172 82

HSL 39.71, 0.65%, 0.59%

LAB 72.9, 7.03, 51.65

 

CMYK 0 / 17 / 51 / 21

HEX #C9A663

RGB 201 166 99

HSL 39.41, 0.49%, 0.59%

LAB 69.89, 4.41, 39.28

 

CMYK 0 / 13 / 37 / 28

HEX #B8A174

RGB 184 161 116

HSL 39.71, 0.32%, 0.59%

LAB 67.23, 1.87, 26.55

 

CMYK 0 / 71 / 80 / 2

HEX #FB4831

RGB 251 72 49

HSL 6.83, 0.96%, 0.59%

LAB 57.43, 66.3, 52.43

 

CMYK 0 / 50 / 80 / 2

HEX #FB7E31

RGB 251 126 49

HSL 22.87, 0.96%, 0.59%

LAB 66.25, 43.07, 60.69

 

CMYK 0 / 28 / 80 / 2

HEX #FBB431

RGB 251 180 49

HSL 38.91, 0.96%, 0.59%

LAB 78.09, 15.22, 71.34

 

CMYK 0 / 7 / 80 / 2

HEX #FBEA31

RGB 251 234 49

HSL 54.95, 0.96%, 0.59%

LAB 91.49, -12.32, 82.99

 

CMYK 15 / 0 / 80 / 2

HEX #D6FB31

RGB 214 251 49

HSL 70.99, 0.96%, 0.59%

LAB 93.24, -35.4, 83.43

 

CMYK 0 / 33 / 99 / 16

HEX #D78F03

RGB 215 143 3

HSL 39.62, 0.97%, 0.43%

LAB 65.04, 18.59, 69.71

 

CMYK 0 / 33 / 97 / 2

HEX #FBA908

RGB 251 169 8

HSL 39.75, 0.97%, 0.51%

LAB 75.39, 20.23, 78.14

 

CMYK 0 / 27 / 80 / 2

HEX #FBB731

RGB 251 183 49

HSL 39.8, 0.96%, 0.59%

LAB 78.81, 13.66, 71.97

 

CMYK 0 / 22 / 65 / 1

HEX #FCC559

RGB 252 197 89

HSL 39.75, 0.96%, 0.67%

LAB 82.57, 8.58, 60.12

 

CMYK 0 / 17 / 49 / 1

HEX #FDD382

RGB 253 211 130

HSL 39.51, 0.97%, 0.75%

LAB 86.55, 4.82, 45.4

 

CMYK 0 / 27 / 81 / 1

HEX #FCB730

RGB 252 183 48

HSL 39.71, 0.97%, 0.59%

LAB 78.91, 14.05, 72.42

 

CMYK 69 / 0 / 80 / 2

HEX #4FFB31

RGB 79 251 49

HSL 111.09, 0.96%, 0.59%

LAB 87.43, -76.57, 76.03

 

CMYK 61 / 80 / 0 / 2

HEX #6331FB

RGB 99 49 251

HSL 254.85, 0.96%, 0.59%

LAB 40.92, 69.17, -91.15

 

CMYK 0 / 27 / 81 / 1

HEX #FCB730

RGB 252 183 48

HSL 39.71, 0.97%, 0.59%

LAB 78.91, 14.05, 72.42

 

CMYK 80 / 0 / 28 / 2

HEX #31FBB4

RGB 49 251 180

HSL 158.91, 0.96%, 0.59%

LAB 88.42, -63.29, 20.81

 

CMYK 28 / 80 / 0 / 2

HEX #B431FB

RGB 180 49 251

HSL 278.91, 0.96%, 0.59%

LAB 50.53, 79.41, -75.01

 

CMYK 0 / 27 / 81 / 1

HEX #FCB730

RGB 252 183 48

HSL 39.71, 0.97%, 0.59%

LAB 78.91, 14.05, 72.42

 

CMYK 69 / 0 / 80 / 2

HEX #4FFB31

RGB 79 251 49

HSL 111.09, 0.96%, 0.59%

LAB 87.43, -76.57, 76.03

 

CMYK 80 / 52 / 0 / 2

HEX #3178FB

RGB 49 120 251

HSL 218.91, 0.96%, 0.59%

LAB 53.01, 24.6, -71.46

 

CMYK 12 / 80 / 0 / 2

HEX #DD31FB

RGB 221 49 251

HSL 291.09, 0.96%, 0.59%

LAB 56.62, 86.07, -64.86

 

CMYK 0 / 27 / 81 / 1

HEX #FCB730

RGB 252 183 48

HSL 39.71, 0.97%, 0.59%

LAB 78.91, 14.05, 72.42

 

CMYK 80 / 0 / 69 / 2

HEX #31FB4F

RGB 49 251 79

HSL 128.91, 0.96%, 0.59%

LAB 87.1, -78.74, 66.02

 

CMYK 80 / 52 / 0 / 2

HEX #3178FB

RGB 49 120 251

HSL 218.91, 0.96%, 0.59%

LAB 53.01, 24.6, -71.46

 

CMYK 0 / 80 / 12 / 2

HEX #FB31DD

RGB 251 49 221

HSL 308.91, 0.96%, 0.59%

LAB 59.82, 87.13, -42.67

 

Description

Color code: RGB 252 183 48 | qconv.com Color code: RGB 252 183 48 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 183 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 183 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 81 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 81% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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