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Color name
RGB 252 139 184

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 139 184 it is the complementary color RGB 3 116 71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 139 184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 139 184 shade: RGB 255 139 179, RGB 255 157 198, RGB 255 175 217, RGB 255 193 236 and RGB 255 211 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 139 184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 139 184 shade: RGB 252 139 184, RGB 235 121 165, RGB 218 103 146, RGB 201 85 127 and RGB 184 67 108

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 139 184 shade: RGB 252 140 185, RGB 252 140 154 and RGB 252 140 140

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 139 184 shade: RGB 252 140 185, RGB 252 140 215, RGB 252 140 245, RGB 228 140 252 and RGB 198 140 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 139 184 shade matches the following richer shades: RGB 252 140 185

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 139 184 shade: RGB 252 140 185, RGB 242 150 186, RGB 233 159 188, RGB 223 169 190 and RGB 214 178 192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 139 184 shade: RGB 252 140 244, RGB 252 140 214, RGB 252 140 185, RGB 252 140 155 and RGB 252 155 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 139 184 shade: RGB 250 60 135, RGB 251 100 160, RGB 252 140 185, RGB 253 180 209 and RGB 254 221 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 139 184 shade: RGB 252 139 184, RGB 252 229 140 and RGB 140 229 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 139 184 shade: RGB 252 139 184, RGB 185 252 140 and RGB 140 185 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 139 184 shade: RGB 252 139 184, RGB 252 229 140, RGB 140 252 207 and RGB 140 162 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 139 184 shade: RGB 252 139 184, RGB 240 252 140, RGB 140 252 207 and RGB 151 140 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 27 / 1

HEX #FC8BB8

RGB 252 139 184

HSL 336.11, 0.95%, 0.77%

LAB 71.3, 47.89, -4.32

 

Complementary color

CMYK 97 / 0 / 39 / 55

HEX #037447

RGB 3 116 71

HSL 156.11, 0.95%, 0.23%

LAB 42.71, -39.37, 17.21

 

CMYK 0 / 45 / 30 / 0

HEX #FF8BB3

RGB 255 139 179

HSL 339.31, 1%, 0.77%

LAB 71.54, 48.24, -1.13

 

CMYK 0 / 38 / 22 / 0

HEX #FF9DC6

RGB 255 157 198

HSL 334.9, 1%, 0.81%

LAB 75.73, 41.69, -5.47

 

CMYK 0 / 31 / 15 / 0

HEX #FFAFD9

RGB 255 175 217

HSL 328.5, 1%, 0.84%

LAB 80.14, 35.18, -9.28

 

CMYK 0 / 24 / 7 / 0

HEX #FFC1EC

RGB 255 193 236

HSL 318.39, 1%, 0.88%

LAB 84.72, 28.83, -12.65

 

CMYK 0 / 17 / 0 / 0

HEX #FFD3FF

RGB 255 211 255

HSL 300, 1%, 0.91%

LAB 89.43, 22.7, -15.67

 

CMYK 0 / 45 / 27 / 1

HEX #FC8BB8

RGB 252 139 184

HSL 336.11, 0.95%, 0.77%

LAB 71.3, 47.89, -4.32

 

CMYK 0 / 49 / 30 / 8

HEX #EB79A5

RGB 235 121 165

HSL 336.84, 0.74%, 0.7%

LAB 65.01, 48.71, -3.15

 

CMYK 0 / 53 / 33 / 15

HEX #DA6792

RGB 218 103 146

HSL 337.57, 0.61%, 0.63%

LAB 58.68, 49.5, -1.81

 

CMYK 0 / 58 / 37 / 21

HEX #C9557F

RGB 201 85 127

HSL 338.28, 0.52%, 0.56%

LAB 52.34, 50.23, -0.21

 

CMYK 0 / 64 / 41 / 28

HEX #B8436C

RGB 184 67 108

HSL 338.97, 0.47%, 0.49%

LAB 46.03, 50.78, 1.74

 

CMYK 0 / 44 / 27 / 1

HEX #FC8CB9

RGB 252 140 185

HSL 335.89, 0.95%, 0.77%

LAB 71.52, 47.52, -4.54

 

CMYK 0 / 44 / 39 / 1

HEX #FC8C9A

RGB 252 140 154

HSL 352.5, 0.95%, 0.77%

LAB 70.72, 43.75, 11.58

 

CMYK 0 / 44 / 44 / 1

HEX #FC8C8C

RGB 252 140 140

HSL 0, 0.95%, 0.77%

LAB 70.42, 42.28, 18.95

 

CMYK 0 / 44 / 27 / 1

HEX #FC8CB9

RGB 252 140 185

HSL 335.89, 0.95%, 0.77%

LAB 71.52, 47.52, -4.54

 

CMYK 0 / 44 / 15 / 1

HEX #FC8CD7

RGB 252 140 215

HSL 319.82, 0.95%, 0.77%

LAB 72.47, 51.82, -19.75

 

CMYK 0 / 44 / 3 / 1

HEX #FC8CF5

RGB 252 140 245

HSL 303.75, 0.95%, 0.77%

LAB 73.57, 56.68, -34.5

 

CMYK 10 / 44 / 0 / 1

HEX #E48CFC

RGB 228 140 252

HSL 287.14, 0.95%, 0.77%

LAB 71.06, 51.12, -42.43

 

CMYK 21 / 44 / 0 / 1

HEX #C68CFC

RGB 198 140 252

HSL 271.07, 0.95%, 0.77%

LAB 67.87, 42.78, -47.68

 

CMYK 0 / 44 / 27 / 1

HEX #FC8CB9

RGB 252 140 185

HSL 335.89, 0.95%, 0.77%

LAB 71.52, 47.52, -4.54

 

CMYK 0 / 44 / 27 / 1

HEX #FC8CB9

RGB 252 140 185

HSL 335.89, 0.95%, 0.77%

LAB 71.52, 47.52, -4.54

 

CMYK 0 / 38 / 23 / 5

HEX #F296BA

RGB 242 150 186

HSL 336.52, 0.78%, 0.77%

LAB 72.39, 39.16, -3.96

 

CMYK 0 / 32 / 19 / 9

HEX #E99FBC

RGB 233 159 188

HSL 336.49, 0.63%, 0.77%

LAB 73.38, 31.58, -3.71

 

CMYK 0 / 24 / 15 / 13

HEX #DFA9BE

RGB 223 169 190

HSL 336.67, 0.46%, 0.77%

LAB 74.69, 23, -3.02

 

CMYK 0 / 17 / 10 / 16

HEX #D6B2C0

RGB 214 178 192

HSL 336.67, 0.31%, 0.77%

LAB 76.03, 15.28, -2.23

 

CMYK 0 / 44 / 3 / 1

HEX #FC8CF4

RGB 252 140 244

HSL 304.29, 0.95%, 0.77%

LAB 73.53, 56.51, -34.01

 

CMYK 0 / 44 / 15 / 1

HEX #FC8CD6

RGB 252 140 214

HSL 320.36, 0.95%, 0.77%

LAB 72.43, 51.66, -19.25

 

CMYK 0 / 44 / 27 / 1

HEX #FC8CB9

RGB 252 140 185

HSL 335.89, 0.95%, 0.77%

LAB 71.52, 47.52, -4.54

 

CMYK 0 / 44 / 38 / 1

HEX #FC8C9B

RGB 252 140 155

HSL 351.96, 0.95%, 0.77%

LAB 70.75, 43.86, 11.06

 

CMYK 0 / 38 / 44 / 1

HEX #FC9B8C

RGB 252 155 140

HSL 8.04, 0.95%, 0.77%

LAB 73.57, 34.6, 23.26

 

CMYK 0 / 76 / 46 / 2

HEX #FA3C87

RGB 250 60 135

HSL 336.32, 0.95%, 0.61%

LAB 57.37, 74.63, 3.36

 

CMYK 0 / 60 / 36 / 2

HEX #FB64A0

RGB 251 100 160

HSL 336.16, 0.95%, 0.69%

LAB 63.48, 62.89, -2.28

 

CMYK 0 / 44 / 27 / 1

HEX #FC8CB9

RGB 252 140 185

HSL 335.89, 0.95%, 0.77%

LAB 71.52, 47.52, -4.54

 

CMYK 0 / 29 / 17 / 1

HEX #FDB4D1

RGB 253 180 209

HSL 336.16, 0.95%, 0.85%

LAB 80.81, 30.65, -3.99

 

CMYK 0 / 13 / 8 / 0

HEX #FEDDEA

RGB 254 221 234

HSL 336.36, 0.94%, 0.93%

LAB 91.11, 13.5, -2.14

 

CMYK 0 / 45 / 27 / 1

HEX #FC8BB8

RGB 252 139 184

HSL 336.11, 0.95%, 0.77%

LAB 71.3, 47.89, -4.32

 

CMYK 0 / 9 / 44 / 1

HEX #FCE58C

RGB 252 229 140

HSL 47.68, 0.95%, 0.77%

LAB 91.07, -3.81, 46.11

 

CMYK 44 / 9 / 0 / 1

HEX #8CE5FC

RGB 140 229 252

HSL 192.32, 0.95%, 0.77%

LAB 86.33, -20.89, -19.51

 

CMYK 0 / 45 / 27 / 1

HEX #FC8BB8

RGB 252 139 184

HSL 336.11, 0.95%, 0.77%

LAB 71.3, 47.89, -4.32

 

CMYK 27 / 0 / 44 / 1

HEX #B9FC8C

RGB 185 252 140

HSL 95.89, 0.95%, 0.77%

LAB 92.5, -39.82, 46.92

 

CMYK 44 / 27 / 0 / 1

HEX #8CB9FC

RGB 140 185 252

HSL 215.89, 0.95%, 0.77%

LAB 74.38, 2.23, -37.8

 

CMYK 0 / 45 / 27 / 1

HEX #FC8BB8

RGB 252 139 184

HSL 336.11, 0.95%, 0.77%

LAB 71.3, 47.89, -4.32

 

CMYK 0 / 9 / 44 / 1

HEX #FCE58C

RGB 252 229 140

HSL 47.68, 0.95%, 0.77%

LAB 91.07, -3.81, 46.11

 

CMYK 44 / 0 / 18 / 1

HEX #8CFCCF

RGB 140 252 207

HSL 155.89, 0.95%, 0.77%

LAB 91.55, -42.21, 11.66

 

CMYK 44 / 36 / 0 / 1

HEX #8CA2FC

RGB 140 162 252

HSL 228.21, 0.95%, 0.77%

LAB 68.35, 15.17, -47.24

 

CMYK 0 / 45 / 27 / 1

HEX #FC8BB8

RGB 252 139 184

HSL 336.11, 0.95%, 0.77%

LAB 71.3, 47.89, -4.32

 

CMYK 5 / 0 / 44 / 1

HEX #F0FC8C

RGB 240 252 140

HSL 66.43, 0.95%, 0.77%

LAB 96.01, -19.8, 52.05

 

CMYK 44 / 0 / 18 / 1

HEX #8CFCCF

RGB 140 252 207

HSL 155.89, 0.95%, 0.77%

LAB 91.55, -42.21, 11.66

 

CMYK 40 / 44 / 0 / 1

HEX #978CFC

RGB 151 140 252

HSL 245.89, 0.95%, 0.77%

LAB 63.64, 30.5, -54.63

 

Description

Color code: RGB 252 139 184 | qconv.com Color code: RGB 252 139 184 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 139 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 139 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 27 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 27% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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