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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 252 104 64 it is the complementary color RGB 3 151 191. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 252 104 64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 252 104 64 shade: RGB 255 104 59, RGB 255 122 78, RGB 255 140 97, RGB 255 158 116 and RGB 255 176 135

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 252 104 64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 252 104 64 shade: RGB 252 104 64, RGB 235 86 45, RGB 218 68 26, RGB 201 50 7 and RGB 184 32 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 252 104 64 shade: RGB 252 104 64 and RGB 252 64 64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 252 104 64 shade: RGB 252 104 64, RGB 252 154 64, RGB 252 205 64, RGB 247 252 64 and RGB 197 252 64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 252 104 64 shade matches the following richer shades: RGB 252 104 64

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 252 104 64 shade: RGB 252 104 64, RGB 236 113 79, RGB 220 122 95, RGB 205 131 111 and RGB 189 140 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 252 104 64 shade: RGB 252 64 126, RGB 252 64 76, RGB 252 101 64, RGB 252 151 64 and RGB 252 201 64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 252 104 64 shade: RGB 230 51 3, RGB 251 71 23, RGB 252 104 64, RGB 252 136 104 and RGB 253 168 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 252 104 64 shade: RGB 252 104 64, RGB 176 252 64 and RGB 64 101 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 252 104 64 shade: RGB 252 104 64, RGB 64 252 101 and RGB 101 64 252

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 252 104 64 shade: RGB 252 104 64, RGB 176 252 64, RGB 64 214 252 and RGB 139 64 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 252 104 64 shade: RGB 252 104 64, RGB 120 252 64, RGB 64 214 252 and RGB 195 64 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 75 / 1

HEX #FC6840

RGB 252 104 64

HSL 12.77, 0.97%, 0.62%

LAB 62.48, 54.35, 50.16

 

Complementary color

CMYK 98 / 21 / 0 / 25

HEX #0397BF

RGB 3 151 191

HSL 192.77, 0.97%, 0.38%

LAB 57.96, -18.88, -30.03

 

CMYK 0 / 59 / 77 / 0

HEX #FF683B

RGB 255 104 59

HSL 13.78, 1%, 0.62%

LAB 62.91, 55.21, 53.21

 

CMYK 0 / 52 / 69 / 0

HEX #FF7A4E

RGB 255 122 78

HSL 14.92, 1%, 0.65%

LAB 66.31, 47.68, 47.4

 

CMYK 0 / 45 / 62 / 0

HEX #FF8C61

RGB 255 140 97

HSL 16.33, 1%, 0.69%

LAB 70.09, 39.88, 41.98

 

CMYK 0 / 38 / 55 / 0

HEX #FF9E74

RGB 255 158 116

HSL 18.13, 1%, 0.73%

LAB 74.17, 32.03, 37.04

 

CMYK 0 / 31 / 47 / 0

HEX #FFB087

RGB 255 176 135

HSL 20.5, 1%, 0.76%

LAB 78.5, 24.3, 32.59

 

CMYK 0 / 59 / 75 / 1

HEX #FC6840

RGB 252 104 64

HSL 12.77, 0.97%, 0.62%

LAB 62.48, 54.35, 50.16

 

CMYK 0 / 63 / 81 / 8

HEX #EB562D

RGB 235 86 45

HSL 12.95, 0.83%, 0.55%

LAB 56.59, 55.65, 52.56

 

CMYK 0 / 69 / 88 / 15

HEX #DA441A

RGB 218 68 26

HSL 13.13, 0.79%, 0.48%

LAB 50.82, 56.77, 54.64

 

CMYK 0 / 75 / 97 / 21

HEX #C93207

RGB 201 50 7

HSL 13.3, 0.93%, 0.41%

LAB 45.24, 57.53, 55.51

 

CMYK 0 / 83 / 100 / 28

HEX #B82000

RGB 184 32 0

HSL 10.43, 1%, 0.36%

LAB 39.95, 57.61, 53.27

 

CMYK 0 / 59 / 75 / 1

HEX #FC6840

RGB 252 104 64

HSL 12.77, 0.97%, 0.62%

LAB 62.48, 54.35, 50.16

 

CMYK 0 / 75 / 75 / 1

HEX #FC4040

RGB 252 64 64

HSL 0, 0.97%, 0.62%

LAB 56.81, 69.7, 44.06

 

CMYK 0 / 59 / 75 / 1

HEX #FC6840

RGB 252 104 64

HSL 12.77, 0.97%, 0.62%

LAB 62.48, 54.35, 50.16

 

CMYK 0 / 39 / 75 / 1

HEX #FC9A40

RGB 252 154 64

HSL 28.72, 0.97%, 0.62%

LAB 72.35, 29.77, 60.31

 

CMYK 0 / 19 / 75 / 1

HEX #FCCD40

RGB 252 205 64

HSL 45, 0.97%, 0.62%

LAB 84.34, 3.21, 71.99

 

CMYK 2 / 0 / 75 / 1

HEX #F7FC40

RGB 247 252 64

HSL 61.6, 0.97%, 0.62%

LAB 95.9, -22.16, 82.61

 

CMYK 22 / 0 / 75 / 1

HEX #C5FC40

RGB 197 252 64

HSL 77.55, 0.97%, 0.62%

LAB 92.51, -41.78, 78.24

 

CMYK 0 / 59 / 75 / 1

HEX #FC6840

RGB 252 104 64

HSL 12.77, 0.97%, 0.62%

LAB 62.48, 54.35, 50.16

 

CMYK 0 / 59 / 75 / 1

HEX #FC6840

RGB 252 104 64

HSL 12.77, 0.97%, 0.62%

LAB 62.48, 54.35, 50.16

 

CMYK 0 / 52 / 67 / 7

HEX #EC714F

RGB 236 113 79

HSL 12.99, 0.81%, 0.62%

LAB 61.83, 45.07, 40.99

 

CMYK 0 / 45 / 57 / 14

HEX #DC7A5F

RGB 220 122 95

HSL 12.96, 0.64%, 0.62%

LAB 61.62, 35.51, 31.51

 

CMYK 0 / 36 / 46 / 20

HEX #CD836F

RGB 205 131 111

HSL 12.77, 0.48%, 0.62%

LAB 61.96, 26.26, 22.67

 

CMYK 0 / 26 / 33 / 26

HEX #BD8C7E

RGB 189 140 126

HSL 13.33, 0.32%, 0.62%

LAB 62.58, 16.7, 14.77

 

CMYK 0 / 75 / 50 / 1

HEX #FC407E

RGB 252 64 126

HSL 340.21, 0.97%, 0.62%

LAB 57.91, 73.25, 9.51

 

CMYK 0 / 75 / 70 / 1

HEX #FC404C

RGB 252 64 76

HSL 356.17, 0.97%, 0.62%

LAB 56.96, 70.18, 37.53

 

CMYK 0 / 60 / 75 / 1

HEX #FC6540

RGB 252 101 64

HSL 11.81, 0.97%, 0.62%

LAB 61.97, 55.68, 49.63

 

CMYK 0 / 40 / 75 / 1

HEX #FC9740

RGB 252 151 64

HSL 27.77, 0.97%, 0.62%

LAB 71.69, 31.32, 59.65

 

CMYK 0 / 20 / 75 / 1

HEX #FCC940

RGB 252 201 64

HSL 43.72, 0.97%, 0.62%

LAB 83.36, 5.27, 71.05

 

CMYK 0 / 78 / 99 / 10

HEX #E63303

RGB 230 51 3

HSL 12.69, 0.97%, 0.46%

LAB 50.92, 65.92, 62.53

 

CMYK 0 / 72 / 91 / 2

HEX #FB4717

RGB 251 71 23

HSL 12.63, 0.97%, 0.54%

LAB 57.15, 66.11, 62.97

 

CMYK 0 / 59 / 75 / 1

HEX #FC6840

RGB 252 104 64

HSL 12.77, 0.97%, 0.62%

LAB 62.48, 54.35, 50.16

 

CMYK 0 / 46 / 59 / 1

HEX #FC8868

RGB 252 136 104

HSL 12.97, 0.96%, 0.7%

LAB 68.97, 41.23, 36.79

 

CMYK 0 / 34 / 43 / 1

HEX #FDA891

RGB 253 168 145

HSL 12.78, 0.96%, 0.78%

LAB 76.64, 28.71, 24.73

 

CMYK 0 / 59 / 75 / 1

HEX #FC6840

RGB 252 104 64

HSL 12.77, 0.97%, 0.62%

LAB 62.48, 54.35, 50.16

 

CMYK 30 / 0 / 75 / 1

HEX #B0FC40

RGB 176 252 64

HSL 84.26, 0.97%, 0.62%

LAB 91.33, -49.45, 76.7

 

CMYK 75 / 60 / 0 / 1

HEX #4065FC

RGB 64 101 252

HSL 228.19, 0.97%, 0.62%

LAB 48.79, 38.23, -78.85

 

CMYK 0 / 59 / 75 / 1

HEX #FC6840

RGB 252 104 64

HSL 12.77, 0.97%, 0.62%

LAB 62.48, 54.35, 50.16

 

CMYK 75 / 0 / 60 / 1

HEX #40FC65

RGB 64 252 101

HSL 131.81, 0.97%, 0.62%

LAB 87.8, -75, 58.03

 

CMYK 60 / 75 / 0 / 1

HEX #6540FC

RGB 101 64 252

HSL 251.81, 0.97%, 0.62%

LAB 43.45, 63.12, -87.52

 

CMYK 0 / 59 / 75 / 1

HEX #FC6840

RGB 252 104 64

HSL 12.77, 0.97%, 0.62%

LAB 62.48, 54.35, 50.16

 

CMYK 30 / 0 / 75 / 1

HEX #B0FC40

RGB 176 252 64

HSL 84.26, 0.97%, 0.62%

LAB 91.33, -49.45, 76.7

 

CMYK 75 / 15 / 0 / 1

HEX #40D6FC

RGB 64 214 252

HSL 192.13, 0.97%, 0.62%

LAB 79.73, -26.64, -29.76

 

CMYK 45 / 75 / 0 / 1

HEX #8B40FC

RGB 139 64 252

HSL 263.94, 0.97%, 0.62%

LAB 47.22, 68.15, -81.2

 

CMYK 0 / 59 / 75 / 1

HEX #FC6840

RGB 252 104 64

HSL 12.77, 0.97%, 0.62%

LAB 62.48, 54.35, 50.16

 

CMYK 52 / 0 / 75 / 1

HEX #78FC40

RGB 120 252 64

HSL 102.13, 0.97%, 0.62%

LAB 88.91, -66.96, 73.53

 

CMYK 75 / 15 / 0 / 1

HEX #40D6FC

RGB 64 214 252

HSL 192.13, 0.97%, 0.62%

LAB 79.73, -26.64, -29.76

 

CMYK 23 / 75 / 0 / 1

HEX #C340FC

RGB 195 64 252

HSL 281.81, 0.97%, 0.62%

LAB 54.34, 77.37, -69.29

 

Description

Color code: RGB 252 104 64 | qconv.com Color code: RGB 252 104 64 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 252 red, 104 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
252 104 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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