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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 53 206 it is the complementary color RGB 4 202 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 53 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 53 206 shade: RGB 255 53 201, RGB 255 71 220, RGB 255 89 239, RGB 255 107 255 and RGB 255 125 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 53 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 53 206 shade: RGB 251 53 206, RGB 234 35 187, RGB 217 17 168, RGB 200 0 149 and RGB 183 0 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 53 206 shade: RGB 250 55 206, RGB 250 55 153, RGB 250 55 100 and RGB 250 55 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 53 206 shade: RGB 250 55 206, RGB 242 55 250, RGB 189 55 250, RGB 137 55 250 and RGB 84 55 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 53 206 shade matches the following richer shades: RGB 250 55 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 53 206 shade: RGB 250 55 206, RGB 234 71 197, RGB 217 88 188, RGB 201 104 179 and RGB 184 121 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 53 206 shade: RGB 188 55 250, RGB 241 55 250, RGB 250 55 208, RGB 250 55 156 and RGB 250 55 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 53 206 shade: RGB 219 4 170, RGB 250 14 196, RGB 250 55 206, RGB 251 95 216 and RGB 252 135 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 53 206 shade: RGB 251 53 206, RGB 250 136 55 and RGB 55 250 215

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 53 206 shade: RGB 251 53 206, RGB 208 250 55 and RGB 55 208 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 53 206 shade: RGB 251 53 206, RGB 250 136 55, RGB 55 250 97 and RGB 55 169 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 53 206 shade: RGB 251 53 206, RGB 250 195 55, RGB 55 250 97 and RGB 55 110 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 18 / 2

HEX #FB35CE

RGB 251 53 206

HSL 313.64, 0.96%, 0.6%

LAB 59.44, 84.26, -34.75

 

Complementary color

CMYK 98 / 0 / 76 / 21

HEX #04CA31

RGB 4 202 49

HSL 133.64, 0.96%, 0.4%

LAB 71.21, -70.18, 60.24

 

CMYK 0 / 79 / 21 / 0

HEX #FF35C9

RGB 255 53 201

HSL 316.04, 1%, 0.6%

LAB 59.91, 84.49, -31.13

 

CMYK 0 / 72 / 14 / 0

HEX #FF47DC

RGB 255 71 220

HSL 311.41, 1%, 0.64%

LAB 62.45, 82.04, -37.93

 

CMYK 0 / 65 / 6 / 0

HEX #FF59EF

RGB 255 89 239

HSL 305.78, 1%, 0.67%

LAB 65.46, 78.71, -43.82

 

CMYK 0 / 58 / 0 / 0

HEX #FF6BFF

RGB 255 107 255

HSL 300, 1%, 0.71%

LAB 68.75, 74.2, -47.46

 

CMYK 0 / 51 / 0 / 0

HEX #FF7DFF

RGB 255 125 255

HSL 300, 1%, 0.75%

LAB 71.65, 66.33, -42.9

 

CMYK 0 / 79 / 18 / 2

HEX #FB35CE

RGB 251 53 206

HSL 313.64, 0.96%, 0.6%

LAB 59.44, 84.26, -34.75

 

CMYK 0 / 85 / 20 / 8

HEX #EA23BB

RGB 234 35 187

HSL 314.17, 0.83%, 0.53%

LAB 54.33, 82.2, -32.04

 

CMYK 0 / 92 / 23 / 15

HEX #D911A8

RGB 217 17 168

HSL 314.7, 0.85%, 0.46%

LAB 49.47, 79.17, -28.7

 

CMYK 0 / 100 / 26 / 22

HEX #C80095

RGB 200 0 149

HSL 315.3, 1%, 0.39%

LAB 44.87, 75.18, -24.73

 

CMYK 0 / 100 / 29 / 28

HEX #B70082

RGB 183 0 130

HSL 317.38, 1%, 0.36%

LAB 40.7, 69.67, -19.83

 

CMYK 0 / 78 / 18 / 2

HEX #FA37CE

RGB 250 55 206

HSL 313.54, 0.95%, 0.6%

LAB 59.45, 83.56, -34.76

 

CMYK 0 / 78 / 39 / 2

HEX #FA3799

RGB 250 55 153

HSL 329.85, 0.95%, 0.6%

LAB 57.42, 77.62, -7.18

 

CMYK 0 / 78 / 60 / 2

HEX #FA3764

RGB 250 55 100

HSL 346.15, 0.95%, 0.6%

LAB 56.06, 73.49, 22.32

 

CMYK 0 / 78 / 78 / 2

HEX #FA3737

RGB 250 55 55

HSL 0, 0.95%, 0.6%

LAB 55.41, 71.45, 47.31

 

CMYK 0 / 78 / 18 / 2

HEX #FA37CE

RGB 250 55 206

HSL 313.54, 0.95%, 0.6%

LAB 59.45, 83.56, -34.76

 

CMYK 3 / 78 / 0 / 2

HEX #F237FA

RGB 242 55 250

HSL 297.54, 0.95%, 0.6%

LAB 60.35, 88.17, -58.15

 

CMYK 24 / 78 / 0 / 2

HEX #BD37FA

RGB 189 55 250

HSL 281.23, 0.95%, 0.6%

LAB 52.35, 78.87, -71.45

 

CMYK 45 / 78 / 0 / 2

HEX #8937FA

RGB 137 55 250

HSL 265.23, 0.95%, 0.6%

LAB 45.57, 70.98, -82.79

 

CMYK 66 / 78 / 0 / 2

HEX #5437FA

RGB 84 55 250

HSL 248.92, 0.95%, 0.6%

LAB 40.44, 65, -91.42

 

CMYK 0 / 78 / 18 / 2

HEX #FA37CE

RGB 250 55 206

HSL 313.54, 0.95%, 0.6%

LAB 59.45, 83.56, -34.76

 

CMYK 0 / 78 / 18 / 2

HEX #FA37CE

RGB 250 55 206

HSL 313.54, 0.95%, 0.6%

LAB 59.45, 83.56, -34.76

 

CMYK 0 / 70 / 16 / 8

HEX #EA47C5

RGB 234 71 197

HSL 313.62, 0.8%, 0.6%

LAB 58.07, 74.06, -31.98

 

CMYK 0 / 59 / 13 / 15

HEX #D958BC

RGB 217 88 188

HSL 313.49, 0.63%, 0.6%

LAB 57.43, 61.86, -28.01

 

CMYK 0 / 48 / 11 / 21

HEX #C968B3

RGB 201 104 179

HSL 313.61, 0.47%, 0.6%

LAB 57.63, 48.29, -22.71

 

CMYK 0 / 34 / 8 / 28

HEX #B879AA

RGB 184 121 170

HSL 313.33, 0.31%, 0.6%

LAB 58.76, 32.21, -16.01

 

CMYK 25 / 78 / 0 / 2

HEX #BC37FA

RGB 188 55 250

HSL 280.92, 0.95%, 0.6%

LAB 52.2, 78.71, -71.68

 

CMYK 4 / 78 / 0 / 2

HEX #F137FA

RGB 241 55 250

HSL 297.23, 0.95%, 0.6%

LAB 60.19, 87.99, -58.41

 

CMYK 0 / 78 / 17 / 2

HEX #FA37D0

RGB 250 55 208

HSL 312.92, 0.95%, 0.6%

LAB 59.54, 83.82, -35.76

 

CMYK 0 / 78 / 38 / 2

HEX #FA379C

RGB 250 55 156

HSL 328.92, 0.95%, 0.6%

LAB 57.52, 77.91, -8.8

 

CMYK 0 / 78 / 58 / 2

HEX #FA3768

RGB 250 55 104

HSL 344.92, 0.95%, 0.6%

LAB 56.14, 73.73, 20.05

 

CMYK 0 / 98 / 22 / 14

HEX #DB04AA

RGB 219 4 170

HSL 313.67, 0.96%, 0.44%

LAB 49.56, 80.9, -29.72

 

CMYK 0 / 94 / 22 / 2

HEX #FA0EC4

RGB 250 14 196

HSL 313.73, 0.96%, 0.52%

LAB 56.71, 89.01, -33.31

 

CMYK 0 / 78 / 18 / 2

HEX #FA37CE

RGB 250 55 206

HSL 313.54, 0.95%, 0.6%

LAB 59.45, 83.56, -34.76

 

CMYK 0 / 62 / 14 / 2

HEX #FB5FD8

RGB 251 95 216

HSL 313.46, 0.95%, 0.68%

LAB 64.69, 72.06, -32.26

 

CMYK 0 / 46 / 10 / 1

HEX #FC87E2

RGB 252 135 226

HSL 313.33, 0.95%, 0.76%

LAB 71.9, 55.99, -26.67

 

CMYK 0 / 79 / 18 / 2

HEX #FB35CE

RGB 251 53 206

HSL 313.64, 0.96%, 0.6%

LAB 59.44, 84.26, -34.75

 

CMYK 0 / 46 / 78 / 2

HEX #FA8837

RGB 250 136 55

HSL 24.92, 0.95%, 0.6%

LAB 68.17, 37.88, 59.95

 

CMYK 78 / 0 / 14 / 2

HEX #37FAD7

RGB 55 250 215

HSL 169.23, 0.95%, 0.6%

LAB 88.96, -54.19, 3.52

 

CMYK 0 / 79 / 18 / 2

HEX #FB35CE

RGB 251 53 206

HSL 313.64, 0.96%, 0.6%

LAB 59.44, 84.26, -34.75

 

CMYK 17 / 0 / 78 / 2

HEX #D0FA37

RGB 208 250 55

HSL 72.92, 0.95%, 0.6%

LAB 92.6, -37.08, 81.17

 

CMYK 78 / 17 / 0 / 2

HEX #37D0FA

RGB 55 208 250

HSL 192.92, 0.95%, 0.6%

LAB 77.77, -25.22, -31.73

 

CMYK 0 / 79 / 18 / 2

HEX #FB35CE

RGB 251 53 206

HSL 313.64, 0.96%, 0.6%

LAB 59.44, 84.26, -34.75

 

CMYK 0 / 46 / 78 / 2

HEX #FA8837

RGB 250 136 55

HSL 24.92, 0.95%, 0.6%

LAB 68.17, 37.88, 59.95

 

CMYK 78 / 0 / 61 / 2

HEX #37FA61

RGB 55 250 97

HSL 132.92, 0.95%, 0.6%

LAB 87.02, -75.97, 58.8

 

CMYK 78 / 32 / 0 / 2

HEX #37A9FA

RGB 55 169 250

HSL 204.92, 0.95%, 0.6%

LAB 66.59, -4.5, -49.16

 

CMYK 0 / 79 / 18 / 2

HEX #FB35CE

RGB 251 53 206

HSL 313.64, 0.96%, 0.6%

LAB 59.44, 84.26, -34.75

 

CMYK 0 / 22 / 78 / 2

HEX #FAC337

RGB 250 195 55

HSL 43.08, 0.95%, 0.6%

LAB 81.64, 7.18, 72.5

 

CMYK 78 / 0 / 61 / 2

HEX #37FA61

RGB 55 250 97

HSL 132.92, 0.95%, 0.6%

LAB 87.02, -75.97, 58.8

 

CMYK 78 / 56 / 0 / 2

HEX #376EFA

RGB 55 110 250

HSL 223.08, 0.95%, 0.6%

LAB 50.53, 31.04, -74.91

 

Description

Color code: RGB 251 53 206 | qconv.com Color code: RGB 251 53 206 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 53 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 53 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 18 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 18% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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