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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 42 149 it is the complementary color RGB 4 213 106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 42 149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 42 149 shade: RGB 255 42 144, RGB 255 60 163, RGB 255 78 182, RGB 255 96 201 and RGB 255 114 220

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 42 149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 42 149 shade: RGB 251 42 149, RGB 234 24 130, RGB 217 6 111, RGB 200 0 92 and RGB 183 0 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 42 149 shade: RGB 250 40 147, RGB 250 40 91 and RGB 250 40 40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 42 149 shade: RGB 250 40 147, RGB 250 40 204, RGB 239 40 250, RGB 183 40 250 and RGB 126 40 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 42 149 shade matches the following richer shades: RGB 250 40 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 42 149 shade: RGB 250 40 147, RGB 232 57 147, RGB 215 75 147, RGB 197 93 146 and RGB 179 111 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 42 149 shade: RGB 240 40 250, RGB 250 40 204, RGB 250 40 148, RGB 250 40 92 and RGB 250 43 40

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 42 149 shade: RGB 204 4 106, RGB 244 4 127, RGB 250 40 147, RGB 251 80 168 and RGB 252 120 188

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 42 149 shade: RGB 251 42 149, RGB 250 183 40 and RGB 40 233 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 42 149 shade: RGB 251 42 149, RGB 148 250 40 and RGB 40 148 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 42 149 shade: RGB 251 42 149, RGB 250 183 40, RGB 40 250 141 and RGB 40 106 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 42 149 shade: RGB 251 42 149, RGB 250 247 40, RGB 40 250 141 and RGB 40 43 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 41 / 2

HEX #FB2A95

RGB 251 42 149

HSL 329.28, 0.96%, 0.57%

LAB 56.42, 80.5, -6.29

 

Complementary color

CMYK 98 / 0 / 50 / 16

HEX #04D56A

RGB 4 213 106

HSL 149.28, 0.96%, 0.43%

LAB 75.24, -66.84, 40.6

 

CMYK 0 / 84 / 44 / 0

HEX #FF2A90

RGB 255 42 144

HSL 331.27, 1%, 0.58%

LAB 57.01, 80.99, -2.38

 

CMYK 0 / 76 / 36 / 0

HEX #FF3CA3

RGB 255 60 163

HSL 328.31, 1%, 0.62%

LAB 59.1, 78.48, -10.43

 

CMYK 0 / 69 / 29 / 0

HEX #FF4EB6

RGB 255 78 182

HSL 324.75, 1%, 0.65%

LAB 61.73, 74.97, -17.46

 

CMYK 0 / 62 / 21 / 0

HEX #FF60C9

RGB 255 96 201

HSL 320.38, 1%, 0.69%

LAB 64.84, 70.64, -23.53

 

CMYK 0 / 55 / 14 / 0

HEX #FF72DC

RGB 255 114 220

HSL 314.89, 1%, 0.72%

LAB 68.36, 65.72, -28.76

 

CMYK 0 / 83 / 41 / 2

HEX #FB2A95

RGB 251 42 149

HSL 329.28, 0.96%, 0.57%

LAB 56.42, 80.5, -6.29

 

CMYK 0 / 90 / 44 / 8

HEX #EA1882

RGB 234 24 130

HSL 329.71, 0.83%, 0.51%

LAB 51.56, 78.05, -2.48

 

CMYK 0 / 97 / 49 / 15

HEX #D9066F

RGB 217 6 111

HSL 330.14, 0.95%, 0.44%

LAB 47.01, 74.59, 2.08

 

CMYK 0 / 100 / 54 / 22

HEX #C8005C

RGB 200 0 92

HSL 332.4, 1%, 0.39%

LAB 42.84, 69.91, 7.5

 

CMYK 0 / 100 / 60 / 28

HEX #B70049

RGB 183 0 73

HSL 336.07, 1%, 0.36%

LAB 38.81, 64.73, 13.45

 

CMYK 0 / 84 / 41 / 2

HEX #FA2893

RGB 250 40 147

HSL 329.43, 0.95%, 0.57%

LAB 56.04, 80.49, -5.7

 

CMYK 0 / 84 / 64 / 2

HEX #FA285B

RGB 250 40 91

HSL 345.43, 0.95%, 0.57%

LAB 54.65, 76.51, 25.82

 

CMYK 0 / 84 / 84 / 2

HEX #FA2828

RGB 250 40 40

HSL 0, 0.95%, 0.57%

LAB 54.02, 74.64, 53.61

 

CMYK 0 / 84 / 41 / 2

HEX #FA2893

RGB 250 40 147

HSL 329.43, 0.95%, 0.57%

LAB 56.04, 80.49, -5.7

 

CMYK 0 / 84 / 18 / 2

HEX #FA28CC

RGB 250 40 204

HSL 313.14, 0.95%, 0.57%

LAB 58.23, 86.57, -35.53

 

CMYK 4 / 84 / 0 / 2

HEX #EF28FA

RGB 239 40 250

HSL 296.86, 0.95%, 0.57%

LAB 58.76, 90.87, -60.71

 

CMYK 27 / 84 / 0 / 2

HEX #B728FA

RGB 183 40 250

HSL 280.86, 0.95%, 0.57%

LAB 50.08, 82.02, -75.17

 

CMYK 50 / 84 / 0 / 2

HEX #7E28FA

RGB 126 40 250

HSL 264.57, 0.95%, 0.57%

LAB 42.54, 74.78, -87.81

 

CMYK 0 / 84 / 41 / 2

HEX #FA2893

RGB 250 40 147

HSL 329.43, 0.95%, 0.57%

LAB 56.04, 80.49, -5.7

 

CMYK 0 / 84 / 41 / 2

HEX #FA2893

RGB 250 40 147

HSL 329.43, 0.95%, 0.57%

LAB 56.04, 80.49, -5.7

 

CMYK 0 / 75 / 37 / 9

HEX #E83993

RGB 232 57 147

HSL 329.14, 0.79%, 0.57%

LAB 54.23, 72.02, -8.74

 

CMYK 0 / 65 / 32 / 16

HEX #D74B93

RGB 215 75 147

HSL 329.14, 0.64%, 0.57%

LAB 53.58, 61.18, -10

 

CMYK 0 / 53 / 26 / 23

HEX #C55D92

RGB 197 93 146

HSL 329.42, 0.47%, 0.57%

LAB 53.79, 47.5, -9.39

 

CMYK 0 / 38 / 18 / 30

HEX #B36F92

RGB 179 111 146

HSL 329.12, 0.31%, 0.57%

LAB 55.1, 31.92, -7.68

 

CMYK 4 / 84 / 0 / 2

HEX #F028FA

RGB 240 40 250

HSL 297.14, 0.95%, 0.57%

LAB 58.92, 91.04, -60.45

 

CMYK 0 / 84 / 18 / 2

HEX #FA28CC

RGB 250 40 204

HSL 313.14, 0.95%, 0.57%

LAB 58.23, 86.57, -35.53

 

CMYK 0 / 84 / 41 / 2

HEX #FA2894

RGB 250 40 148

HSL 329.14, 0.95%, 0.57%

LAB 56.07, 80.58, -6.24

 

CMYK 0 / 84 / 63 / 2

HEX #FA285C

RGB 250 40 92

HSL 345.14, 0.95%, 0.57%

LAB 54.67, 76.56, 25.25

 

CMYK 0 / 83 / 84 / 2

HEX #FA2B28

RGB 250 43 40

HSL 0.86, 0.95%, 0.57%

LAB 54.24, 74, 53.8

 

CMYK 0 / 98 / 48 / 20

HEX #CC046A

RGB 204 4 106

HSL 329.4, 0.96%, 0.41%

LAB 44.18, 71.48, 0.75

 

CMYK 0 / 98 / 48 / 4

HEX #F4047F

RGB 244 4 127

HSL 329.25, 0.97%, 0.49%

LAB 52.79, 81.85, 1.36

 

CMYK 0 / 84 / 41 / 2

HEX #FA2893

RGB 250 40 147

HSL 329.43, 0.95%, 0.57%

LAB 56.04, 80.49, -5.7

 

CMYK 0 / 68 / 33 / 2

HEX #FB50A8

RGB 251 80 168

HSL 329.12, 0.96%, 0.65%

LAB 60.85, 71.64, -10.79

 

CMYK 0 / 52 / 25 / 1

HEX #FC78BC

RGB 252 120 188

HSL 329.09, 0.96%, 0.73%

LAB 67.84, 57.62, -11.69

 

CMYK 0 / 83 / 41 / 2

HEX #FB2A95

RGB 251 42 149

HSL 329.28, 0.96%, 0.57%

LAB 56.42, 80.5, -6.29

 

CMYK 0 / 27 / 84 / 2

HEX #FAB728

RGB 250 183 40

HSL 40.86, 0.95%, 0.57%

LAB 78.66, 12.98, 74.48

 

CMYK 84 / 7 / 0 / 2

HEX #28E9FA

RGB 40 233 250

HSL 184.86, 0.95%, 0.57%

LAB 84.81, -38.38, -21

 

CMYK 0 / 83 / 41 / 2

HEX #FB2A95

RGB 251 42 149

HSL 329.28, 0.96%, 0.57%

LAB 56.42, 80.5, -6.29

 

CMYK 41 / 0 / 84 / 2

HEX #94FA28

RGB 148 250 40

HSL 89.14, 0.95%, 0.57%

LAB 89.31, -59.14, 80.66

 

CMYK 84 / 41 / 0 / 2

HEX #2894FA

RGB 40 148 250

HSL 209.14, 0.95%, 0.57%

LAB 60.37, 6.35, -59.06

 

CMYK 0 / 83 / 41 / 2

HEX #FB2A95

RGB 251 42 149

HSL 329.28, 0.96%, 0.57%

LAB 56.42, 80.5, -6.29

 

CMYK 0 / 27 / 84 / 2

HEX #FAB728

RGB 250 183 40

HSL 40.86, 0.95%, 0.57%

LAB 78.66, 12.98, 74.48

 

CMYK 84 / 0 / 44 / 2

HEX #28FA8D

RGB 40 250 141

HSL 148.86, 0.95%, 0.57%

LAB 87.36, -71.24, 38.95

 

CMYK 84 / 58 / 0 / 2

HEX #286AFA

RGB 40 106 250

HSL 221.14, 0.95%, 0.57%

LAB 49.08, 32.33, -77.29

 

CMYK 0 / 83 / 41 / 2

HEX #FB2A95

RGB 251 42 149

HSL 329.28, 0.96%, 0.57%

LAB 56.42, 80.5, -6.29

 

CMYK 0 / 1 / 84 / 2

HEX #FAF728

RGB 250 247 40

HSL 59.14, 0.95%, 0.57%

LAB 94.74, -19.28, 87.75

 

CMYK 84 / 0 / 44 / 2

HEX #28FA8D

RGB 40 250 141

HSL 148.86, 0.95%, 0.57%

LAB 87.36, -71.24, 38.95

 

CMYK 84 / 83 / 0 / 2

HEX #282BFA

RGB 40 43 250

HSL 239.14, 0.95%, 0.57%

LAB 36.14, 67.58, -98.63

 

Description

Color code: RGB 251 42 149 | qconv.com Color code: RGB 251 42 149 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 42 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 42 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 41 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 41% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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