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Color name
RGB 251 36 114

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 36 114 it is the complementary color RGB 4 219 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 36 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 36 114 shade: RGB 255 36 109, RGB 255 54 128, RGB 255 72 147, RGB 255 90 166 and RGB 255 108 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 36 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 36 114 shade: RGB 251 36 114, RGB 234 18 95, RGB 217 0 76, RGB 200 0 57 and RGB 183 0 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 36 114 shade: RGB 250 35 113, RGB 250 35 55 and RGB 250 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 36 114 shade: RGB 250 35 113, RGB 250 35 171, RGB 250 35 229, RGB 213 35 250 and RGB 155 35 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 36 114 shade matches the following richer shades: RGB 250 35 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 36 114 shade: RGB 250 35 113, RGB 232 53 118, RGB 214 71 123, RGB 196 89 128 and RGB 177 107 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 36 114 shade: RGB 250 35 228, RGB 250 35 171, RGB 250 35 114, RGB 250 35 56 and RGB 250 70 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 36 114 shade: RGB 199 4 74, RGB 239 4 89, RGB 250 35 113, RGB 251 75 139 and RGB 252 115 165

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 36 114 shade: RGB 251 36 114, RGB 250 214 35 and RGB 35 200 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 36 114 shade: RGB 251 36 114, RGB 114 250 35 and RGB 35 114 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 36 114 shade: RGB 251 36 114, RGB 250 214 35, RGB 35 250 171 and RGB 35 70 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 36 114 shade: RGB 251 36 114, RGB 221 250 35, RGB 35 250 171 and RGB 63 35 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 55 / 2

HEX #FB2472

RGB 251 36 114

HSL 338.23, 0.96%, 0.56%

LAB 55.06, 78.89, 12.61

 

Complementary color

CMYK 98 / 0 / 36 / 14

HEX #04DB8D

RGB 4 219 141

HSL 158.23, 0.96%, 0.44%

LAB 77.65, -62.5, 26.09

 

CMYK 0 / 86 / 57 / 0

HEX #FF246D

RGB 255 36 109

HSL 340, 1%, 0.57%

LAB 55.71, 79.53, 16.63

 

CMYK 0 / 79 / 50 / 0

HEX #FF3680

RGB 255 54 128

HSL 337.91, 1%, 0.61%

LAB 57.52, 76.97, 7.84

 

CMYK 0 / 72 / 42 / 0

HEX #FF4893

RGB 255 72 147

HSL 335.41, 1%, 0.64%

LAB 59.89, 73.33, 0.08

 

CMYK 0 / 65 / 35 / 0

HEX #FF5AA6

RGB 255 90 166

HSL 332.36, 1%, 0.68%

LAB 62.78, 68.78, -6.68

 

CMYK 0 / 58 / 27 / 0

HEX #FF6CB9

RGB 255 108 185

HSL 328.57, 1%, 0.71%

LAB 66.13, 63.57, -12.53

 

CMYK 0 / 86 / 55 / 2

HEX #FB2472

RGB 251 36 114

HSL 338.23, 0.96%, 0.56%

LAB 55.06, 78.89, 12.61

 

CMYK 0 / 92 / 59 / 8

HEX #EA125F

RGB 234 18 95

HSL 338.61, 0.86%, 0.49%

LAB 50.39, 76.29, 17.17

 

CMYK 0 / 100 / 65 / 15

HEX #D9004C

RGB 217 0 76

HSL 338.99, 1%, 0.43%

LAB 46.01, 72.86, 22.42

 

CMYK 0 / 100 / 72 / 22

HEX #C80039

RGB 200 0 57

HSL 342.9, 1%, 0.39%

LAB 42.12, 67.96, 28.56

 

CMYK 0 / 100 / 79 / 28

HEX #B70026

RGB 183 0 38

HSL 347.54, 1%, 0.36%

LAB 38.21, 63.12, 34.74

 

CMYK 0 / 86 / 55 / 2

HEX #FA2371

RGB 250 35 113

HSL 338.23, 0.96%, 0.56%

LAB 54.78, 78.76, 12.8

 

CMYK 0 / 86 / 78 / 2

HEX #FA2337

RGB 250 35 55

HSL 354.42, 0.96%, 0.56%

LAB 53.82, 75.98, 45.66

 

CMYK 0 / 86 / 86 / 2

HEX #FA2323

RGB 250 35 35

HSL 0, 0.96%, 0.56%

LAB 53.65, 75.5, 55.64

 

CMYK 0 / 86 / 55 / 2

HEX #FA2371

RGB 250 35 113

HSL 338.23, 0.96%, 0.56%

LAB 54.78, 78.76, 12.8

 

CMYK 0 / 86 / 32 / 2

HEX #FA23AB

RGB 250 35 171

HSL 322.05, 0.96%, 0.56%

LAB 56.55, 83.72, -19.04

 

CMYK 0 / 86 / 8 / 2

HEX #FA23E5

RGB 250 35 229

HSL 305.86, 0.96%, 0.56%

LAB 59.14, 90.65, -48.26

 

CMYK 15 / 86 / 0 / 2

HEX #D523FA

RGB 213 35 250

HSL 289.67, 0.96%, 0.56%

LAB 54.29, 87.57, -68.12

 

CMYK 38 / 86 / 0 / 2

HEX #9B23FA

RGB 155 35 250

HSL 273.49, 0.96%, 0.56%

LAB 45.73, 79.46, -82.43

 

CMYK 0 / 86 / 55 / 2

HEX #FA2371

RGB 250 35 113

HSL 338.23, 0.96%, 0.56%

LAB 54.78, 78.76, 12.8

 

CMYK 0 / 86 / 55 / 2

HEX #FA2371

RGB 250 35 113

HSL 338.23, 0.96%, 0.56%

LAB 54.78, 78.76, 12.8

 

CMYK 0 / 77 / 49 / 9

HEX #E83576

RGB 232 53 118

HSL 338.21, 0.8%, 0.56%

LAB 52.96, 70.52, 6.74

 

CMYK 0 / 67 / 43 / 16

HEX #D6477B

RGB 214 71 123

HSL 338.18, 0.64%, 0.56%

LAB 52.1, 59.87, 2.09

 

CMYK 0 / 55 / 35 / 23

HEX #C45980

RGB 196 89 128

HSL 338.13, 0.48%, 0.56%

LAB 52.33, 46.79, -0.91

 

CMYK 0 / 40 / 25 / 31

HEX #B16B85

RGB 177 107 133

HSL 337.71, 0.31%, 0.56%

LAB 53.55, 31.4, -2.38

 

CMYK 0 / 86 / 9 / 2

HEX #FA23E4

RGB 250 35 228

HSL 306.14, 0.96%, 0.56%

LAB 59.09, 90.52, -47.78

 

CMYK 0 / 86 / 32 / 2

HEX #FA23AB

RGB 250 35 171

HSL 322.05, 0.96%, 0.56%

LAB 56.55, 83.72, -19.04

 

CMYK 0 / 86 / 54 / 2

HEX #FA2372

RGB 250 35 114

HSL 337.95, 0.96%, 0.56%

LAB 54.8, 78.83, 12.23

 

CMYK 0 / 86 / 78 / 2

HEX #FA2338

RGB 250 35 56

HSL 354.14, 0.96%, 0.56%

LAB 53.83, 76.01, 45.12

 

CMYK 0 / 72 / 86 / 2

HEX #FA4623

RGB 250 70 35

HSL 9.77, 0.96%, 0.56%

LAB 56.91, 66.34, 58.27

 

CMYK 0 / 98 / 63 / 22

HEX #C7044A

RGB 199 4 74

HSL 338.46, 0.96%, 0.4%

LAB 42.34, 68.16, 18.15

 

CMYK 0 / 98 / 63 / 6

HEX #EF0459

RGB 239 4 89

HSL 338.3, 0.97%, 0.48%

LAB 50.87, 78.29, 21.66

 

CMYK 0 / 86 / 55 / 2

HEX #FA2371

RGB 250 35 113

HSL 338.23, 0.96%, 0.56%

LAB 54.78, 78.76, 12.8

 

CMYK 0 / 70 / 45 / 2

HEX #FB4B8B

RGB 251 75 139

HSL 338.18, 0.96%, 0.64%

LAB 59.35, 70.5, 3.89

 

CMYK 0 / 54 / 35 / 1

HEX #FC73A5

RGB 252 115 165

HSL 338.1, 0.96%, 0.72%

LAB 66.27, 57.11, -1.02

 

CMYK 0 / 86 / 55 / 2

HEX #FB2472

RGB 251 36 114

HSL 338.23, 0.96%, 0.56%

LAB 55.06, 78.89, 12.61

 

CMYK 0 / 14 / 86 / 2

HEX #FAD623

RGB 250 214 35

HSL 49.95, 0.96%, 0.56%

LAB 86.27, -3.11, 81.91

 

CMYK 86 / 20 / 0 / 2

HEX #23C8FA

RGB 35 200 250

HSL 193.95, 0.96%, 0.56%

LAB 75.18, -22.75, -35.75

 

CMYK 0 / 86 / 55 / 2

HEX #FB2472

RGB 251 36 114

HSL 338.23, 0.96%, 0.56%

LAB 55.06, 78.89, 12.61

 

CMYK 54 / 0 / 86 / 2

HEX #72FA23

RGB 114 250 35

HSL 97.95, 0.96%, 0.56%

LAB 88, -69.18, 80.04

 

CMYK 86 / 54 / 0 / 2

HEX #2372FA

RGB 35 114 250

HSL 217.95, 0.96%, 0.56%

LAB 51.03, 26.96, -74.13

 

CMYK 0 / 86 / 55 / 2

HEX #FB2472

RGB 251 36 114

HSL 338.23, 0.96%, 0.56%

LAB 55.06, 78.89, 12.61

 

CMYK 0 / 14 / 86 / 2

HEX #FAD623

RGB 250 214 35

HSL 49.95, 0.96%, 0.56%

LAB 86.27, -3.11, 81.91

 

CMYK 86 / 0 / 32 / 2

HEX #23FAAB

RGB 35 250 171

HSL 157.95, 0.96%, 0.56%

LAB 87.81, -65.92, 24.54

 

CMYK 86 / 72 / 0 / 2

HEX #2346FA

RGB 35 70 250

HSL 230.23, 0.96%, 0.56%

LAB 40.64, 53.95, -91.17

 

CMYK 0 / 86 / 55 / 2

HEX #FB2472

RGB 251 36 114

HSL 338.23, 0.96%, 0.56%

LAB 55.06, 78.89, 12.61

 

CMYK 12 / 0 / 86 / 2

HEX #DDFA23

RGB 221 250 35

HSL 68.09, 0.96%, 0.56%

LAB 93.39, -32.57, 86.74

 

CMYK 86 / 0 / 32 / 2

HEX #23FAAB

RGB 35 250 171

HSL 157.95, 0.96%, 0.56%

LAB 87.81, -65.92, 24.54

 

CMYK 75 / 86 / 0 / 2

HEX #3F23FA

RGB 63 35 250

HSL 247.81, 0.96%, 0.56%

LAB 36.29, 71.53, -98.34

 

Description

Color code: RGB 251 36 114 | qconv.com Color code: RGB 251 36 114 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 36 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 36 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 55% 2% C M Y K

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Provide designers and agencies with accurate color values.

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