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Color name
RGB 251 180 33

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 180 33 it is the complementary color RGB 4 75 222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 180 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 180 33 shade: RGB 255 180 28, RGB 255 198 47, RGB 255 216 66, RGB 255 234 85 and RGB 255 252 104

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 180 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 180 33 shade: RGB 251 180 33, RGB 234 162 14, RGB 217 144 0, RGB 200 126 0 and RGB 183 108 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 180 33 shade: RGB 250 180 35, RGB 250 122 35, RGB 250 64 35 and RGB 250 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 180 33 shade: RGB 250 180 35, RGB 250 238 35, RGB 204 250 35, RGB 146 250 35 and RGB 88 250 35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 180 33 shade matches the following richer shades: RGB 250 180 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 180 33 shade: RGB 250 180 35, RGB 232 174 53, RGB 214 167 71, RGB 196 161 89 and RGB 177 155 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 180 33 shade: RGB 250 63 35, RGB 250 121 35, RGB 250 178 35, RGB 250 236 35 and RGB 207 250 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 180 33 shade: RGB 199 135 4, RGB 239 163 4, RGB 250 180 35, RGB 251 194 75 and RGB 252 207 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 180 33 shade: RGB 251 180 33, RGB 63 250 35 and RGB 92 35 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 180 33 shade: RGB 251 180 33, RGB 35 250 178 and RGB 178 35 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 180 33 shade: RGB 251 180 33, RGB 63 250 35, RGB 35 106 250 and RGB 221 35 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 180 33 shade: RGB 251 180 33, RGB 35 250 70, RGB 35 106 250 and RGB 250 35 214

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 87 / 2

HEX #FBB421

RGB 251 180 33

HSL 40.46, 0.96%, 0.56%

LAB 78.03, 14.81, 75.82

 

Complementary color

CMYK 98 / 66 / 0 / 13

HEX #044BDE

RGB 4 75 222

HSL 220.46, 0.96%, 0.44%

LAB 38.43, 40.02, -78.99

 

CMYK 0 / 29 / 89 / 0

HEX #FFB41C

RGB 255 180 28

HSL 40.18, 1%, 0.55%

LAB 78.45, 16.41, 77.46

 

CMYK 0 / 22 / 82 / 0

HEX #FFC62F

RGB 255 198 47

HSL 43.56, 1%, 0.59%

LAB 82.84, 7.49, 76.24

 

CMYK 0 / 15 / 74 / 0

HEX #FFD842

RGB 255 216 66

HSL 47.62, 1%, 0.63%

LAB 87.37, -1.06, 74.26

 

CMYK 0 / 8 / 67 / 0

HEX #FFEA55

RGB 255 234 85

HSL 52.59, 1%, 0.67%

LAB 92.03, -9.2, 71.86

 

CMYK 0 / 1 / 59 / 0

HEX #FFFC68

RGB 255 252 104

HSL 58.81, 1%, 0.7%

LAB 96.77, -16.87, 69.26

 

CMYK 0 / 28 / 87 / 2

HEX #FBB421

RGB 251 180 33

HSL 40.46, 0.96%, 0.56%

LAB 78.03, 14.81, 75.82

 

CMYK 0 / 31 / 94 / 8

HEX #EAA20E

RGB 234 162 14

HSL 40.36, 0.89%, 0.49%

LAB 71.8, 16.74, 73.98

 

CMYK 0 / 34 / 100 / 15

HEX #D99000

RGB 217 144 0

HSL 39.82, 1%, 0.43%

LAB 65.51, 18.88, 70.56

 

CMYK 0 / 37 / 100 / 22

HEX #C87E00

RGB 200 126 0

HSL 37.8, 1%, 0.39%

LAB 59.16, 21.24, 65.38

 

CMYK 0 / 41 / 100 / 28

HEX #B76C00

RGB 183 108 0

HSL 35.41, 1%, 0.36%

LAB 52.72, 23.68, 60.15

 

CMYK 0 / 28 / 86 / 2

HEX #FAB423

RGB 250 180 35

HSL 40.47, 0.96%, 0.56%

LAB 77.93, 14.43, 75.2

 

CMYK 0 / 51 / 86 / 2

HEX #FA7A23

RGB 250 122 35

HSL 24.28, 0.96%, 0.56%

LAB 65.25, 44.29, 65

 

CMYK 0 / 74 / 86 / 2

HEX #FA4023

RGB 250 64 35

HSL 8.09, 0.96%, 0.56%

LAB 56.2, 68.3, 57.7

 

CMYK 0 / 86 / 86 / 2

HEX #FA2323

RGB 250 35 35

HSL 0, 0.96%, 0.56%

LAB 53.65, 75.5, 55.64

 

CMYK 0 / 28 / 86 / 2

HEX #FAB423

RGB 250 180 35

HSL 40.47, 0.96%, 0.56%

LAB 77.93, 14.43, 75.2

 

CMYK 0 / 5 / 86 / 2

HEX #FAEE23

RGB 250 238 35

HSL 56.65, 0.96%, 0.56%

LAB 92.4, -15.04, 86.83

 

CMYK 18 / 0 / 86 / 2

HEX #CCFA23

RGB 204 250 35

HSL 72.84, 0.96%, 0.56%

LAB 92.28, -39.26, 85.36

 

CMYK 42 / 0 / 86 / 2

HEX #92FA23

RGB 146 250 35

HSL 89.02, 0.96%, 0.56%

LAB 89.21, -59.94, 81.55

 

CMYK 65 / 0 / 86 / 2

HEX #58FA23

RGB 88 250 35

HSL 105.21, 0.96%, 0.56%

LAB 87.27, -75.15, 79.12

 

CMYK 0 / 28 / 86 / 2

HEX #FAB423

RGB 250 180 35

HSL 40.47, 0.96%, 0.56%

LAB 77.93, 14.43, 75.2

 

CMYK 0 / 28 / 86 / 2

HEX #FAB423

RGB 250 180 35

HSL 40.47, 0.96%, 0.56%

LAB 77.93, 14.43, 75.2

 

CMYK 0 / 25 / 77 / 9

HEX #E8AE35

RGB 232 174 53

HSL 40.56, 0.8%, 0.56%

LAB 74.63, 10.45, 66.06

 

CMYK 0 / 22 / 67 / 16

HEX #D6A747

RGB 214 167 71

HSL 40.28, 0.64%, 0.56%

LAB 71.14, 7.31, 54.63

 

CMYK 0 / 18 / 55 / 23

HEX #C4A159

RGB 196 161 89

HSL 40.37, 0.48%, 0.56%

LAB 67.98, 4.12, 41.94

 

CMYK 0 / 12 / 40 / 31

HEX #B19B6B

RGB 177 155 107

HSL 41.14, 0.31%, 0.56%

LAB 64.84, 1.19, 28.16

 

CMYK 0 / 75 / 86 / 2

HEX #FA3F23

RGB 250 63 35

HSL 7.81, 0.96%, 0.56%

LAB 56.09, 68.61, 57.61

 

CMYK 0 / 52 / 86 / 2

HEX #FA7923

RGB 250 121 35

HSL 24, 0.96%, 0.56%

LAB 65.06, 44.78, 64.84

 

CMYK 0 / 29 / 86 / 2

HEX #FAB223

RGB 250 178 35

HSL 39.91, 0.96%, 0.56%

LAB 77.45, 15.48, 74.82

 

CMYK 0 / 6 / 86 / 2

HEX #FAEC23

RGB 250 236 35

HSL 56.09, 0.96%, 0.56%

LAB 91.88, -14.06, 86.42

 

CMYK 17 / 0 / 86 / 2

HEX #CFFA23

RGB 207 250 35

HSL 72, 0.96%, 0.56%

LAB 92.47, -38.09, 85.6

 

CMYK 0 / 32 / 98 / 22

HEX #C78704

RGB 199 135 4

HSL 40.31, 0.96%, 0.4%

LAB 61.2, 15.93, 66.04

 

CMYK 0 / 32 / 98 / 6

HEX #EFA304

RGB 239 163 4

HSL 40.6, 0.97%, 0.48%

LAB 72.6, 18.26, 76.03

 

CMYK 0 / 28 / 86 / 2

HEX #FAB423

RGB 250 180 35

HSL 40.47, 0.96%, 0.56%

LAB 77.93, 14.43, 75.2

 

CMYK 0 / 23 / 70 / 2

HEX #FBC24B

RGB 251 194 75

HSL 40.57, 0.96%, 0.64%

LAB 81.62, 8.96, 65.06

 

CMYK 0 / 18 / 54 / 1

HEX #FCCF73

RGB 252 207 115

HSL 40.29, 0.96%, 0.72%

LAB 85.28, 5.21, 51.16

 

CMYK 0 / 28 / 87 / 2

HEX #FBB421

RGB 251 180 33

HSL 40.46, 0.96%, 0.56%

LAB 78.03, 14.81, 75.82

 

CMYK 75 / 0 / 86 / 2

HEX #3FFA23

RGB 63 250 35

HSL 112.19, 0.96%, 0.56%

LAB 86.78, -79.44, 78.49

 

CMYK 63 / 86 / 0 / 2

HEX #5C23FA

RGB 92 35 250

HSL 255.91, 0.96%, 0.56%

LAB 38.52, 73.27, -94.59

 

CMYK 0 / 28 / 87 / 2

HEX #FBB421

RGB 251 180 33

HSL 40.46, 0.96%, 0.56%

LAB 78.03, 14.81, 75.82

 

CMYK 86 / 0 / 29 / 2

HEX #23FAB2

RGB 35 250 178

HSL 159.91, 0.96%, 0.56%

LAB 87.94, -64.44, 21.15

 

CMYK 29 / 86 / 0 / 2

HEX #B223FA

RGB 178 35 250

HSL 279.91, 0.96%, 0.56%

LAB 48.97, 82.45, -77.01

 

CMYK 0 / 28 / 87 / 2

HEX #FBB421

RGB 251 180 33

HSL 40.46, 0.96%, 0.56%

LAB 78.03, 14.81, 75.82

 

CMYK 75 / 0 / 86 / 2

HEX #3FFA23

RGB 63 250 35

HSL 112.19, 0.96%, 0.56%

LAB 86.78, -79.44, 78.49

 

CMYK 86 / 58 / 0 / 2

HEX #236AFA

RGB 35 106 250

HSL 220.19, 0.96%, 0.56%

LAB 48.97, 32.01, -77.49

 

CMYK 12 / 86 / 0 / 2

HEX #DD23FA

RGB 221 35 250

HSL 291.91, 0.96%, 0.56%

LAB 55.56, 88.83, -66.01

 

CMYK 0 / 28 / 87 / 2

HEX #FBB421

RGB 251 180 33

HSL 40.46, 0.96%, 0.56%

LAB 78.03, 14.81, 75.82

 

CMYK 86 / 0 / 72 / 2

HEX #23FA46

RGB 35 250 70

HSL 129.77, 0.96%, 0.56%

LAB 86.59, -80.48, 68.66

 

CMYK 86 / 58 / 0 / 2

HEX #236AFA

RGB 35 106 250

HSL 220.19, 0.96%, 0.56%

LAB 48.97, 32.01, -77.49

 

CMYK 0 / 86 / 14 / 2

HEX #FA23D6

RGB 250 35 214

HSL 310.05, 0.96%, 0.56%

LAB 58.4, 88.69, -40.96

 

Description

Color code: RGB 251 180 33 | qconv.com Color code: RGB 251 180 33 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 180 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 180 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 87 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 87% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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