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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 171 122 it is the complementary color RGB 4 84 133. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 171 122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 171 122 shade: RGB 255 171 117, RGB 255 189 136, RGB 255 207 155, RGB 255 225 174 and RGB 255 243 193

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 171 122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 171 122 shade: RGB 251 171 122, RGB 234 153 103, RGB 217 135 84, RGB 200 117 65 and RGB 183 99 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 171 122 shade: RGB 250 170 121, RGB 250 135 121 and RGB 250 121 121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 171 122 shade: RGB 250 170 121, RGB 250 205 121, RGB 250 240 121, RGB 226 250 121 and RGB 191 250 121

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 171 122 shade matches the following richer shades: RGB 250 170 121

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 171 122 shade: RGB 250 170 121, RGB 239 173 132, RGB 228 175 143, RGB 217 178 154 and RGB 206 181 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 171 122 shade: RGB 250 121 143, RGB 250 134 121, RGB 250 168 121, RGB 250 203 121 and RGB 250 237 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 171 122 shade: RGB 248 120 41, RGB 249 145 81, RGB 250 170 121, RGB 252 195 161 and RGB 253 221 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 171 122 shade: RGB 251 171 122, RGB 177 250 121 and RGB 121 125 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 171 122 shade: RGB 251 171 122, RGB 121 250 168 and RGB 168 121 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 171 122 shade: RGB 251 171 122, RGB 177 250 121, RGB 121 203 250 and RGB 194 121 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 171 122 shade: RGB 251 171 122, RGB 138 250 121, RGB 121 203 250 and RGB 233 121 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 51 / 2

HEX #FBAB7A

RGB 251 171 122

HSL 22.79, 0.94%, 0.73%

LAB 76.7, 24.17, 37.02

 

Complementary color

CMYK 97 / 37 / 0 / 48

HEX #045485

RGB 4 84 133

HSL 202.79, 0.94%, 0.27%

LAB 34.11, -1.96, -33.33

 

CMYK 0 / 33 / 54 / 0

HEX #FFAB75

RGB 255 171 117

HSL 23.48, 1%, 0.73%

LAB 77.08, 25.33, 40.19

 

CMYK 0 / 26 / 47 / 0

HEX #FFBD88

RGB 255 189 136

HSL 26.72, 1%, 0.77%

LAB 81.53, 17.59, 36.02

 

CMYK 0 / 19 / 39 / 0

HEX #FFCF9B

RGB 255 207 155

HSL 31.2, 1%, 0.8%

LAB 86.13, 10.16, 32.23

 

CMYK 0 / 12 / 32 / 0

HEX #FFE1AE

RGB 255 225 174

HSL 37.78, 1%, 0.84%

LAB 90.86, 3.1, 28.77

 

CMYK 0 / 5 / 24 / 0

HEX #FFF3C1

RGB 255 243 193

HSL 48.39, 1%, 0.88%

LAB 95.67, -3.58, 25.61

 

CMYK 0 / 32 / 51 / 2

HEX #FBAB7A

RGB 251 171 122

HSL 22.79, 0.94%, 0.73%

LAB 76.7, 24.17, 37.02

 

CMYK 0 / 35 / 56 / 8

HEX #EA9967

RGB 234 153 103

HSL 22.9, 0.76%, 0.66%

LAB 70.35, 25.32, 38.56

 

CMYK 0 / 38 / 61 / 15

HEX #D98754

RGB 217 135 84

HSL 23.01, 0.64%, 0.59%

LAB 63.93, 26.62, 40.22

 

CMYK 0 / 42 / 68 / 22

HEX #C87541

RGB 200 117 65

HSL 23.11, 0.55%, 0.52%

LAB 57.45, 28.09, 41.97

 

CMYK 0 / 46 / 75 / 28

HEX #B7632E

RGB 183 99 46

HSL 23.21, 0.6%, 0.45%

LAB 50.91, 29.75, 43.75

 

CMYK 0 / 32 / 52 / 2

HEX #FAAA79

RGB 250 170 121

HSL 22.79, 0.93%, 0.73%

LAB 76.35, 24.22, 37.06

 

CMYK 0 / 46 / 52 / 2

HEX #FA8779

RGB 250 135 121

HSL 6.51, 0.93%, 0.73%

LAB 68.77, 42.32, 27.21

 

CMYK 0 / 52 / 52 / 2

HEX #FA7979

RGB 250 121 121

HSL 0, 0.93%, 0.73%

LAB 66.04, 49.22, 23.57

 

CMYK 0 / 32 / 52 / 2

HEX #FAAA79

RGB 250 170 121

HSL 22.79, 0.93%, 0.73%

LAB 76.35, 24.22, 37.06

 

CMYK 0 / 18 / 52 / 2

HEX #FACD79

RGB 250 205 121

HSL 39.07, 0.93%, 0.73%

LAB 84.67, 5.92, 47.47

 

CMYK 0 / 4 / 52 / 2

HEX #FAF079

RGB 250 240 121

HSL 55.35, 0.93%, 0.73%

LAB 93.46, -11.77, 58

 

CMYK 10 / 0 / 52 / 2

HEX #E2FA79

RGB 226 250 121

HSL 71.16, 0.93%, 0.73%

LAB 94.28, -25.96, 58.51

 

CMYK 24 / 0 / 52 / 2

HEX #BFFA79

RGB 191 250 121

HSL 87.44, 0.93%, 0.73%

LAB 92.06, -38.94, 55.33

 

CMYK 0 / 32 / 52 / 2

HEX #FAAA79

RGB 250 170 121

HSL 22.79, 0.93%, 0.73%

LAB 76.35, 24.22, 37.06

 

CMYK 0 / 32 / 52 / 2

HEX #FAAA79

RGB 250 170 121

HSL 22.79, 0.93%, 0.73%

LAB 76.35, 24.22, 37.06

 

CMYK 0 / 28 / 45 / 6

HEX #EFAD84

RGB 239 173 132

HSL 22.99, 0.77%, 0.73%

LAB 76.01, 19.31, 30.58

 

CMYK 0 / 23 / 37 / 11

HEX #E4AF8F

RGB 228 175 143

HSL 22.59, 0.61%, 0.73%

LAB 75.54, 15.12, 23.87

 

CMYK 0 / 18 / 29 / 15

HEX #D9B29A

RGB 217 178 154

HSL 22.86, 0.45%, 0.73%

LAB 75.41, 10.63, 17.58

 

CMYK 0 / 12 / 20 / 19

HEX #CEB5A5

RGB 206 181 165

HSL 23.41, 0.29%, 0.73%

LAB 75.38, 6.41, 11.43

 

CMYK 0 / 52 / 43 / 2

HEX #FA798F

RGB 250 121 143

HSL 349.77, 0.93%, 0.73%

LAB 66.51, 51.25, 11.78

 

CMYK 0 / 46 / 52 / 2

HEX #FA8679

RGB 250 134 121

HSL 6.05, 0.93%, 0.73%

LAB 68.57, 42.82, 26.95

 

CMYK 0 / 33 / 52 / 2

HEX #FAA879

RGB 250 168 121

HSL 21.86, 0.93%, 0.73%

LAB 75.89, 25.27, 36.48

 

CMYK 0 / 19 / 52 / 2

HEX #FACB79

RGB 250 203 121

HSL 38.14, 0.93%, 0.73%

LAB 84.18, 6.95, 46.86

 

CMYK 0 / 5 / 52 / 2

HEX #FAED79

RGB 250 237 121

HSL 53.95, 0.93%, 0.73%

LAB 92.7, -10.29, 57.1

 

CMYK 0 / 52 / 83 / 3

HEX #F87829

RGB 248 120 41

HSL 22.9, 0.94%, 0.57%

LAB 64.6, 44.65, 62.2

 

CMYK 0 / 42 / 67 / 2

HEX #F99151

RGB 249 145 81

HSL 22.86, 0.93%, 0.65%

LAB 70.17, 34.04, 50.02

 

CMYK 0 / 32 / 52 / 2

HEX #FAAA79

RGB 250 170 121

HSL 22.79, 0.93%, 0.73%

LAB 76.35, 24.22, 37.06

 

CMYK 0 / 23 / 36 / 1

HEX #FCC3A1

RGB 252 195 161

HSL 22.42, 0.94%, 0.81%

LAB 83.07, 15.94, 24.93

 

CMYK 0 / 13 / 21 / 1

HEX #FDDDC9

RGB 253 221 201

HSL 23.08, 0.93%, 0.89%

LAB 90.24, 8.01, 13.88

 

CMYK 0 / 32 / 51 / 2

HEX #FBAB7A

RGB 251 171 122

HSL 22.79, 0.94%, 0.73%

LAB 76.7, 24.17, 37.02

 

CMYK 29 / 0 / 52 / 2

HEX #B1FA79

RGB 177 250 121

HSL 93.95, 0.93%, 0.73%

LAB 91.28, -43.82, 54.22

 

CMYK 52 / 50 / 0 / 2

HEX #797DFA

RGB 121 125 250

HSL 238.14, 0.93%, 0.73%

LAB 57.69, 31.92, -63.17

 

CMYK 0 / 32 / 51 / 2

HEX #FBAB7A

RGB 251 171 122

HSL 22.79, 0.94%, 0.73%

LAB 76.7, 24.17, 37.02

 

CMYK 52 / 0 / 33 / 2

HEX #79FAA8

RGB 121 250 168

HSL 141.86, 0.93%, 0.73%

LAB 89.52, -53.52, 28.68

 

CMYK 33 / 52 / 0 / 2

HEX #A879FA

RGB 168 121 250

HSL 261.86, 0.93%, 0.73%

LAB 60.69, 44.86, -58.14

 

CMYK 0 / 32 / 51 / 2

HEX #FBAB7A

RGB 251 171 122

HSL 22.79, 0.94%, 0.73%

LAB 76.7, 24.17, 37.02

 

CMYK 29 / 0 / 52 / 2

HEX #B1FA79

RGB 177 250 121

HSL 93.95, 0.93%, 0.73%

LAB 91.28, -43.82, 54.22

 

CMYK 52 / 19 / 0 / 2

HEX #79CBFA

RGB 121 203 250

HSL 201.86, 0.93%, 0.73%

LAB 78.27, -12.38, -30.79

 

CMYK 22 / 52 / 0 / 2

HEX #C279FA

RGB 194 121 250

HSL 273.95, 0.93%, 0.73%

LAB 63.38, 51.37, -53.7

 

CMYK 0 / 32 / 51 / 2

HEX #FBAB7A

RGB 251 171 122

HSL 22.79, 0.94%, 0.73%

LAB 76.7, 24.17, 37.02

 

CMYK 45 / 0 / 52 / 2

HEX #8AFA79

RGB 138 250 121

HSL 112.09, 0.93%, 0.73%

LAB 89.47, -56.09, 51.61

 

CMYK 52 / 19 / 0 / 2

HEX #79CBFA

RGB 121 203 250

HSL 201.86, 0.93%, 0.73%

LAB 78.27, -12.38, -30.79

 

CMYK 7 / 52 / 0 / 2

HEX #E979FA

RGB 233 121 250

HSL 292.09, 0.93%, 0.73%

LAB 67.95, 61.52, -46.18

 

Description

Color code: RGB 251 171 122 | qconv.com Color code: RGB 251 171 122 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 171 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 171 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 51 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 51% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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