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Color name
RGB 251 176 146

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 176 146 it is the complementary color RGB 4 79 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 176 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 176 146 shade: RGB 255 176 141, RGB 255 194 160, RGB 255 212 179, RGB 255 230 198 and RGB 255 248 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 176 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 176 146 shade: RGB 251 176 146, RGB 234 158 127, RGB 217 140 108, RGB 200 122 89 and RGB 183 104 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 176 146 shade: RGB 251 176 146, RGB 251 148 146 and RGB 251 146 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 176 146 shade: RGB 251 176 146, RGB 251 204 146, RGB 251 232 146, RGB 241 251 146 and RGB 213 251 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 176 146 shade matches the following richer shades: RGB 251 176 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 176 146 shade: RGB 251 176 146, RGB 241 180 155, RGB 232 184 164, RGB 223 188 173 and RGB 214 192 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 176 146 shade: RGB 251 146 172, RGB 251 148 146, RGB 251 176 146, RGB 251 204 146 and RGB 251 231 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 176 146 shade: RGB 248 118 67, RGB 249 147 106, RGB 251 176 146, RGB 252 205 186 and RGB 253 234 226

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 176 146 shade: RGB 251 176 146, RGB 200 251 146 and RGB 146 158 251

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 176 146 shade: RGB 251 176 146, RGB 146 251 176 and RGB 176 146 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 176 146 shade: RGB 251 176 146, RGB 200 251 146, RGB 146 221 251 and RGB 197 146 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 176 146 shade: RGB 251 176 146, RGB 169 251 146, RGB 146 221 251 and RGB 228 146 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 42 / 2

HEX #FBB092

RGB 251 176 146

HSL 17.14, 0.93%, 0.78%

LAB 78.25, 23.86, 26.34

 

Complementary color

CMYK 96 / 28 / 0 / 57

HEX #044F6D

RGB 4 79 109

HSL 197.14, 0.93%, 0.22%

LAB 31.17, -8.66, -23.04

 

CMYK 0 / 31 / 45 / 0

HEX #FFB08D

RGB 255 176 141

HSL 18.42, 1%, 0.78%

LAB 78.6, 24.88, 29.55

 

CMYK 0 / 24 / 37 / 0

HEX #FFC2A0

RGB 255 194 160

HSL 21.47, 1%, 0.81%

LAB 83.12, 17.49, 25.56

 

CMYK 0 / 17 / 30 / 0

HEX #FFD4B3

RGB 255 212 179

HSL 26.05, 1%, 0.85%

LAB 87.78, 10.41, 21.97

 

CMYK 0 / 10 / 22 / 0

HEX #FFE6C6

RGB 255 230 198

HSL 33.68, 1%, 0.89%

LAB 92.54, 3.69, 18.71

 

CMYK 0 / 3 / 15 / 0

HEX #FFF8D9

RGB 255 248 217

HSL 48.95, 1%, 0.93%

LAB 97.39, -2.67, 15.73

 

CMYK 0 / 30 / 42 / 2

HEX #FBB092

RGB 251 176 146

HSL 17.14, 0.93%, 0.78%

LAB 78.25, 23.86, 26.34

 

CMYK 0 / 32 / 46 / 8

HEX #EA9E7F

RGB 234 158 127

HSL 17.38, 0.72%, 0.71%

LAB 71.88, 24.81, 27.7

 

CMYK 0 / 35 / 50 / 15

HEX #D98C6C

RGB 217 140 108

HSL 17.61, 0.59%, 0.64%

LAB 65.43, 25.88, 29.19

 

CMYK 0 / 39 / 56 / 22

HEX #C87A59

RGB 200 122 89

HSL 17.84, 0.5%, 0.57%

LAB 58.9, 27.09, 30.83

 

CMYK 0 / 43 / 62 / 28

HEX #B76846

RGB 183 104 70

HSL 18.05, 0.45%, 0.5%

LAB 52.3, 28.45, 32.66

 

CMYK 0 / 30 / 42 / 2

HEX #FBB092

RGB 251 176 146

HSL 17.14, 0.93%, 0.78%

LAB 78.25, 23.86, 26.34

 

CMYK 0 / 41 / 42 / 2

HEX #FB9492

RGB 251 148 146

HSL 1.14, 0.93%, 0.78%

LAB 72.07, 38.46, 17.89

 

CMYK 0 / 42 / 42 / 2

HEX #FB9292

RGB 251 146 146

HSL 0, 0.93%, 0.78%

LAB 71.65, 39.48, 17.31

 

CMYK 0 / 30 / 42 / 2

HEX #FBB092

RGB 251 176 146

HSL 17.14, 0.93%, 0.78%

LAB 78.25, 23.86, 26.34

 

CMYK 0 / 19 / 42 / 2

HEX #FBCC92

RGB 251 204 146

HSL 33.14, 0.93%, 0.78%

LAB 84.88, 9.2, 35.15

 

CMYK 0 / 8 / 42 / 2

HEX #FBE892

RGB 251 232 146

HSL 49.14, 0.93%, 0.78%

LAB 91.82, -5.11, 44.1

 

CMYK 4 / 0 / 42 / 2

HEX #F1FB92

RGB 241 251 146

HSL 65.71, 0.93%, 0.78%

LAB 95.9, -18.33, 49.08

 

CMYK 15 / 0 / 42 / 2

HEX #D5FB92

RGB 213 251 146

HSL 81.71, 0.93%, 0.78%

LAB 93.98, -28.77, 46.25

 

CMYK 0 / 30 / 42 / 2

HEX #FBB092

RGB 251 176 146

HSL 17.14, 0.93%, 0.78%

LAB 78.25, 23.86, 26.34

 

CMYK 0 / 30 / 42 / 2

HEX #FBB092

RGB 251 176 146

HSL 17.14, 0.93%, 0.78%

LAB 78.25, 23.86, 26.34

 

CMYK 0 / 25 / 36 / 5

HEX #F1B49B

RGB 241 180 155

HSL 17.44, 0.75%, 0.78%

LAB 78.29, 18.91, 21.4

 

CMYK 0 / 21 / 29 / 9

HEX #E8B8A4

RGB 232 184 164

HSL 17.65, 0.6%, 0.78%

LAB 78.53, 14.49, 16.75

 

CMYK 0 / 16 / 22 / 13

HEX #DFBCAD

RGB 223 188 173

HSL 18, 0.44%, 0.78%

LAB 78.85, 10.22, 12.24

 

CMYK 0 / 10 / 14 / 16

HEX #D6C0B7

RGB 214 192 183

HSL 17.42, 0.27%, 0.78%

LAB 79.28, 6.29, 7.35

 

CMYK 0 / 42 / 31 / 2

HEX #FB92AC

RGB 251 146 172

HSL 345.14, 0.93%, 0.78%

LAB 72.26, 42.47, 3.75

 

CMYK 0 / 41 / 42 / 2

HEX #FB9492

RGB 251 148 146

HSL 1.14, 0.93%, 0.78%

LAB 72.07, 38.46, 17.89

 

CMYK 0 / 30 / 42 / 2

HEX #FBB092

RGB 251 176 146

HSL 17.14, 0.93%, 0.78%

LAB 78.25, 23.86, 26.34

 

CMYK 0 / 19 / 42 / 2

HEX #FBCC92

RGB 251 204 146

HSL 33.14, 0.93%, 0.78%

LAB 84.88, 9.2, 35.15

 

CMYK 0 / 8 / 42 / 2

HEX #FBE792

RGB 251 231 146

HSL 48.57, 0.93%, 0.78%

LAB 91.57, -4.61, 43.78

 

CMYK 0 / 52 / 73 / 3

HEX #F87643

RGB 248 118 67

HSL 16.91, 0.93%, 0.62%

LAB 64.42, 46.51, 50.55

 

CMYK 0 / 41 / 57 / 2

HEX #F9936A

RGB 249 147 106

HSL 17.2, 0.92%, 0.7%

LAB 70.9, 34.62, 38.06

 

CMYK 0 / 30 / 42 / 2

HEX #FBB092

RGB 251 176 146

HSL 17.14, 0.93%, 0.78%

LAB 78.25, 23.86, 26.34

 

CMYK 0 / 19 / 26 / 1

HEX #FCCDBA

RGB 252 205 186

HSL 17.27, 0.92%, 0.86%

LAB 85.96, 13.86, 15.71

 

CMYK 0 / 8 / 11 / 1

HEX #FDEAE2

RGB 253 234 226

HSL 17.78, 0.87%, 0.94%

LAB 93.98, 5.13, 6.19

 

CMYK 0 / 30 / 42 / 2

HEX #FBB092

RGB 251 176 146

HSL 17.14, 0.93%, 0.78%

LAB 78.25, 23.86, 26.34

 

CMYK 20 / 0 / 42 / 2

HEX #C8FB92

RGB 200 251 146

HSL 89.14, 0.93%, 0.78%

LAB 93.17, -33.44, 45.06

 

CMYK 42 / 37 / 0 / 2

HEX #929EFB

RGB 146 158 251

HSL 233.14, 0.93%, 0.78%

LAB 67.67, 18.64, -47.73

 

CMYK 0 / 30 / 42 / 2

HEX #FBB092

RGB 251 176 146

HSL 17.14, 0.93%, 0.78%

LAB 78.25, 23.86, 26.34

 

CMYK 42 / 0 / 30 / 2

HEX #92FBB0

RGB 146 251 176

HSL 137.14, 0.93%, 0.78%

LAB 90.89, -46.13, 26.65

 

CMYK 30 / 42 / 0 / 2

HEX #B092FB

RGB 176 146 251

HSL 257.14, 0.93%, 0.78%

LAB 67.09, 33.26, -48.49

 

CMYK 0 / 30 / 42 / 2

HEX #FBB092

RGB 251 176 146

HSL 17.14, 0.93%, 0.78%

LAB 78.25, 23.86, 26.34

 

CMYK 20 / 0 / 42 / 2

HEX #C8FB92

RGB 200 251 146

HSL 89.14, 0.93%, 0.78%

LAB 93.17, -33.44, 45.06

 

CMYK 42 / 12 / 0 / 2

HEX #92DDFB

RGB 146 221 251

HSL 197.14, 0.93%, 0.78%

LAB 84.37, -15.68, -21.91

 

CMYK 22 / 42 / 0 / 2

HEX #C592FB

RGB 197 146 251

HSL 269.14, 0.93%, 0.78%

LAB 69.04, 39.02, -45.3

 

CMYK 0 / 30 / 42 / 2

HEX #FBB092

RGB 251 176 146

HSL 17.14, 0.93%, 0.78%

LAB 78.25, 23.86, 26.34

 

CMYK 33 / 0 / 42 / 2

HEX #A9FB92

RGB 169 251 146

HSL 106.86, 0.93%, 0.78%

LAB 91.46, -43.91, 42.54

 

CMYK 42 / 12 / 0 / 2

HEX #92DDFB

RGB 146 221 251

HSL 197.14, 0.93%, 0.78%

LAB 84.37, -15.68, -21.91

 

CMYK 9 / 42 / 0 / 2

HEX #E492FB

RGB 228 146 251

HSL 286.86, 0.93%, 0.78%

LAB 72.24, 47.83, -40.05

 

Description

Color code: RGB 251 176 146 | qconv.com Color code: RGB 251 176 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 176 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 176 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 42 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 42% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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