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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 120 86 it is the complementary color RGB 4 135 169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 120 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 120 86 shade: RGB 255 120 81, RGB 255 138 100, RGB 255 156 119, RGB 255 174 138 and RGB 255 192 157

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 120 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 120 86 shade: RGB 251 120 86, RGB 234 102 67, RGB 217 84 48, RGB 200 66 29 and RGB 183 48 10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 120 86 shade: RGB 250 119 85 and RGB 250 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 120 86 shade: RGB 250 119 85, RGB 250 164 85, RGB 250 208 85, RGB 248 250 85 and RGB 203 250 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 120 86 shade matches the following richer shades: RGB 250 119 85

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 120 86 shade: RGB 250 119 85, RGB 236 128 99, RGB 222 136 113, RGB 208 144 128 and RGB 194 152 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 120 86 shade: RGB 250 85 140, RGB 250 85 96, RGB 250 118 85, RGB 250 162 85 and RGB 250 206 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 120 86 shade: RGB 247 56 6, RGB 249 87 45, RGB 250 119 85, RGB 251 152 126 and RGB 252 184 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 120 86 shade: RGB 251 120 86, RGB 184 250 85 and RGB 85 118 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 120 86 shade: RGB 251 120 86, RGB 85 250 118 and RGB 118 85 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 120 86 shade: RGB 251 120 86, RGB 184 250 85, RGB 85 217 250 and RGB 151 85 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 120 86 shade: RGB 251 120 86, RGB 135 250 85, RGB 85 217 250 and RGB 201 85 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 66 / 2

HEX #FB7856

RGB 251 120 86

HSL 12.36, 0.95%, 0.66%

LAB 65.45, 47.6, 42.08

 

Complementary color

CMYK 98 / 20 / 0 / 34

HEX #0487A9

RGB 4 135 169

HSL 192.36, 0.95%, 0.34%

LAB 52.08, -18.1, -26.57

 

CMYK 0 / 53 / 68 / 0

HEX #FF7851

RGB 255 120 81

HSL 13.45, 1%, 0.66%

LAB 65.97, 48.79, 45.47

 

CMYK 0 / 46 / 61 / 0

HEX #FF8A64

RGB 255 138 100

HSL 14.71, 1%, 0.7%

LAB 69.72, 41.08, 39.95

 

CMYK 0 / 39 / 53 / 0

HEX #FF9C77

RGB 255 156 119

HSL 16.32, 1%, 0.73%

LAB 73.78, 33.31, 34.96

 

CMYK 0 / 32 / 46 / 0

HEX #FFAE8A

RGB 255 174 138

HSL 18.46, 1%, 0.77%

LAB 78.09, 25.64, 30.47

 

CMYK 0 / 25 / 38 / 0

HEX #FFC09D

RGB 255 192 157

HSL 21.43, 1%, 0.81%

LAB 82.59, 18.2, 26.43

 

CMYK 0 / 52 / 66 / 2

HEX #FB7856

RGB 251 120 86

HSL 12.36, 0.95%, 0.66%

LAB 65.45, 47.6, 42.08

 

CMYK 0 / 56 / 71 / 8

HEX #EA6643

RGB 234 102 67

HSL 12.57, 0.8%, 0.59%

LAB 59.34, 48.99, 44.4

 

CMYK 0 / 61 / 78 / 15

HEX #D95430

RGB 217 84 48

HSL 12.78, 0.69%, 0.52%

LAB 53.28, 50.36, 46.87

 

CMYK 0 / 67 / 86 / 22

HEX #C8421D

RGB 200 66 29

HSL 12.98, 0.75%, 0.45%

LAB 47.32, 51.6, 49.23

 

CMYK 0 / 74 / 95 / 28

HEX #B7300A

RGB 183 48 10

HSL 13.18, 0.9%, 0.38%

LAB 41.54, 52.53, 50.68

 

CMYK 0 / 52 / 66 / 2

HEX #FA7755

RGB 250 119 85

HSL 12.36, 0.94%, 0.66%

LAB 65.1, 47.66, 42.16

 

CMYK 0 / 66 / 66 / 2

HEX #FA5555

RGB 250 85 85

HSL 0, 0.94%, 0.66%

LAB 59.41, 62.65, 35.31

 

CMYK 0 / 52 / 66 / 2

HEX #FA7755

RGB 250 119 85

HSL 12.36, 0.94%, 0.66%

LAB 65.1, 47.66, 42.16

 

CMYK 0 / 34 / 66 / 2

HEX #FAA455

RGB 250 164 85

HSL 28.73, 0.94%, 0.66%

LAB 74.53, 24.77, 53.01

 

CMYK 0 / 17 / 66 / 2

HEX #FAD055

RGB 250 208 85

HSL 44.73, 0.94%, 0.66%

LAB 85.04, 1.85, 64.45

 

CMYK 1 / 0 / 66 / 2

HEX #F8FA55

RGB 248 250 85

HSL 60.73, 0.94%, 0.66%

LAB 95.57, -19.84, 75.29

 

CMYK 19 / 0 / 66 / 2

HEX #CBFA55

RGB 203 250 85

HSL 77.09, 0.94%, 0.66%

LAB 92.45, -37.47, 71.1

 

CMYK 0 / 52 / 66 / 2

HEX #FA7755

RGB 250 119 85

HSL 12.36, 0.94%, 0.66%

LAB 65.1, 47.66, 42.16

 

CMYK 0 / 52 / 66 / 2

HEX #FA7755

RGB 250 119 85

HSL 12.36, 0.94%, 0.66%

LAB 65.1, 47.66, 42.16

 

CMYK 0 / 46 / 58 / 7

HEX #EC8063

RGB 236 128 99

HSL 12.7, 0.78%, 0.66%

LAB 65.1, 38.87, 34.17

 

CMYK 0 / 39 / 49 / 13

HEX #DE8871

RGB 222 136 113

HSL 12.66, 0.62%, 0.66%

LAB 65.22, 30.46, 26.28

 

CMYK 0 / 31 / 38 / 18

HEX #D09080

RGB 208 144 128

HSL 12, 0.46%, 0.66%

LAB 65.68, 22.25, 18.27

 

CMYK 0 / 22 / 27 / 24

HEX #C2988E

RGB 194 152 142

HSL 11.54, 0.3%, 0.66%

LAB 66.43, 14.21, 11.26

 

CMYK 0 / 66 / 44 / 2

HEX #FA558C

RGB 250 85 140

HSL 340, 0.94%, 0.66%

LAB 60.53, 66.66, 4.98

 

CMYK 0 / 66 / 62 / 2

HEX #FA5560

RGB 250 85 96

HSL 356, 0.94%, 0.66%

LAB 59.59, 63.27, 29.26

 

CMYK 0 / 53 / 66 / 2

HEX #FA7655

RGB 250 118 85

HSL 12, 0.94%, 0.66%

LAB 64.91, 48.14, 41.94

 

CMYK 0 / 35 / 66 / 2

HEX #FAA255

RGB 250 162 85

HSL 28, 0.94%, 0.66%

LAB 74.07, 25.82, 52.5

 

CMYK 0 / 18 / 66 / 2

HEX #FACE55

RGB 250 206 85

HSL 44, 0.94%, 0.66%

LAB 84.55, 2.87, 63.92

 

CMYK 0 / 77 / 98 / 3

HEX #F73806

RGB 247 56 6

HSL 12.45, 0.95%, 0.5%

LAB 54.67, 69.45, 65.47

 

CMYK 0 / 65 / 82 / 2

HEX #F9572D

RGB 249 87 45

HSL 12.35, 0.94%, 0.58%

LAB 59.11, 59.94, 55.75

 

CMYK 0 / 52 / 66 / 2

HEX #FA7755

RGB 250 119 85

HSL 12.36, 0.94%, 0.66%

LAB 65.1, 47.66, 42.16

 

CMYK 0 / 39 / 50 / 2

HEX #FB987E

RGB 251 152 126

HSL 12.48, 0.94%, 0.74%

LAB 72.54, 34.44, 29.48

 

CMYK 0 / 27 / 34 / 1

HEX #FCB8A6

RGB 252 184 166

HSL 12.56, 0.93%, 0.82%

LAB 80.59, 22.3, 18.85

 

CMYK 0 / 52 / 66 / 2

HEX #FB7856

RGB 251 120 86

HSL 12.36, 0.95%, 0.66%

LAB 65.45, 47.6, 42.08

 

CMYK 26 / 0 / 66 / 2

HEX #B8FA55

RGB 184 250 85

HSL 84, 0.94%, 0.66%

LAB 91.33, -44.49, 69.59

 

CMYK 66 / 53 / 0 / 2

HEX #5576FA

RGB 85 118 250

HSL 228, 0.94%, 0.66%

LAB 53.8, 29.74, -69.54

 

CMYK 0 / 52 / 66 / 2

HEX #FB7856

RGB 251 120 86

HSL 12.36, 0.95%, 0.66%

LAB 65.45, 47.6, 42.08

 

CMYK 66 / 0 / 53 / 2

HEX #55FA76

RGB 85 250 118

HSL 132, 0.94%, 0.66%

LAB 87.78, -68.92, 50.56

 

CMYK 53 / 66 / 0 / 2

HEX #7655FA

RGB 118 85 250

HSL 252, 0.94%, 0.66%

LAB 48.57, 54.26, -77.95

 

CMYK 0 / 52 / 66 / 2

HEX #FB7856

RGB 251 120 86

HSL 12.36, 0.95%, 0.66%

LAB 65.45, 47.6, 42.08

 

CMYK 26 / 0 / 66 / 2

HEX #B8FA55

RGB 184 250 85

HSL 84, 0.94%, 0.66%

LAB 91.33, -44.49, 69.59

 

CMYK 66 / 13 / 0 / 2

HEX #55D9FA

RGB 85 217 250

HSL 192, 0.94%, 0.66%

LAB 80.99, -26.04, -26.73

 

CMYK 40 / 66 / 0 / 2

HEX #9755FA

RGB 151 85 250

HSL 264, 0.94%, 0.66%

LAB 51.81, 60.07, -72.53

 

CMYK 0 / 52 / 66 / 2

HEX #FB7856

RGB 251 120 86

HSL 12.36, 0.95%, 0.66%

LAB 65.45, 47.6, 42.08

 

CMYK 46 / 0 / 66 / 2

HEX #87FA55

RGB 135 250 85

HSL 101.82, 0.94%, 0.66%

LAB 89.01, -60.57, 66.42

 

CMYK 66 / 13 / 0 / 2

HEX #55D9FA

RGB 85 217 250

HSL 192, 0.94%, 0.66%

LAB 80.99, -26.04, -26.73

 

CMYK 20 / 66 / 0 / 2

HEX #C955FA

RGB 201 85 250

HSL 282.18, 0.94%, 0.66%

LAB 57.86, 70.14, -62.46

 

Description

Color code: RGB 251 120 86 | qconv.com Color code: RGB 251 120 86 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 120 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 120 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 66 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 66% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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