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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 251 109 248 it is the complementary color RGB 4 146 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 251 109 248. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 251 109 248 shade: RGB 255 109 243, RGB 255 127 255, RGB 255 145 255, RGB 255 163 255 and RGB 255 181 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 251 109 248. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 251 109 248 shade: RGB 251 109 248, RGB 234 91 229, RGB 217 73 210, RGB 200 55 191 and RGB 183 37 172

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 251 109 248 shade: RGB 251 110 248, RGB 251 110 210, RGB 251 110 172, RGB 251 110 134 and RGB 251 110 110

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 251 109 248 shade: RGB 251 110 248, RGB 216 110 251, RGB 178 110 251, RGB 140 110 251 and RGB 110 110 251

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 251 109 248 shade matches the following richer shades: RGB 251 110 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 251 109 248 shade: RGB 251 110 248, RGB 239 122 236, RGB 227 134 225, RGB 215 146 213 and RGB 203 158 202

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 251 109 248 shade: RGB 178 110 251, RGB 216 110 251, RGB 251 110 248, RGB 251 110 211 and RGB 251 110 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 251 109 248 shade: RGB 249 30 244, RGB 250 70 246, RGB 251 110 248, RGB 252 151 250 and RGB 253 191 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 251 109 248 shade: RGB 251 109 248, RGB 251 141 110 and RGB 110 251 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 251 109 248 shade: RGB 251 109 248, RGB 248 251 110 and RGB 110 248 251

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 251 109 248 shade: RGB 251 109 248, RGB 251 141 110, RGB 110 251 113 and RGB 110 220 251

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 251 109 248 shade: RGB 251 109 248, RGB 251 183 110, RGB 110 251 113 and RGB 110 178 251

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 1 / 2

HEX #FB6DF8

RGB 251 109 248

HSL 301.27, 0.95%, 0.71%

LAB 68.19, 71.22, -44.55

 

Complementary color

CMYK 97 / 0 / 95 / 43

HEX #049207

RGB 4 146 7

HSL 121.27, 0.95%, 0.29%

LAB 52.51, -56.39, 53.74

 

CMYK 0 / 57 / 5 / 0

HEX #FF6DF3

RGB 255 109 243

HSL 304.93, 1%, 0.71%

LAB 68.51, 71.42, -41.25

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 29 / 0 / 0

HEX #FFB5FF

RGB 255 181 255

HSL 300, 1%, 0.85%

LAB 82.66, 38.44, -25.9

 

CMYK 0 / 57 / 1 / 2

HEX #FB6DF8

RGB 251 109 248

HSL 301.27, 0.95%, 0.71%

LAB 68.19, 71.22, -44.55

 

CMYK 0 / 61 / 2 / 8

HEX #EA5BE5

RGB 234 91 229

HSL 302.1, 0.77%, 0.64%

LAB 62.2, 71.41, -43.61

 

CMYK 0 / 66 / 3 / 15

HEX #D949D2

RGB 217 73 210

HSL 302.92, 0.65%, 0.57%

LAB 56.26, 71.28, -42.42

 

CMYK 0 / 73 / 5 / 22

HEX #C837BF

RGB 200 55 191

HSL 303.72, 0.57%, 0.5%

LAB 50.42, 70.68, -40.9

 

CMYK 0 / 80 / 6 / 28

HEX #B725AC

RGB 183 37 172

HSL 304.52, 0.66%, 0.43%

LAB 44.76, 69.36, -38.9

 

CMYK 0 / 56 / 1 / 2

HEX #FB6EF8

RGB 251 110 248

HSL 301.28, 0.95%, 0.71%

LAB 68.34, 70.79, -44.3

 

CMYK 0 / 56 / 16 / 2

HEX #FB6ED2

RGB 251 110 210

HSL 317.45, 0.95%, 0.71%

LAB 66.76, 64.91, -25.69

 

CMYK 0 / 56 / 31 / 2

HEX #FB6EAC

RGB 251 110 172

HSL 333.62, 0.95%, 0.71%

LAB 65.47, 59.89, -6.2

 

CMYK 0 / 56 / 47 / 2

HEX #FB6E86

RGB 251 110 134

HSL 349.79, 0.95%, 0.71%

LAB 64.47, 55.87, 14.06

 

CMYK 0 / 56 / 56 / 2

HEX #FB6E6E

RGB 251 110 110

HSL 0, 0.95%, 0.71%

LAB 63.99, 53.88, 27.05

 

CMYK 0 / 56 / 1 / 2

HEX #FB6EF8

RGB 251 110 248

HSL 301.28, 0.95%, 0.71%

LAB 68.34, 70.79, -44.3

 

CMYK 14 / 56 / 0 / 2

HEX #D86EFB

RGB 216 110 251

HSL 285.11, 0.95%, 0.71%

LAB 63.93, 62.59, -53.22

 

CMYK 29 / 56 / 0 / 2

HEX #B26EFB

RGB 178 110 251

HSL 268.94, 0.95%, 0.71%

LAB 59.51, 53.39, -60.53

 

CMYK 44 / 56 / 0 / 2

HEX #8C6EFB

RGB 140 110 251

HSL 252.77, 0.95%, 0.71%

LAB 55.78, 44.86, -66.72

 

CMYK 56 / 56 / 0 / 2

HEX #6E6EFB

RGB 110 110 251

HSL 240, 0.95%, 0.71%

LAB 53.42, 39, -70.65

 

CMYK 0 / 56 / 1 / 2

HEX #FB6EF8

RGB 251 110 248

HSL 301.28, 0.95%, 0.71%

LAB 68.34, 70.79, -44.3

 

CMYK 0 / 56 / 1 / 2

HEX #FB6EF8

RGB 251 110 248

HSL 301.28, 0.95%, 0.71%

LAB 68.34, 70.79, -44.3

 

CMYK 0 / 49 / 1 / 6

HEX #EF7AEC

RGB 239 122 236

HSL 301.54, 0.79%, 0.71%

LAB 68.26, 60.17, -37.94

 

CMYK 0 / 41 / 1 / 11

HEX #E386E1

RGB 227 134 225

HSL 301.29, 0.62%, 0.71%

LAB 68.62, 48.85, -31.43

 

CMYK 0 / 32 / 1 / 16

HEX #D792D5

RGB 215 146 213

HSL 301.74, 0.46%, 0.71%

LAB 69.33, 36.65, -23.81

 

CMYK 0 / 22 / 0 / 20

HEX #CB9ECA

RGB 203 158 202

HSL 301.33, 0.3%, 0.71%

LAB 70.47, 24.13, -16.13

 

CMYK 29 / 56 / 0 / 2

HEX #B26EFB

RGB 178 110 251

HSL 268.94, 0.95%, 0.71%

LAB 59.51, 53.39, -60.53

 

CMYK 14 / 56 / 0 / 2

HEX #D86EFB

RGB 216 110 251

HSL 285.11, 0.95%, 0.71%

LAB 63.93, 62.59, -53.22

 

CMYK 0 / 56 / 1 / 2

HEX #FB6EF8

RGB 251 110 248

HSL 301.28, 0.95%, 0.71%

LAB 68.34, 70.79, -44.3

 

CMYK 0 / 56 / 16 / 2

HEX #FB6ED3

RGB 251 110 211

HSL 317.02, 0.95%, 0.71%

LAB 66.8, 65.05, -26.2

 

CMYK 0 / 56 / 31 / 2

HEX #FB6EAE

RGB 251 110 174

HSL 332.77, 0.95%, 0.71%

LAB 65.53, 60.13, -7.24

 

CMYK 0 / 88 / 2 / 2

HEX #F91EF4

RGB 249 30 244

HSL 301.37, 0.95%, 0.55%

LAB 59.53, 93.28, -56.06

 

CMYK 0 / 72 / 2 / 2

HEX #FA46F6

RGB 250 70 246

HSL 301.33, 0.95%, 0.63%

LAB 62.81, 85.01, -51.94

 

CMYK 0 / 56 / 1 / 2

HEX #FB6EF8

RGB 251 110 248

HSL 301.28, 0.95%, 0.71%

LAB 68.34, 70.79, -44.3

 

CMYK 0 / 40 / 1 / 1

HEX #FC97FA

RGB 252 151 250

HSL 301.19, 0.94%, 0.79%

LAB 75.9, 52.08, -33.61

 

CMYK 0 / 25 / 0 / 1

HEX #FDBFFC

RGB 253 191 252

HSL 300.97, 0.94%, 0.87%

LAB 84.57, 32.02, -21.41

 

CMYK 0 / 57 / 1 / 2

HEX #FB6DF8

RGB 251 109 248

HSL 301.27, 0.95%, 0.71%

LAB 68.19, 71.22, -44.55

 

CMYK 0 / 44 / 56 / 2

HEX #FB8D6E

RGB 251 141 110

HSL 13.19, 0.95%, 0.71%

LAB 69.95, 38.77, 34.78

 

CMYK 56 / 0 / 22 / 2

HEX #6EFBC5

RGB 110 251 197

HSL 157.02, 0.95%, 0.71%

LAB 90.02, -50.66, 14.5

 

CMYK 0 / 57 / 1 / 2

HEX #FB6DF8

RGB 251 109 248

HSL 301.27, 0.95%, 0.71%

LAB 68.19, 71.22, -44.55

 

CMYK 1 / 0 / 56 / 2

HEX #F8FB6E

RGB 248 251 110

HSL 61.28, 0.95%, 0.71%

LAB 96.03, -18.75, 65.77

 

CMYK 56 / 1 / 0 / 2

HEX #6EF8FB

RGB 110 248 251

HSL 181.28, 0.95%, 0.71%

LAB 90.51, -36.45, -12.81

 

CMYK 0 / 57 / 1 / 2

HEX #FB6DF8

RGB 251 109 248

HSL 301.27, 0.95%, 0.71%

LAB 68.19, 71.22, -44.55

 

CMYK 0 / 44 / 56 / 2

HEX #FB8D6E

RGB 251 141 110

HSL 13.19, 0.95%, 0.71%

LAB 69.95, 38.77, 34.78

 

CMYK 56 / 0 / 55 / 2

HEX #6EFB71

RGB 110 251 113

HSL 121.28, 0.95%, 0.71%

LAB 88.69, -64.71, 54.08

 

CMYK 56 / 12 / 0 / 2

HEX #6EDCFB

RGB 110 220 251

HSL 193.19, 0.95%, 0.71%

LAB 82.63, -23.02, -24.7

 

CMYK 0 / 57 / 1 / 2

HEX #FB6DF8

RGB 251 109 248

HSL 301.27, 0.95%, 0.71%

LAB 68.19, 71.22, -44.55

 

CMYK 0 / 27 / 56 / 2

HEX #FBB76E

RGB 251 183 110

HSL 31.06, 0.95%, 0.71%

LAB 79.33, 16.9, 46.42

 

CMYK 56 / 0 / 55 / 2

HEX #6EFB71

RGB 110 251 113

HSL 121.28, 0.95%, 0.71%

LAB 88.69, -64.71, 54.08

 

CMYK 56 / 29 / 0 / 2

HEX #6EB2FB

RGB 110 178 251

HSL 211.06, 0.95%, 0.71%

LAB 70.95, -0.85, -42.72

 

Description

Color code: RGB 251 109 248 | qconv.com Color code: RGB 251 109 248 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 251 red, 109 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
251 109 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 1 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 1% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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