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Color name
RGB 250 61 72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 61 72 it is the complementary color RGB 5 194 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 61 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 61 72 shade: RGB 255 61 67, RGB 255 79 86, RGB 255 97 105, RGB 255 115 124 and RGB 255 133 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 61 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 61 72 shade: RGB 250 61 72, RGB 233 43 53, RGB 216 25 34, RGB 199 7 15 and RGB 182 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 61 72 shade: RGB 250 61 72 and RGB 250 61 61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 61 72 shade: RGB 250 61 72, RGB 250 61 123, RGB 250 61 173, RGB 250 61 224 and RGB 224 61 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 61 72 shade matches the following richer shades: RGB 250 61 72

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 61 72 shade: RGB 250 61 72, RGB 233 77 86, RGB 217 93 100, RGB 201 109 114 and RGB 185 125 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 61 72 shade: RGB 250 61 174, RGB 250 61 124, RGB 250 61 73, RGB 250 98 61 and RGB 250 149 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 61 72 shade: RGB 222 5 18, RGB 248 20 34, RGB 250 61 72, RGB 251 101 110 and RGB 252 141 147

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 61 72 shade: RGB 250 61 72, RGB 224 250 61 and RGB 61 149 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 61 72 shade: RGB 250 61 72, RGB 73 250 61 and RGB 61 73 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 61 72 shade: RGB 250 61 72, RGB 224 250 61, RGB 61 250 237 and RGB 86 61 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 61 72 shade: RGB 250 61 72, RGB 168 250 61, RGB 61 250 237 and RGB 142 61 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 71 / 2

HEX #FA3D48

RGB 250 61 72

HSL 356.51, 0.95%, 0.61%

LAB 56.22, 70.35, 38.83

 

Complementary color

CMYK 97 / 0 / 6 / 24

HEX #05C2B7

RGB 5 194 183

HSL 176.51, 0.95%, 0.39%

LAB 70.89, -42.24, -5.95

 

CMYK 0 / 76 / 74 / 0

HEX #FF3D43

RGB 255 61 67

HSL 358.14, 1%, 0.62%

LAB 57.08, 71.57, 42.86

 

CMYK 0 / 69 / 66 / 0

HEX #FF4F56

RGB 255 79 86

HSL 357.61, 1%, 0.65%

LAB 59.46, 66.51, 34.99

 

CMYK 0 / 62 / 59 / 0

HEX #FF6169

RGB 255 97 105

HSL 356.96, 1%, 0.69%

LAB 62.36, 60.58, 27.88

 

CMYK 0 / 55 / 51 / 0

HEX #FF737C

RGB 255 115 124

HSL 356.14, 1%, 0.73%

LAB 65.73, 54.04, 21.58

 

CMYK 0 / 48 / 44 / 0

HEX #FF858F

RGB 255 133 143

HSL 355.08, 1%, 0.76%

LAB 69.48, 47.15, 16.05

 

CMYK 0 / 76 / 71 / 2

HEX #FA3D48

RGB 250 61 72

HSL 356.51, 0.95%, 0.61%

LAB 56.22, 70.35, 38.83

 

CMYK 0 / 82 / 77 / 9

HEX #E92B35

RGB 233 43 53

HSL 356.84, 0.81%, 0.54%

LAB 51.05, 69.77, 42.83

 

CMYK 0 / 88 / 84 / 15

HEX #D81922

RGB 216 25 34

HSL 357.17, 0.79%, 0.47%

LAB 46.19, 68.37, 47.08

 

CMYK 0 / 96 / 92 / 22

HEX #C7070F

RGB 199 7 15

HSL 357.5, 0.93%, 0.4%

LAB 41.73, 65.92, 50.74

 

CMYK 0 / 100 / 100 / 29

HEX #B60000

RGB 182 0 0

HSL 0, 1%, 0.36%

LAB 37.74, 62.19, 52.16

 

CMYK 0 / 76 / 71 / 2

HEX #FA3D48

RGB 250 61 72

HSL 356.51, 0.95%, 0.61%

LAB 56.22, 70.35, 38.83

 

CMYK 0 / 76 / 76 / 2

HEX #FA3D3D

RGB 250 61 61

HSL 0, 0.95%, 0.61%

LAB 56.09, 69.93, 44.79

 

CMYK 0 / 76 / 71 / 2

HEX #FA3D48

RGB 250 61 72

HSL 356.51, 0.95%, 0.61%

LAB 56.22, 70.35, 38.83

 

CMYK 0 / 76 / 51 / 2

HEX #FA3D7B

RGB 250 61 123

HSL 340.32, 0.95%, 0.61%

LAB 57.16, 73.37, 10.18

 

CMYK 0 / 76 / 31 / 2

HEX #FA3DAD

RGB 250 61 173

HSL 324.44, 0.95%, 0.61%

LAB 58.68, 78.05, -16.98

 

CMYK 0 / 76 / 10 / 2

HEX #FA3DE0

RGB 250 61 224

HSL 308.25, 0.95%, 0.61%

LAB 60.82, 84.39, -42.8

 

CMYK 10 / 76 / 0 / 2

HEX #E03DFA

RGB 224 61 250

HSL 291.75, 0.95%, 0.61%

LAB 58.12, 83.24, -61.87

 

CMYK 0 / 76 / 71 / 2

HEX #FA3D48

RGB 250 61 72

HSL 356.51, 0.95%, 0.61%

LAB 56.22, 70.35, 38.83

 

CMYK 0 / 76 / 71 / 2

HEX #FA3D48

RGB 250 61 72

HSL 356.51, 0.95%, 0.61%

LAB 56.22, 70.35, 38.83

 

CMYK 0 / 67 / 63 / 9

HEX #E94D56

RGB 233 77 86

HSL 356.54, 0.78%, 0.61%

LAB 55.38, 60.45, 29.08

 

CMYK 0 / 57 / 54 / 15

HEX #D95D64

RGB 217 93 100

HSL 356.61, 0.62%, 0.61%

LAB 55.58, 49.25, 20.69

 

CMYK 0 / 46 / 43 / 21

HEX #C96D72

RGB 201 109 114

HSL 356.74, 0.46%, 0.61%

LAB 56.65, 36.81, 13.61

 

CMYK 0 / 32 / 31 / 27

HEX #B97D80

RGB 185 125 128

HSL 357, 0.3%, 0.61%

LAB 58.55, 23.73, 7.89

 

CMYK 0 / 76 / 30 / 2

HEX #FA3DAE

RGB 250 61 174

HSL 324.13, 0.95%, 0.61%

LAB 58.71, 78.15, -17.5

 

CMYK 0 / 76 / 50 / 2

HEX #FA3D7C

RGB 250 61 124

HSL 340, 0.95%, 0.61%

LAB 57.19, 73.45, 9.62

 

CMYK 0 / 76 / 71 / 2

HEX #FA3D49

RGB 250 61 73

HSL 356.19, 0.95%, 0.61%

LAB 56.23, 70.39, 38.28

 

CMYK 0 / 61 / 76 / 2

HEX #FA623D

RGB 250 98 61

HSL 11.75, 0.95%, 0.61%

LAB 61.13, 56.18, 50.15

 

CMYK 0 / 40 / 76 / 2

HEX #FA953D

RGB 250 149 61

HSL 27.94, 0.95%, 0.61%

LAB 70.98, 31.43, 60.14

 

CMYK 0 / 98 / 92 / 13

HEX #DE0512

RGB 222 5 18

HSL 356.41, 0.96%, 0.45%

LAB 46.55, 71.89, 55.06

 

CMYK 0 / 92 / 86 / 3

HEX #F81422

RGB 248 20 34

HSL 356.32, 0.94%, 0.53%

LAB 52.48, 77.17, 54.99

 

CMYK 0 / 76 / 71 / 2

HEX #FA3D48

RGB 250 61 72

HSL 356.51, 0.95%, 0.61%

LAB 56.22, 70.35, 38.83

 

CMYK 0 / 60 / 56 / 2

HEX #FB656E

RGB 251 101 110

HSL 356.4, 0.95%, 0.69%

LAB 62.46, 57.91, 25.03

 

CMYK 0 / 44 / 42 / 1

HEX #FC8D93

RGB 252 141 147

HSL 356.76, 0.95%, 0.77%

LAB 70.77, 42.49, 15.55

 

CMYK 0 / 76 / 71 / 2

HEX #FA3D48

RGB 250 61 72

HSL 356.51, 0.95%, 0.61%

LAB 56.22, 70.35, 38.83

 

CMYK 10 / 0 / 76 / 2

HEX #E0FA3D

RGB 224 250 61

HSL 68.25, 0.95%, 0.61%

LAB 93.69, -30.56, 80.86

 

CMYK 76 / 40 / 0 / 2

HEX #3D95FA

RGB 61 149 250

HSL 212.06, 0.95%, 0.61%

LAB 61.12, 7.73, -57.83

 

CMYK 0 / 76 / 71 / 2

HEX #FA3D48

RGB 250 61 72

HSL 356.51, 0.95%, 0.61%

LAB 56.22, 70.35, 38.83

 

CMYK 71 / 0 / 76 / 2

HEX #49FA3D

RGB 73 250 61

HSL 116.19, 0.95%, 0.61%

LAB 87.06, -76.6, 72.24

 

CMYK 76 / 71 / 0 / 2

HEX #3D49FA

RGB 61 73 250

HSL 236.19, 0.95%, 0.61%

LAB 42.25, 53.89, -88.48

 

CMYK 0 / 76 / 71 / 2

HEX #FA3D48

RGB 250 61 72

HSL 356.51, 0.95%, 0.61%

LAB 56.22, 70.35, 38.83

 

CMYK 10 / 0 / 76 / 2

HEX #E0FA3D

RGB 224 250 61

HSL 68.25, 0.95%, 0.61%

LAB 93.69, -30.56, 80.86

 

CMYK 76 / 0 / 5 / 2

HEX #3DFAED

RGB 61 250 237

HSL 175.87, 0.95%, 0.61%

LAB 89.62, -47.89, -6.97

 

CMYK 66 / 76 / 0 / 2

HEX #563DFA

RGB 86 61 250

HSL 247.94, 0.95%, 0.61%

LAB 41.56, 62.39, -89.56

 

CMYK 0 / 76 / 71 / 2

HEX #FA3D48

RGB 250 61 72

HSL 356.51, 0.95%, 0.61%

LAB 56.22, 70.35, 38.83

 

CMYK 33 / 0 / 76 / 2

HEX #A8FA3D

RGB 168 250 61

HSL 86.03, 0.95%, 0.61%

LAB 90.34, -51.58, 76.53

 

CMYK 76 / 0 / 5 / 2

HEX #3DFAED

RGB 61 250 237

HSL 175.87, 0.95%, 0.61%

LAB 89.62, -47.89, -6.97

 

CMYK 43 / 76 / 0 / 2

HEX #8E3DFA

RGB 142 61 250

HSL 265.71, 0.95%, 0.61%

LAB 46.96, 69.35, -80.48

 

Description

Color code: RGB 250 61 72 | qconv.com Color code: RGB 250 61 72 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 61 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 61 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 71 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 71% 2% C M Y K

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Provide designers and agencies with accurate color values.

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