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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 55 180 it is the complementary color RGB 5 200 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 55 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 55 180 shade: RGB 255 55 175, RGB 255 73 194, RGB 255 91 213, RGB 255 109 232 and RGB 255 127 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 55 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 55 180 shade: RGB 250 55 180, RGB 233 37 161, RGB 216 19 142, RGB 199 1 123 and RGB 182 0 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 55 180 shade: RGB 249 56 180, RGB 249 56 128, RGB 249 56 75 and RGB 249 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 55 180 shade: RGB 249 56 180, RGB 249 56 232, RGB 214 56 249, RGB 162 56 249 and RGB 110 56 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 55 180 shade matches the following richer shades: RGB 249 56 180

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 55 180 shade: RGB 249 56 180, RGB 233 72 175, RGB 216 89 171, RGB 200 105 166 and RGB 183 122 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 55 180 shade: RGB 214 56 249, RGB 249 56 233, RGB 249 56 182, RGB 249 56 130 and RGB 249 56 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 55 180 shade: RGB 217 5 141, RGB 248 15 165, RGB 249 56 180, RGB 250 96 195 and RGB 251 136 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 55 180 shade: RGB 250 55 180, RGB 249 162 56 and RGB 56 249 240

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 55 180 shade: RGB 250 55 180, RGB 182 249 56 and RGB 56 182 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 55 180 shade: RGB 250 55 180, RGB 249 162 56, RGB 56 249 123 and RGB 56 143 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 55 180 shade: RGB 250 55 180, RGB 249 220 56, RGB 56 249 123 and RGB 56 85 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 28 / 2

HEX #FA37B4

RGB 250 55 180

HSL 321.54, 0.95%, 0.6%

LAB 58.37, 80.44, -21.5

 

Complementary color

CMYK 98 / 0 / 63 / 22

HEX #05C84B

RGB 5 200 75

HSL 141.54, 0.95%, 0.4%

LAB 70.77, -67.06, 49.68

 

CMYK 0 / 78 / 31 / 0

HEX #FF37AF

RGB 255 55 175

HSL 324, 1%, 0.61%

LAB 59.06, 81.04, -17.48

 

CMYK 0 / 71 / 24 / 0

HEX #FF49C2

RGB 255 73 194

HSL 320.11, 1%, 0.64%

LAB 61.59, 78.05, -24.54

 

CMYK 0 / 64 / 16 / 0

HEX #FF5BD5

RGB 255 91 213

HSL 315.37, 1%, 0.68%

LAB 64.6, 74.21, -30.65

 

CMYK 0 / 57 / 9 / 0

HEX #FF6DE8

RGB 255 109 232

HSL 309.45, 1%, 0.71%

LAB 68.04, 69.7, -35.92

 

CMYK 0 / 50 / 2 / 0

HEX #FF7FFB

RGB 255 127 251

HSL 301.88, 1%, 0.75%

LAB 71.83, 64.73, -40.45

 

CMYK 0 / 78 / 28 / 2

HEX #FA37B4

RGB 250 55 180

HSL 321.54, 0.95%, 0.6%

LAB 58.37, 80.44, -21.5

 

CMYK 0 / 84 / 31 / 9

HEX #E925A1

RGB 233 37 161

HSL 322.04, 0.82%, 0.53%

LAB 53.19, 78.63, -18.58

 

CMYK 0 / 91 / 34 / 15

HEX #D8138E

RGB 216 19 142

HSL 322.54, 0.84%, 0.46%

LAB 48.28, 75.88, -15

 

CMYK 0 / 99 / 38 / 22

HEX #C7017B

RGB 199 1 123

HSL 323.03, 0.99%, 0.39%

LAB 43.64, 72.16, -10.73

 

CMYK 0 / 100 / 43 / 29

HEX #B60068

RGB 182 0 104

HSL 325.71, 1%, 0.36%

LAB 39.49, 66.85, -5.42

 

CMYK 0 / 78 / 28 / 2

HEX #F938B4

RGB 249 56 180

HSL 321.45, 0.94%, 0.6%

LAB 58.29, 79.95, -21.64

 

CMYK 0 / 78 / 49 / 2

HEX #F93880

RGB 249 56 128

HSL 337.62, 0.94%, 0.6%

LAB 56.61, 74.91, 6.4

 

CMYK 0 / 78 / 70 / 2

HEX #F9384B

RGB 249 56 75

HSL 354.09, 0.94%, 0.6%

LAB 55.56, 71.64, 36.3

 

CMYK 0 / 78 / 78 / 2

HEX #F93838

RGB 249 56 56

HSL 0, 0.94%, 0.6%

LAB 55.33, 70.92, 46.63

 

CMYK 0 / 78 / 28 / 2

HEX #F938B4

RGB 249 56 180

HSL 321.45, 0.94%, 0.6%

LAB 58.29, 79.95, -21.64

 

CMYK 0 / 78 / 7 / 2

HEX #F938E8

RGB 249 56 232

HSL 305.28, 0.94%, 0.6%

LAB 60.6, 86.6, -47.65

 

CMYK 14 / 78 / 0 / 2

HEX #D638F9

RGB 214 56 249

HSL 289.12, 0.94%, 0.6%

LAB 56.05, 82.69, -64.72

 

CMYK 35 / 78 / 0 / 2

HEX #A238F9

RGB 162 56 249

HSL 272.95, 0.94%, 0.6%

LAB 48.7, 74.02, -76.99

 

CMYK 56 / 78 / 0 / 2

HEX #6E38F9

RGB 110 56 249

HSL 256.79, 0.94%, 0.6%

LAB 42.74, 66.94, -86.99

 

CMYK 0 / 78 / 28 / 2

HEX #F938B4

RGB 249 56 180

HSL 321.45, 0.94%, 0.6%

LAB 58.29, 79.95, -21.64

 

CMYK 0 / 78 / 28 / 2

HEX #F938B4

RGB 249 56 180

HSL 321.45, 0.94%, 0.6%

LAB 58.29, 79.95, -21.64

 

CMYK 0 / 69 / 25 / 9

HEX #E948AF

RGB 233 72 175

HSL 321.61, 0.79%, 0.6%

LAB 57.13, 70.58, -20.76

 

CMYK 0 / 59 / 21 / 15

HEX #D859AB

RGB 216 89 171

HSL 321.26, 0.62%, 0.6%

LAB 56.77, 58.67, -19.23

 

CMYK 0 / 48 / 17 / 22

HEX #C869A6

RGB 200 105 166

HSL 321.47, 0.46%, 0.6%

LAB 57.21, 45.39, -15.87

 

CMYK 0 / 33 / 12 / 28

HEX #B77AA1

RGB 183 122 161

HSL 321.64, 0.3%, 0.6%

LAB 58.56, 29.74, -11.14

 

CMYK 14 / 78 / 0 / 2

HEX #D638F9

RGB 214 56 249

HSL 289.12, 0.94%, 0.6%

LAB 56.05, 82.69, -64.72

 

CMYK 0 / 78 / 6 / 2

HEX #F938E9

RGB 249 56 233

HSL 304.97, 0.94%, 0.6%

LAB 60.65, 86.74, -48.13

 

CMYK 0 / 78 / 27 / 2

HEX #F938B6

RGB 249 56 182

HSL 320.83, 0.94%, 0.6%

LAB 58.36, 80.18, -22.68

 

CMYK 0 / 78 / 48 / 2

HEX #F93882

RGB 249 56 130

HSL 336.99, 0.94%, 0.6%

LAB 56.66, 75.07, 5.28

 

CMYK 0 / 78 / 69 / 2

HEX #F9384E

RGB 249 56 78

HSL 353.16, 0.94%, 0.6%

LAB 55.6, 71.77, 34.62

 

CMYK 0 / 98 / 35 / 15

HEX #D9058D

RGB 217 5 141

HSL 321.51, 0.95%, 0.44%

LAB 47.99, 77.31, -14.82

 

CMYK 0 / 94 / 33 / 3

HEX #F80FA5

RGB 248 15 165

HSL 321.37, 0.94%, 0.52%

LAB 55.09, 85.22, -17.79

 

CMYK 0 / 78 / 28 / 2

HEX #F938B4

RGB 249 56 180

HSL 321.45, 0.94%, 0.6%

LAB 58.29, 79.95, -21.64

 

CMYK 0 / 62 / 22 / 2

HEX #FA60C3

RGB 250 96 195

HSL 321.43, 0.94%, 0.68%

LAB 63.86, 68.5, -21.7

 

CMYK 0 / 46 / 16 / 2

HEX #FB88D2

RGB 251 136 210

HSL 321.39, 0.93%, 0.76%

LAB 71.4, 52.72, -18.62

 

CMYK 0 / 78 / 28 / 2

HEX #FA37B4

RGB 250 55 180

HSL 321.54, 0.95%, 0.6%

LAB 58.37, 80.44, -21.5

 

CMYK 0 / 35 / 78 / 2

HEX #F9A238

RGB 249 162 56

HSL 32.95, 0.94%, 0.6%

LAB 73.72, 24.05, 64.77

 

CMYK 78 / 0 / 4 / 2

HEX #38F9F0

RGB 56 249 240

HSL 177.2, 0.94%, 0.6%

LAB 89.34, -47.12, -8.95

 

CMYK 0 / 78 / 28 / 2

HEX #FA37B4

RGB 250 55 180

HSL 321.54, 0.95%, 0.6%

LAB 58.37, 80.44, -21.5

 

CMYK 27 / 0 / 78 / 2

HEX #B6F938

RGB 182 249 56

HSL 80.83, 0.94%, 0.6%

LAB 90.77, -46.41, 78.65

 

CMYK 78 / 27 / 0 / 2

HEX #38B6F9

RGB 56 182 249

HSL 200.83, 0.94%, 0.6%

LAB 70.27, -11.92, -42.83

 

CMYK 0 / 78 / 28 / 2

HEX #FA37B4

RGB 250 55 180

HSL 321.54, 0.95%, 0.6%

LAB 58.37, 80.44, -21.5

 

CMYK 0 / 35 / 78 / 2

HEX #F9A238

RGB 249 162 56

HSL 32.95, 0.94%, 0.6%

LAB 73.72, 24.05, 64.77

 

CMYK 78 / 0 / 51 / 2

HEX #38F97B

RGB 56 249 123

HSL 140.83, 0.94%, 0.6%

LAB 87.01, -72.19, 47.18

 

CMYK 78 / 43 / 0 / 2

HEX #388FF9

RGB 56 143 249

HSL 212.95, 0.94%, 0.6%

LAB 59.27, 10.41, -60.24

 

CMYK 0 / 78 / 28 / 2

HEX #FA37B4

RGB 250 55 180

HSL 321.54, 0.95%, 0.6%

LAB 58.37, 80.44, -21.5

 

CMYK 0 / 12 / 78 / 2

HEX #F9DC38

RGB 249 220 56

HSL 50.98, 0.94%, 0.6%

LAB 87.78, -5.97, 77.7

 

CMYK 78 / 0 / 51 / 2

HEX #38F97B

RGB 56 249 123

HSL 140.83, 0.94%, 0.6%

LAB 87.01, -72.19, 47.18

 

CMYK 78 / 66 / 0 / 2

HEX #3855F9

RGB 56 85 249

HSL 230.98, 0.94%, 0.6%

LAB 44.49, 46.18, -84.24

 

Description

Color code: RGB 250 55 180 | qconv.com Color code: RGB 250 55 180 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 55 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 55 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 28 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 28% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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