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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 50 238 it is the complementary color RGB 5 205 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 50 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 50 238 shade: RGB 255 50 233, RGB 255 68 252, RGB 255 86 255, RGB 255 104 255 and RGB 255 122 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 50 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 50 238 shade: RGB 250 50 238, RGB 233 32 219, RGB 216 14 200, RGB 199 0 181 and RGB 182 0 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 50 238 shade: RGB 249 51 237, RGB 249 51 184, RGB 249 51 130, RGB 249 51 77 and RGB 249 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 50 238 shade: RGB 249 51 237, RGB 208 51 249, RGB 154 51 249, RGB 100 51 249 and RGB 51 51 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 50 238 shade matches the following richer shades: RGB 249 51 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 50 238 shade: RGB 249 51 237, RGB 232 68 222, RGB 215 84 208, RGB 199 101 193 and RGB 182 118 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 50 238 shade: RGB 153 51 249, RGB 206 51 249, RGB 249 51 239, RGB 249 51 186 and RGB 249 51 133

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 50 238 shade: RGB 212 5 200, RGB 248 10 234, RGB 249 51 237, RGB 250 91 241 and RGB 251 131 244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 50 238 shade: RGB 250 50 238, RGB 249 100 51 and RGB 51 249 180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 50 238 shade: RGB 250 50 238, RGB 239 249 51 and RGB 51 239 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 50 238 shade: RGB 250 50 238, RGB 249 100 51, RGB 51 249 61 and RGB 51 200 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 50 238 shade: RGB 250 50 238, RGB 249 160 51, RGB 51 249 61 and RGB 51 140 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 5 / 2

HEX #FA32EE

RGB 250 50 238

HSL 303.6, 0.95%, 0.59%

LAB 60.59, 89.05, -51.02

 

Complementary color

CMYK 98 / 0 / 92 / 20

HEX #05CD11

RGB 5 205 17

HSL 123.6, 0.95%, 0.41%

LAB 72.05, -72.56, 68.7

 

CMYK 0 / 80 / 9 / 0

HEX #FF32E9

RGB 255 50 233

HSL 306.44, 1%, 0.6%

LAB 61.15, 89.3, -47.27

 

CMYK 0 / 73 / 1 / 0

HEX #FF44FC

RGB 255 68 252

HSL 300.96, 1%, 0.63%

LAB 63.69, 87.51, -53.81

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 0 / 80 / 5 / 2

HEX #FA32EE

RGB 250 50 238

HSL 303.6, 0.95%, 0.59%

LAB 60.59, 89.05, -51.02

 

CMYK 0 / 86 / 6 / 9

HEX #E920DB

RGB 233 32 219

HSL 304.18, 0.82%, 0.52%

LAB 55.55, 86.7, -48.48

 

CMYK 0 / 94 / 7 / 15

HEX #D80EC8

RGB 216 14 200

HSL 304.75, 0.88%, 0.45%

LAB 50.78, 83.37, -45.36

 

CMYK 0 / 100 / 9 / 22

HEX #C700B5

RGB 199 0 181

HSL 305.43, 1%, 0.39%

LAB 46.28, 78.99, -41.62

 

CMYK 0 / 100 / 11 / 29

HEX #B600A2

RGB 182 0 162

HSL 306.59, 1%, 0.36%

LAB 42.08, 73.44, -37.18

 

CMYK 0 / 80 / 5 / 2

HEX #F933ED

RGB 249 51 237

HSL 303.64, 0.94%, 0.59%

LAB 60.45, 88.5, -50.69

 

CMYK 0 / 80 / 26 / 2

HEX #F933B8

RGB 249 51 184

HSL 319.7, 0.94%, 0.59%

LAB 58.01, 81.66, -24.39

 

CMYK 0 / 80 / 48 / 2

HEX #F93382

RGB 249 51 130

HSL 336.06, 0.94%, 0.59%

LAB 56.21, 76.37, 4.63

 

CMYK 0 / 80 / 69 / 2

HEX #F9334D

RGB 249 51 77

HSL 352.12, 0.94%, 0.59%

LAB 55.12, 73.06, 34.61

 

CMYK 0 / 80 / 80 / 2

HEX #F93333

RGB 249 51 51

HSL 0, 0.94%, 0.59%

LAB 54.81, 72.11, 48.74

 

CMYK 0 / 80 / 5 / 2

HEX #F933ED

RGB 249 51 237

HSL 303.64, 0.94%, 0.59%

LAB 60.45, 88.5, -50.69

 

CMYK 16 / 80 / 0 / 2

HEX #D033F9

RGB 208 51 249

HSL 287.58, 0.94%, 0.59%

LAB 54.68, 83.02, -66.98

 

CMYK 38 / 80 / 0 / 2

HEX #9A33F9

RGB 154 51 249

HSL 271.21, 0.94%, 0.59%

LAB 47.08, 74.54, -79.68

 

CMYK 60 / 80 / 0 / 2

HEX #6433F9

RGB 100 51 249

HSL 254.85, 0.94%, 0.59%

LAB 41.08, 67.94, -89.75

 

CMYK 80 / 80 / 0 / 2

HEX #3333F9

RGB 51 51 249

HSL 240, 0.94%, 0.59%

LAB 37.68, 64.25, -95.49

 

CMYK 0 / 80 / 5 / 2

HEX #F933ED

RGB 249 51 237

HSL 303.64, 0.94%, 0.59%

LAB 60.45, 88.5, -50.69

 

CMYK 0 / 80 / 5 / 2

HEX #F933ED

RGB 249 51 237

HSL 303.64, 0.94%, 0.59%

LAB 60.45, 88.5, -50.69

 

CMYK 0 / 71 / 4 / 9

HEX #E844DE

RGB 232 68 222

HSL 303.66, 0.78%, 0.59%

LAB 58.57, 78.22, -45.41

 

CMYK 0 / 61 / 3 / 16

HEX #D754D0

RGB 215 84 208

HSL 303.21, 0.62%, 0.59%

LAB 57.41, 66.17, -39.49

 

CMYK 0 / 49 / 3 / 22

HEX #C765C1

RGB 199 101 193

HSL 303.67, 0.47%, 0.59%

LAB 57.37, 51.57, -31.17

 

CMYK 0 / 35 / 2 / 29

HEX #B676B2

RGB 182 118 178

HSL 303.75, 0.3%, 0.59%

LAB 58.15, 34.66, -21.55

 

CMYK 39 / 80 / 0 / 2

HEX #9933F9

RGB 153 51 249

HSL 270.91, 0.94%, 0.59%

LAB 46.95, 74.39, -79.89

 

CMYK 17 / 80 / 0 / 2

HEX #CE33F9

RGB 206 51 249

HSL 286.97, 0.94%, 0.59%

LAB 54.37, 82.68, -67.49

 

CMYK 0 / 80 / 4 / 2

HEX #F933EF

RGB 249 51 239

HSL 303.03, 0.94%, 0.59%

LAB 60.55, 88.78, -51.64

 

CMYK 0 / 80 / 25 / 2

HEX #F933BA

RGB 249 51 186

HSL 319.09, 0.94%, 0.59%

LAB 58.09, 81.89, -25.42

 

CMYK 0 / 80 / 47 / 2

HEX #F93385

RGB 249 51 133

HSL 335.15, 0.94%, 0.59%

LAB 56.29, 76.62, 2.96

 

CMYK 0 / 98 / 6 / 17

HEX #D405C8

RGB 212 5 200

HSL 303.48, 0.95%, 0.43%

LAB 49.83, 83.4, -46.92

 

CMYK 0 / 96 / 6 / 3

HEX #F80AEA

RGB 248 10 234

HSL 303.53, 0.94%, 0.51%

LAB 58.15, 93.68, -52.67

 

CMYK 0 / 80 / 5 / 2

HEX #F933ED

RGB 249 51 237

HSL 303.64, 0.94%, 0.59%

LAB 60.45, 88.5, -50.69

 

CMYK 0 / 64 / 4 / 2

HEX #FA5BF1

RGB 250 91 241

HSL 303.4, 0.94%, 0.67%

LAB 65.09, 77.11, -45.57

 

CMYK 0 / 48 / 3 / 2

HEX #FB83F4

RGB 251 131 244

HSL 303.5, 0.94%, 0.75%

LAB 71.74, 60.58, -36.81

 

CMYK 0 / 80 / 5 / 2

HEX #FA32EE

RGB 250 50 238

HSL 303.6, 0.95%, 0.59%

LAB 60.59, 89.05, -51.02

 

CMYK 0 / 60 / 80 / 2

HEX #F96433

RGB 249 100 51

HSL 14.85, 0.94%, 0.59%

LAB 61.21, 54.62, 54.99

 

CMYK 80 / 0 / 28 / 2

HEX #33F9B4

RGB 51 249 180

HSL 159.09, 0.94%, 0.59%

LAB 87.85, -62.36, 20.02

 

CMYK 0 / 80 / 5 / 2

HEX #FA32EE

RGB 250 50 238

HSL 303.6, 0.95%, 0.59%

LAB 60.59, 89.05, -51.02

 

CMYK 4 / 0 / 80 / 2

HEX #EFF933

RGB 239 249 51

HSL 63.03, 0.94%, 0.59%

LAB 94.46, -24.43, 84.68

 

CMYK 80 / 4 / 0 / 2

HEX #33EFF9

RGB 51 239 249

HSL 183.03, 0.94%, 0.59%

LAB 86.64, -40.6, -17.69

 

CMYK 0 / 80 / 5 / 2

HEX #FA32EE

RGB 250 50 238

HSL 303.6, 0.95%, 0.59%

LAB 60.59, 89.05, -51.02

 

CMYK 0 / 60 / 80 / 2

HEX #F96433

RGB 249 100 51

HSL 14.85, 0.94%, 0.59%

LAB 61.21, 54.62, 54.99

 

CMYK 80 / 0 / 76 / 2

HEX #33F93D

RGB 51 249 61

HSL 123.03, 0.94%, 0.59%

LAB 86.4, -79.34, 71.47

 

CMYK 80 / 20 / 0 / 2

HEX #33C8F9

RGB 51 200 249

HSL 194.85, 0.94%, 0.59%

LAB 75.36, -21.87, -34.92

 

CMYK 0 / 80 / 5 / 2

HEX #FA32EE

RGB 250 50 238

HSL 303.6, 0.95%, 0.59%

LAB 60.59, 89.05, -51.02

 

CMYK 0 / 36 / 80 / 2

HEX #F9A033

RGB 249 160 51

HSL 33.03, 0.94%, 0.59%

LAB 73.23, 24.93, 66.2

 

CMYK 80 / 0 / 76 / 2

HEX #33F93D

RGB 51 249 61

HSL 123.03, 0.94%, 0.59%

LAB 86.4, -79.34, 71.47

 

CMYK 80 / 44 / 0 / 2

HEX #338CF9

RGB 51 140 249

HSL 213.03, 0.94%, 0.59%

LAB 58.32, 11.72, -61.78

 

Description

Color code: RGB 250 50 238 | qconv.com Color code: RGB 250 50 238 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 50 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 50 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 5 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 5% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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