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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 34 183 it is the complementary color RGB 5 221 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 34 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 34 183 shade: RGB 255 34 178, RGB 255 52 197, RGB 255 70 216, RGB 255 88 235 and RGB 255 106 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 34 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 34 183 shade: RGB 250 34 183, RGB 233 16 164, RGB 216 0 145, RGB 199 0 126 and RGB 182 0 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 34 183 shade: RGB 250 35 183, RGB 250 35 125, RGB 250 35 67 and RGB 250 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 34 183 shade: RGB 250 35 183, RGB 250 35 241, RGB 201 35 250, RGB 143 35 250 and RGB 84 35 250

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 34 183 shade matches the following richer shades: RGB 250 35 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 34 183 shade: RGB 250 35 183, RGB 232 53 176, RGB 214 71 169, RGB 196 89 163 and RGB 177 107 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 34 183 shade: RGB 200 35 250, RGB 250 35 243, RGB 250 35 185, RGB 250 35 128 and RGB 250 35 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 34 183 shade: RGB 199 4 138, RGB 239 4 166, RGB 250 35 183, RGB 251 75 196 and RGB 252 115 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 34 183 shade: RGB 250 34 183, RGB 250 142 35 and RGB 35 250 228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 34 183 shade: RGB 250 34 183, RGB 185 250 35 and RGB 35 185 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 34 183 shade: RGB 250 34 183, RGB 250 142 35, RGB 35 250 99 and RGB 35 142 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 34 183 shade: RGB 250 34 183, RGB 250 207 35, RGB 35 250 99 and RGB 35 78 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 27 / 2

HEX #FA22B7

RGB 250 34 183

HSL 318.61, 0.96%, 0.56%

LAB 56.97, 85.16, -25.4

 

Complementary color

CMYK 98 / 0 / 67 / 13

HEX #05DD48

RGB 5 221 72

HSL 138.61, 0.96%, 0.44%

LAB 77.41, -73.58, 58.26

 

CMYK 0 / 87 / 30 / 0

HEX #FF22B2

RGB 255 34 178

HSL 320.9, 1%, 0.57%

LAB 57.67, 85.66, -21.33

 

CMYK 0 / 80 / 23 / 0

HEX #FF34C5

RGB 255 52 197

HSL 317.14, 1%, 0.6%

LAB 59.66, 84.25, -29.23

 

CMYK 0 / 73 / 15 / 0

HEX #FF46D8

RGB 255 70 216

HSL 312.65, 1%, 0.64%

LAB 62.17, 81.8, -36.12

 

CMYK 0 / 65 / 8 / 0

HEX #FF58EB

RGB 255 88 235

HSL 307.19, 1%, 0.67%

LAB 65.15, 78.47, -42.09

 

CMYK 0 / 58 / 0 / 0

HEX #FF6AFE

RGB 255 106 254

HSL 300.4, 1%, 0.71%

LAB 68.55, 74.45, -47.23

 

CMYK 0 / 86 / 27 / 2

HEX #FA22B7

RGB 250 34 183

HSL 318.61, 0.96%, 0.56%

LAB 56.97, 85.16, -25.4

 

CMYK 0 / 93 / 30 / 9

HEX #E910A4

RGB 233 16 164

HSL 319.08, 0.87%, 0.49%

LAB 52.26, 82, -21.78

 

CMYK 0 / 100 / 33 / 15

HEX #D80091

RGB 216 0 145

HSL 319.72, 1%, 0.42%

LAB 47.81, 77.91, -17.53

 

CMYK 0 / 100 / 37 / 22

HEX #C7007E

RGB 199 0 126

HSL 322.01, 1%, 0.39%

LAB 43.72, 72.54, -12.46

 

CMYK 0 / 100 / 41 / 29

HEX #B6006B

RGB 182 0 107

HSL 324.73, 1%, 0.36%

LAB 39.59, 67.12, -7.16

 

CMYK 0 / 86 / 27 / 2

HEX #FA23B7

RGB 250 35 183

HSL 318.7, 0.96%, 0.56%

LAB 57.02, 85, -25.31

 

CMYK 0 / 86 / 50 / 2

HEX #FA237D

RGB 250 35 125

HSL 334.88, 0.96%, 0.56%

LAB 55.08, 79.61, 6.02

 

CMYK 0 / 86 / 73 / 2

HEX #FA2343

RGB 250 35 67

HSL 351.07, 0.96%, 0.56%

LAB 53.95, 76.38, 39.06

 

CMYK 0 / 86 / 86 / 2

HEX #FA2323

RGB 250 35 35

HSL 0, 0.96%, 0.56%

LAB 53.65, 75.5, 55.64

 

CMYK 0 / 86 / 27 / 2

HEX #FA23B7

RGB 250 35 183

HSL 318.7, 0.96%, 0.56%

LAB 57.02, 85, -25.31

 

CMYK 0 / 86 / 4 / 2

HEX #FA23F1

RGB 250 35 241

HSL 302.51, 0.96%, 0.56%

LAB 59.78, 92.3, -53.97

 

CMYK 20 / 86 / 0 / 2

HEX #C923FA

RGB 201 35 250

HSL 286.33, 0.96%, 0.56%

LAB 52.42, 85.75, -71.24

 

CMYK 43 / 86 / 0 / 2

HEX #8F23FA

RGB 143 35 250

HSL 270.14, 0.96%, 0.56%

LAB 44.15, 78.04, -85.09

 

CMYK 66 / 86 / 0 / 2

HEX #5423FA

RGB 84 35 250

HSL 253.67, 0.96%, 0.56%

LAB 37.82, 72.72, -95.76

 

CMYK 0 / 86 / 27 / 2

HEX #FA23B7

RGB 250 35 183

HSL 318.7, 0.96%, 0.56%

LAB 57.02, 85, -25.31

 

CMYK 0 / 86 / 27 / 2

HEX #FA23B7

RGB 250 35 183

HSL 318.7, 0.96%, 0.56%

LAB 57.02, 85, -25.31

 

CMYK 0 / 77 / 24 / 9

HEX #E835B0

RGB 232 53 176

HSL 318.77, 0.8%, 0.56%

LAB 54.9, 76.39, -24.77

 

CMYK 0 / 67 / 21 / 16

HEX #D647A9

RGB 214 71 169

HSL 318.88, 0.64%, 0.56%

LAB 53.67, 65.25, -22.83

 

CMYK 0 / 55 / 17 / 23

HEX #C459A3

RGB 196 89 163

HSL 318.5, 0.48%, 0.56%

LAB 53.52, 51.59, -19.79

 

CMYK 0 / 40 / 12 / 31

HEX #B16B9C

RGB 177 107 156

HSL 318, 0.31%, 0.56%

LAB 54.3, 35.07, -14.74

 

CMYK 20 / 86 / 0 / 2

HEX #C823FA

RGB 200 35 250

HSL 286.05, 0.96%, 0.56%

LAB 52.27, 85.6, -71.5

 

CMYK 0 / 86 / 3 / 2

HEX #FA23F3

RGB 250 35 243

HSL 301.95, 0.96%, 0.56%

LAB 59.89, 92.58, -54.92

 

CMYK 0 / 86 / 26 / 2

HEX #FA23B9

RGB 250 35 185

HSL 318.14, 0.96%, 0.56%

LAB 57.1, 85.22, -26.34

 

CMYK 0 / 86 / 49 / 2

HEX #FA2380

RGB 250 35 128

HSL 334.05, 0.96%, 0.56%

LAB 55.16, 79.84, 4.34

 

CMYK 0 / 86 / 72 / 2

HEX #FA2346

RGB 250 35 70

HSL 350.23, 0.96%, 0.56%

LAB 53.99, 76.5, 37.38

 

CMYK 0 / 98 / 31 / 22

HEX #C7048A

RGB 199 4 138

HSL 318.77, 0.96%, 0.4%

LAB 44.32, 73.4, -18.91

 

CMYK 0 / 98 / 31 / 6

HEX #EF04A6

RGB 239 4 166

HSL 318.64, 0.97%, 0.48%

LAB 53.16, 84.32, -21.48

 

CMYK 0 / 86 / 27 / 2

HEX #FA23B7

RGB 250 35 183

HSL 318.7, 0.96%, 0.56%

LAB 57.02, 85, -25.31

 

CMYK 0 / 70 / 22 / 2

HEX #FB4BC4

RGB 251 75 196

HSL 318.75, 0.96%, 0.64%

LAB 61.24, 76.68, -26.27

 

CMYK 0 / 54 / 17 / 1

HEX #FC73D1

RGB 252 115 209

HSL 318.83, 0.96%, 0.72%

LAB 67.7, 62.82, -23.69

 

CMYK 0 / 86 / 27 / 2

HEX #FA22B7

RGB 250 34 183

HSL 318.61, 0.96%, 0.56%

LAB 56.97, 85.16, -25.4

 

CMYK 0 / 43 / 86 / 2

HEX #FA8E23

RGB 250 142 35

HSL 29.86, 0.96%, 0.56%

LAB 69.32, 34.25, 68.28

 

CMYK 86 / 0 / 9 / 2

HEX #23FAE4

RGB 35 250 228

HSL 173.86, 0.96%, 0.56%

LAB 89.08, -52.33, -3.11

 

CMYK 0 / 86 / 27 / 2

HEX #FA22B7

RGB 250 34 183

HSL 318.61, 0.96%, 0.56%

LAB 56.97, 85.16, -25.4

 

CMYK 26 / 0 / 86 / 2

HEX #B9FA23

RGB 185 250 35

HSL 78.14, 0.96%, 0.56%

LAB 91.15, -46.46, 83.96

 

CMYK 86 / 26 / 0 / 2

HEX #23B9FA

RGB 35 185 250

HSL 198.14, 0.96%, 0.56%

LAB 70.84, -14.92, -42.5

 

CMYK 0 / 86 / 27 / 2

HEX #FA22B7

RGB 250 34 183

HSL 318.61, 0.96%, 0.56%

LAB 56.97, 85.16, -25.4

 

CMYK 0 / 43 / 86 / 2

HEX #FA8E23

RGB 250 142 35

HSL 29.86, 0.96%, 0.56%

LAB 69.32, 34.25, 68.28

 

CMYK 86 / 0 / 60 / 2

HEX #23FA63

RGB 35 250 99

HSL 137.86, 0.96%, 0.56%

LAB 86.81, -77.65, 57.66

 

CMYK 86 / 43 / 0 / 2

HEX #238EFA

RGB 35 142 250

HSL 210.14, 0.96%, 0.56%

LAB 58.61, 9.6, -61.89

 

CMYK 0 / 86 / 27 / 2

HEX #FA22B7

RGB 250 34 183

HSL 318.61, 0.96%, 0.56%

LAB 56.97, 85.16, -25.4

 

CMYK 0 / 17 / 86 / 2

HEX #FACF23

RGB 250 207 35

HSL 48, 0.96%, 0.56%

LAB 84.52, 0.45, 80.5

 

CMYK 86 / 0 / 60 / 2

HEX #23FA63

RGB 35 250 99

HSL 137.86, 0.96%, 0.56%

LAB 86.81, -77.65, 57.66

 

CMYK 86 / 69 / 0 / 2

HEX #234EFA

RGB 35 78 250

HSL 228, 0.96%, 0.56%

LAB 42.32, 49.31, -88.39

 

Description

Color code: RGB 250 34 183 | qconv.com Color code: RGB 250 34 183 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 34 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 34 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 27 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 27% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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