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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 249 9 it is the complementary color RGB 5 6 246. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 249 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 249 9 shade: RGB 255 249 4, RGB 255 255 23, RGB 255 255 42, RGB 255 255 61 and RGB 255 255 80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 249 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 249 9 shade: RGB 250 249 9, RGB 233 231 0, RGB 216 213 0, RGB 199 195 0 and RGB 182 177 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 249 9 shade: RGB 250 249 10, RGB 250 184 10, RGB 250 119 10, RGB 250 54 10 and RGB 250 10 10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 249 9 shade: RGB 250 249 10, RGB 186 250 10, RGB 121 250 10, RGB 56 250 10 and RGB 10 250 27

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 249 9 shade matches the following richer shades: RGB 250 249 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 249 9 shade: RGB 250 249 10, RGB 229 228 30, RGB 209 208 50, RGB 189 188 70 and RGB 169 168 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 249 9 shade: RGB 250 118 10, RGB 250 182 10, RGB 250 246 10, RGB 190 250 10 and RGB 126 250 10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 249 9 shade: RGB 174 173 3, RGB 214 213 4, RGB 250 249 10, RGB 250 249 50 and RGB 251 250 90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 249 9 shade: RGB 250 249 9, RGB 10 250 54 and RGB 150 10 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 249 9 shade: RGB 250 249 9, RGB 10 250 246 and RGB 246 10 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 249 9 shade: RGB 250 249 9, RGB 10 250 54, RGB 10 14 250 and RGB 250 10 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 249 9 shade: RGB 250 249 9, RGB 10 250 126, RGB 10 14 250 and RGB 250 10 134

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 96 / 2

HEX #FAF909

RGB 250 249 9

HSL 59.75, 0.96%, 0.51%

LAB 95.2, -20.69, 92.25

 

Complementary color

CMYK 98 / 98 / 0 / 4

HEX #0506F6

RGB 5 6 246

HSL 239.75, 0.96%, 0.49%

LAB 31.39, 76.15, -104.33

 

CMYK 0 / 2 / 98 / 0

HEX #FFF904

RGB 255 249 4

HSL 58.57, 1%, 0.51%

LAB 95.59, -18.67, 93.07

 

CMYK 0 / 0 / 91 / 0

HEX #FFFF17

RGB 255 255 23

HSL 60, 1%, 0.55%

LAB 97.16, -21.35, 92.59

 

CMYK 0 / 0 / 84 / 0

HEX #FFFF2A

RGB 255 255 42

HSL 60, 1%, 0.58%

LAB 97.21, -21.01, 89.53

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3D

RGB 255 255 61

HSL 60, 1%, 0.62%

LAB 97.28, -20.45, 84.96

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF50

RGB 255 255 80

HSL 60, 1%, 0.66%

LAB 97.37, -19.67, 79.05

 

CMYK 0 / 0 / 96 / 2

HEX #FAF909

RGB 250 249 9

HSL 59.75, 0.96%, 0.51%

LAB 95.2, -20.69, 92.25

 

CMYK 0 / 1 / 100 / 9

HEX #E9E700

RGB 233 231 0

HSL 59.48, 1%, 0.46%

LAB 89.15, -19.17, 87.86

 

CMYK 0 / 1 / 100 / 15

HEX #D8D500

RGB 216 213 0

HSL 59.17, 1%, 0.42%

LAB 83.01, -17.54, 82.77

 

CMYK 0 / 2 / 100 / 22

HEX #C7C300

RGB 199 195 0

HSL 58.79, 1%, 0.39%

LAB 76.78, -15.89, 77.6

 

CMYK 0 / 3 / 100 / 29

HEX #B6B100

RGB 182 177 0

HSL 58.35, 1%, 0.36%

LAB 70.45, -14.19, 72.34

 

CMYK 0 / 0 / 96 / 2

HEX #FAF90A

RGB 250 249 10

HSL 59.75, 0.96%, 0.51%

LAB 95.2, -20.68, 92.18

 

CMYK 0 / 26 / 96 / 2

HEX #FAB80A

RGB 250 184 10

HSL 43.5, 0.96%, 0.51%

LAB 78.83, 11.97, 80.26

 

CMYK 0 / 52 / 96 / 2

HEX #FA770A

RGB 250 119 10

HSL 27.25, 0.96%, 0.51%

LAB 64.6, 45.39, 70.68

 

CMYK 0 / 78 / 96 / 2

HEX #FA360A

RGB 250 54 10

HSL 11, 0.96%, 0.51%

LAB 55.06, 70.89, 65.12

 

CMYK 0 / 96 / 96 / 2

HEX #FA0A0A

RGB 250 10 10

HSL 0, 0.96%, 0.51%

LAB 52.47, 78.28, 63.83

 

CMYK 0 / 0 / 96 / 2

HEX #FAF90A

RGB 250 249 10

HSL 59.75, 0.96%, 0.51%

LAB 95.2, -20.68, 92.18

 

CMYK 26 / 0 / 96 / 2

HEX #BAFA0A

RGB 186 250 10

HSL 76, 0.96%, 0.51%

LAB 91.16, -46.52, 87.21

 

CMYK 52 / 0 / 96 / 2

HEX #79FA0A

RGB 121 250 10

HSL 92.25, 0.96%, 0.51%

LAB 88.19, -67.87, 83.61

 

CMYK 78 / 0 / 96 / 2

HEX #38FA0A

RGB 56 250 10

HSL 108.5, 0.96%, 0.51%

LAB 86.62, -80.99, 81.68

 

CMYK 96 / 0 / 89 / 2

HEX #0AFA1B

RGB 10 250 27

HSL 124.25, 0.96%, 0.51%

LAB 86.26, -84.09, 79.26

 

CMYK 0 / 0 / 96 / 2

HEX #FAF90A

RGB 250 249 10

HSL 59.75, 0.96%, 0.51%

LAB 95.2, -20.68, 92.18

 

CMYK 0 / 0 / 96 / 2

HEX #FAF90A

RGB 250 249 10

HSL 59.75, 0.96%, 0.51%

LAB 95.2, -20.68, 92.18

 

CMYK 0 / 0 / 87 / 10

HEX #E5E41E

RGB 229 228 30

HSL 59.7, 0.79%, 0.51%

LAB 88.08, -19.02, 83.58

 

CMYK 0 / 0 / 76 / 18

HEX #D1D032

RGB 209 208 50

HSL 59.62, 0.63%, 0.51%

LAB 81.24, -17.04, 72.34

 

CMYK 0 / 1 / 63 / 26

HEX #BDBC46

RGB 189 188 70

HSL 59.5, 0.47%, 0.51%

LAB 74.34, -14.45, 57.78

 

CMYK 0 / 1 / 47 / 34

HEX #A9A85A

RGB 169 168 90

HSL 59.24, 0.31%, 0.51%

LAB 67.41, -10.93, 40.17

 

CMYK 0 / 53 / 96 / 2

HEX #FA760A

RGB 250 118 10

HSL 27, 0.96%, 0.51%

LAB 64.41, 45.87, 70.56

 

CMYK 0 / 27 / 96 / 2

HEX #FAB60A

RGB 250 182 10

HSL 43, 0.96%, 0.51%

LAB 78.35, 13.02, 79.92

 

CMYK 0 / 2 / 96 / 2

HEX #FAF60A

RGB 250 246 10

HSL 59, 0.96%, 0.51%

LAB 94.42, -19.25, 91.6

 

CMYK 24 / 0 / 96 / 2

HEX #BEFA0A

RGB 190 250 10

HSL 75, 0.96%, 0.51%

LAB 91.39, -45.03, 87.49

 

CMYK 50 / 0 / 96 / 2

HEX #7EFA0A

RGB 126 250 10

HSL 91, 0.96%, 0.51%

LAB 88.37, -66.48, 83.82

 

CMYK 0 / 1 / 98 / 32

HEX #AEAD03

RGB 174 173 3

HSL 59.65, 0.97%, 0.35%

LAB 68.67, -15.64, 70.37

 

CMYK 0 / 0 / 98 / 16

HEX #D6D504

RGB 214 213 4

HSL 59.71, 0.96%, 0.43%

LAB 82.86, -18.36, 82.22

 

CMYK 0 / 0 / 96 / 2

HEX #FAF90A

RGB 250 249 10

HSL 59.75, 0.96%, 0.51%

LAB 95.2, -20.68, 92.18

 

CMYK 0 / 0 / 80 / 2

HEX #FAF932

RGB 250 249 50

HSL 59.7, 0.95%, 0.59%

LAB 95.29, -19.98, 85.97

 

CMYK 0 / 0 / 64 / 2

HEX #FBFA5A

RGB 251 250 90

HSL 59.63, 0.95%, 0.67%

LAB 95.84, -18.36, 73.76

 

CMYK 0 / 0 / 96 / 2

HEX #FAF909

RGB 250 249 9

HSL 59.75, 0.96%, 0.51%

LAB 95.2, -20.69, 92.25

 

CMYK 96 / 0 / 78 / 2

HEX #0AFA36

RGB 10 250 54

HSL 131, 0.96%, 0.51%

LAB 86.36, -82.89, 73.4

 

CMYK 40 / 96 / 0 / 2

HEX #960AFA

RGB 150 10 250

HSL 275, 0.96%, 0.51%

LAB 43.66, 83.06, -85.87

 

CMYK 0 / 0 / 96 / 2

HEX #FAF909

RGB 250 249 9

HSL 59.75, 0.96%, 0.51%

LAB 95.2, -20.69, 92.25

 

CMYK 96 / 0 / 2 / 2

HEX #0AFAF6

RGB 10 250 246

HSL 179, 0.96%, 0.51%

LAB 89.43, -48.31, -11.97

 

CMYK 2 / 96 / 0 / 2

HEX #F60AFA

RGB 246 10 250

HSL 299, 0.96%, 0.51%

LAB 58.71, 95.58, -60.74

 

CMYK 0 / 0 / 96 / 2

HEX #FAF909

RGB 250 249 9

HSL 59.75, 0.96%, 0.51%

LAB 95.2, -20.69, 92.25

 

CMYK 96 / 0 / 78 / 2

HEX #0AFA36

RGB 10 250 54

HSL 131, 0.96%, 0.51%

LAB 86.36, -82.89, 73.4

 

CMYK 96 / 94 / 0 / 2

HEX #0A0EFA

RGB 10 14 250

HSL 239, 0.96%, 0.51%

LAB 32.44, 75.87, -104.82

 

CMYK 0 / 96 / 18 / 2

HEX #FA0ACE

RGB 250 10 206

HSL 311, 0.96%, 0.51%

LAB 57.07, 90.46, -38.48

 

CMYK 0 / 0 / 96 / 2

HEX #FAF909

RGB 250 249 9

HSL 59.75, 0.96%, 0.51%

LAB 95.2, -20.69, 92.25

 

CMYK 96 / 0 / 50 / 2

HEX #0AFA7E

RGB 10 250 126

HSL 149, 0.96%, 0.51%

LAB 86.97, -75.24, 45.63

 

CMYK 96 / 94 / 0 / 2

HEX #0A0EFA

RGB 10 14 250

HSL 239, 0.96%, 0.51%

LAB 32.44, 75.87, -104.82

 

CMYK 0 / 96 / 46 / 2

HEX #FA0A86

RGB 250 10 134

HSL 329, 0.96%, 0.51%

LAB 54.3, 83.27, -0.5

 

Description

Color code: RGB 250 249 9 | qconv.com Color code: RGB 250 249 9 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 249 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 249 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 96 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 96% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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