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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 210 34 it is the complementary color RGB 5 45 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 210 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 210 34 shade: RGB 255 210 29, RGB 255 228 48, RGB 255 246 67, RGB 255 255 86 and RGB 255 255 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 210 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 210 34 shade: RGB 250 210 34, RGB 233 192 15, RGB 216 174 0, RGB 199 156 0 and RGB 182 138 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 210 34 shade: RGB 250 210 35, RGB 250 152 35, RGB 250 94 35, RGB 250 36 35 and RGB 250 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 210 34 shade: RGB 250 210 35, RGB 232 250 35, RGB 174 250 35, RGB 116 250 35 and RGB 58 250 35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 210 34 shade matches the following richer shades: RGB 250 210 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 210 34 shade: RGB 250 210 35, RGB 232 199 53, RGB 214 187 71, RGB 196 176 89 and RGB 177 164 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 210 34 shade: RGB 250 92 35, RGB 250 149 35, RGB 250 207 35, RGB 236 250 35 and RGB 178 250 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 210 34 shade: RGB 199 162 4, RGB 239 196 4, RGB 250 210 35, RGB 251 218 75 and RGB 252 226 115

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 210 34 shade: RGB 250 210 34, RGB 35 250 35 and RGB 121 35 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 210 34 shade: RGB 250 210 34, RGB 35 250 207 and RGB 207 35 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 210 34 shade: RGB 250 210 34, RGB 35 250 35, RGB 35 78 250 and RGB 250 35 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 210 34 shade: RGB 250 210 34, RGB 35 250 99, RGB 35 78 250 and RGB 250 35 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 86 / 2

HEX #FAD222

RGB 250 210 34

HSL 48.89, 0.96%, 0.56%

LAB 85.27, -1.1, 81.32

 

Complementary color

CMYK 98 / 80 / 0 / 13

HEX #052DDD

RGB 5 45 221

HSL 228.89, 0.96%, 0.44%

LAB 32.1, 57.06, -88.89

 

CMYK 0 / 18 / 89 / 0

HEX #FFD21D

RGB 255 210 29

HSL 48.05, 1%, 0.56%

LAB 85.73, 0.93, 82.87

 

CMYK 0 / 11 / 81 / 0

HEX #FFE430

RGB 255 228 48

HSL 52.17, 1%, 0.59%

LAB 90.3, -7.71, 82.37

 

CMYK 0 / 4 / 74 / 0

HEX #FFF643

RGB 255 246 67

HSL 57.13, 1%, 0.63%

LAB 94.98, -15.91, 81.08

 

CMYK 0 / 0 / 66 / 0

HEX #FFFF56

RGB 255 255 86

HSL 60, 1%, 0.67%

LAB 97.41, -19.37, 76.95

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF69

RGB 255 255 105

HSL 60, 1%, 0.71%

LAB 97.55, -18.25, 69.7

 

CMYK 0 / 16 / 86 / 2

HEX #FAD222

RGB 250 210 34

HSL 48.89, 0.96%, 0.56%

LAB 85.27, -1.1, 81.32

 

CMYK 0 / 18 / 94 / 9

HEX #E9C00F

RGB 233 192 15

HSL 48.72, 0.88%, 0.49%

LAB 79.07, 0.55, 79.09

 

CMYK 0 / 19 / 100 / 15

HEX #D8AE00

RGB 216 174 0

HSL 48.33, 1%, 0.42%

LAB 72.81, 2.4, 75.47

 

CMYK 0 / 22 / 100 / 22

HEX #C79C00

RGB 199 156 0

HSL 47.04, 1%, 0.39%

LAB 66.46, 4.46, 70.24

 

CMYK 0 / 24 / 100 / 29

HEX #B68A00

RGB 182 138 0

HSL 45.49, 1%, 0.36%

LAB 60, 6.61, 64.92

 

CMYK 0 / 16 / 86 / 2

HEX #FAD223

RGB 250 210 35

HSL 48.84, 0.96%, 0.56%

LAB 85.27, -1.08, 81.11

 

CMYK 0 / 39 / 86 / 2

HEX #FA9823

RGB 250 152 35

HSL 32.65, 0.96%, 0.56%

LAB 71.49, 29.08, 70.02

 

CMYK 0 / 62 / 86 / 2

HEX #FA5E23

RGB 250 94 35

HSL 16.47, 0.96%, 0.56%

LAB 60.29, 57.15, 61

 

CMYK 0 / 86 / 86 / 2

HEX #FA2423

RGB 250 36 35

HSL 0.28, 0.96%, 0.56%

LAB 53.71, 75.32, 55.69

 

CMYK 0 / 86 / 86 / 2

HEX #FA2323

RGB 250 35 35

HSL 0, 0.96%, 0.56%

LAB 53.65, 75.5, 55.64

 

CMYK 0 / 16 / 86 / 2

HEX #FAD223

RGB 250 210 35

HSL 48.84, 0.96%, 0.56%

LAB 85.27, -1.08, 81.11

 

CMYK 7 / 0 / 86 / 2

HEX #E8FA23

RGB 232 250 35

HSL 65.02, 0.96%, 0.56%

LAB 94.16, -28.15, 87.68

 

CMYK 30 / 0 / 86 / 2

HEX #AEFA23

RGB 174 250 35

HSL 81.21, 0.96%, 0.56%

LAB 90.55, -50.46, 83.22

 

CMYK 54 / 0 / 86 / 2

HEX #74FA23

RGB 116 250 35

HSL 97.4, 0.96%, 0.56%

LAB 88.07, -68.66, 80.12

 

CMYK 77 / 0 / 86 / 2

HEX #3AFA23

RGB 58 250 35

HSL 113.58, 0.96%, 0.56%

LAB 86.7, -80.12, 78.4

 

CMYK 0 / 16 / 86 / 2

HEX #FAD223

RGB 250 210 35

HSL 48.84, 0.96%, 0.56%

LAB 85.27, -1.08, 81.11

 

CMYK 0 / 16 / 86 / 2

HEX #FAD223

RGB 250 210 35

HSL 48.84, 0.96%, 0.56%

LAB 85.27, -1.08, 81.11

 

CMYK 0 / 14 / 77 / 9

HEX #E8C735

RGB 232 199 53

HSL 48.94, 0.8%, 0.56%

LAB 80.88, -2.6, 71.82

 

CMYK 0 / 13 / 67 / 16

HEX #D6BB47

RGB 214 187 71

HSL 48.67, 0.64%, 0.56%

LAB 76.25, -3.25, 60.04

 

CMYK 0 / 10 / 55 / 23

HEX #C4B059

RGB 196 176 89

HSL 48.79, 0.48%, 0.56%

LAB 71.9, -3.89, 46.59

 

CMYK 0 / 7 / 40 / 31

HEX #B1A46B

RGB 177 164 107

HSL 48.86, 0.31%, 0.56%

LAB 67.25, -3.67, 31.28

 

CMYK 0 / 63 / 86 / 2

HEX #FA5C23

RGB 250 92 35

HSL 15.91, 0.96%, 0.56%

LAB 59.98, 57.99, 60.75

 

CMYK 0 / 40 / 86 / 2

HEX #FA9523

RGB 250 149 35

HSL 31.81, 0.96%, 0.56%

LAB 70.83, 30.64, 69.49

 

CMYK 0 / 17 / 86 / 2

HEX #FACF23

RGB 250 207 35

HSL 48, 0.96%, 0.56%

LAB 84.52, 0.45, 80.5

 

CMYK 6 / 0 / 86 / 2

HEX #ECFA23

RGB 236 250 35

HSL 63.91, 0.96%, 0.56%

LAB 94.45, -26.53, 88.04

 

CMYK 29 / 0 / 86 / 2

HEX #B2FA23

RGB 178 250 35

HSL 80.09, 0.96%, 0.56%

LAB 90.76, -49.02, 83.48

 

CMYK 0 / 19 / 98 / 22

HEX #C7A204

RGB 199 162 4

HSL 48.62, 0.96%, 0.4%

LAB 68.01, 1.28, 70.81

 

CMYK 0 / 18 / 98 / 6

HEX #EFC404

RGB 239 196 4

HSL 49.02, 0.97%, 0.48%

LAB 80.65, 0.97, 81.63

 

CMYK 0 / 16 / 86 / 2

HEX #FAD223

RGB 250 210 35

HSL 48.84, 0.96%, 0.56%

LAB 85.27, -1.08, 81.11

 

CMYK 0 / 13 / 70 / 2

HEX #FBDA4B

RGB 251 218 75

HSL 48.75, 0.96%, 0.64%

LAB 87.56, -3.35, 71.06

 

CMYK 0 / 10 / 54 / 1

HEX #FCE273

RGB 252 226 115

HSL 48.61, 0.96%, 0.72%

LAB 90.01, -4.47, 56.76

 

CMYK 0 / 16 / 86 / 2

HEX #FAD222

RGB 250 210 34

HSL 48.89, 0.96%, 0.56%

LAB 85.27, -1.1, 81.32

 

CMYK 86 / 0 / 86 / 2

HEX #23FA23

RGB 35 250 35

HSL 120, 0.96%, 0.56%

LAB 86.43, -82.5, 78.06

 

CMYK 52 / 86 / 0 / 2

HEX #7923FA

RGB 121 35 250

HSL 264, 0.96%, 0.56%

LAB 41.48, 75.72, -89.58

 

CMYK 0 / 16 / 86 / 2

HEX #FAD222

RGB 250 210 34

HSL 48.89, 0.96%, 0.56%

LAB 85.27, -1.1, 81.32

 

CMYK 86 / 0 / 17 / 2

HEX #23FACF

RGB 35 250 207

HSL 168, 0.96%, 0.56%

LAB 88.56, -57.72, 7.06

 

CMYK 17 / 86 / 0 / 2

HEX #CF23FA

RGB 207 35 250

HSL 288, 0.96%, 0.56%

LAB 53.35, 86.65, -69.69

 

CMYK 0 / 16 / 86 / 2

HEX #FAD222

RGB 250 210 34

HSL 48.89, 0.96%, 0.56%

LAB 85.27, -1.1, 81.32

 

CMYK 86 / 0 / 86 / 2

HEX #23FA23

RGB 35 250 35

HSL 120, 0.96%, 0.56%

LAB 86.43, -82.5, 78.06

 

CMYK 86 / 69 / 0 / 2

HEX #234EFA

RGB 35 78 250

HSL 228, 0.96%, 0.56%

LAB 42.32, 49.31, -88.39

 

CMYK 0 / 86 / 0 / 2

HEX #FA23FA

RGB 250 35 250

HSL 300, 0.96%, 0.56%

LAB 60.27, 93.57, -58.19

 

CMYK 0 / 16 / 86 / 2

HEX #FAD222

RGB 250 210 34

HSL 48.89, 0.96%, 0.56%

LAB 85.27, -1.1, 81.32

 

CMYK 86 / 0 / 60 / 2

HEX #23FA63

RGB 35 250 99

HSL 137.86, 0.96%, 0.56%

LAB 86.81, -77.65, 57.66

 

CMYK 86 / 69 / 0 / 2

HEX #234EFA

RGB 35 78 250

HSL 228, 0.96%, 0.56%

LAB 42.32, 49.31, -88.39

 

CMYK 0 / 86 / 26 / 2

HEX #FA23B9

RGB 250 35 185

HSL 318.14, 0.96%, 0.56%

LAB 57.1, 85.22, -26.34

 

Description

Color code: RGB 250 210 34 | qconv.com Color code: RGB 250 210 34 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 210 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 210 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 86 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 86% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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