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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 163 101 it is the complementary color RGB 5 92 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 163 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 163 101 shade: RGB 255 163 96, RGB 255 181 115, RGB 255 199 134, RGB 255 217 153 and RGB 255 235 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 163 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 163 101 shade: RGB 250 163 101, RGB 233 145 82, RGB 216 127 63, RGB 199 109 44 and RGB 182 91 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 163 101 shade: RGB 250 163 101, RGB 250 123 101 and RGB 250 101 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 163 101 shade: RGB 250 163 101, RGB 250 203 101, RGB 250 243 101, RGB 216 250 101 and RGB 176 250 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 163 101 shade matches the following richer shades: RGB 250 163 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 163 101 shade: RGB 250 163 101, RGB 237 165 114, RGB 224 167 127, RGB 211 169 140 and RGB 199 172 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 163 101 shade: RGB 250 101 121, RGB 250 121 101, RGB 250 161 101, RGB 250 200 101 and RGB 250 240 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 163 101 shade: RGB 247 115 21, RGB 249 139 61, RGB 250 163 101, RGB 251 187 141 and RGB 252 211 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 163 101 shade: RGB 250 163 101, RGB 161 250 101 and RGB 101 101 250

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 163 101 shade: RGB 250 163 101, RGB 101 250 161 and RGB 161 101 250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 163 101 shade: RGB 250 163 101, RGB 161 250 101, RGB 101 190 250 and RGB 190 101 250

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 163 101 shade: RGB 250 163 101, RGB 116 250 101, RGB 101 190 250 and RGB 235 101 250

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 60 / 2

HEX #FAA365

RGB 250 163 101

HSL 24.97, 0.94%, 0.69%

LAB 74.48, 26.32, 45.07

 

Complementary color

CMYK 97 / 40 / 0 / 40

HEX #055C9A

RGB 5 92 154

HSL 204.97, 0.94%, 0.31%

LAB 37.88, 1.61, -40.07

 

CMYK 0 / 36 / 62 / 0

HEX #FFA360

RGB 255 163 96

HSL 25.28, 1%, 0.69%

LAB 75.01, 27.98, 48.36

 

CMYK 0 / 29 / 55 / 0

HEX #FFB573

RGB 255 181 115

HSL 28.29, 1%, 0.73%

LAB 79.35, 19.94, 44.04

 

CMYK 0 / 22 / 47 / 0

HEX #FFC786

RGB 255 199 134

HSL 32.23, 1%, 0.76%

LAB 83.88, 12.19, 40.07

 

CMYK 0 / 15 / 40 / 0

HEX #FFD999

RGB 255 217 153

HSL 37.65, 1%, 0.8%

LAB 88.54, 4.79, 36.43

 

CMYK 0 / 8 / 33 / 0

HEX #FFEBAC

RGB 255 235 172

HSL 45.54, 1%, 0.84%

LAB 93.3, -2.22, 33.08

 

CMYK 0 / 35 / 60 / 2

HEX #FAA365

RGB 250 163 101

HSL 24.97, 0.94%, 0.69%

LAB 74.48, 26.32, 45.07

 

CMYK 0 / 38 / 65 / 9

HEX #E99152

RGB 233 145 82

HSL 25.03, 0.77%, 0.62%

LAB 68.16, 27.69, 46.7

 

CMYK 0 / 41 / 71 / 15

HEX #D87F3F

RGB 216 127 63

HSL 25.1, 0.66%, 0.55%

LAB 61.77, 29.22, 48.35

 

CMYK 0 / 45 / 78 / 22

HEX #C76D2C

RGB 199 109 44

HSL 25.16, 0.64%, 0.48%

LAB 55.34, 30.94, 49.89

 

CMYK 0 / 50 / 86 / 29

HEX #B65B19

RGB 182 91 25

HSL 25.22, 0.76%, 0.41%

LAB 48.88, 32.86, 50.97

 

CMYK 0 / 35 / 60 / 2

HEX #FAA365

RGB 250 163 101

HSL 24.97, 0.94%, 0.69%

LAB 74.48, 26.32, 45.07

 

CMYK 0 / 51 / 60 / 2

HEX #FA7B65

RGB 250 123 101

HSL 8.86, 0.94%, 0.69%

LAB 66.08, 46.73, 34.73

 

CMYK 0 / 60 / 60 / 2

HEX #FA6565

RGB 250 101 101

HSL 0, 0.94%, 0.69%

LAB 62.14, 56.95, 29.71

 

CMYK 0 / 35 / 60 / 2

HEX #FAA365

RGB 250 163 101

HSL 24.97, 0.94%, 0.69%

LAB 74.48, 26.32, 45.07

 

CMYK 0 / 19 / 60 / 2

HEX #FACB65

RGB 250 203 101

HSL 41.07, 0.94%, 0.69%

LAB 83.95, 5.42, 56.17

 

CMYK 0 / 3 / 60 / 2

HEX #FAF365

RGB 250 243 101

HSL 57.18, 0.94%, 0.69%

LAB 94.04, -14.7, 67.42

 

CMYK 14 / 0 / 60 / 2

HEX #D8FA65

RGB 216 250 101

HSL 73.69, 0.94%, 0.69%

LAB 93.41, -31.42, 66.03

 

CMYK 30 / 0 / 60 / 2

HEX #B0FA65

RGB 176 250 101

HSL 89.8, 0.94%, 0.69%

LAB 91.03, -46.08, 62.71

 

CMYK 0 / 35 / 60 / 2

HEX #FAA365

RGB 250 163 101

HSL 24.97, 0.94%, 0.69%

LAB 74.48, 26.32, 45.07

 

CMYK 0 / 35 / 60 / 2

HEX #FAA365

RGB 250 163 101

HSL 24.97, 0.94%, 0.69%

LAB 74.48, 26.32, 45.07

 

CMYK 0 / 30 / 52 / 7

HEX #EDA572

RGB 237 165 114

HSL 24.88, 0.77%, 0.69%

LAB 73.63, 21.07, 36.97

 

CMYK 0 / 25 / 43 / 12

HEX #E0A77F

RGB 224 167 127

HSL 24.74, 0.61%, 0.69%

LAB 72.9, 16.04, 28.86

 

CMYK 0 / 20 / 34 / 17

HEX #D3A98C

RGB 211 169 140

HSL 24.51, 0.45%, 0.69%

LAB 72.31, 11.32, 20.8

 

CMYK 0 / 14 / 24 / 22

HEX #C7AC98

RGB 199 172 152

HSL 25.53, 0.3%, 0.69%

LAB 72.17, 6.66, 13.9

 

CMYK 0 / 60 / 52 / 2

HEX #FA6579

RGB 250 101 121

HSL 351.95, 0.94%, 0.69%

LAB 62.52, 58.43, 18.79

 

CMYK 0 / 52 / 60 / 2

HEX #FA7965

RGB 250 121 101

HSL 8.05, 0.94%, 0.69%

LAB 65.7, 47.7, 34.25

 

CMYK 0 / 36 / 60 / 2

HEX #FAA165

RGB 250 161 101

HSL 24.16, 0.94%, 0.69%

LAB 74.03, 27.37, 44.53

 

CMYK 0 / 20 / 60 / 2

HEX #FAC865

RGB 250 200 101

HSL 39.87, 0.94%, 0.69%

LAB 83.22, 6.97, 55.33

 

CMYK 0 / 4 / 60 / 2

HEX #FAF065

RGB 250 240 101

HSL 55.97, 0.94%, 0.69%

LAB 93.27, -13.23, 66.58

 

CMYK 0 / 53 / 91 / 3

HEX #F77315

RGB 247 115 21

HSL 24.96, 0.93%, 0.53%

LAB 63.42, 46.29, 67.52

 

CMYK 0 / 44 / 76 / 2

HEX #F98B3D

RGB 249 139 61

HSL 24.89, 0.94%, 0.61%

LAB 68.71, 36.18, 57.84

 

CMYK 0 / 35 / 60 / 2

HEX #FAA365

RGB 250 163 101

HSL 24.97, 0.94%, 0.69%

LAB 74.48, 26.32, 45.07

 

CMYK 0 / 25 / 44 / 2

HEX #FBBB8D

RGB 251 187 141

HSL 25.09, 0.93%, 0.77%

LAB 80.72, 17.56, 32.28

 

CMYK 0 / 16 / 28 / 1

HEX #FCD3B5

RGB 252 211 181

HSL 25.35, 0.92%, 0.85%

LAB 87.3, 10.07, 20.22

 

CMYK 0 / 35 / 60 / 2

HEX #FAA365

RGB 250 163 101

HSL 24.97, 0.94%, 0.69%

LAB 74.48, 26.32, 45.07

 

CMYK 36 / 0 / 60 / 2

HEX #A1FA65

RGB 161 250 101

HSL 95.84, 0.94%, 0.69%

LAB 90.27, -51.14, 61.66

 

CMYK 60 / 60 / 0 / 2

HEX #6565FA

RGB 101 101 250

HSL 240, 0.94%, 0.69%

LAB 50.66, 42.47, -74.6

 

CMYK 0 / 35 / 60 / 2

HEX #FAA365

RGB 250 163 101

HSL 24.97, 0.94%, 0.69%

LAB 74.48, 26.32, 45.07

 

CMYK 60 / 0 / 36 / 2

HEX #65FAA1

RGB 101 250 161

HSL 144.16, 0.94%, 0.69%

LAB 88.79, -59.14, 31.12

 

CMYK 36 / 60 / 0 / 2

HEX #A165FA

RGB 161 101 250

HSL 264.16, 0.94%, 0.69%

LAB 55.87, 53.99, -65.91

 

CMYK 0 / 35 / 60 / 2

HEX #FAA365

RGB 250 163 101

HSL 24.97, 0.94%, 0.69%

LAB 74.48, 26.32, 45.07

 

CMYK 36 / 0 / 60 / 2

HEX #A1FA65

RGB 161 250 101

HSL 95.84, 0.94%, 0.69%

LAB 90.27, -51.14, 61.66

 

CMYK 60 / 24 / 0 / 2

HEX #65BEFA

RGB 101 190 250

HSL 204.16, 0.94%, 0.69%

LAB 73.87, -9.45, -37.67

 

CMYK 24 / 60 / 0 / 2

HEX #BE65FA

RGB 190 101 250

HSL 275.84, 0.94%, 0.69%

LAB 59.12, 60.48, -60.52

 

CMYK 0 / 35 / 60 / 2

HEX #FAA365

RGB 250 163 101

HSL 24.97, 0.94%, 0.69%

LAB 74.48, 26.32, 45.07

 

CMYK 54 / 0 / 60 / 2

HEX #74FA65

RGB 116 250 101

HSL 113.96, 0.94%, 0.69%

LAB 88.46, -64.24, 59.12

 

CMYK 60 / 24 / 0 / 2

HEX #65BEFA

RGB 101 190 250

HSL 204.16, 0.94%, 0.69%

LAB 73.87, -9.45, -37.67

 

CMYK 6 / 60 / 0 / 2

HEX #EB65FA

RGB 235 101 250

HSL 293.96, 0.94%, 0.69%

LAB 64.86, 71.05, -51.04

 

Description

Color code: RGB 250 163 101 | qconv.com Color code: RGB 250 163 101 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 163 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 163 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 60 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 60% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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