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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 149 39 it is the complementary color RGB 5 106 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 149 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 149 39 shade: RGB 255 149 34, RGB 255 167 53, RGB 255 185 72, RGB 255 203 91 and RGB 255 221 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 149 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 149 39 shade: RGB 250 149 39, RGB 233 131 20, RGB 216 113 1, RGB 199 95 0 and RGB 182 77 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 149 39 shade: RGB 249 149 41, RGB 249 93 41 and RGB 249 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 149 39 shade: RGB 249 149 41, RGB 249 205 41, RGB 236 249 41, RGB 180 249 41 and RGB 124 249 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 149 39 shade matches the following richer shades: RGB 249 149 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 149 39 shade: RGB 249 149 41, RGB 231 149 58, RGB 214 148 76, RGB 196 147 94 and RGB 178 146 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 149 39 shade: RGB 249 41 44, RGB 249 93 41, RGB 249 148 41, RGB 249 204 41 and RGB 239 249 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 149 39 shade: RGB 202 108 5, RGB 243 129 6, RGB 249 149 41, RGB 250 169 81 and RGB 251 189 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 149 39 shade: RGB 250 149 39, RGB 100 249 41 and RGB 65 41 249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 149 39 shade: RGB 250 149 39, RGB 41 249 148 and RGB 148 41 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 149 39 shade: RGB 250 149 39, RGB 100 249 41, RGB 41 141 249 and RGB 190 41 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 149 39 shade: RGB 250 149 39, RGB 41 249 44, RGB 41 141 249 and RGB 249 41 246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 84 / 2

HEX #FA9527

RGB 250 149 39

HSL 31.28, 0.95%, 0.57%

LAB 70.85, 30.73, 68.28

 

Complementary color

CMYK 98 / 51 / 0 / 15

HEX #056AD8

RGB 5 106 216

HSL 211.28, 0.95%, 0.43%

LAB 46.04, 17.64, -63.14

 

CMYK 0 / 42 / 87 / 0

HEX #FF9522

RGB 255 149 34

HSL 31.22, 1%, 0.57%

LAB 71.47, 32.65, 70.56

 

CMYK 0 / 35 / 79 / 0

HEX #FFA735

RGB 255 167 53

HSL 33.86, 1%, 0.6%

LAB 75.55, 23.82, 67.85

 

CMYK 0 / 27 / 72 / 0

HEX #FFB948

RGB 255 185 72

HSL 37.05, 1%, 0.64%

LAB 79.86, 15.17, 64.63

 

CMYK 0 / 20 / 64 / 0

HEX #FFCB5B

RGB 255 203 91

HSL 40.98, 1%, 0.68%

LAB 84.34, 6.84, 61.26

 

CMYK 0 / 13 / 57 / 0

HEX #FFDD6E

RGB 255 221 110

HSL 45.93, 1%, 0.72%

LAB 88.97, -1.11, 57.91

 

CMYK 0 / 40 / 84 / 2

HEX #FA9527

RGB 250 149 39

HSL 31.28, 0.95%, 0.57%

LAB 70.85, 30.73, 68.28

 

CMYK 0 / 44 / 91 / 9

HEX #E98314

RGB 233 131 20

HSL 31.27, 0.84%, 0.5%

LAB 64.65, 32.75, 67.7

 

CMYK 0 / 48 / 100 / 15

HEX #D87101

RGB 216 113 1

HSL 31.26, 0.99%, 0.43%

LAB 58.43, 34.93, 65.82

 

CMYK 0 / 52 / 100 / 22

HEX #C75F00

RGB 199 95 0

HSL 28.64, 1%, 0.39%

LAB 52.2, 37.3, 61.01

 

CMYK 0 / 58 / 100 / 29

HEX #B64D00

RGB 182 77 0

HSL 25.38, 1%, 0.36%

LAB 45.98, 39.59, 56.03

 

CMYK 0 / 40 / 84 / 2

HEX #F99529

RGB 249 149 41

HSL 31.15, 0.95%, 0.57%

LAB 70.73, 30.37, 67.48

 

CMYK 0 / 63 / 84 / 2

HEX #F95D29

RGB 249 93 41

HSL 15, 0.95%, 0.57%

LAB 60, 57.36, 58.29

 

CMYK 0 / 84 / 84 / 2

HEX #F92929

RGB 249 41 41

HSL 0, 0.95%, 0.57%

LAB 53.91, 74.19, 52.95

 

CMYK 0 / 40 / 84 / 2

HEX #F99529

RGB 249 149 41

HSL 31.15, 0.95%, 0.57%

LAB 70.73, 30.37, 67.48

 

CMYK 0 / 18 / 84 / 2

HEX #F9CD29

RGB 249 205 41

HSL 47.31, 0.95%, 0.57%

LAB 83.95, 1.19, 78.58

 

CMYK 5 / 0 / 84 / 2

HEX #ECF929

RGB 236 249 41

HSL 63.75, 0.95%, 0.57%

LAB 94.2, -25.93, 86.67

 

CMYK 28 / 0 / 84 / 2

HEX #B4F929

RGB 180 249 41

HSL 79.9, 0.95%, 0.57%

LAB 90.6, -47.7, 82.18

 

CMYK 50 / 0 / 84 / 2

HEX #7CF929

RGB 124 249 41

HSL 96.06, 0.95%, 0.57%

LAB 88.06, -65.94, 78.98

 

CMYK 0 / 40 / 84 / 2

HEX #F99529

RGB 249 149 41

HSL 31.15, 0.95%, 0.57%

LAB 70.73, 30.37, 67.48

 

CMYK 0 / 40 / 84 / 2

HEX #F99529

RGB 249 149 41

HSL 31.15, 0.95%, 0.57%

LAB 70.73, 30.37, 67.48

 

CMYK 0 / 35 / 75 / 9

HEX #E7953A

RGB 231 149 58

HSL 31.56, 0.78%, 0.57%

LAB 68.6, 23.5, 58.27

 

CMYK 0 / 31 / 64 / 16

HEX #D6944C

RGB 214 148 76

HSL 31.3, 0.63%, 0.57%

LAB 66.52, 17.84, 47.2

 

CMYK 0 / 25 / 52 / 23

HEX #C4935E

RGB 196 147 94

HSL 31.18, 0.46%, 0.57%

LAB 64.49, 12.18, 35.07

 

CMYK 0 / 18 / 37 / 30

HEX #B29270

RGB 178 146 112

HSL 30.91, 0.3%, 0.57%

LAB 62.67, 7.15, 22.55

 

CMYK 0 / 84 / 82 / 2

HEX #F9292C

RGB 249 41 44

HSL 359.13, 0.95%, 0.57%

LAB 53.93, 74.26, 51.49

 

CMYK 0 / 63 / 84 / 2

HEX #F95D29

RGB 249 93 41

HSL 15, 0.95%, 0.57%

LAB 60, 57.36, 58.29

 

CMYK 0 / 41 / 84 / 2

HEX #F99429

RGB 249 148 41

HSL 30.87, 0.95%, 0.57%

LAB 70.51, 30.89, 67.3

 

CMYK 0 / 18 / 84 / 2

HEX #F9CC29

RGB 249 204 41

HSL 47.02, 0.95%, 0.57%

LAB 83.7, 1.7, 78.37

 

CMYK 4 / 0 / 84 / 2

HEX #EFF929

RGB 239 249 41

HSL 62.88, 0.95%, 0.57%

LAB 94.42, -24.71, 86.94

 

CMYK 0 / 47 / 98 / 21

HEX #CA6C05

RGB 202 108 5

HSL 31.37, 0.95%, 0.41%

LAB 55.37, 31.83, 62.17

 

CMYK 0 / 47 / 98 / 5

HEX #F38106

RGB 243 129 6

HSL 31.14, 0.95%, 0.49%

LAB 65.57, 37.66, 71.39

 

CMYK 0 / 40 / 84 / 2

HEX #F99529

RGB 249 149 41

HSL 31.15, 0.95%, 0.57%

LAB 70.73, 30.37, 67.48

 

CMYK 0 / 32 / 68 / 2

HEX #FAA951

RGB 250 169 81

HSL 31.24, 0.94%, 0.65%

LAB 75.63, 21.93, 56.1

 

CMYK 0 / 25 / 52 / 2

HEX #FBBD79

RGB 251 189 121

HSL 31.38, 0.94%, 0.73%

LAB 80.9, 14.65, 42.82

 

CMYK 0 / 40 / 84 / 2

HEX #FA9527

RGB 250 149 39

HSL 31.28, 0.95%, 0.57%

LAB 70.85, 30.73, 68.28

 

CMYK 60 / 0 / 84 / 2

HEX #64F929

RGB 100 249 41

HSL 102.98, 0.95%, 0.57%

LAB 87.3, -72.03, 78.02

 

CMYK 74 / 84 / 0 / 2

HEX #4129F9

RGB 65 41 249

HSL 246.92, 0.95%, 0.57%

LAB 37.02, 69.21, -96.56

 

CMYK 0 / 40 / 84 / 2

HEX #FA9527

RGB 250 149 39

HSL 31.28, 0.95%, 0.57%

LAB 70.85, 30.73, 68.28

 

CMYK 84 / 0 / 41 / 2

HEX #29F994

RGB 41 249 148

HSL 150.87, 0.95%, 0.57%

LAB 87.17, -69.6, 35.27

 

CMYK 41 / 84 / 0 / 2

HEX #9429F9

RGB 148 41 249

HSL 270.87, 0.95%, 0.57%

LAB 45.25, 76.82, -82.7

 

CMYK 0 / 40 / 84 / 2

HEX #FA9527

RGB 250 149 39

HSL 31.28, 0.95%, 0.57%

LAB 70.85, 30.73, 68.28

 

CMYK 60 / 0 / 84 / 2

HEX #64F929

RGB 100 249 41

HSL 102.98, 0.95%, 0.57%

LAB 87.3, -72.03, 78.02

 

CMYK 84 / 43 / 0 / 2

HEX #298DF9

RGB 41 141 249

HSL 211.15, 0.95%, 0.57%

LAB 58.38, 10.26, -61.7

 

CMYK 24 / 84 / 0 / 2

HEX #BE29F9

RGB 190 41 249

HSL 282.98, 0.95%, 0.57%

LAB 51.12, 82.64, -72.87

 

CMYK 0 / 40 / 84 / 2

HEX #FA9527

RGB 250 149 39

HSL 31.28, 0.95%, 0.57%

LAB 70.85, 30.73, 68.28

 

CMYK 84 / 0 / 82 / 2

HEX #29F92C

RGB 41 249 44

HSL 120.87, 0.95%, 0.57%

LAB 86.21, -81.34, 75.93

 

CMYK 84 / 43 / 0 / 2

HEX #298DF9

RGB 41 141 249

HSL 211.15, 0.95%, 0.57%

LAB 58.38, 10.26, -61.7

 

CMYK 0 / 84 / 1 / 2

HEX #F929F6

RGB 249 41 246

HSL 300.87, 0.95%, 0.57%

LAB 60.23, 91.82, -56.05

 

Description

Color code: RGB 250 149 39 | qconv.com Color code: RGB 250 149 39 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 149 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 149 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 84 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 84% 2% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Superdry - Jackets, ...
Link: http://www.superdry.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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