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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 250 108 221 it is the complementary color RGB 5 147 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 250 108 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 250 108 221 shade: RGB 255 108 216, RGB 255 126 235, RGB 255 144 254, RGB 255 162 255 and RGB 255 180 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 250 108 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 250 108 221 shade: RGB 250 108 221, RGB 233 90 202, RGB 216 72 183, RGB 199 54 164 and RGB 182 36 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 250 108 221 shade: RGB 249 107 220, RGB 249 107 182, RGB 249 107 143 and RGB 249 107 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 250 108 221 shade: RGB 249 107 220, RGB 240 107 249, RGB 201 107 249, RGB 163 107 249 and RGB 125 107 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 250 108 221 shade matches the following richer shades: RGB 249 107 220

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 250 108 221 shade: RGB 249 107 220, RGB 237 119 213, RGB 224 132 205, RGB 212 144 198 and RGB 200 156 191

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 250 108 221 shade: RGB 202 107 249, RGB 240 107 249, RGB 249 107 221, RGB 249 107 183 and RGB 249 107 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 250 108 221 shade: RGB 246 27 202, RGB 248 67 211, RGB 249 107 220, RGB 251 147 229 and RGB 252 186 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 250 108 221 shade: RGB 250 108 221, RGB 249 164 107 and RGB 107 249 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 250 108 221 shade: RGB 250 108 221, RGB 221 249 107 and RGB 107 221 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 250 108 221 shade: RGB 250 108 221, RGB 249 164 107, RGB 107 249 135 and RGB 107 192 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 250 108 221 shade: RGB 250 108 221, RGB 249 206 107, RGB 107 249 135 and RGB 107 150 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 12 / 2

HEX #FA6CDD

RGB 250 108 221

HSL 312.25, 0.93%, 0.7%

LAB 66.73, 67.13, -31.9

 

Complementary color

CMYK 97 / 0 / 77 / 42

HEX #059322

RGB 5 147 34

HSL 132.25, 0.93%, 0.3%

LAB 52.97, -55.2, 47.28

 

CMYK 0 / 58 / 15 / 0

HEX #FF6CD8

RGB 255 108 216

HSL 315.92, 1%, 0.71%

LAB 67.23, 67.75, -28.27

 

CMYK 0 / 51 / 8 / 0

HEX #FF7EEB

RGB 255 126 235

HSL 309.3, 1%, 0.75%

LAB 70.99, 62.57, -32.99

 

CMYK 0 / 44 / 0 / 0

HEX #FF90FE

RGB 255 144 254

HSL 300.54, 1%, 0.78%

LAB 75.05, 57.13, -37.07

 

CMYK 0 / 36 / 0 / 0

HEX #FFA2FF

RGB 255 162 255

HSL 300, 1%, 0.82%

LAB 78.65, 48.27, -32.05

 

CMYK 0 / 29 / 0 / 0

HEX #FFB4FF

RGB 255 180 255

HSL 300, 1%, 0.85%

LAB 82.44, 38.96, -26.23

 

CMYK 0 / 57 / 12 / 2

HEX #FA6CDD

RGB 250 108 221

HSL 312.25, 0.93%, 0.7%

LAB 66.73, 67.13, -31.9

 

CMYK 0 / 61 / 13 / 9

HEX #E95ACA

RGB 233 90 202

HSL 313.01, 0.76%, 0.63%

LAB 60.69, 67.38, -30.76

 

CMYK 0 / 67 / 15 / 15

HEX #D848B7

RGB 216 72 183

HSL 313.75, 0.65%, 0.56%

LAB 54.71, 67.33, -29.35

 

CMYK 0 / 73 / 18 / 22

HEX #C736A4

RGB 199 54 164

HSL 314.48, 0.57%, 0.5%

LAB 48.84, 66.82, -27.56

 

CMYK 0 / 80 / 20 / 29

HEX #B62491

RGB 182 36 145

HSL 315.21, 0.67%, 0.43%

LAB 43.14, 65.59, -25.26

 

CMYK 0 / 57 / 12 / 2

HEX #F96BDC

RGB 249 107 220

HSL 312.25, 0.92%, 0.7%

LAB 66.38, 67.14, -31.88

 

CMYK 0 / 57 / 27 / 2

HEX #F96BB6

RGB 249 107 182

HSL 328.31, 0.92%, 0.7%

LAB 64.99, 61.85, -12.63

 

CMYK 0 / 57 / 43 / 2

HEX #F96B8F

RGB 249 107 143

HSL 344.79, 0.92%, 0.7%

LAB 63.87, 57.43, 8.01

 

CMYK 0 / 57 / 57 / 2

HEX #F96B6B

RGB 249 107 107

HSL 0, 0.92%, 0.7%

LAB 63.11, 54.34, 27.54

 

CMYK 0 / 57 / 12 / 2

HEX #F96BDC

RGB 249 107 220

HSL 312.25, 0.92%, 0.7%

LAB 66.38, 67.14, -31.88

 

CMYK 4 / 57 / 0 / 2

HEX #F06BF9

RGB 240 107 249

HSL 296.2, 0.92%, 0.7%

LAB 66.43, 69.51, -47.97

 

CMYK 19 / 57 / 0 / 2

HEX #C96BF9

RGB 201 107 249

HSL 279.72, 0.92%, 0.7%

LAB 61.46, 59.95, -56.16

 

CMYK 35 / 57 / 0 / 2

HEX #A36BF9

RGB 163 107 249

HSL 263.66, 0.92%, 0.7%

LAB 57.21, 51.02, -63.19

 

CMYK 50 / 57 / 0 / 2

HEX #7D6BF9

RGB 125 107 249

HSL 247.61, 0.92%, 0.7%

LAB 53.72, 42.95, -68.99

 

CMYK 0 / 57 / 12 / 2

HEX #F96BDC

RGB 249 107 220

HSL 312.25, 0.92%, 0.7%

LAB 66.38, 67.14, -31.88

 

CMYK 0 / 57 / 12 / 2

HEX #F96BDC

RGB 249 107 220

HSL 312.25, 0.92%, 0.7%

LAB 66.38, 67.14, -31.88

 

CMYK 0 / 50 / 10 / 7

HEX #ED77D5

RGB 237 119 213

HSL 312.2, 0.77%, 0.7%

LAB 66.52, 57.22, -27.9

 

CMYK 0 / 41 / 8 / 12

HEX #E084CD

RGB 224 132 205

HSL 312.39, 0.6%, 0.7%

LAB 67.09, 45.49, -22.7

 

CMYK 0 / 32 / 7 / 17

HEX #D490C6

RGB 212 144 198

HSL 312.35, 0.44%, 0.7%

LAB 68.04, 34.05, -17.49

 

CMYK 0 / 22 / 5 / 22

HEX #C89CBF

RGB 200 156 191

HSL 312.27, 0.29%, 0.7%

LAB 69.34, 22.18, -11.75

 

CMYK 19 / 57 / 0 / 2

HEX #CA6BF9

RGB 202 107 249

HSL 280.14, 0.92%, 0.7%

LAB 61.58, 60.2, -55.96

 

CMYK 4 / 57 / 0 / 2

HEX #F06BF9

RGB 240 107 249

HSL 296.2, 0.92%, 0.7%

LAB 66.43, 69.51, -47.97

 

CMYK 0 / 57 / 11 / 2

HEX #F96BDD

RGB 249 107 221

HSL 311.83, 0.92%, 0.7%

LAB 66.42, 67.29, -32.38

 

CMYK 0 / 57 / 27 / 2

HEX #F96BB7

RGB 249 107 183

HSL 327.89, 0.92%, 0.7%

LAB 65.02, 61.98, -13.14

 

CMYK 0 / 57 / 42 / 2

HEX #F96B91

RGB 249 107 145

HSL 343.94, 0.92%, 0.7%

LAB 63.92, 57.63, 6.94

 

CMYK 0 / 89 / 18 / 4

HEX #F61BCA

RGB 246 27 202

HSL 312.05, 0.92%, 0.54%

LAB 56.72, 87.61, -36.78

 

CMYK 0 / 73 / 15 / 3

HEX #F843D3

RGB 248 67 211

HSL 312.27, 0.93%, 0.62%

LAB 60.49, 80.47, -36

 

CMYK 0 / 57 / 12 / 2

HEX #F96BDC

RGB 249 107 220

HSL 312.25, 0.92%, 0.7%

LAB 66.38, 67.14, -31.88

 

CMYK 0 / 41 / 9 / 2

HEX #FB93E5

RGB 251 147 229

HSL 312.69, 0.93%, 0.78%

LAB 74.21, 50.22, -24.79

 

CMYK 0 / 26 / 5 / 1

HEX #FCBAEF

RGB 252 186 239

HSL 311.82, 0.92%, 0.86%

LAB 82.94, 32.03, -16.96

 

CMYK 0 / 57 / 12 / 2

HEX #FA6CDD

RGB 250 108 221

HSL 312.25, 0.93%, 0.7%

LAB 66.73, 67.13, -31.9

 

CMYK 0 / 34 / 57 / 2

HEX #F9A46B

RGB 249 164 107

HSL 24.08, 0.92%, 0.7%

LAB 74.67, 25.84, 42.2

 

CMYK 57 / 0 / 11 / 2

HEX #6BF9DD

RGB 107 249 221

HSL 168.17, 0.92%, 0.7%

LAB 89.9, -44.97, 1.9

 

CMYK 0 / 57 / 12 / 2

HEX #FA6CDD

RGB 250 108 221

HSL 312.25, 0.93%, 0.7%

LAB 66.73, 67.13, -31.9

 

CMYK 11 / 0 / 57 / 2

HEX #DDF96B

RGB 221 249 107

HSL 71.83, 0.92%, 0.7%

LAB 93.53, -28.57, 63.72

 

CMYK 57 / 11 / 0 / 2

HEX #6BDDF9

RGB 107 221 249

HSL 191.83, 0.92%, 0.7%

LAB 82.74, -24.64, -23.47

 

CMYK 0 / 57 / 12 / 2

HEX #FA6CDD

RGB 250 108 221

HSL 312.25, 0.93%, 0.7%

LAB 66.73, 67.13, -31.9

 

CMYK 0 / 34 / 57 / 2

HEX #F9A46B

RGB 249 164 107

HSL 24.08, 0.92%, 0.7%

LAB 74.67, 25.84, 42.2

 

CMYK 57 / 0 / 46 / 2

HEX #6BF987

RGB 107 249 135

HSL 131.83, 0.92%, 0.7%

LAB 88.27, -61.73, 43.29

 

CMYK 57 / 23 / 0 / 2

HEX #6BC0F9

RGB 107 192 249

HSL 204.08, 0.92%, 0.7%

LAB 74.61, -9.7, -35.95

 

CMYK 0 / 57 / 12 / 2

HEX #FA6CDD

RGB 250 108 221

HSL 312.25, 0.93%, 0.7%

LAB 66.73, 67.13, -31.9

 

CMYK 0 / 17 / 57 / 2

HEX #F9CE6B

RGB 249 206 107

HSL 41.83, 0.92%, 0.7%

LAB 84.66, 3.89, 54.17

 

CMYK 57 / 0 / 46 / 2

HEX #6BF987

RGB 107 249 135

HSL 131.83, 0.92%, 0.7%

LAB 88.27, -61.73, 43.29

 

CMYK 57 / 40 / 0 / 2

HEX #6B96F9

RGB 107 150 249

HSL 221.83, 0.92%, 0.7%

LAB 63.16, 13.97, -53.93

 

Description

Color code: RGB 250 108 221 | qconv.com Color code: RGB 250 108 221 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 250 red, 108 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
250 108 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 12 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 12% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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