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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 230 218 it is the complementary color RGB 231 25 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 230 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 230 218 shade: RGB 29 230 213, RGB 46 248 232, RGB 63 255 251, RGB 80 255 255 and RGB 97 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 230 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 230 218 shade: RGB 24 230 218, RGB 7 212 199, RGB 0 194 180, RGB 0 176 161 and RGB 0 158 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 230 218 shade: RGB 24 230 218, RGB 24 230 163, RGB 24 230 107, RGB 24 230 51 and RGB 52 230 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 230 218 shade: RGB 24 230 218, RGB 24 187 230, RGB 24 131 230, RGB 24 75 230 and RGB 24 24 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 230 218 shade matches the following richer shades: RGB 24 230 218 and RGB 3 251 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 230 218 shade: RGB 24 230 218, RGB 44 210 200, RGB 65 189 182, RGB 86 168 164 and RGB 106 148 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 230 218 shade: RGB 24 230 106, RGB 24 230 161, RGB 24 230 217, RGB 24 189 230 and RGB 24 134 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 230 218 shade: RGB 16 156 147, RGB 20 193 183, RGB 24 230 218, RGB 61 234 224 and RGB 98 238 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 230 218 shade: RGB 24 230 218, RGB 51 24 230 and RGB 230 134 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 230 218 shade: RGB 24 230 218, RGB 217 24 230 and RGB 230 217 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 230 218 shade: RGB 24 230 218, RGB 51 24 230, RGB 230 24 37 and RGB 203 230 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 230 218 shade: RGB 24 230 218, RGB 113 24 230, RGB 230 24 37 and RGB 141 230 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 5 / 10

HEX #18E6DA

RGB 24 230 218

HSL 176.5, 0.81%, 0.5%

LAB 82.83, -47.21, -7.08

 

Complementary color

CMYK 0 / 89 / 84 / 9

HEX #E71925

RGB 231 25 37

HSL 356.5, 0.81%, 0.5%

LAB 49.27, 72.31, 49.46

 

CMYK 87 / 0 / 7 / 10

HEX #1DE6D5

RGB 29 230 213

HSL 174.93, 0.8%, 0.51%

LAB 82.73, -48.35, -4.58

 

CMYK 81 / 0 / 6 / 3

HEX #2EF8E8

RGB 46 248 232

HSL 175.25, 0.94%, 0.58%

LAB 88.71, -49.69, -5.73

 

CMYK 75 / 0 / 2 / 0

HEX #3FFFFB

RGB 63 255 251

HSL 178.75, 1%, 0.62%

LAB 91.48, -46.05, -11.47

 

CMYK 69 / 0 / 0 / 0

HEX #50FFFF

RGB 80 255 255

HSL 180, 1%, 0.66%

LAB 91.88, -43.08, -12.91

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 90 / 0 / 5 / 10

HEX #18E6DA

RGB 24 230 218

HSL 176.5, 0.81%, 0.5%

LAB 82.83, -47.21, -7.08

 

CMYK 97 / 0 / 6 / 17

HEX #07D4C7

RGB 7 212 199

HSL 176.2, 0.94%, 0.43%

LAB 76.83, -45.42, -5.83

 

CMYK 100 / 0 / 7 / 24

HEX #00C2B4

RGB 0 194 180

HSL 175.67, 1%, 0.38%

LAB 70.79, -43.26, -4.47

 

CMYK 100 / 0 / 9 / 31

HEX #00B0A1

RGB 0 176 161

HSL 174.89, 1%, 0.35%

LAB 64.66, -40.88, -3.02

 

CMYK 100 / 0 / 10 / 38

HEX #009E8E

RGB 0 158 142

HSL 173.92, 1%, 0.31%

LAB 58.42, -38.46, -1.52

 

CMYK 90 / 0 / 5 / 10

HEX #18E6DA

RGB 24 230 218

HSL 176.5, 0.81%, 0.5%

LAB 82.83, -47.21, -7.08

 

CMYK 90 / 0 / 29 / 10

HEX #18E6A3

RGB 24 230 163

HSL 160.49, 0.81%, 0.5%

LAB 81.53, -61.03, 20

 

CMYK 90 / 0 / 53 / 10

HEX #18E66B

RGB 24 230 107

HSL 144.17, 0.81%, 0.5%

LAB 80.65, -71.24, 46.81

 

CMYK 90 / 0 / 78 / 10

HEX #18E633

RGB 24 230 51

HSL 127.86, 0.81%, 0.5%

LAB 80.19, -76.98, 68.4

 

CMYK 77 / 0 / 90 / 10

HEX #34E618

RGB 52 230 24

HSL 111.84, 0.81%, 0.5%

LAB 80.4, -75.54, 74.88

 

CMYK 90 / 0 / 5 / 10

HEX #18E6DA

RGB 24 230 218

HSL 176.5, 0.81%, 0.5%

LAB 82.83, -47.21, -7.08

 

CMYK 90 / 19 / 0 / 10

HEX #18BBE6

RGB 24 187 230

HSL 192.52, 0.81%, 0.5%

LAB 70.49, -23.41, -32.22

 

CMYK 90 / 43 / 0 / 10

HEX #1883E6

RGB 24 131 230

HSL 208.83, 0.81%, 0.5%

LAB 54.18, 8.08, -57.91

 

CMYK 90 / 67 / 0 / 10

HEX #184BE6

RGB 24 75 230

HSL 225.15, 0.81%, 0.5%

LAB 39.48, 43.55, -81.81

 

CMYK 90 / 90 / 0 / 10

HEX #1818E6

RGB 24 24 230

HSL 240, 0.81%, 0.5%

LAB 30.78, 68.46, -96.23

 

CMYK 90 / 0 / 5 / 10

HEX #18E6DA

RGB 24 230 218

HSL 176.5, 0.81%, 0.5%

LAB 82.83, -47.21, -7.08

 

CMYK 99 / 0 / 6 / 2

HEX #03FBEC

RGB 3 251 236

HSL 176.37, 0.98%, 0.5%

LAB 89.43, -51.67, -6.78

 

CMYK 90 / 0 / 5 / 10

HEX #18E6DA

RGB 24 230 218

HSL 176.5, 0.81%, 0.5%

LAB 82.83, -47.21, -7.08

 

CMYK 79 / 0 / 5 / 18

HEX #2CD2C8

RGB 44 210 200

HSL 176.39, 0.65%, 0.5%

LAB 76.56, -42.25, -6.75

 

CMYK 66 / 0 / 4 / 26

HEX #41BDB6

RGB 65 189 182

HSL 176.61, 0.49%, 0.5%

LAB 70.1, -35.22, -6.49

 

CMYK 49 / 0 / 2 / 34

HEX #56A8A4

RGB 86 168 164

HSL 177.07, 0.32%, 0.5%

LAB 63.89, -25.96, -5.66

 

CMYK 28 / 0 / 2 / 42

HEX #6A9491

RGB 106 148 145

HSL 175.71, 0.17%, 0.5%

LAB 58.31, -14.97, -3.06

 

CMYK 90 / 0 / 54 / 10

HEX #18E66A

RGB 24 230 106

HSL 143.88, 0.81%, 0.5%

LAB 80.64, -71.38, 47.26

 

CMYK 90 / 0 / 30 / 10

HEX #18E6A1

RGB 24 230 161

HSL 159.9, 0.81%, 0.5%

LAB 81.49, -61.47, 20.98

 

CMYK 90 / 0 / 6 / 10

HEX #18E6D9

RGB 24 230 217

HSL 176.21, 0.81%, 0.5%

LAB 82.81, -47.49, -6.59

 

CMYK 90 / 18 / 0 / 10

HEX #18BDE6

RGB 24 189 230

HSL 191.94, 0.81%, 0.5%

LAB 71.08, -24.43, -31.3

 

CMYK 90 / 42 / 0 / 10

HEX #1886E6

RGB 24 134 230

HSL 207.96, 0.81%, 0.5%

LAB 55.03, 6.25, -56.55

 

CMYK 90 / 0 / 6 / 39

HEX #109C93

RGB 16 156 147

HSL 176.14, 0.81%, 0.34%

LAB 58.03, -35.36, -4.92

 

CMYK 90 / 0 / 5 / 24

HEX #14C1B7

RGB 20 193 183

HSL 176.53, 0.81%, 0.42%

LAB 70.67, -41.25, -6.28

 

CMYK 90 / 0 / 5 / 10

HEX #18E6DA

RGB 24 230 218

HSL 176.5, 0.81%, 0.5%

LAB 82.83, -47.21, -7.08

 

CMYK 74 / 0 / 4 / 8

HEX #3DEAE0

RGB 61 234 224

HSL 176.53, 0.8%, 0.58%

LAB 84.6, -44.48, -7.59

 

CMYK 59 / 0 / 3 / 7

HEX #62EEE6

RGB 98 238 230

HSL 176.57, 0.8%, 0.66%

LAB 86.73, -39.46, -7.49

 

CMYK 90 / 0 / 5 / 10

HEX #18E6DA

RGB 24 230 218

HSL 176.5, 0.81%, 0.5%

LAB 82.83, -47.21, -7.08

 

CMYK 78 / 90 / 0 / 10

HEX #3318E6

RGB 51 24 230

HSL 247.86, 0.81%, 0.5%

LAB 31.97, 69.18, -94.23

 

CMYK 0 / 42 / 90 / 10

HEX #E68618

RGB 230 134 24

HSL 32.04, 0.81%, 0.5%

LAB 64.91, 30.01, 66.77

 

CMYK 90 / 0 / 5 / 10

HEX #18E6DA

RGB 24 230 218

HSL 176.5, 0.81%, 0.5%

LAB 82.83, -47.21, -7.08

 

CMYK 6 / 90 / 0 / 10

HEX #D918E6

RGB 217 24 230

HSL 296.21, 0.81%, 0.5%

LAB 53.08, 86.75, -58.82

 

CMYK 0 / 6 / 90 / 10

HEX #E6D918

RGB 230 217 24

HSL 56.21, 0.81%, 0.5%

LAB 85.26, -13.31, 82.39

 

CMYK 90 / 0 / 5 / 10

HEX #18E6DA

RGB 24 230 218

HSL 176.5, 0.81%, 0.5%

LAB 82.83, -47.21, -7.08

 

CMYK 78 / 90 / 0 / 10

HEX #3318E6

RGB 51 24 230

HSL 247.86, 0.81%, 0.5%

LAB 31.97, 69.18, -94.23

 

CMYK 0 / 90 / 84 / 10

HEX #E61825

RGB 230 24 37

HSL 356.21, 0.81%, 0.5%

LAB 49.02, 72.2, 49.16

 

CMYK 12 / 0 / 90 / 10

HEX #CBE618

RGB 203 230 24

HSL 67.86, 0.81%, 0.5%

LAB 86.68, -30.81, 82.62

 

CMYK 90 / 0 / 5 / 10

HEX #18E6DA

RGB 24 230 218

HSL 176.5, 0.81%, 0.5%

LAB 82.83, -47.21, -7.08

 

CMYK 51 / 90 / 0 / 10

HEX #7118E6

RGB 113 24 230

HSL 265.92, 0.81%, 0.5%

LAB 37.62, 73.15, -84.68

 

CMYK 0 / 90 / 84 / 10

HEX #E61825

RGB 230 24 37

HSL 356.21, 0.81%, 0.5%

LAB 49.02, 72.2, 49.16

 

CMYK 39 / 0 / 90 / 10

HEX #8DE618

RGB 141 230 24

HSL 85.92, 0.81%, 0.5%

LAB 83.08, -54.13, 78.21

 

Description

Color code: RGB 24 230 218 | qconv.com Color code: RGB 24 230 218 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 230 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 230 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 5 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 5% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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