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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 205 108 it is the complementary color RGB 231 50 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 205 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 205 108 shade: RGB 29 205 103, RGB 46 223 122, RGB 63 241 141, RGB 80 255 160 and RGB 97 255 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 205 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 205 108 shade: RGB 24 205 108, RGB 7 187 89, RGB 0 169 70, RGB 0 151 51 and RGB 0 133 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 205 108 shade: RGB 24 205 108, RGB 24 205 59, RGB 37 205 24, RGB 86 205 24 and RGB 135 205 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 205 108 shade: RGB 24 205 108, RGB 24 205 157, RGB 24 204 205, RGB 24 155 205 and RGB 24 106 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 205 108 shade matches the following richer shades: RGB 24 205 108 and RGB 5 223 106

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 205 108 shade: RGB 24 205 108, RGB 42 186 109, RGB 61 168 110, RGB 79 149 112 and RGB 98 131 113

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 205 108 shade: RGB 39 205 24, RGB 24 205 57, RGB 24 205 105, RGB 24 205 154 and RGB 24 205 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 205 108 shade: RGB 15 131 69, RGB 19 168 88, RGB 24 205 108, RGB 40 229 128 and RGB 77 234 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 205 108 shade: RGB 24 205 108, RGB 24 87 205 and RGB 205 33 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 205 108 shade: RGB 24 205 108, RGB 105 24 205 and RGB 205 105 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 205 108 shade: RGB 24 205 108, RGB 24 87 205, RGB 205 24 123 and RGB 205 141 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 205 108 shade: RGB 24 205 108, RGB 24 33 205, RGB 205 24 123 and RGB 205 196 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 47 / 20

HEX #18CD6C

RGB 24 205 108

HSL 147.85, 0.79%, 0.45%

LAB 72.85, -62.99, 36.64

 

Complementary color

CMYK 0 / 78 / 36 / 9

HEX #E73293

RGB 231 50 147

HSL 327.85, 0.79%, 0.55%

LAB 53.36, 73.73, -10.06

 

CMYK 86 / 0 / 50 / 20

HEX #1DCD67

RGB 29 205 103

HSL 145.23, 0.75%, 0.46%

LAB 72.83, -63.44, 39.1

 

CMYK 79 / 0 / 45 / 13

HEX #2EDF7A

RGB 46 223 122

HSL 145.76, 0.73%, 0.53%

LAB 78.9, -64.79, 37.44

 

CMYK 74 / 0 / 41 / 5

HEX #3FF18D

RGB 63 241 141

HSL 146.29, 0.86%, 0.6%

LAB 84.94, -65.74, 35.87

 

CMYK 69 / 0 / 37 / 0

HEX #50FFA0

RGB 80 255 160

HSL 147.43, 1%, 0.66%

LAB 89.75, -64.93, 32.81

 

CMYK 62 / 0 / 30 / 0

HEX #61FFB3

RGB 97 255 179

HSL 151.14, 1%, 0.69%

LAB 90.47, -58.46, 24.28

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6C

RGB 24 205 108

HSL 147.85, 0.79%, 0.45%

LAB 72.85, -62.99, 36.64

 

CMYK 96 / 0 / 52 / 27

HEX #07BB59

RGB 7 187 89

HSL 147.33, 0.93%, 0.38%

LAB 66.75, -60.99, 38.42

 

CMYK 100 / 0 / 59 / 34

HEX #00A946

RGB 0 169 70

HSL 144.85, 1%, 0.33%

LAB 60.62, -58.31, 40.24

 

CMYK 100 / 0 / 66 / 41

HEX #009733

RGB 0 151 51

HSL 140.26, 1%, 0.3%

LAB 54.42, -55.06, 41.93

 

CMYK 100 / 0 / 76 / 48

HEX #008520

RGB 0 133 32

HSL 134.44, 1%, 0.26%

LAB 48.11, -51.44, 43.12

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6C

RGB 24 205 108

HSL 147.85, 0.79%, 0.45%

LAB 72.85, -62.99, 36.64

 

CMYK 88 / 0 / 71 / 20

HEX #18CD3B

RGB 24 205 59

HSL 131.6, 0.79%, 0.45%

LAB 72.34, -69.23, 57.91

 

CMYK 82 / 0 / 88 / 20

HEX #25CD18

RGB 37 205 24

HSL 115.69, 0.79%, 0.45%

LAB 72.31, -70.16, 67.86

 

CMYK 58 / 0 / 88 / 20

HEX #56CD18

RGB 86 205 24

HSL 99.45, 0.79%, 0.45%

LAB 73.36, -61.27, 69.17

 

CMYK 34 / 0 / 88 / 20

HEX #87CD18

RGB 135 205 24

HSL 83.2, 0.79%, 0.45%

LAB 75.38, -46.07, 71.69

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6C

RGB 24 205 108

HSL 147.85, 0.79%, 0.45%

LAB 72.85, -62.99, 36.64

 

CMYK 88 / 0 / 23 / 20

HEX #18CD9D

RGB 24 205 157

HSL 164.09, 0.79%, 0.45%

LAB 73.73, -52.93, 12.26

 

CMYK 88 / 0 / 0 / 20

HEX #18CCCD

RGB 24 204 205

HSL 180.33, 0.79%, 0.45%

LAB 74.69, -39.53, -12.25

 

CMYK 88 / 24 / 0 / 20

HEX #189BCD

RGB 24 155 205

HSL 196.57, 0.79%, 0.45%

LAB 59.93, -15.17, -34.82

 

CMYK 88 / 48 / 0 / 20

HEX #186ACD

RGB 24 106 205

HSL 212.82, 0.79%, 0.45%

LAB 45.51, 14.07, -57.7

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6C

RGB 24 205 108

HSL 147.85, 0.79%, 0.45%

LAB 72.85, -62.99, 36.64

 

CMYK 98 / 0 / 52 / 13

HEX #05DF6A

RGB 5 223 106

HSL 147.8, 0.96%, 0.45%

LAB 78.37, -69.97, 44.47

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6C

RGB 24 205 108

HSL 147.85, 0.79%, 0.45%

LAB 72.85, -62.99, 36.64

 

CMYK 77 / 0 / 41 / 27

HEX #2ABA6D

RGB 42 186 109

HSL 147.92, 0.63%, 0.45%

LAB 67.06, -54.45, 28.71

 

CMYK 64 / 0 / 35 / 34

HEX #3DA86E

RGB 61 168 110

HSL 147.48, 0.47%, 0.45%

LAB 61.76, -44.15, 21.18

 

CMYK 47 / 0 / 25 / 42

HEX #4F9570

RGB 79 149 112

HSL 148.29, 0.31%, 0.45%

LAB 56.41, -30.99, 12.83

 

CMYK 25 / 0 / 14 / 49

HEX #628371

RGB 98 131 113

HSL 147.27, 0.14%, 0.45%

LAB 51.86, -15.66, 5.96

 

CMYK 81 / 0 / 88 / 20

HEX #27CD18

RGB 39 205 24

HSL 115.03, 0.79%, 0.45%

LAB 72.34, -69.93, 67.9

 

CMYK 88 / 0 / 72 / 20

HEX #18CD39

RGB 24 205 57

HSL 130.94, 0.79%, 0.45%

LAB 72.33, -69.4, 58.63

 

CMYK 88 / 0 / 49 / 20

HEX #18CD69

RGB 24 205 105

HSL 146.85, 0.79%, 0.45%

LAB 72.81, -63.48, 38.08

 

CMYK 88 / 0 / 25 / 20

HEX #18CD9A

RGB 24 205 154

HSL 163.09, 0.79%, 0.45%

LAB 73.67, -53.65, 13.78

 

CMYK 88 / 0 / 1 / 20

HEX #18CDCA

RGB 24 205 202

HSL 179.01, 0.79%, 0.45%

LAB 74.9, -40.86, -10.31

 

CMYK 89 / 0 / 47 / 49

HEX #0F8345

RGB 15 131 69

HSL 147.93, 0.79%, 0.29%

LAB 47.96, -44.57, 25.23

 

CMYK 89 / 0 / 48 / 34

HEX #13A858

RGB 19 168 88

HSL 147.79, 0.8%, 0.37%

LAB 60.65, -54.11, 31.31

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6C

RGB 24 205 108

HSL 147.85, 0.79%, 0.45%

LAB 72.85, -62.99, 36.64

 

CMYK 83 / 0 / 44 / 10

HEX #28E580

RGB 40 229 128

HSL 147.94, 0.78%, 0.53%

LAB 80.77, -66.42, 36.84

 

CMYK 67 / 0 / 36 / 8

HEX #4DEA96

RGB 77 234 150

HSL 147.9, 0.79%, 0.61%

LAB 83.24, -59.47, 29.15

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6C

RGB 24 205 108

HSL 147.85, 0.79%, 0.45%

LAB 72.85, -62.99, 36.64

 

CMYK 88 / 58 / 0 / 20

HEX #1857CD

RGB 24 87 205

HSL 219.12, 0.79%, 0.45%

LAB 40.28, 26.45, -66.19

 

CMYK 0 / 84 / 88 / 20

HEX #CD2118

RGB 205 33 24

HSL 2.98, 0.79%, 0.45%

LAB 44.42, 63.66, 49.48

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6C

RGB 24 205 108

HSL 147.85, 0.79%, 0.45%

LAB 72.85, -62.99, 36.64

 

CMYK 49 / 88 / 0 / 20

HEX #6918CD

RGB 105 24 205

HSL 266.85, 0.79%, 0.45%

LAB 34.12, 66.64, -76.1

 

CMYK 0 / 49 / 88 / 20

HEX #CD6918

RGB 205 105 24

HSL 26.85, 0.79%, 0.45%

LAB 55.22, 34.91, 57.84

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6C

RGB 24 205 108

HSL 147.85, 0.79%, 0.45%

LAB 72.85, -62.99, 36.64

 

CMYK 88 / 58 / 0 / 20

HEX #1857CD

RGB 24 87 205

HSL 219.12, 0.79%, 0.45%

LAB 40.28, 26.45, -66.19

 

CMYK 0 / 88 / 40 / 20

HEX #CD187B

RGB 205 24 123

HSL 327.18, 0.79%, 0.45%

LAB 45.72, 70.88, -7.49

 

CMYK 0 / 31 / 88 / 20

HEX #CD8D18

RGB 205 141 24

HSL 38.78, 0.79%, 0.45%

LAB 63.42, 15.59, 64.27

 

CMYK 88 / 0 / 47 / 20

HEX #18CD6C

RGB 24 205 108

HSL 147.85, 0.79%, 0.45%

LAB 72.85, -62.99, 36.64

 

CMYK 88 / 84 / 0 / 20

HEX #1821CD

RGB 24 33 205

HSL 237.02, 0.79%, 0.45%

LAB 28.62, 58.11, -85.41

 

CMYK 0 / 88 / 40 / 20

HEX #CD187B

RGB 205 24 123

HSL 327.18, 0.79%, 0.45%

LAB 45.72, 70.88, -7.49

 

CMYK 0 / 4 / 88 / 20

HEX #CDC418

RGB 205 196 24

HSL 57.02, 0.79%, 0.45%

LAB 77.59, -13.49, 75.47

 

Description

Color code: RGB 24 205 108 | qconv.com Color code: RGB 24 205 108 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 205 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 205 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 47 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 47% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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