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Color name
RGB 24 195 95

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 195 95 it is the complementary color RGB 231 60 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 195 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 195 95 shade: RGB 29 195 90, RGB 46 213 109, RGB 63 231 128, RGB 80 249 147 and RGB 97 255 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 195 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 195 95 shade: RGB 24 195 95, RGB 7 177 76, RGB 0 159 57, RGB 0 141 38 and RGB 0 123 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 195 95 shade: RGB 24 195 95, RGB 24 195 49, RGB 45 195 24, RGB 91 195 24 and RGB 137 195 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 195 95 shade: RGB 24 195 95, RGB 24 195 141, RGB 24 195 187, RGB 24 156 195 and RGB 24 110 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 195 95 shade matches the following richer shades: RGB 24 195 95 and RGB 6 212 92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 195 95 shade: RGB 24 195 95, RGB 41 177 98, RGB 59 159 101, RGB 77 141 104 and RGB 95 124 107

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 195 95 shade: RGB 46 195 24, RGB 24 195 46, RGB 24 195 92, RGB 24 195 138 and RGB 24 195 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 195 95 shade: RGB 15 121 59, RGB 19 158 77, RGB 24 195 95, RGB 32 227 113 and RGB 69 232 137

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 195 95 shade: RGB 24 195 95, RGB 24 92 195 and RGB 195 24 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 195 95 shade: RGB 24 195 95, RGB 92 24 195 and RGB 195 92 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 195 95 shade: RGB 24 195 95, RGB 24 92 195, RGB 195 24 126 and RGB 195 126 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 195 95 shade: RGB 24 195 95, RGB 24 41 195, RGB 195 24 126 and RGB 195 178 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 51 / 24

HEX #18C35F

RGB 24 195 95

HSL 144.91, 0.78%, 0.43%

LAB 69.51, -61.76, 38.89

 

Complementary color

CMYK 0 / 74 / 31 / 9

HEX #E73CA0

RGB 231 60 160

HSL 324.91, 0.78%, 0.57%

LAB 54.82, 72.26, -15.54

 

CMYK 85 / 0 / 54 / 24

HEX #1DC35A

RGB 29 195 90

HSL 142.05, 0.74%, 0.44%

LAB 69.49, -62.12, 41.32

 

CMYK 78 / 0 / 49 / 16

HEX #2ED56D

RGB 46 213 109

HSL 142.63, 0.67%, 0.51%

LAB 75.62, -63.49, 39.69

 

CMYK 73 / 0 / 45 / 9

HEX #3FE780

RGB 63 231 128

HSL 143.21, 0.78%, 0.58%

LAB 81.71, -64.43, 38.13

 

CMYK 68 / 0 / 41 / 2

HEX #50F993

RGB 80 249 147

HSL 143.79, 0.93%, 0.65%

LAB 87.76, -65.04, 36.64

 

CMYK 62 / 0 / 35 / 0

HEX #61FFA6

RGB 97 255 166

HSL 146.2, 1%, 0.69%

LAB 90.24, -60.93, 30.53

 

CMYK 88 / 0 / 51 / 24

HEX #18C35F

RGB 24 195 95

HSL 144.91, 0.78%, 0.43%

LAB 69.51, -61.76, 38.89

 

CMYK 96 / 0 / 57 / 31

HEX #07B14C

RGB 7 177 76

HSL 144.35, 0.92%, 0.36%

LAB 63.35, -59.69, 40.62

 

CMYK 100 / 0 / 64 / 38

HEX #009F39

RGB 0 159 57

HSL 141.51, 1%, 0.31%

LAB 57.16, -56.85, 42.3

 

CMYK 100 / 0 / 73 / 45

HEX #008D26

RGB 0 141 38

HSL 136.17, 1%, 0.28%

LAB 50.91, -53.35, 43.66

 

CMYK 100 / 0 / 85 / 52

HEX #007B13

RGB 0 123 19

HSL 129.27, 1%, 0.24%

LAB 44.54, -49.37, 44.1

 

CMYK 88 / 0 / 51 / 24

HEX #18C35F

RGB 24 195 95

HSL 144.91, 0.78%, 0.43%

LAB 69.51, -61.76, 38.89

 

CMYK 88 / 0 / 75 / 24

HEX #18C331

RGB 24 195 49

HSL 128.77, 0.78%, 0.43%

LAB 69.07, -67.1, 58.15

 

CMYK 77 / 0 / 88 / 24

HEX #2DC318

RGB 45 195 24

HSL 112.63, 0.78%, 0.43%

LAB 69.22, -66.21, 65.23

 

CMYK 53 / 0 / 88 / 24

HEX #5BC318

RGB 91 195 24

HSL 96.49, 0.78%, 0.43%

LAB 70.4, -56.41, 66.71

 

CMYK 30 / 0 / 88 / 24

HEX #89C318

RGB 137 195 24

HSL 80.35, 0.78%, 0.43%

LAB 72.5, -41.07, 69.33

 

CMYK 88 / 0 / 51 / 24

HEX #18C35F

RGB 24 195 95

HSL 144.91, 0.78%, 0.43%

LAB 69.51, -61.76, 38.89

 

CMYK 88 / 0 / 28 / 24

HEX #18C38D

RGB 24 195 141

HSL 161.05, 0.78%, 0.43%

LAB 70.28, -52.82, 16.01

 

CMYK 88 / 0 / 4 / 24

HEX #18C3BB

RGB 24 195 187

HSL 177.19, 0.78%, 0.43%

LAB 71.43, -40.77, -7.33

 

CMYK 88 / 20 / 0 / 24

HEX #189CC3

RGB 24 156 195

HSL 193.68, 0.78%, 0.43%

LAB 59.81, -19.23, -29.39

 

CMYK 88 / 44 / 0 / 24

HEX #186EC3

RGB 24 110 195

HSL 209.82, 0.78%, 0.43%

LAB 46.02, 7.6, -51.13

 

CMYK 88 / 0 / 51 / 24

HEX #18C35F

RGB 24 195 95

HSL 144.91, 0.78%, 0.43%

LAB 69.51, -61.76, 38.89

 

CMYK 97 / 0 / 57 / 17

HEX #06D45C

RGB 6 212 92

HSL 145.05, 0.94%, 0.43%

LAB 74.76, -68.52, 46.67

 

CMYK 88 / 0 / 51 / 24

HEX #18C35F

RGB 24 195 95

HSL 144.91, 0.78%, 0.43%

LAB 69.51, -61.76, 38.89

 

CMYK 77 / 0 / 45 / 31

HEX #29B162

RGB 41 177 98

HSL 145.15, 0.62%, 0.43%

LAB 64, -53.28, 30.46

 

CMYK 63 / 0 / 36 / 38

HEX #3B9F65

RGB 59 159 101

HSL 145.2, 0.46%, 0.43%

LAB 58.66, -42.62, 21.92

 

CMYK 45 / 0 / 26 / 45

HEX #4D8D68

RGB 77 141 104

HSL 145.31, 0.29%, 0.43%

LAB 53.63, -29.42, 13.47

 

CMYK 23 / 0 / 14 / 51

HEX #5F7C6B

RGB 95 124 107

HSL 144.83, 0.13%, 0.43%

LAB 49.39, -14.18, 5.9

 

CMYK 76 / 0 / 88 / 24

HEX #2EC318

RGB 46 195 24

HSL 112.28, 0.78%, 0.43%

LAB 69.24, -66.07, 65.25

 

CMYK 88 / 0 / 76 / 24

HEX #18C32E

RGB 24 195 46

HSL 127.72, 0.78%, 0.43%

LAB 69.06, -67.33, 59.14

 

CMYK 88 / 0 / 53 / 24

HEX #18C35C

RGB 24 195 92

HSL 143.86, 0.78%, 0.43%

LAB 69.47, -62.22, 40.31

 

CMYK 88 / 0 / 29 / 24

HEX #18C38A

RGB 24 195 138

HSL 160, 0.78%, 0.43%

LAB 70.22, -53.51, 17.53

 

CMYK 88 / 0 / 6 / 24

HEX #18C3B7

RGB 24 195 183

HSL 175.79, 0.78%, 0.43%

LAB 71.31, -41.92, -5.32

 

CMYK 88 / 0 / 51 / 53

HEX #0F793B

RGB 15 121 59

HSL 144.91, 0.78%, 0.27%

LAB 44.36, -42.69, 26.13

 

CMYK 88 / 0 / 51 / 38

HEX #139E4D

RGB 19 158 77

HSL 145.04, 0.79%, 0.35%

LAB 57.2, -52.5, 32.66

 

CMYK 88 / 0 / 51 / 24

HEX #18C35F

RGB 24 195 95

HSL 144.91, 0.78%, 0.43%

LAB 69.51, -61.76, 38.89

 

CMYK 86 / 0 / 50 / 11

HEX #20E371

RGB 32 227 113

HSL 144.92, 0.78%, 0.51%

LAB 79.86, -68.86, 43.01

 

CMYK 70 / 0 / 41 / 9

HEX #45E889

RGB 69 232 137

HSL 145.03, 0.78%, 0.59%

LAB 82.26, -62.37, 34.39

 

CMYK 88 / 0 / 51 / 24

HEX #18C35F

RGB 24 195 95

HSL 144.91, 0.78%, 0.43%

LAB 69.51, -61.76, 38.89

 

CMYK 88 / 53 / 0 / 24

HEX #185CC3

RGB 24 92 195

HSL 216.14, 0.78%, 0.43%

LAB 40.88, 19.23, -59.42

 

CMYK 0 / 88 / 88 / 24

HEX #C31818

RGB 195 24 24

HSL 0, 0.78%, 0.43%

LAB 41.72, 62.76, 46.49

 

CMYK 88 / 0 / 51 / 24

HEX #18C35F

RGB 24 195 95

HSL 144.91, 0.78%, 0.43%

LAB 69.51, -61.76, 38.89

 

CMYK 53 / 88 / 0 / 24

HEX #5C18C3

RGB 92 24 195

HSL 263.86, 0.78%, 0.43%

LAB 31.51, 62.95, -74.61

 

CMYK 0 / 53 / 88 / 24

HEX #C35C18

RGB 195 92 24

HSL 23.86, 0.78%, 0.43%

LAB 51.06, 37.57, 53.92

 

CMYK 88 / 0 / 51 / 24

HEX #18C35F

RGB 24 195 95

HSL 144.91, 0.78%, 0.43%

LAB 69.51, -61.76, 38.89

 

CMYK 88 / 53 / 0 / 24

HEX #185CC3

RGB 24 92 195

HSL 216.14, 0.78%, 0.43%

LAB 40.88, 19.23, -59.42

 

CMYK 0 / 88 / 35 / 24

HEX #C3187E

RGB 195 24 126

HSL 324.21, 0.78%, 0.43%

LAB 43.89, 68.9, -12.28

 

CMYK 0 / 35 / 88 / 24

HEX #C37E18

RGB 195 126 24

HSL 35.79, 0.78%, 0.43%

LAB 58.59, 19.41, 59.93

 

CMYK 88 / 0 / 51 / 24

HEX #18C35F

RGB 24 195 95

HSL 144.91, 0.78%, 0.43%

LAB 69.51, -61.76, 38.89

 

CMYK 88 / 79 / 0 / 24

HEX #1829C3

RGB 24 41 195

HSL 234.04, 0.78%, 0.43%

LAB 28.7, 51.16, -79.42

 

CMYK 0 / 88 / 35 / 24

HEX #C3187E

RGB 195 24 126

HSL 324.21, 0.78%, 0.43%

LAB 43.89, 68.9, -12.28

 

CMYK 0 / 9 / 88 / 24

HEX #C3B218

RGB 195 178 24

HSL 54.04, 0.78%, 0.43%

LAB 71.9, -8.63, 70.57

 

Description

Color code: RGB 24 195 95 | qconv.com Color code: RGB 24 195 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 195 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 195 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 51 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 51% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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