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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 189 151 it is the complementary color RGB 231 66 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 189 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 189 151 shade: RGB 29 189 146, RGB 46 207 165, RGB 63 225 184, RGB 80 243 203 and RGB 97 255 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 189 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 189 151 shade: RGB 24 189 151, RGB 7 171 132, RGB 0 153 113, RGB 0 135 94 and RGB 0 117 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 189 151 shade: RGB 24 189 151, RGB 24 189 107, RGB 24 189 62, RGB 31 189 24 and RGB 75 189 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 189 151 shade: RGB 24 189 151, RGB 24 183 189, RGB 24 138 189, RGB 24 94 189 and RGB 24 49 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 189 151 shade matches the following richer shades: RGB 24 189 151 and RGB 7 206 160

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 189 151 shade: RGB 24 189 151, RGB 41 172 142, RGB 59 154 132, RGB 76 137 123 and RGB 93 120 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 189 151 shade: RGB 24 189 63, RGB 24 189 107, RGB 24 189 151, RGB 24 184 189 and RGB 24 140 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 189 151 shade: RGB 15 116 93, RGB 19 153 122, RGB 24 189 151, RGB 29 225 180 and RGB 66 230 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 189 151 shade: RGB 24 189 151, RGB 24 30 189 and RGB 189 85 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 189 151 shade: RGB 24 189 151, RGB 151 24 189 and RGB 189 151 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 189 151 shade: RGB 24 189 151, RGB 24 30 189, RGB 189 24 63 and RGB 189 184 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 189 151 shade: RGB 24 189 151, RGB 68 24 189, RGB 189 24 63 and RGB 145 189 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

Complementary color

CMYK 0 / 71 / 55 / 9

HEX #E74268

RGB 231 66 104

HSL 346.18, 0.77%, 0.58%

LAB 53.9, 65.09, 16.44

 

CMYK 85 / 0 / 23 / 26

HEX #1DBD92

RGB 29 189 146

HSL 163.88, 0.73%, 0.43%

LAB 68.56, -48.91, 10.89

 

CMYK 78 / 0 / 20 / 19

HEX #2ECFA5

RGB 46 207 165

HSL 164.35, 0.64%, 0.5%

LAB 74.78, -49.97, 9.49

 

CMYK 72 / 0 / 18 / 12

HEX #3FE1B8

RGB 63 225 184

HSL 164.81, 0.73%, 0.56%

LAB 80.94, -50.72, 8.22

 

CMYK 67 / 0 / 16 / 5

HEX #50F3CB

RGB 80 243 203

HSL 165.28, 0.87%, 0.63%

LAB 87.05, -51.25, 7.06

 

CMYK 62 / 0 / 13 / 0

HEX #61FFDE

RGB 97 255 222

HSL 167.47, 1%, 0.69%

LAB 91.39, -49.07, 3.5

 

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

CMYK 96 / 0 / 23 / 33

HEX #07AB84

RGB 7 171 132

HSL 165.73, 0.92%, 0.35%

LAB 62.37, -46.4, 9.8

 

CMYK 100 / 0 / 26 / 40

HEX #009971

RGB 0 153 113

HSL 164.31, 1%, 0.3%

LAB 56.06, -44.24, 11.53

 

CMYK 100 / 0 / 30 / 47

HEX #00875E

RGB 0 135 94

HSL 161.78, 1%, 0.26%

LAB 49.66, -41.71, 13.41

 

CMYK 100 / 0 / 36 / 54

HEX #00754B

RGB 0 117 75

HSL 158.46, 1%, 0.23%

LAB 43.11, -39.08, 15.41

 

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

CMYK 87 / 0 / 43 / 26

HEX #18BD6B

RGB 24 189 107

HSL 150.18, 0.77%, 0.42%

LAB 67.76, -57.68, 30.62

 

CMYK 87 / 0 / 67 / 26

HEX #18BD3E

RGB 24 189 62

HSL 133.82, 0.77%, 0.42%

LAB 67.23, -64.14, 51.31

 

CMYK 84 / 0 / 87 / 26

HEX #1FBD18

RGB 31 189 24

HSL 117.45, 0.77%, 0.42%

LAB 67.09, -66.17, 63.29

 

CMYK 60 / 0 / 87 / 26

HEX #4BBD18

RGB 75 189 24

HSL 101.45, 0.77%, 0.42%

LAB 67.99, -58.49, 64.42

 

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

CMYK 87 / 3 / 0 / 26

HEX #18B7BD

RGB 24 183 189

HSL 182.18, 0.77%, 0.42%

LAB 67.83, -34.69, -13.81

 

CMYK 87 / 27 / 0 / 26

HEX #188ABD

RGB 24 138 189

HSL 198.55, 0.77%, 0.42%

LAB 54.08, -11.5, -34.92

 

CMYK 87 / 50 / 0 / 26

HEX #185EBD

RGB 24 94 189

HSL 214.55, 0.77%, 0.42%

LAB 41.01, 15.54, -55.71

 

CMYK 87 / 74 / 0 / 26

HEX #1831BD

RGB 24 49 189

HSL 230.91, 0.77%, 0.42%

LAB 29.58, 44.68, -74.43

 

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

CMYK 97 / 0 / 22 / 19

HEX #07CEA0

RGB 7 206 160

HSL 166.13, 0.93%, 0.42%

LAB 74.01, -53.31, 11.04

 

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

CMYK 76 / 0 / 17 / 33

HEX #29AC8E

RGB 41 172 142

HSL 166.26, 0.62%, 0.42%

LAB 63.28, -41.65, 5.59

 

CMYK 62 / 0 / 14 / 40

HEX #3B9A84

RGB 59 154 132

HSL 166.11, 0.45%, 0.42%

LAB 57.76, -33.34, 3.3

 

CMYK 45 / 0 / 10 / 46

HEX #4C897B

RGB 76 137 123

HSL 166.23, 0.29%, 0.42%

LAB 52.79, -23.35, 1.34

 

CMYK 23 / 0 / 5 / 53

HEX #5D7872

RGB 93 120 114

HSL 166.67, 0.13%, 0.42%

LAB 48.23, -11.11, 0.08

 

CMYK 87 / 0 / 67 / 26

HEX #18BD3F

RGB 24 189 63

HSL 134.18, 0.77%, 0.42%

LAB 67.24, -64.03, 50.91

 

CMYK 87 / 0 / 43 / 26

HEX #18BD6B

RGB 24 189 107

HSL 150.18, 0.77%, 0.42%

LAB 67.76, -57.68, 30.62

 

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

CMYK 87 / 3 / 0 / 26

HEX #18B8BD

RGB 24 184 189

HSL 181.82, 0.77%, 0.42%

LAB 68.13, -35.16, -13.36

 

CMYK 87 / 26 / 0 / 26

HEX #188CBD

RGB 24 140 189

HSL 197.82, 0.77%, 0.42%

LAB 54.68, -12.62, -33.97

 

CMYK 87 / 0 / 20 / 55

HEX #0F745D

RGB 15 116 93

HSL 166.34, 0.77%, 0.26%

LAB 43.33, -32.88, 5.11

 

CMYK 88 / 0 / 20 / 40

HEX #13997A

RGB 19 153 122

HSL 166.12, 0.78%, 0.34%

LAB 56.41, -40.89, 6.95

 

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

CMYK 87 / 0 / 20 / 12

HEX #1DE1B4

RGB 29 225 180

HSL 166.22, 0.77%, 0.5%

LAB 80.41, -54.9, 9.51

 

CMYK 71 / 0 / 17 / 10

HEX #42E6C0

RGB 66 230 192

HSL 166.1, 0.77%, 0.58%

LAB 82.68, -50.46, 6.49

 

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

CMYK 87 / 84 / 0 / 26

HEX #181EBD

RGB 24 30 189

HSL 237.82, 0.77%, 0.42%

LAB 26.15, 54.58, -80.12

 

CMYK 0 / 55 / 87 / 26

HEX #BD5518

RGB 189 85 24

HSL 22.18, 0.77%, 0.42%

LAB 48.74, 38.73, 51.66

 

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

CMYK 20 / 87 / 0 / 26

HEX #9718BD

RGB 151 24 189

HSL 286.18, 0.77%, 0.42%

LAB 39.42, 69.37, -57.79

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

CMYK 87 / 84 / 0 / 26

HEX #181EBD

RGB 24 30 189

HSL 237.82, 0.77%, 0.42%

LAB 26.15, 54.58, -80.12

 

CMYK 0 / 87 / 67 / 26

HEX #BD183F

RGB 189 24 63

HSL 345.82, 0.77%, 0.42%

LAB 40.95, 62.51, 22.86

 

CMYK 0 / 3 / 87 / 26

HEX #BDB818

RGB 189 184 24

HSL 58.18, 0.77%, 0.42%

LAB 73, -14.34, 71.23

 

CMYK 87 / 0 / 20 / 26

HEX #18BD97

RGB 24 189 151

HSL 166.18, 0.77%, 0.42%

LAB 68.62, -48.02, 8.25

 

CMYK 64 / 87 / 0 / 26

HEX #4418BD

RGB 68 24 189

HSL 256, 0.77%, 0.42%

LAB 28.26, 59.31, -76.52

 

CMYK 0 / 87 / 67 / 26

HEX #BD183F

RGB 189 24 63

HSL 345.82, 0.77%, 0.42%

LAB 40.95, 62.51, 22.86

 

CMYK 23 / 0 / 87 / 26

HEX #91BD18

RGB 145 189 24

HSL 76, 0.77%, 0.42%

LAB 71.2, -35.29, 68.43

 

Description

Color code: RGB 24 189 151 | qconv.com Color code: RGB 24 189 151 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 189 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 189 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 20 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 20% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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