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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 189 120 it is the complementary color RGB 231 66 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 189 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 189 120 shade: RGB 29 189 115, RGB 46 207 134, RGB 63 225 153, RGB 80 243 172 and RGB 97 255 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 189 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 189 120 shade: RGB 24 189 120, RGB 7 171 101, RGB 0 153 82, RGB 0 135 63 and RGB 0 117 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 189 120 shade: RGB 24 189 120, RGB 24 189 76, RGB 24 189 31, RGB 62 189 24 and RGB 106 189 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 189 120 shade: RGB 24 189 120, RGB 24 189 165, RGB 24 169 189, RGB 24 125 189 and RGB 24 80 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 189 120 shade matches the following richer shades: RGB 24 189 120 and RGB 7 206 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 189 120 shade: RGB 24 189 120, RGB 41 172 117, RGB 59 154 114, RGB 76 137 112 and RGB 93 120 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 189 120 shade: RGB 24 189 30, RGB 24 189 74, RGB 24 189 118, RGB 24 189 162 and RGB 24 173 189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 189 120 shade: RGB 15 116 74, RGB 19 153 97, RGB 24 189 120, RGB 29 225 143 and RGB 66 230 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 189 120 shade: RGB 24 189 120, RGB 24 63 189 and RGB 189 52 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 189 120 shade: RGB 24 189 120, RGB 118 24 189 and RGB 189 118 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 189 120 shade: RGB 24 189 120, RGB 24 63 189, RGB 189 24 96 and RGB 189 151 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 189 120 shade: RGB 24 189 120, RGB 35 24 189, RGB 189 24 96 and RGB 178 189 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 37 / 26

HEX #18BD78

RGB 24 189 120

HSL 154.91, 0.77%, 0.42%

LAB 67.98, -55.15, 24.09

 

Complementary color

CMYK 0 / 71 / 42 / 9

HEX #E74287

RGB 231 66 135

HSL 334.91, 0.77%, 0.58%

LAB 54.69, 67.71, -0.94

 

CMYK 85 / 0 / 39 / 26

HEX #1DBD73

RGB 29 189 115

HSL 152.25, 0.73%, 0.43%

LAB 67.94, -55.77, 26.69

 

CMYK 78 / 0 / 35 / 19

HEX #2ECF86

RGB 46 207 134

HSL 152.8, 0.64%, 0.5%

LAB 74.14, -56.88, 25.06

 

CMYK 72 / 0 / 32 / 12

HEX #3FE199

RGB 63 225 153

HSL 153.33, 0.73%, 0.56%

LAB 80.3, -57.63, 23.57

 

CMYK 67 / 0 / 29 / 5

HEX #50F3AC

RGB 80 243 172

HSL 153.87, 0.87%, 0.63%

LAB 86.4, -58.11, 22.2

 

CMYK 62 / 0 / 25 / 0

HEX #61FFBF

RGB 97 255 191

HSL 155.7, 1%, 0.69%

LAB 90.7, -56.03, 18.49

 

CMYK 87 / 0 / 37 / 26

HEX #18BD78

RGB 24 189 120

HSL 154.91, 0.77%, 0.42%

LAB 67.98, -55.15, 24.09

 

CMYK 96 / 0 / 41 / 33

HEX #07AB65

RGB 7 171 101

HSL 154.39, 0.92%, 0.35%

LAB 61.75, -53.42, 25.88

 

CMYK 100 / 0 / 46 / 40

HEX #009952

RGB 0 153 82

HSL 152.16, 1%, 0.3%

LAB 55.47, -51.03, 27.83

 

CMYK 100 / 0 / 53 / 47

HEX #00873F

RGB 0 135 63

HSL 148, 1%, 0.26%

LAB 49.11, -48.13, 29.87

 

CMYK 100 / 0 / 62 / 54

HEX #00752C

RGB 0 117 44

HSL 142.56, 1%, 0.23%

LAB 42.62, -44.94, 31.84

 

CMYK 87 / 0 / 37 / 26

HEX #18BD78

RGB 24 189 120

HSL 154.91, 0.77%, 0.42%

LAB 67.98, -55.15, 24.09

 

CMYK 87 / 0 / 60 / 26

HEX #18BD4C

RGB 24 189 76

HSL 138.91, 0.77%, 0.42%

LAB 67.36, -62.52, 45.36

 

CMYK 87 / 0 / 84 / 26

HEX #18BD1F

RGB 24 189 31

HSL 122.55, 0.77%, 0.42%

LAB 67.04, -66.51, 61.61

 

CMYK 67 / 0 / 87 / 26

HEX #3EBD18

RGB 62 189 24

HSL 106.18, 0.77%, 0.42%

LAB 67.64, -61.4, 63.98

 

CMYK 44 / 0 / 87 / 26

HEX #6ABD18

RGB 106 189 24

HSL 90.18, 0.77%, 0.42%

LAB 69.13, -49.57, 65.85

 

CMYK 87 / 0 / 37 / 26

HEX #18BD78

RGB 24 189 120

HSL 154.91, 0.77%, 0.42%

LAB 67.98, -55.15, 24.09

 

CMYK 87 / 0 / 13 / 26

HEX #18BDA5

RGB 24 189 165

HSL 171.27, 0.77%, 0.42%

LAB 68.97, -44.35, 1.09

 

CMYK 87 / 11 / 0 / 26

HEX #18A9BD

RGB 24 169 189

HSL 187.27, 0.77%, 0.42%

LAB 63.54, -27.93, -20.3

 

CMYK 87 / 34 / 0 / 26

HEX #187DBD

RGB 24 125 189

HSL 203.27, 0.77%, 0.42%

LAB 50.14, -3.95, -41.12

 

CMYK 87 / 58 / 0 / 26

HEX #1850BD

RGB 24 80 189

HSL 219.64, 0.77%, 0.42%

LAB 37.13, 24.81, -62.03

 

CMYK 87 / 0 / 37 / 26

HEX #18BD78

RGB 24 189 120

HSL 154.91, 0.77%, 0.42%

LAB 67.98, -55.15, 24.09

 

CMYK 97 / 0 / 40 / 19

HEX #07CE7B

RGB 7 206 123

HSL 154.97, 0.93%, 0.42%

LAB 73.3, -61.44, 29.58

 

CMYK 87 / 0 / 37 / 26

HEX #18BD78

RGB 24 189 120

HSL 154.91, 0.77%, 0.42%

LAB 67.98, -55.15, 24.09

 

CMYK 76 / 0 / 32 / 33

HEX #29AC75

RGB 41 172 117

HSL 154.81, 0.62%, 0.42%

LAB 62.73, -47.62, 18.61

 

CMYK 62 / 0 / 26 / 40

HEX #3B9A72

RGB 59 154 114

HSL 154.74, 0.45%, 0.42%

LAB 57.32, -37.71, 12.86

 

CMYK 45 / 0 / 18 / 46

HEX #4C8970

RGB 76 137 112

HSL 155.41, 0.29%, 0.42%

LAB 52.51, -25.98, 7.3

 

CMYK 23 / 0 / 9 / 53

HEX #5D786D

RGB 93 120 109

HSL 155.56, 0.13%, 0.42%

LAB 48.09, -12.24, 2.83

 

CMYK 87 / 0 / 84 / 26

HEX #18BD1E

RGB 24 189 30

HSL 122.18, 0.77%, 0.42%

LAB 67.04, -66.56, 61.86

 

CMYK 87 / 0 / 61 / 26

HEX #18BD4A

RGB 24 189 74

HSL 138.18, 0.77%, 0.42%

LAB 67.34, -62.77, 46.25

 

CMYK 87 / 0 / 38 / 26

HEX #18BD76

RGB 24 189 118

HSL 154.18, 0.77%, 0.42%

LAB 67.94, -55.56, 25.1

 

CMYK 87 / 0 / 14 / 26

HEX #18BDA2

RGB 24 189 162

HSL 170.18, 0.77%, 0.42%

LAB 68.89, -45.16, 2.62

 

CMYK 87 / 8 / 0 / 26

HEX #18ADBD

RGB 24 173 189

HSL 185.82, 0.77%, 0.42%

LAB 64.77, -29.9, -18.43

 

CMYK 87 / 0 / 36 / 55

HEX #0F744A

RGB 15 116 74

HSL 155.05, 0.77%, 0.26%

LAB 42.89, -37.71, 15.73

 

CMYK 88 / 0 / 37 / 40

HEX #139961

RGB 19 153 97

HSL 154.93, 0.78%, 0.34%

LAB 55.87, -46.88, 20.23

 

CMYK 87 / 0 / 37 / 26

HEX #18BD78

RGB 24 189 120

HSL 154.91, 0.77%, 0.42%

LAB 67.98, -55.15, 24.09

 

CMYK 87 / 0 / 36 / 12

HEX #1DE18F

RGB 29 225 143

HSL 154.9, 0.77%, 0.5%

LAB 79.67, -63.12, 27.8

 

CMYK 71 / 0 / 30 / 10

HEX #42E6A1

RGB 66 230 161

HSL 154.76, 0.77%, 0.58%

LAB 82.01, -57.47, 21.79

 

CMYK 87 / 0 / 37 / 26

HEX #18BD78

RGB 24 189 120

HSL 154.91, 0.77%, 0.42%

LAB 67.98, -55.15, 24.09

 

CMYK 87 / 67 / 0 / 26

HEX #183FBD

RGB 24 63 189

HSL 225.82, 0.77%, 0.42%

LAB 32.75, 36.01, -69.19

 

CMYK 0 / 72 / 87 / 26

HEX #BD3418

RGB 189 52 24

HSL 10.18, 0.77%, 0.42%

LAB 43.27, 53.26, 47.23

 

CMYK 87 / 0 / 37 / 26

HEX #18BD78

RGB 24 189 120

HSL 154.91, 0.77%, 0.42%

LAB 67.98, -55.15, 24.09

 

CMYK 38 / 87 / 0 / 26

HEX #7618BD

RGB 118 24 189

HSL 274.18, 0.77%, 0.42%

LAB 34.35, 64.58, -66.27

 

CMYK 0 / 38 / 87 / 26

HEX #BD7618

RGB 189 118 24

HSL 34.18, 0.77%, 0.42%

LAB 55.93, 21.18, 57.48

 

CMYK 87 / 0 / 37 / 26

HEX #18BD78

RGB 24 189 120

HSL 154.91, 0.77%, 0.42%

LAB 67.98, -55.15, 24.09

 

CMYK 87 / 67 / 0 / 26

HEX #183FBD

RGB 24 63 189

HSL 225.82, 0.77%, 0.42%

LAB 32.75, 36.01, -69.19

 

CMYK 0 / 87 / 49 / 26

HEX #BD1860

RGB 189 24 96

HSL 333.82, 0.77%, 0.42%

LAB 41.71, 64.71, 3.07

 

CMYK 0 / 20 / 87 / 26

HEX #BD9718

RGB 189 151 24

HSL 46.18, 0.77%, 0.42%

LAB 64.18, 3.04, 64.13

 

CMYK 87 / 0 / 37 / 26

HEX #18BD78

RGB 24 189 120

HSL 154.91, 0.77%, 0.42%

LAB 67.98, -55.15, 24.09

 

CMYK 81 / 87 / 0 / 26

HEX #2318BD

RGB 35 24 189

HSL 244, 0.77%, 0.42%

LAB 25.82, 57.4, -80.65

 

CMYK 0 / 87 / 49 / 26

HEX #BD1860

RGB 189 24 96

HSL 333.82, 0.77%, 0.42%

LAB 41.71, 64.71, 3.07

 

CMYK 6 / 0 / 87 / 26

HEX #B2BD18

RGB 178 189 24

HSL 64, 0.77%, 0.42%

LAB 73.5, -21.6, 71.27

 

Description

Color code: RGB 24 189 120 | qconv.com Color code: RGB 24 189 120 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 189 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 189 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 37 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 37% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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