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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 170 240 it is the complementary color RGB 231 85 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 170 240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 170 240 shade: RGB 29 170 235, RGB 46 188 254, RGB 63 206 255, RGB 80 224 255 and RGB 97 242 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 170 240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 170 240 shade: RGB 24 170 240, RGB 7 152 221, RGB 0 134 202, RGB 0 116 183 and RGB 0 98 164

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 170 240 shade: RGB 24 170 240, RGB 24 112 240, RGB 24 54 240, RGB 53 24 240 and RGB 111 24 240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 170 240 shade: RGB 24 170 240, RGB 24 112 240, RGB 24 54 240 and RGB 24 24 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 170 240 shade matches the following richer shades: RGB 24 170 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 170 240 shade: RGB 24 170 240, RGB 44 163 220, RGB 64 156 200, RGB 84 149 180 and RGB 104 142 161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 170 240 shade: RGB 24 240 193, RGB 24 229 240, RGB 24 172 240, RGB 24 114 240 and RGB 24 57 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 170 240 shade: RGB 10 119 171, RGB 13 146 210, RGB 24 170 240, RGB 63 184 242 and RGB 102 198 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 170 240 shade: RGB 24 170 240, RGB 136 24 240 and RGB 240 222 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 170 240 shade: RGB 24 170 240, RGB 240 24 172 and RGB 172 240 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 170 240 shade: RGB 24 170 240, RGB 136 24 240, RGB 240 93 24 and RGB 129 240 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 170 240 shade: RGB 24 170 240, RGB 200 24 240, RGB 240 93 24 and RGB 64 240 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 29 / 0 / 6

HEX #18AAF0

RGB 24 170 240

HSL 199.44, 0.88%, 0.52%

LAB 65.93, -10.91, -44.78

 

Complementary color

CMYK 0 / 63 / 94 / 9

HEX #E7550F

RGB 231 85 15

HSL 19.44, 0.88%, 0.48%

LAB 55.6, 54.09, 62.52

 

CMYK 88 / 28 / 0 / 8

HEX #1DAAEB

RGB 29 170 235

HSL 198.93, 0.84%, 0.52%

LAB 65.76, -12.43, -42.31

 

CMYK 82 / 26 / 0 / 0

HEX #2EBCFE

RGB 46 188 254

HSL 199.04, 0.99%, 0.59%

LAB 72.03, -14.36, -42.79

 

CMYK 75 / 19 / 0 / 0

HEX #3FCEFF

RGB 63 206 255

HSL 195.31, 1%, 0.62%

LAB 77.53, -21.8, -34.75

 

CMYK 69 / 12 / 0 / 0

HEX #50E0FF

RGB 80 224 255

HSL 190.63, 1%, 0.66%

LAB 83.04, -28.68, -26.26

 

CMYK 62 / 5 / 0 / 0

HEX #61F2FF

RGB 97 242 255

HSL 184.94, 1%, 0.69%

LAB 88.57, -34.77, -17.83

 

CMYK 90 / 29 / 0 / 6

HEX #18AAF0

RGB 24 170 240

HSL 199.44, 0.88%, 0.52%

LAB 65.93, -10.91, -44.78

 

CMYK 97 / 31 / 0 / 13

HEX #0798DD

RGB 7 152 221

HSL 199.35, 0.94%, 0.45%

LAB 59.64, -8.39, -44.22

 

CMYK 100 / 34 / 0 / 21

HEX #0086CA

RGB 0 134 202

HSL 200.2, 1%, 0.4%

LAB 53.29, -5.37, -43.57

 

CMYK 100 / 37 / 0 / 28

HEX #0074B7

RGB 0 116 183

HSL 201.97, 1%, 0.36%

LAB 46.86, -1.98, -42.88

 

CMYK 100 / 40 / 0 / 36

HEX #0062A4

RGB 0 98 164

HSL 204.15, 1%, 0.32%

LAB 40.27, 1.62, -42.22

 

CMYK 90 / 29 / 0 / 6

HEX #18AAF0

RGB 24 170 240

HSL 199.44, 0.88%, 0.52%

LAB 65.93, -10.91, -44.78

 

CMYK 90 / 53 / 0 / 6

HEX #1870F0

RGB 24 112 240

HSL 215.56, 0.88%, 0.52%

LAB 49.59, 23.83, -70.91

 

CMYK 90 / 78 / 0 / 6

HEX #1836F0

RGB 24 54 240

HSL 231.67, 0.88%, 0.52%

LAB 36.22, 58.94, -92.87

 

CMYK 78 / 90 / 0 / 6

HEX #3518F0

RGB 53 24 240

HSL 248.06, 0.88%, 0.52%

LAB 33.35, 71.84, -97.61

 

CMYK 54 / 90 / 0 / 6

HEX #6F18F0

RGB 111 24 240

HSL 264.17, 0.88%, 0.52%

LAB 38.42, 75.25, -89.05

 

CMYK 90 / 29 / 0 / 6

HEX #18AAF0

RGB 24 170 240

HSL 199.44, 0.88%, 0.52%

LAB 65.93, -10.91, -44.78

 

CMYK 90 / 53 / 0 / 6

HEX #1870F0

RGB 24 112 240

HSL 215.56, 0.88%, 0.52%

LAB 49.59, 23.83, -70.91

 

CMYK 90 / 78 / 0 / 6

HEX #1836F0

RGB 24 54 240

HSL 231.67, 0.88%, 0.52%

LAB 36.22, 58.94, -92.87

 

CMYK 90 / 90 / 0 / 6

HEX #1818F0

RGB 24 24 240

HSL 240, 0.88%, 0.52%

LAB 32.12, 71.12, -99.7

 

CMYK 90 / 29 / 0 / 6

HEX #18AAF0

RGB 24 170 240

HSL 199.44, 0.88%, 0.52%

LAB 65.93, -10.91, -44.78

 

CMYK 90 / 29 / 0 / 6

HEX #18AAF0

RGB 24 170 240

HSL 199.44, 0.88%, 0.52%

LAB 65.93, -10.91, -44.78

 

CMYK 80 / 26 / 0 / 14

HEX #2CA3DC

RGB 44 163 220

HSL 199.43, 0.72%, 0.52%

LAB 63.26, -12.72, -37.95

 

CMYK 68 / 22 / 0 / 22

HEX #409CC8

RGB 64 156 200

HSL 199.41, 0.55%, 0.52%

LAB 60.81, -13.2, -30.58

 

CMYK 53 / 17 / 0 / 29

HEX #5495B4

RGB 84 149 180

HSL 199.38, 0.39%, 0.52%

LAB 58.67, -11.91, -22.55

 

CMYK 35 / 12 / 0 / 37

HEX #688EA1

RGB 104 142 161

HSL 200, 0.23%, 0.52%

LAB 56.94, -8.27, -14.27

 

CMYK 90 / 0 / 20 / 6

HEX #18F0C1

RGB 24 240 193

HSL 166.94, 0.88%, 0.52%

LAB 85.18, -57.84, 9.49

 

CMYK 90 / 5 / 0 / 6

HEX #18E5F0

RGB 24 229 240

HSL 183.06, 0.88%, 0.52%

LAB 83.19, -40.4, -18.18

 

CMYK 90 / 28 / 0 / 6

HEX #18ACF0

RGB 24 172 240

HSL 198.89, 0.88%, 0.52%

LAB 66.51, -12.01, -43.86

 

CMYK 90 / 53 / 0 / 6

HEX #1872F0

RGB 24 114 240

HSL 215, 0.88%, 0.52%

LAB 50.12, 22.56, -70.04

 

CMYK 90 / 76 / 0 / 6

HEX #1839F0

RGB 24 57 240

HSL 230.83, 0.88%, 0.52%

LAB 36.77, 57.38, -91.97

 

CMYK 94 / 30 / 0 / 33

HEX #0A77AB

RGB 10 119 171

HSL 199.38, 0.89%, 0.35%

LAB 47.23, -8.04, -35.3

 

CMYK 94 / 30 / 0 / 18

HEX #0D92D2

RGB 13 146 210

HSL 199.49, 0.88%, 0.44%

LAB 57.36, -8.86, -41.65

 

CMYK 90 / 29 / 0 / 6

HEX #18AAF0

RGB 24 170 240

HSL 199.44, 0.88%, 0.52%

LAB 65.93, -10.91, -44.78

 

CMYK 74 / 24 / 0 / 5

HEX #3FB8F2

RGB 63 184 242

HSL 199.44, 0.87%, 0.6%

LAB 70.7, -14.57, -38.36

 

CMYK 58 / 19 / 0 / 4

HEX #66C6F5

RGB 102 198 245

HSL 199.72, 0.88%, 0.68%

LAB 75.95, -15.03, -31.75

 

CMYK 90 / 29 / 0 / 6

HEX #18AAF0

RGB 24 170 240

HSL 199.44, 0.88%, 0.52%

LAB 65.93, -10.91, -44.78

 

CMYK 43 / 90 / 0 / 6

HEX #8818F0

RGB 136 24 240

HSL 271.11, 0.88%, 0.52%

LAB 41.5, 77.6, -83.86

 

CMYK 0 / 8 / 90 / 6

HEX #F0DE18

RGB 240 222 24

HSL 55, 0.88%, 0.52%

LAB 87.4, -11.56, 84.42

 

CMYK 90 / 29 / 0 / 6

HEX #18AAF0

RGB 24 170 240

HSL 199.44, 0.88%, 0.52%

LAB 65.93, -10.91, -44.78

 

CMYK 0 / 90 / 28 / 6

HEX #F018AC

RGB 240 24 172

HSL 318.89, 0.88%, 0.52%

LAB 54.19, 83.38, -23.4

 

CMYK 28 / 0 / 90 / 6

HEX #ACF018

RGB 172 240 24

HSL 78.89, 0.88%, 0.52%

LAB 87.56, -47.28, 82.53

 

CMYK 90 / 29 / 0 / 6

HEX #18AAF0

RGB 24 170 240

HSL 199.44, 0.88%, 0.52%

LAB 65.93, -10.91, -44.78

 

CMYK 43 / 90 / 0 / 6

HEX #8818F0

RGB 136 24 240

HSL 271.11, 0.88%, 0.52%

LAB 41.5, 77.6, -83.86

 

CMYK 0 / 61 / 90 / 6

HEX #F05D18

RGB 240 93 24

HSL 19.17, 0.88%, 0.52%

LAB 58.43, 53.91, 62.66

 

CMYK 46 / 0 / 90 / 6

HEX #81F018

RGB 129 240 24

HSL 90.83, 0.88%, 0.52%

LAB 85.53, -61.76, 80.03

 

CMYK 90 / 29 / 0 / 6

HEX #18AAF0

RGB 24 170 240

HSL 199.44, 0.88%, 0.52%

LAB 65.93, -10.91, -44.78

 

CMYK 17 / 90 / 0 / 6

HEX #C818F0

RGB 200 24 240

HSL 288.89, 0.88%, 0.52%

LAB 50.95, 85.73, -68.04

 

CMYK 0 / 61 / 90 / 6

HEX #F05D18

RGB 240 93 24

HSL 19.17, 0.88%, 0.52%

LAB 58.43, 53.91, 62.66

 

CMYK 73 / 0 / 90 / 6

HEX #40F018

RGB 64 240 24

HSL 108.89, 0.88%, 0.52%

LAB 83.69, -76.73, 77.75

 

Description

Color code: RGB 24 170 240 | qconv.com Color code: RGB 24 170 240 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 170 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 170 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 29 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 29% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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