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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 152 225 it is the complementary color RGB 231 103 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 152 225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 152 225 shade: RGB 29 152 220, RGB 46 170 239, RGB 63 188 255, RGB 80 206 255 and RGB 97 224 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 152 225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 152 225 shade: RGB 24 152 225, RGB 7 134 206, RGB 0 116 187, RGB 0 98 168 and RGB 0 80 149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 152 225 shade: RGB 23 152 226, RGB 23 98 226, RGB 23 43 226, RGB 58 23 226 and RGB 113 23 226

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 152 225 shade: RGB 23 152 226, RGB 23 98 226, RGB 23 43 226 and RGB 23 23 226

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 152 225 shade matches the following richer shades: RGB 23 152 226 and RGB 3 158 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 152 225 shade: RGB 23 152 226, RGB 43 147 205, RGB 64 141 185, RGB 84 136 165 and RGB 104 130 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 152 225 shade: RGB 23 226 189, RGB 23 209 226, RGB 23 155 226, RGB 23 101 226 and RGB 23 47 226

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 152 225 shade: RGB 15 102 151, RGB 19 127 188, RGB 23 152 226, RGB 56 169 234 and RGB 94 185 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 152 225 shade: RGB 24 152 225, RGB 135 23 226 and RGB 226 216 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 152 225 shade: RGB 24 152 225, RGB 226 23 155 and RGB 155 226 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 152 225 shade: RGB 24 152 225, RGB 135 23 226, RGB 226 94 23 and RGB 114 226 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 152 225 shade: RGB 24 152 225, RGB 195 23 226, RGB 226 94 23 and RGB 54 226 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 32 / 0 / 12

HEX #1898E1

RGB 24 152 225

HSL 201.79, 0.81%, 0.49%

LAB 59.97, -6.25, -45.91

 

Complementary color

CMYK 0 / 55 / 87 / 9

HEX #E7671E

RGB 231 103 30

HSL 21.79, 0.81%, 0.51%

LAB 58.77, 46.17, 60.32

 

CMYK 87 / 31 / 0 / 14

HEX #1D98DC

RGB 29 152 220

HSL 201.36, 0.77%, 0.49%

LAB 59.78, -7.79, -43.41

 

CMYK 81 / 29 / 0 / 6

HEX #2EAAEF

RGB 46 170 239

HSL 201.45, 0.86%, 0.56%

LAB 66.18, -9.77, -43.81

 

CMYK 75 / 26 / 0 / 0

HEX #3FBCFF

RGB 63 188 255

HSL 200.94, 1%, 0.62%

LAB 72.39, -12.38, -42.74

 

CMYK 69 / 19 / 0 / 0

HEX #50CEFF

RGB 80 206 255

HSL 196.8, 1%, 0.66%

LAB 77.92, -19.7, -34.13

 

CMYK 62 / 12 / 0 / 0

HEX #61E0FF

RGB 97 224 255

HSL 191.77, 1%, 0.69%

LAB 83.48, -26.15, -25.55

 

CMYK 89 / 32 / 0 / 12

HEX #1898E1

RGB 24 152 225

HSL 201.79, 0.81%, 0.49%

LAB 59.97, -6.25, -45.91

 

CMYK 97 / 35 / 0 / 19

HEX #0786CE

RGB 7 134 206

HSL 201.71, 0.93%, 0.42%

LAB 53.55, -3.61, -45.42

 

CMYK 100 / 38 / 0 / 27

HEX #0074BB

RGB 0 116 187

HSL 202.78, 1%, 0.37%

LAB 47.08, -0.4, -44.84

 

CMYK 100 / 42 / 0 / 34

HEX #0062A8

RGB 0 98 168

HSL 205, 1%, 0.33%

LAB 40.51, 3.25, -44.21

 

CMYK 100 / 46 / 0 / 42

HEX #005095

RGB 0 80 149

HSL 207.79, 1%, 0.29%

LAB 33.79, 7.16, -43.61

 

CMYK 90 / 33 / 0 / 11

HEX #1798E2

RGB 23 152 226

HSL 201.87, 0.82%, 0.49%

LAB 60.01, -5.94, -46.4

 

CMYK 90 / 57 / 0 / 11

HEX #1762E2

RGB 23 98 226

HSL 217.83, 0.82%, 0.49%

LAB 44.81, 27.37, -70.8

 

CMYK 90 / 81 / 0 / 11

HEX #172BE2

RGB 23 43 226

HSL 234.09, 0.82%, 0.49%

LAB 32.7, 59.94, -90.75

 

CMYK 74 / 90 / 0 / 11

HEX #3A17E2

RGB 58 23 226

HSL 250.34, 0.82%, 0.49%

LAB 31.81, 68.7, -92.18

 

CMYK 50 / 90 / 0 / 11

HEX #7117E2

RGB 113 23 226

HSL 266.6, 0.82%, 0.49%

LAB 37.14, 72.46, -83.19

 

CMYK 90 / 33 / 0 / 11

HEX #1798E2

RGB 23 152 226

HSL 201.87, 0.82%, 0.49%

LAB 60.01, -5.94, -46.4

 

CMYK 90 / 57 / 0 / 11

HEX #1762E2

RGB 23 98 226

HSL 217.83, 0.82%, 0.49%

LAB 44.81, 27.37, -70.8

 

CMYK 90 / 81 / 0 / 11

HEX #172BE2

RGB 23 43 226

HSL 234.09, 0.82%, 0.49%

LAB 32.7, 59.94, -90.75

 

CMYK 90 / 90 / 0 / 11

HEX #1717E2

RGB 23 23 226

HSL 240, 0.82%, 0.49%

LAB 30.12, 67.67, -95.05

 

CMYK 90 / 33 / 0 / 11

HEX #1798E2

RGB 23 152 226

HSL 201.87, 0.82%, 0.49%

LAB 60.01, -5.94, -46.4

 

CMYK 99 / 36 / 0 / 4

HEX #039EF6

RGB 3 158 246

HSL 201.73, 0.98%, 0.49%

LAB 62.61, -2.64, -53.31

 

CMYK 90 / 33 / 0 / 11

HEX #1798E2

RGB 23 152 226

HSL 201.87, 0.82%, 0.49%

LAB 60.01, -5.94, -46.4

 

CMYK 79 / 28 / 0 / 20

HEX #2B93CD

RGB 43 147 205

HSL 201.48, 0.65%, 0.49%

LAB 57.84, -9.19, -38.07

 

CMYK 65 / 24 / 0 / 27

HEX #408DB9

RGB 64 141 185

HSL 201.82, 0.49%, 0.49%

LAB 55.73, -9.83, -30

 

CMYK 49 / 18 / 0 / 35

HEX #5488A5

RGB 84 136 165

HSL 201.48, 0.33%, 0.49%

LAB 54.25, -9.16, -20.76

 

CMYK 28 / 10 / 0 / 43

HEX #688291

RGB 104 130 145

HSL 201.95, 0.16%, 0.49%

LAB 52.9, -5.64, -11.12

 

CMYK 90 / 0 / 16 / 11

HEX #17E2BD

RGB 23 226 189

HSL 169.06, 0.82%, 0.49%

LAB 80.88, -53.36, 5.42

 

CMYK 90 / 8 / 0 / 11

HEX #17D1E2

RGB 23 209 226

HSL 185.02, 0.82%, 0.49%

LAB 76.84, -35.5, -20.32

 

CMYK 90 / 31 / 0 / 11

HEX #179BE2

RGB 23 155 226

HSL 200.99, 0.82%, 0.49%

LAB 60.88, -7.65, -45.02

 

CMYK 90 / 55 / 0 / 11

HEX #1765E2

RGB 23 101 226

HSL 216.95, 0.82%, 0.49%

LAB 45.61, 25.44, -69.51

 

CMYK 90 / 79 / 0 / 11

HEX #172FE2

RGB 23 47 226

HSL 232.91, 0.82%, 0.49%

LAB 33.36, 58.01, -89.65

 

CMYK 90 / 32 / 0 / 41

HEX #0F6697

RGB 15 102 151

HSL 201.62, 0.82%, 0.33%

LAB 40.96, -5.34, -33.38

 

CMYK 90 / 32 / 0 / 26

HEX #137FBC

RGB 19 127 188

HSL 201.66, 0.82%, 0.41%

LAB 50.63, -5.83, -39.78

 

CMYK 90 / 33 / 0 / 11

HEX #1798E2

RGB 23 152 226

HSL 201.87, 0.82%, 0.49%

LAB 60.01, -5.94, -46.4

 

CMYK 76 / 28 / 0 / 8

HEX #38A9EA

RGB 56 169 234

HSL 201.91, 0.81%, 0.57%

LAB 65.87, -9.94, -41.55

 

CMYK 61 / 22 / 0 / 7

HEX #5EB9EE

RGB 94 185 238

HSL 202.08, 0.81%, 0.65%

LAB 71.72, -11.74, -34.53

 

CMYK 89 / 32 / 0 / 12

HEX #1898E1

RGB 24 152 225

HSL 201.79, 0.81%, 0.49%

LAB 59.97, -6.25, -45.91

 

CMYK 40 / 90 / 0 / 11

HEX #8717E2

RGB 135 23 226

HSL 273.1, 0.82%, 0.49%

LAB 40.01, 74.74, -78.37

 

CMYK 0 / 4 / 90 / 11

HEX #E2D817

RGB 226 216 23

HSL 57.04, 0.82%, 0.49%

LAB 84.66, -14.53, 81.93

 

CMYK 89 / 32 / 0 / 12

HEX #1898E1

RGB 24 152 225

HSL 201.79, 0.81%, 0.49%

LAB 59.97, -6.25, -45.91

 

CMYK 0 / 90 / 31 / 11

HEX #E2179B

RGB 226 23 155

HSL 320.99, 0.82%, 0.49%

LAB 50.86, 78.81, -18.69

 

CMYK 31 / 0 / 90 / 11

HEX #9BE217

RGB 155 226 23

HSL 80.99, 0.82%, 0.49%

LAB 82.61, -47.64, 78.26

 

CMYK 89 / 32 / 0 / 12

HEX #1898E1

RGB 24 152 225

HSL 201.79, 0.81%, 0.49%

LAB 59.97, -6.25, -45.91

 

CMYK 40 / 90 / 0 / 11

HEX #8717E2

RGB 135 23 226

HSL 273.1, 0.82%, 0.49%

LAB 40.01, 74.74, -78.37

 

CMYK 0 / 58 / 90 / 11

HEX #E25E17

RGB 226 94 23

HSL 20.99, 0.82%, 0.49%

LAB 56.32, 48.41, 60.41

 

CMYK 50 / 0 / 90 / 11

HEX #72E217

RGB 114 226 23

HSL 93.1, 0.82%, 0.49%

LAB 80.76, -61.11, 75.98

 

CMYK 89 / 32 / 0 / 12

HEX #1898E1

RGB 24 152 225

HSL 201.79, 0.81%, 0.49%

LAB 59.97, -6.25, -45.91

 

CMYK 14 / 90 / 0 / 11

HEX #C317E2

RGB 195 23 226

HSL 290.84, 0.82%, 0.49%

LAB 49.14, 82.8, -63.09

 

CMYK 0 / 58 / 90 / 11

HEX #E25E17

RGB 226 94 23

HSL 20.99, 0.82%, 0.49%

LAB 56.32, 48.41, 60.41

 

CMYK 76 / 0 / 90 / 11

HEX #36E217

RGB 54 226 23

HSL 110.84, 0.82%, 0.49%

LAB 79.18, -74.14, 74.01

 

Description

Color code: RGB 24 152 225 | qconv.com Color code: RGB 24 152 225 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 152 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 152 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 32 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 32% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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