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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 124 160 it is the complementary color RGB 231 131 95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 124 160. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 124 160 shade: RGB 29 124 155, RGB 46 142 174, RGB 63 160 193, RGB 80 178 212 and RGB 97 196 231

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 124 160. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 124 160 shade: RGB 24 124 160, RGB 7 106 141, RGB 0 88 122, RGB 0 70 103 and RGB 0 52 84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 124 160 shade: RGB 23 123 159, RGB 23 87 159, RGB 23 50 159, RGB 33 23 159 and RGB 70 23 159

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 124 160 shade: RGB 23 123 159, RGB 23 87 159, RGB 23 50 159 and RGB 23 23 159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 124 160 shade matches the following richer shades: RGB 23 123 159 and RGB 9 130 174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 124 160 shade: RGB 23 123 159, RGB 38 116 144, RGB 53 109 130, RGB 68 102 115 and RGB 83 95 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 124 160 shade: RGB 23 159 121, RGB 23 159 157, RGB 23 125 159, RGB 23 89 159 and RGB 23 53 159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 124 160 shade: RGB 13 68 87, RGB 18 95 123, RGB 23 123 159, RGB 29 151 195 and RGB 42 175 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 124 160 shade: RGB 24 124 160, RGB 85 23 159 and RGB 159 139 23

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 124 160 shade: RGB 24 124 160, RGB 159 23 125 and RGB 125 159 23

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 124 160 shade: RGB 24 124 160, RGB 85 23 159, RGB 159 57 23 and RGB 98 159 23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 124 160 shade: RGB 24 124 160, RGB 125 23 159, RGB 159 57 23 and RGB 57 159 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 23 / 0 / 37

HEX #187CA0

RGB 24 124 160

HSL 195.88, 0.74%, 0.36%

LAB 48.45, -14.17, -26.97

 

Complementary color

CMYK 0 / 43 / 59 / 9

HEX #E7835F

RGB 231 131 95

HSL 15.88, 0.74%, 0.64%

LAB 65, 35.1, 36.08

 

CMYK 81 / 20 / 0 / 39

HEX #1D7C9B

RGB 29 124 155

HSL 194.76, 0.68%, 0.36%

LAB 48.31, -15.5, -24.24

 

CMYK 74 / 18 / 0 / 32

HEX #2E8EAE

RGB 46 142 174

HSL 195, 0.58%, 0.43%

LAB 55.05, -16.82, -24.8

 

CMYK 67 / 17 / 0 / 24

HEX #3FA0C1

RGB 63 160 193

HSL 195.23, 0.51%, 0.5%

LAB 61.7, -17.79, -25.3

 

CMYK 62 / 16 / 0 / 17

HEX #50B2D4

RGB 80 178 212

HSL 195.45, 0.61%, 0.57%

LAB 68.24, -18.52, -25.74

 

CMYK 58 / 15 / 0 / 9

HEX #61C4E7

RGB 97 196 231

HSL 195.67, 0.74%, 0.64%

LAB 74.69, -19.07, -26.16

 

CMYK 85 / 23 / 0 / 37

HEX #187CA0

RGB 24 124 160

HSL 195.88, 0.74%, 0.36%

LAB 48.45, -14.17, -26.97

 

CMYK 95 / 25 / 0 / 45

HEX #076A8D

RGB 7 106 141

HSL 195.67, 0.91%, 0.29%

LAB 41.65, -12.07, -26.31

 

CMYK 100 / 28 / 0 / 52

HEX #00587A

RGB 0 88 122

HSL 196.72, 1%, 0.24%

LAB 34.77, -9.23, -25.51

 

CMYK 100 / 32 / 0 / 60

HEX #004667

RGB 0 70 103

HSL 199.22, 1%, 0.2%

LAB 27.74, -5.8, -24.62

 

CMYK 100 / 38 / 0 / 67

HEX #003454

RGB 0 52 84

HSL 202.86, 1%, 0.16%

LAB 20.42, -2.06, -23.79

 

CMYK 86 / 23 / 0 / 38

HEX #177B9F

RGB 23 123 159

HSL 195.88, 0.75%, 0.36%

LAB 48.07, -14.05, -26.97

 

CMYK 86 / 45 / 0 / 38

HEX #17579F

RGB 23 87 159

HSL 211.76, 0.75%, 0.36%

LAB 36.93, 8.04, -44.56

 

CMYK 86 / 69 / 0 / 38

HEX #17329F

RGB 23 50 159

HSL 228.09, 0.75%, 0.36%

LAB 26.64, 33.04, -61.3

 

CMYK 79 / 86 / 0 / 38

HEX #21179F

RGB 33 23 159

HSL 244.41, 0.75%, 0.36%

LAB 21.72, 48.88, -69.42

 

CMYK 56 / 86 / 0 / 38

HEX #46179F

RGB 70 23 159

HSL 260.74, 0.75%, 0.36%

LAB 25.01, 51.9, -63.88

 

CMYK 86 / 23 / 0 / 38

HEX #177B9F

RGB 23 123 159

HSL 195.88, 0.75%, 0.36%

LAB 48.07, -14.05, -26.97

 

CMYK 86 / 45 / 0 / 38

HEX #17579F

RGB 23 87 159

HSL 211.76, 0.75%, 0.36%

LAB 36.93, 8.04, -44.56

 

CMYK 86 / 69 / 0 / 38

HEX #17329F

RGB 23 50 159

HSL 228.09, 0.75%, 0.36%

LAB 26.64, 33.04, -61.3

 

CMYK 86 / 86 / 0 / 38

HEX #17179F

RGB 23 23 159

HSL 240, 0.75%, 0.36%

LAB 21.2, 48.41, -70.3

 

CMYK 86 / 23 / 0 / 38

HEX #177B9F

RGB 23 123 159

HSL 195.88, 0.75%, 0.36%

LAB 48.07, -14.05, -26.97

 

CMYK 95 / 25 / 0 / 32

HEX #0982AE

RGB 9 130 174

HSL 196, 0.9%, 0.36%

LAB 50.78, -13.3, -31.48

 

CMYK 86 / 23 / 0 / 38

HEX #177B9F

RGB 23 123 159

HSL 195.88, 0.75%, 0.36%

LAB 48.07, -14.05, -26.97

 

CMYK 74 / 19 / 0 / 44

HEX #267490

RGB 38 116 144

HSL 195.85, 0.58%, 0.36%

LAB 45.52, -13.79, -22.06

 

CMYK 59 / 16 / 0 / 49

HEX #356D82

RGB 53 109 130

HSL 196.36, 0.42%, 0.36%

LAB 43.22, -11.85, -17.2

 

CMYK 41 / 11 / 0 / 55

HEX #446673

RGB 68 102 115

HSL 196.6, 0.26%, 0.36%

LAB 41.17, -8.58, -11.18

 

CMYK 17 / 5 / 0 / 61

HEX #535F64

RGB 83 95 100

HSL 197.65, 0.09%, 0.36%

LAB 39.49, -3.43, -4.42

 

CMYK 86 / 0 / 24 / 38

HEX #179F79

RGB 23 159 121

HSL 163.24, 0.75%, 0.36%

LAB 58.38, -43.35, 10.3

 

CMYK 86 / 0 / 1 / 38

HEX #179F9D

RGB 23 159 157

HSL 179.12, 0.75%, 0.36%

LAB 59.35, -33.29, -8.63

 

CMYK 86 / 21 / 0 / 38

HEX #177D9F

RGB 23 125 159

HSL 195, 0.75%, 0.36%

LAB 48.7, -15.17, -25.99

 

CMYK 86 / 44 / 0 / 38

HEX #17599F

RGB 23 89 159

HSL 210.88, 0.75%, 0.36%

LAB 37.54, 6.72, -43.6

 

CMYK 86 / 67 / 0 / 38

HEX #17359F

RGB 23 53 159

HSL 226.76, 0.75%, 0.36%

LAB 27.38, 31.06, -60.08

 

CMYK 85 / 22 / 0 / 66

HEX #0D4457

RGB 13 68 87

HSL 195.41, 0.74%, 0.2%

LAB 26.47, -9.82, -16.27

 

CMYK 85 / 23 / 0 / 52

HEX #125F7B

RGB 18 95 123

HSL 196, 0.74%, 0.28%

LAB 37.38, -11.71, -22.04

 

CMYK 86 / 23 / 0 / 38

HEX #177B9F

RGB 23 123 159

HSL 195.88, 0.75%, 0.36%

LAB 48.07, -14.05, -26.97

 

CMYK 85 / 23 / 0 / 24

HEX #1D97C3

RGB 29 151 195

HSL 195.9, 0.74%, 0.44%

LAB 58.35, -16.2, -31.65

 

CMYK 81 / 22 / 0 / 13

HEX #2AAFDF

RGB 42 175 223

HSL 195.91, 0.74%, 0.52%

LAB 66.88, -18.33, -33.95

 

CMYK 85 / 23 / 0 / 37

HEX #187CA0

RGB 24 124 160

HSL 195.88, 0.74%, 0.36%

LAB 48.45, -14.17, -26.97

 

CMYK 47 / 86 / 0 / 38

HEX #55179F

RGB 85 23 159

HSL 267.35, 0.75%, 0.36%

LAB 26.87, 53.68, -60.74

 

CMYK 0 / 13 / 86 / 38

HEX #9F8B17

RGB 159 139 23

HSL 51.18, 0.75%, 0.36%

LAB 57.94, -4.07, 58.02

 

CMYK 85 / 23 / 0 / 37

HEX #187CA0

RGB 24 124 160

HSL 195.88, 0.74%, 0.36%

LAB 48.45, -14.17, -26.97

 

CMYK 0 / 86 / 21 / 38

HEX #9F177D

RGB 159 23 125

HSL 315, 0.75%, 0.36%

LAB 36.86, 60.89, -23.04

 

CMYK 21 / 0 / 86 / 38

HEX #7D9F17

RGB 125 159 23

HSL 75, 0.75%, 0.36%

LAB 60.97, -29.46, 59.49

 

CMYK 85 / 23 / 0 / 37

HEX #187CA0

RGB 24 124 160

HSL 195.88, 0.74%, 0.36%

LAB 48.45, -14.17, -26.97

 

CMYK 47 / 86 / 0 / 38

HEX #55179F

RGB 85 23 159

HSL 267.35, 0.75%, 0.36%

LAB 26.87, 53.68, -60.74

 

CMYK 0 / 64 / 86 / 38

HEX #9F3917

RGB 159 57 23

HSL 15, 0.75%, 0.36%

LAB 38.48, 40.77, 41.41

 

CMYK 38 / 0 / 86 / 38

HEX #629F17

RGB 98 159 23

HSL 86.91, 0.75%, 0.36%

LAB 59.39, -40.04, 57.51

 

CMYK 85 / 23 / 0 / 37

HEX #187CA0

RGB 24 124 160

HSL 195.88, 0.74%, 0.36%

LAB 48.45, -14.17, -26.97

 

CMYK 21 / 86 / 0 / 38

HEX #7D179F

RGB 125 23 159

HSL 285, 0.75%, 0.36%

LAB 32.87, 59.7, -50.7

 

CMYK 0 / 64 / 86 / 38

HEX #9F3917

RGB 159 57 23

HSL 15, 0.75%, 0.36%

LAB 38.48, 40.77, 41.41

 

CMYK 64 / 0 / 86 / 38

HEX #399F17

RGB 57 159 23

HSL 105, 0.75%, 0.36%

LAB 57.78, -52.45, 55.46

 

Description

Color code: RGB 24 124 160 | qconv.com Color code: RGB 24 124 160 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 124 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 124 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 23 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 23% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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