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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 113 164 it is the complementary color RGB 231 142 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 113 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 113 164 shade: RGB 29 113 159, RGB 46 131 178, RGB 63 149 197, RGB 80 167 216 and RGB 97 185 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 113 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 113 164 shade: RGB 24 113 164, RGB 7 95 145, RGB 0 77 126, RGB 0 59 107 and RGB 0 41 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 113 164 shade: RGB 24 113 164, RGB 24 75 164, RGB 24 37 164, RGB 48 24 164 and RGB 86 24 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 113 164 shade: RGB 24 113 164, RGB 24 75 164, RGB 24 37 164 and RGB 24 24 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 113 164 shade matches the following richer shades: RGB 24 113 164 and RGB 9 117 179

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 113 164 shade: RGB 24 113 164, RGB 39 109 148, RGB 55 105 133, RGB 70 100 118 and RGB 85 96 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 113 164 shade: RGB 24 164 138, RGB 24 152 164, RGB 24 115 164, RGB 24 78 164 and RGB 24 40 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 113 164 shade: RGB 13 63 92, RGB 19 88 128, RGB 24 113 164, RGB 29 138 200 and RGB 47 159 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 113 164 shade: RGB 24 113 164, RGB 101 24 164 and RGB 164 157 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 113 164 shade: RGB 24 113 164, RGB 164 24 115 and RGB 115 164 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 113 164 shade: RGB 24 113 164, RGB 101 24 164, RGB 164 73 24 and RGB 87 164 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 113 164 shade: RGB 24 113 164, RGB 143 24 164, RGB 164 73 24 and RGB 45 164 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 31 / 0 / 36

HEX #1871A4

RGB 24 113 164

HSL 201.86, 0.74%, 0.37%

LAB 45.2, -6.29, -34.39

 

Complementary color

CMYK 0 / 39 / 61 / 9

HEX #E78E5B

RGB 231 142 91

HSL 21.86, 0.74%, 0.63%

LAB 67.34, 29.05, 41.07

 

CMYK 82 / 29 / 0 / 38

HEX #1D719F

RGB 29 113 159

HSL 201.23, 0.69%, 0.37%

LAB 45.05, -7.71, -31.68

 

CMYK 74 / 26 / 0 / 30

HEX #2E83B2

RGB 46 131 178

HSL 201.36, 0.59%, 0.44%

LAB 51.87, -9.29, -32.04

 

CMYK 68 / 24 / 0 / 23

HEX #3F95C5

RGB 63 149 197

HSL 201.49, 0.54%, 0.51%

LAB 58.59, -10.48, -32.35

 

CMYK 63 / 23 / 0 / 15

HEX #50A7D8

RGB 80 167 216

HSL 201.62, 0.64%, 0.58%

LAB 65.2, -11.39, -32.64

 

CMYK 59 / 21 / 0 / 8

HEX #61B9EB

RGB 97 185 235

HSL 201.74, 0.78%, 0.65%

LAB 71.72, -12.1, -32.9

 

CMYK 85 / 31 / 0 / 36

HEX #1871A4

RGB 24 113 164

HSL 201.86, 0.74%, 0.37%

LAB 45.2, -6.29, -34.39

 

CMYK 95 / 34 / 0 / 43

HEX #075F91

RGB 7 95 145

HSL 201.74, 0.91%, 0.3%

LAB 38.33, -3.86, -33.94

 

CMYK 100 / 39 / 0 / 51

HEX #004D7E

RGB 0 77 126

HSL 203.33, 1%, 0.25%

LAB 31.38, -0.6, -33.34

 

CMYK 100 / 45 / 0 / 58

HEX #003B6B

RGB 0 59 107

HSL 206.92, 1%, 0.21%

LAB 24.29, 3.36, -32.66

 

CMYK 100 / 53 / 0 / 65

HEX #002958

RGB 0 41 88

HSL 212.05, 1%, 0.17%

LAB 16.94, 7.77, -32.03

 

CMYK 85 / 31 / 0 / 36

HEX #1871A4

RGB 24 113 164

HSL 201.86, 0.74%, 0.37%

LAB 45.2, -6.29, -34.39

 

CMYK 85 / 54 / 0 / 36

HEX #184BA4

RGB 24 75 164

HSL 218.14, 0.74%, 0.37%

LAB 33.79, 18.2, -52.64

 

CMYK 85 / 77 / 0 / 36

HEX #1825A4

RGB 24 37 164

HSL 234.43, 0.74%, 0.37%

LAB 24.31, 42.95, -68.18

 

CMYK 71 / 85 / 0 / 36

HEX #3018A4

RGB 48 24 164

HSL 250.29, 0.74%, 0.37%

LAB 23.55, 50.9, -69.41

 

CMYK 48 / 85 / 0 / 36

HEX #5618A4

RGB 86 24 164

HSL 266.57, 0.74%, 0.37%

LAB 27.61, 54.71, -62.57

 

CMYK 85 / 31 / 0 / 36

HEX #1871A4

RGB 24 113 164

HSL 201.86, 0.74%, 0.37%

LAB 45.2, -6.29, -34.39

 

CMYK 85 / 54 / 0 / 36

HEX #184BA4

RGB 24 75 164

HSL 218.14, 0.74%, 0.37%

LAB 33.79, 18.2, -52.64

 

CMYK 85 / 77 / 0 / 36

HEX #1825A4

RGB 24 37 164

HSL 234.43, 0.74%, 0.37%

LAB 24.31, 42.95, -68.18

 

CMYK 85 / 85 / 0 / 36

HEX #1818A4

RGB 24 24 164

HSL 240, 0.74%, 0.37%

LAB 22.04, 49.56, -71.95

 

CMYK 85 / 31 / 0 / 36

HEX #1871A4

RGB 24 113 164

HSL 201.86, 0.74%, 0.37%

LAB 45.2, -6.29, -34.39

 

CMYK 95 / 35 / 0 / 30

HEX #0975B3

RGB 9 117 179

HSL 201.88, 0.9%, 0.37%

LAB 47.02, -3.8, -40.29

 

CMYK 85 / 31 / 0 / 36

HEX #1871A4

RGB 24 113 164

HSL 201.86, 0.74%, 0.37%

LAB 45.2, -6.29, -34.39

 

CMYK 74 / 26 / 0 / 42

HEX #276D94

RGB 39 109 148

HSL 201.47, 0.58%, 0.37%

LAB 43.52, -8.16, -27.54

 

CMYK 59 / 21 / 0 / 48

HEX #376985

RGB 55 105 133

HSL 201.54, 0.41%, 0.37%

LAB 42.17, -8.09, -20.61

 

CMYK 41 / 15 / 0 / 54

HEX #466476

RGB 70 100 118

HSL 202.5, 0.26%, 0.37%

LAB 40.77, -5.93, -13.59

 

CMYK 17 / 7 / 0 / 60

HEX #556067

RGB 85 96 103

HSL 203.33, 0.1%, 0.37%

LAB 40.04, -2.59, -5.42

 

CMYK 85 / 0 / 16 / 36

HEX #18A48A

RGB 24 164 138

HSL 168.86, 0.74%, 0.37%

LAB 60.41, -40.95, 3.66

 

CMYK 85 / 7 / 0 / 36

HEX #1898A4

RGB 24 152 164

HSL 185.14, 0.74%, 0.37%

LAB 57.4, -27.62, -15.55

 

CMYK 85 / 30 / 0 / 36

HEX #1873A4

RGB 24 115 164

HSL 201, 0.74%, 0.37%

LAB 45.82, -7.48, -33.41

 

CMYK 85 / 52 / 0 / 36

HEX #184EA4

RGB 24 78 164

HSL 216.86, 0.74%, 0.37%

LAB 34.65, 16.17, -51.24

 

CMYK 85 / 76 / 0 / 36

HEX #1828A4

RGB 24 40 164

HSL 233.14, 0.74%, 0.37%

LAB 24.93, 41.21, -67.16

 

CMYK 86 / 32 / 0 / 64

HEX #0D3F5C

RGB 13 63 92

HSL 202.03, 0.75%, 0.21%

LAB 24.99, -4.6, -21.82

 

CMYK 85 / 31 / 0 / 50

HEX #135880

RGB 19 88 128

HSL 202.02, 0.74%, 0.29%

LAB 35.35, -5.43, -28.27

 

CMYK 85 / 31 / 0 / 36

HEX #1871A4

RGB 24 113 164

HSL 201.86, 0.74%, 0.37%

LAB 45.2, -6.29, -34.39

 

CMYK 86 / 31 / 0 / 22

HEX #1D8AC8

RGB 29 138 200

HSL 201.75, 0.75%, 0.45%

LAB 54.67, -7.1, -40.24

 

CMYK 79 / 29 / 0 / 13

HEX #2F9FDF

RGB 47 159 223

HSL 201.82, 0.73%, 0.53%

LAB 62.28, -9.17, -41.14

 

CMYK 85 / 31 / 0 / 36

HEX #1871A4

RGB 24 113 164

HSL 201.86, 0.74%, 0.37%

LAB 45.2, -6.29, -34.39

 

CMYK 38 / 85 / 0 / 36

HEX #6518A4

RGB 101 24 164

HSL 273, 0.74%, 0.37%

LAB 29.66, 56.72, -59.11

 

CMYK 0 / 4 / 85 / 36

HEX #A49D18

RGB 164 157 24

HSL 57, 0.74%, 0.37%

LAB 63.4, -11.43, 62.51

 

CMYK 85 / 31 / 0 / 36

HEX #1871A4

RGB 24 113 164

HSL 201.86, 0.74%, 0.37%

LAB 45.2, -6.29, -34.39

 

CMYK 0 / 85 / 30 / 36

HEX #A41873

RGB 164 24 115

HSL 321, 0.74%, 0.37%

LAB 37.45, 60.57, -15.79

 

CMYK 30 / 0 / 85 / 36

HEX #73A418

RGB 115 164 24

HSL 81, 0.74%, 0.37%

LAB 61.88, -35.78, 59.79

 

CMYK 85 / 31 / 0 / 36

HEX #1871A4

RGB 24 113 164

HSL 201.86, 0.74%, 0.37%

LAB 45.2, -6.29, -34.39

 

CMYK 38 / 85 / 0 / 36

HEX #6518A4

RGB 101 24 164

HSL 273, 0.74%, 0.37%

LAB 29.66, 56.72, -59.11

 

CMYK 0 / 55 / 85 / 36

HEX #A44918

RGB 164 73 24

HSL 21, 0.74%, 0.37%

LAB 42.34, 34.89, 44.68

 

CMYK 47 / 0 / 85 / 36

HEX #57A418

RGB 87 164 24

HSL 93, 0.74%, 0.37%

LAB 60.47, -45.85, 58.01

 

CMYK 85 / 31 / 0 / 36

HEX #1871A4

RGB 24 113 164

HSL 201.86, 0.74%, 0.37%

LAB 45.2, -6.29, -34.39

 

CMYK 13 / 85 / 0 / 36

HEX #8F18A4

RGB 143 24 164

HSL 291, 0.74%, 0.37%

LAB 36.32, 63.51, -48

 

CMYK 0 / 55 / 85 / 36

HEX #A44918

RGB 164 73 24

HSL 21, 0.74%, 0.37%

LAB 42.34, 34.89, 44.68

 

CMYK 73 / 0 / 85 / 36

HEX #2DA418

RGB 45 164 24

HSL 111, 0.74%, 0.37%

LAB 59.14, -56.56, 56.32

 

Description

Color code: RGB 24 113 164 | qconv.com Color code: RGB 24 113 164 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 113 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 113 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 31 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 31% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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