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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 24 72 72 it is the complementary color RGB 231 183 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 24 72 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 24 72 72 shade: RGB 29 72 67, RGB 46 90 86, RGB 63 108 105, RGB 80 126 124 and RGB 97 144 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 24 72 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 24 72 72 shade: RGB 24 72 72, RGB 7 54 53, RGB 0 36 34, RGB 0 18 15 and RGB 0 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 24 72 72 shade: RGB 24 72 72, RGB 24 72 59, RGB 24 72 46, RGB 24 72 33 and RGB 28 72 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 24 72 72 shade: RGB 24 72 72, RGB 24 59 72, RGB 24 46 72, RGB 24 33 72 and RGB 24 24 72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 24 72 72 shade matches the following richer shades: RGB 24 72 72, RGB 16 80 80, RGB 8 88 88 and RGB 0 96 96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 24 72 72 shade: RGB 24 72 72, RGB 32 64 64, RGB 39 56 56, RGB 47 49 49 and RGB 55 41 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 24 72 72 shade: RGB 24 72 46, RGB 24 72 59, RGB 24 72 72, RGB 24 59 72 and RGB 24 46 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 24 72 72 shade: RGB 3 10 10, RGB 13 41 41, RGB 24 72 72, RGB 34 103 103 and RGB 44 134 134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 24 72 72 shade: RGB 24 72 72, RGB 33 24 72 and RGB 72 53 24

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 24 72 72 shade: RGB 24 72 72, RGB 72 24 72 and RGB 72 72 24

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 24 72 72 shade: RGB 24 72 72, RGB 33 24 72, RGB 72 24 24 and RGB 62 72 24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 24 72 72 shade: RGB 24 72 72, RGB 48 24 72, RGB 72 24 24 and RGB 48 72 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

Complementary color

CMYK 0 / 21 / 21 / 9

HEX #E7B7B7

RGB 231 183 183

HSL 0, 0.5%, 0.81%

LAB 78.62, 17.31, 6.61

 

CMYK 60 / 0 / 7 / 72

HEX #1D4843

RGB 29 72 67

HSL 173.02, 0.43%, 0.2%

LAB 27.58, -16.3, -1.53

 

CMYK 49 / 0 / 4 / 65

HEX #2E5A56

RGB 46 90 86

HSL 174.55, 0.32%, 0.27%

LAB 35.13, -16.32, -2.42

 

CMYK 42 / 0 / 3 / 58

HEX #3F6C69

RGB 63 108 105

HSL 176, 0.26%, 0.34%

LAB 42.46, -16.25, -3.2

 

CMYK 37 / 0 / 2 / 51

HEX #507E7C

RGB 80 126 124

HSL 177.39, 0.22%, 0.4%

LAB 49.6, -16.15, -3.91

 

CMYK 33 / 0 / 1 / 44

HEX #61908F

RGB 97 144 143

HSL 178.72, 0.2%, 0.47%

LAB 56.56, -16.04, -4.56

 

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

CMYK 87 / 0 / 2 / 79

HEX #073635

RGB 7 54 53

HSL 178.72, 0.77%, 0.12%

LAB 19.8, -15.16, -3.79

 

CMYK 100 / 0 / 6 / 86

HEX #002422

RGB 0 36 34

HSL 176.67, 1%, 0.07%

LAB 11.81, -13.31, -2.35

 

CMYK 100 / 0 / 17 / 93

HEX #00120F

RGB 0 18 15

HSL 170, 1%, 0.04%

LAB 4.22, -5.79, -0.25

 

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

CMYK 67 / 0 / 18 / 72

HEX #18483B

RGB 24 72 59

HSL 163.75, 0.5%, 0.19%

LAB 27.14, -19.88, 3.02

 

CMYK 67 / 0 / 36 / 72

HEX #18482E

RGB 24 72 46

HSL 147.5, 0.5%, 0.19%

LAB 26.81, -23.29, 10.91

 

CMYK 67 / 0 / 54 / 72

HEX #184821

RGB 24 72 33

HSL 131.25, 0.5%, 0.19%

LAB 26.56, -25.99, 18.61

 

CMYK 61 / 0 / 67 / 72

HEX #1C4818

RGB 28 72 24

HSL 115, 0.5%, 0.19%

LAB 26.58, -26.23, 23.8

 

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

CMYK 67 / 18 / 0 / 72

HEX #183B48

RGB 24 59 72

HSL 196.25, 0.5%, 0.19%

LAB 22.96, -8.02, -11.77

 

CMYK 67 / 36 / 0 / 72

HEX #182E48

RGB 24 46 72

HSL 212.5, 0.5%, 0.19%

LAB 18.44, 0.73, -18.81

 

CMYK 67 / 54 / 0 / 72

HEX #182148

RGB 24 33 72

HSL 228.75, 0.5%, 0.19%

LAB 14.12, 10.28, -25.67

 

CMYK 67 / 67 / 0 / 72

HEX #181848

RGB 24 24 72

HSL 240, 0.5%, 0.19%

LAB 11.38, 17.03, -30.09

 

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

CMYK 80 / 0 / 0 / 69

HEX #105050

RGB 16 80 80

HSL 180, 0.67%, 0.19%

LAB 30.46, -18.99, -5.67

 

CMYK 91 / 0 / 0 / 65

HEX #085858

RGB 8 88 88

HSL 180, 0.83%, 0.19%

LAB 33.43, -21.41, -6.33

 

CMYK 100 / 0 / 0 / 62

HEX #006060

RGB 0 96 96

HSL 180, 1%, 0.19%

LAB 36.39, -23.51, -6.91

 

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

CMYK 50 / 0 / 0 / 75

HEX #204040

RGB 32 64 64

HSL 180, 0.33%, 0.19%

LAB 24.78, -11.76, -3.68

 

CMYK 30 / 0 / 0 / 78

HEX #273838

RGB 39 56 56

HSL 180, 0.18%, 0.19%

LAB 22.11, -6.86, -2.24

 

CMYK 4 / 0 / 0 / 81

HEX #2F3131

RGB 47 49 49

HSL 180, 0.02%, 0.19%

LAB 20.13, -0.87, -0.31

 

CMYK 0 / 25 / 25 / 78

HEX #372929

RGB 55 41 41

HSL 0, 0.15%, 0.19%

LAB 18.18, 6.52, 2.5

 

CMYK 67 / 0 / 36 / 72

HEX #18482E

RGB 24 72 46

HSL 147.5, 0.5%, 0.19%

LAB 26.81, -23.29, 10.91

 

CMYK 67 / 0 / 18 / 72

HEX #18483B

RGB 24 72 59

HSL 163.75, 0.5%, 0.19%

LAB 27.14, -19.88, 3.02

 

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

CMYK 67 / 18 / 0 / 72

HEX #183B48

RGB 24 59 72

HSL 196.25, 0.5%, 0.19%

LAB 22.96, -8.02, -11.77

 

CMYK 67 / 36 / 0 / 72

HEX #182E48

RGB 24 46 72

HSL 212.5, 0.5%, 0.19%

LAB 18.44, 0.73, -18.81

 

CMYK 70 / 0 / 0 / 96

HEX #030A0A

RGB 3 10 10

HSL 180, 0.54%, 0.03%

LAB 2.33, -1.83, -0.65

 

CMYK 68 / 0 / 0 / 84

HEX #0D2929

RGB 13 41 41

HSL 180, 0.52%, 0.11%

LAB 14.58, -10.44, -3.2

 

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

CMYK 67 / 0 / 0 / 60

HEX #226767

RGB 34 103 103

HSL 180, 0.5%, 0.27%

LAB 39.61, -20.98, -6.34

 

CMYK 67 / 0 / 0 / 47

HEX #2C8686

RGB 44 134 134

HSL 180, 0.51%, 0.35%

LAB 51.04, -25.77, -7.77

 

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

CMYK 54 / 67 / 0 / 72

HEX #211848

RGB 33 24 72

HSL 251.25, 0.5%, 0.19%

LAB 12.25, 19.05, -28.64

 

CMYK 0 / 26 / 67 / 72

HEX #483518

RGB 72 53 24

HSL 36.25, 0.5%, 0.19%

LAB 23.64, 4.65, 21.29

 

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

CMYK 0 / 67 / 0 / 72

HEX #481848

RGB 72 24 72

HSL 300, 0.5%, 0.19%

LAB 17.91, 30.15, -19.26

 

CMYK 0 / 0 / 67 / 72

HEX #484818

RGB 72 72 24

HSL 60, 0.5%, 0.19%

LAB 29.61, -7.33, 28.01

 

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

CMYK 54 / 67 / 0 / 72

HEX #211848

RGB 33 24 72

HSL 251.25, 0.5%, 0.19%

LAB 12.25, 19.05, -28.64

 

CMYK 0 / 67 / 67 / 72

HEX #481818

RGB 72 24 24

HSL 0, 0.5%, 0.19%

LAB 15.99, 22.96, 11.89

 

CMYK 14 / 0 / 67 / 72

HEX #3E4818

RGB 62 72 24

HSL 72.5, 0.5%, 0.19%

LAB 28.71, -12.24, 26.77

 

CMYK 67 / 0 / 0 / 72

HEX #184848

RGB 24 72 72

HSL 180, 0.5%, 0.19%

LAB 27.56, -15.86, -4.82

 

CMYK 33 / 67 / 0 / 72

HEX #301848

RGB 48 24 72

HSL 270, 0.5%, 0.19%

LAB 14.11, 23.05, -25.54

 

CMYK 0 / 67 / 67 / 72

HEX #481818

RGB 72 24 24

HSL 0, 0.5%, 0.19%

LAB 15.99, 22.96, 11.89

 

CMYK 33 / 0 / 67 / 72

HEX #304818

RGB 48 72 24

HSL 90, 0.5%, 0.19%

LAB 27.65, -18.68, 25.3

 

Description

Color code: RGB 24 72 72 | qconv.com Color code: RGB 24 72 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 72 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 72 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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