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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 91 213 it is the complementary color RGB 6 164 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 91 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249 91 213 shade: RGB 254 91 208, RGB 255 109 227, RGB 255 127 246, RGB 255 145 255 and RGB 255 163 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 91 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249 91 213 shade: RGB 249 91 213, RGB 232 73 194, RGB 215 55 175, RGB 198 37 156 and RGB 181 19 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249 91 213 shade: RGB 249 92 213, RGB 249 92 171, RGB 249 92 129 and RGB 249 92 92

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249 91 213 shade: RGB 249 92 213, RGB 242 92 249, RGB 200 92 249, RGB 158 92 249 and RGB 115 92 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249 91 213 shade matches the following richer shades: RGB 249 92 213

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249 91 213 shade: RGB 249 92 213, RGB 235 106 206, RGB 221 119 198, RGB 208 133 191 and RGB 194 147 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249 91 213 shade: RGB 199 92 249, RGB 241 92 249, RGB 249 92 215, RGB 249 92 173 and RGB 249 92 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249 91 213 shade: RGB 246 12 193, RGB 247 52 203, RGB 249 92 213, RGB 250 132 223 and RGB 251 172 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249 91 213 shade: RGB 249 91 213, RGB 249 157 92 and RGB 92 249 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249 91 213 shade: RGB 249 91 213, RGB 215 249 92 and RGB 92 215 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249 91 213 shade: RGB 249 91 213, RGB 249 157 92, RGB 92 249 126 and RGB 92 183 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249 91 213 shade: RGB 249 91 213, RGB 249 204 92, RGB 92 249 126 and RGB 92 136 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 14 / 2

HEX #F95BD5

RGB 249 91 213

HSL 313.67, 0.93%, 0.67%

LAB 63.69, 72.69, -32.13

 

Complementary color

CMYK 96 / 0 / 74 / 36

HEX #06A42A

RGB 6 164 42

HSL 133.67, 0.93%, 0.33%

LAB 58.75, -59.6, 50.2

 

CMYK 0 / 64 / 18 / 0

HEX #FE5BD0

RGB 254 91 208

HSL 316.93, 0.99%, 0.68%

LAB 64.25, 73.27, -28.4

 

CMYK 0 / 57 / 11 / 0

HEX #FF6DE3

RGB 255 109 227

HSL 311.51, 1%, 0.71%

LAB 67.83, 68.94, -33.47

 

CMYK 0 / 50 / 4 / 0

HEX #FF7FF6

RGB 255 127 246

HSL 304.22, 1%, 0.75%

LAB 71.62, 63.9, -38.05

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 63 / 14 / 2

HEX #F95BD5

RGB 249 91 213

HSL 313.67, 0.93%, 0.67%

LAB 63.69, 72.69, -32.13

 

CMYK 0 / 69 / 16 / 9

HEX #E849C2

RGB 232 73 194

HSL 314.34, 0.78%, 0.6%

LAB 57.86, 72.48, -30.6

 

CMYK 0 / 74 / 19 / 16

HEX #D737AF

RGB 215 55 175

HSL 315, 0.67%, 0.53%

LAB 52.15, 71.77, -28.69

 

CMYK 0 / 81 / 21 / 22

HEX #C6259C

RGB 198 37 156

HSL 315.65, 0.69%, 0.46%

LAB 46.62, 70.35, -26.26

 

CMYK 0 / 90 / 24 / 29

HEX #B51389

RGB 181 19 137

HSL 316.3, 0.81%, 0.39%

LAB 41.37, 67.89, -23.14

 

CMYK 0 / 63 / 14 / 2

HEX #F95CD5

RGB 249 92 213

HSL 313.76, 0.93%, 0.67%

LAB 63.83, 72.3, -31.91

 

CMYK 0 / 63 / 31 / 2

HEX #F95CAB

RGB 249 92 171

HSL 329.81, 0.93%, 0.67%

LAB 62.28, 66.86, -10.4

 

CMYK 0 / 63 / 48 / 2

HEX #F95C81

RGB 249 92 129

HSL 345.86, 0.93%, 0.67%

LAB 61.11, 62.59, 12.19

 

CMYK 0 / 63 / 63 / 2

HEX #F95C5C

RGB 249 92 92

HSL 0, 0.93%, 0.67%

LAB 60.4, 59.9, 32.54

 

CMYK 0 / 63 / 14 / 2

HEX #F95CD5

RGB 249 92 213

HSL 313.76, 0.93%, 0.67%

LAB 63.83, 72.3, -31.91

 

CMYK 3 / 63 / 0 / 2

HEX #F25CF9

RGB 242 92 249

HSL 297.32, 0.93%, 0.67%

LAB 64.46, 76.17, -51.06

 

CMYK 20 / 63 / 0 / 2

HEX #C85CF9

RGB 200 92 249

HSL 281.27, 0.93%, 0.67%

LAB 58.76, 66.7, -60.47

 

CMYK 37 / 63 / 0 / 2

HEX #9E5CF9

RGB 158 92 249

HSL 265.22, 0.93%, 0.67%

LAB 53.77, 57.72, -68.76

 

CMYK 54 / 63 / 0 / 2

HEX #735CF9

RGB 115 92 249

HSL 248.79, 0.93%, 0.67%

LAB 49.66, 49.64, -75.62

 

CMYK 0 / 63 / 14 / 2

HEX #F95CD5

RGB 249 92 213

HSL 313.76, 0.93%, 0.67%

LAB 63.83, 72.3, -31.91

 

CMYK 0 / 63 / 14 / 2

HEX #F95CD5

RGB 249 92 213

HSL 313.76, 0.93%, 0.67%

LAB 63.83, 72.3, -31.91

 

CMYK 0 / 55 / 12 / 8

HEX #EB6ACE

RGB 235 106 206

HSL 313.49, 0.76%, 0.67%

LAB 63.69, 61.61, -28.36

 

CMYK 0 / 46 / 10 / 13

HEX #DD77C6

RGB 221 119 198

HSL 313.53, 0.6%, 0.67%

LAB 63.87, 50.02, -23.73

 

CMYK 0 / 36 / 8 / 18

HEX #D085BF

RGB 208 133 191

HSL 313.6, 0.44%, 0.67%

LAB 64.92, 37.42, -18.34

 

CMYK 0 / 24 / 6 / 24

HEX #C293B7

RGB 194 147 183

HSL 314.04, 0.28%, 0.67%

LAB 66.33, 23.61, -11.86

 

CMYK 20 / 63 / 0 / 2

HEX #C75CF9

RGB 199 92 249

HSL 280.89, 0.93%, 0.67%

LAB 58.64, 66.48, -60.68

 

CMYK 3 / 63 / 0 / 2

HEX #F15CF9

RGB 241 92 249

HSL 296.94, 0.93%, 0.67%

LAB 64.32, 75.94, -51.29

 

CMYK 0 / 63 / 14 / 2

HEX #F95CD7

RGB 249 92 215

HSL 312.99, 0.93%, 0.67%

LAB 63.92, 72.59, -32.91

 

CMYK 0 / 63 / 31 / 2

HEX #F95CAD

RGB 249 92 173

HSL 329.04, 0.93%, 0.67%

LAB 62.35, 67.09, -11.45

 

CMYK 0 / 63 / 47 / 2

HEX #F95C83

RGB 249 92 131

HSL 345.1, 0.93%, 0.67%

LAB 61.16, 62.77, 11.1

 

CMYK 0 / 95 / 22 / 4

HEX #F60CC1

RGB 246 12 193

HSL 313.59, 0.93%, 0.51%

LAB 55.79, 88.07, -33.06

 

CMYK 0 / 79 / 18 / 3

HEX #F734CB

RGB 247 52 203

HSL 313.54, 0.92%, 0.59%

LAB 58.55, 83.28, -34.49

 

CMYK 0 / 63 / 14 / 2

HEX #F95CD5

RGB 249 92 213

HSL 313.76, 0.93%, 0.67%

LAB 63.83, 72.3, -31.91

 

CMYK 0 / 47 / 11 / 2

HEX #FA84DF

RGB 250 132 223

HSL 313.73, 0.92%, 0.75%

LAB 70.98, 56.37, -26.46

 

CMYK 0 / 31 / 7 / 2

HEX #FBACE9

RGB 251 172 233

HSL 313.67, 0.91%, 0.83%

LAB 79.56, 38.03, -18.85

 

CMYK 0 / 63 / 14 / 2

HEX #F95BD5

RGB 249 91 213

HSL 313.67, 0.93%, 0.67%

LAB 63.69, 72.69, -32.13

 

CMYK 0 / 37 / 63 / 2

HEX #F99D5C

RGB 249 157 92

HSL 24.84, 0.93%, 0.67%

LAB 72.91, 28.46, 47.71

 

CMYK 63 / 0 / 12 / 2

HEX #5CF9DC

RGB 92 249 220

HSL 168.92, 0.93%, 0.67%

LAB 89.48, -47.82, 1.76

 

CMYK 0 / 63 / 14 / 2

HEX #F95BD5

RGB 249 91 213

HSL 313.67, 0.93%, 0.67%

LAB 63.69, 72.69, -32.13

 

CMYK 14 / 0 / 63 / 2

HEX #D7F95C

RGB 215 249 92

HSL 72.99, 0.93%, 0.67%

LAB 93, -31.97, 69.21

 

CMYK 63 / 14 / 0 / 2

HEX #5CD7F9

RGB 92 215 249

HSL 192.99, 0.93%, 0.67%

LAB 80.58, -24.26, -26.81

 

CMYK 0 / 63 / 14 / 2

HEX #F95BD5

RGB 249 91 213

HSL 313.67, 0.93%, 0.67%

LAB 63.69, 72.69, -32.13

 

CMYK 0 / 37 / 63 / 2

HEX #F99D5C

RGB 249 157 92

HSL 24.84, 0.93%, 0.67%

LAB 72.91, 28.46, 47.71

 

CMYK 63 / 0 / 49 / 2

HEX #5CF97E

RGB 92 249 126

HSL 132.99, 0.93%, 0.67%

LAB 87.74, -66.16, 46.83

 

CMYK 63 / 27 / 0 / 2

HEX #5CB7F9

RGB 92 183 249

HSL 205.22, 0.93%, 0.67%

LAB 71.54, -7.56, -40.77

 

CMYK 0 / 63 / 14 / 2

HEX #F95BD5

RGB 249 91 213

HSL 313.67, 0.93%, 0.67%

LAB 63.69, 72.69, -32.13

 

CMYK 0 / 18 / 63 / 2

HEX #F9CC5C

RGB 249 204 92

HSL 42.8, 0.93%, 0.67%

LAB 84.02, 3.9, 60.29

 

CMYK 63 / 0 / 49 / 2

HEX #5CF97E

RGB 92 249 126

HSL 132.99, 0.93%, 0.67%

LAB 87.74, -66.16, 46.83

 

CMYK 63 / 45 / 0 / 2

HEX #5C88F9

RGB 92 136 249

HSL 223.18, 0.93%, 0.67%

LAB 58.72, 19.57, -61.06

 

Description

Color code: RGB 249 91 213 | qconv.com Color code: RGB 249 91 213 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 91 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 91 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 14 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 14% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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