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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 59 26 it is the complementary color RGB 6 196 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 59 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249 59 26 shade: RGB 254 59 21, RGB 255 77 40, RGB 255 95 59, RGB 255 113 78 and RGB 255 131 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 59 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249 59 26 shade: RGB 249 59 26, RGB 232 41 7, RGB 215 23 0, RGB 198 5 0 and RGB 181 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249 59 26 shade: RGB 249 59 26 and RGB 249 26 26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249 59 26 shade: RGB 249 59 26, RGB 249 119 26, RGB 249 179 26, RGB 249 239 26 and RGB 198 249 26

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249 59 26 shade matches the following richer shades: RGB 249 59 26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249 59 26 shade: RGB 249 59 26, RGB 230 72 45, RGB 211 85 64, RGB 192 99 83 and RGB 173 112 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249 59 26 shade: RGB 249 26 115, RGB 249 26 55, RGB 249 55 26, RGB 249 115 26 and RGB 249 174 26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249 59 26 shade: RGB 188 31 4, RGB 228 38 5, RGB 249 59 26, RGB 250 93 66 and RGB 251 128 106

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249 59 26 shade: RGB 249 59 26, RGB 174 249 26 and RGB 26 85 249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249 59 26 shade: RGB 249 59 26, RGB 26 249 55 and RGB 55 26 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249 59 26 shade: RGB 249 59 26, RGB 174 249 26, RGB 26 219 249 and RGB 100 26 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249 59 26 shade: RGB 249 59 26, RGB 107 249 26, RGB 26 219 249 and RGB 167 26 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 90 / 2

HEX #F93B1A

RGB 249 59 26

HSL 8.88, 0.95%, 0.54%

LAB 55.42, 69.37, 60.59

 

Complementary color

CMYK 97 / 14 / 0 / 10

HEX #06C4E5

RGB 6 196 229

HSL 188.88, 0.95%, 0.46%

LAB 73.01, -28.86, -27.8

 

CMYK 0 / 77 / 92 / 0

HEX #FE3B15

RGB 254 59 21

HSL 9.79, 0.99%, 0.54%

LAB 56.34, 70.75, 63.35

 

CMYK 0 / 70 / 84 / 0

HEX #FF4D28

RGB 255 77 40

HSL 10.33, 1%, 0.58%

LAB 58.72, 65.55, 58.01

 

CMYK 0 / 63 / 77 / 0

HEX #FF5F3B

RGB 255 95 59

HSL 11.02, 1%, 0.62%

LAB 61.45, 59.09, 51.72

 

CMYK 0 / 56 / 69 / 0

HEX #FF714E

RGB 255 113 78

HSL 11.86, 1%, 0.65%

LAB 64.66, 51.93, 45.53

 

CMYK 0 / 49 / 62 / 0

HEX #FF8361

RGB 255 131 97

HSL 12.91, 1%, 0.69%

LAB 68.28, 44.38, 39.78

 

CMYK 0 / 76 / 90 / 2

HEX #F93B1A

RGB 249 59 26

HSL 8.88, 0.95%, 0.54%

LAB 55.42, 69.37, 60.59

 

CMYK 0 / 82 / 97 / 9

HEX #E82907

RGB 232 41 7

HSL 9.07, 0.94%, 0.47%

LAB 50.4, 69.1, 61.51

 

CMYK 0 / 89 / 100 / 16

HEX #D71700

RGB 215 23 0

HSL 6.42, 1%, 0.42%

LAB 45.72, 67.98, 59.4

 

CMYK 0 / 97 / 100 / 22

HEX #C60500

RGB 198 5 0

HSL 1.52, 1%, 0.39%

LAB 41.4, 65.72, 55.62

 

CMYK 0 / 100 / 100 / 29

HEX #B50000

RGB 181 0 0

HSL 0, 1%, 0.35%

LAB 37.52, 61.93, 51.94

 

CMYK 0 / 76 / 90 / 2

HEX #F93B1A

RGB 249 59 26

HSL 8.88, 0.95%, 0.54%

LAB 55.42, 69.37, 60.59

 

CMYK 0 / 90 / 90 / 2

HEX #F91A1A

RGB 249 26 26

HSL 0, 0.95%, 0.54%

LAB 52.9, 76.54, 58.83

 

CMYK 0 / 76 / 90 / 2

HEX #F93B1A

RGB 249 59 26

HSL 8.88, 0.95%, 0.54%

LAB 55.42, 69.37, 60.59

 

CMYK 0 / 52 / 90 / 2

HEX #F9771A

RGB 249 119 26

HSL 25.02, 0.95%, 0.54%

LAB 64.49, 45.2, 67.11

 

CMYK 0 / 28 / 90 / 2

HEX #F9B31A

RGB 249 179 26

HSL 41.17, 0.95%, 0.54%

LAB 77.55, 14.36, 76.89

 

CMYK 0 / 4 / 90 / 2

HEX #F9EF1A

RGB 249 239 26

HSL 57.31, 0.95%, 0.54%

LAB 92.55, -16.1, 88.43

 

CMYK 20 / 0 / 90 / 2

HEX #C6F91A

RGB 198 249 26

HSL 73.72, 0.95%, 0.54%

LAB 91.61, -41.32, 86.14

 

CMYK 0 / 76 / 90 / 2

HEX #F93B1A

RGB 249 59 26

HSL 8.88, 0.95%, 0.54%

LAB 55.42, 69.37, 60.59

 

CMYK 0 / 76 / 90 / 2

HEX #F93B1A

RGB 249 59 26

HSL 8.88, 0.95%, 0.54%

LAB 55.42, 69.37, 60.59

 

CMYK 0 / 69 / 80 / 10

HEX #E6482D

RGB 230 72 45

HSL 8.76, 0.79%, 0.54%

LAB 53.65, 59.61, 49.47

 

CMYK 0 / 60 / 70 / 17

HEX #D35540

RGB 211 85 64

HSL 8.57, 0.63%, 0.54%

LAB 52.64, 48.46, 37.41

 

CMYK 0 / 48 / 57 / 25

HEX #C06353

RGB 192 99 83

HSL 8.81, 0.46%, 0.54%

LAB 52.68, 35.71, 26.04

 

CMYK 0 / 35 / 41 / 32

HEX #AD7066

RGB 173 112 102

HSL 8.45, 0.3%, 0.54%

LAB 53.42, 22.95, 15.56

 

CMYK 0 / 90 / 54 / 2

HEX #F91A73

RGB 249 26 115

HSL 336.05, 0.95%, 0.54%

LAB 54.15, 80.06, 10.68

 

CMYK 0 / 90 / 78 / 2

HEX #F91A37

RGB 249 26 55

HSL 352.2, 0.95%, 0.54%

LAB 53.12, 77.16, 44.87

 

CMYK 0 / 78 / 90 / 2

HEX #F9371A

RGB 249 55 26

HSL 7.8, 0.95%, 0.54%

LAB 55.02, 70.51, 60.31

 

CMYK 0 / 54 / 90 / 2

HEX #F9731A

RGB 249 115 26

HSL 23.95, 0.95%, 0.54%

LAB 63.73, 47.12, 66.56

 

CMYK 0 / 30 / 90 / 2

HEX #F9AE1A

RGB 249 174 26

HSL 39.82, 0.95%, 0.54%

LAB 76.37, 16.98, 75.99

 

CMYK 0 / 84 / 98 / 26

HEX #BC1F04

RGB 188 31 4

HSL 8.8, 0.96%, 0.38%

LAB 40.7, 59.06, 52.65

 

CMYK 0 / 83 / 98 / 11

HEX #E42605

RGB 228 38 5

HSL 8.88, 0.96%, 0.46%

LAB 49.36, 68.67, 61.07

 

CMYK 0 / 76 / 90 / 2

HEX #F93B1A

RGB 249 59 26

HSL 8.88, 0.95%, 0.54%

LAB 55.42, 69.37, 60.59

 

CMYK 0 / 63 / 74 / 2

HEX #FA5D42

RGB 250 93 66

HSL 8.8, 0.95%, 0.62%

LAB 60.38, 58.51, 46.79

 

CMYK 0 / 49 / 58 / 2

HEX #FB806A

RGB 251 128 106

HSL 9.1, 0.95%, 0.7%

LAB 67.27, 44.99, 33.53

 

CMYK 0 / 76 / 90 / 2

HEX #F93B1A

RGB 249 59 26

HSL 8.88, 0.95%, 0.54%

LAB 55.42, 69.37, 60.59

 

CMYK 30 / 0 / 90 / 2

HEX #AEF91A

RGB 174 249 26

HSL 80.18, 0.95%, 0.54%

LAB 90.24, -50.26, 84.46

 

CMYK 90 / 66 / 0 / 2

HEX #1A55F9

RGB 26 85 249

HSL 224.13, 0.95%, 0.54%

LAB 43.59, 44.33, -85.75

 

CMYK 0 / 76 / 90 / 2

HEX #F93B1A

RGB 249 59 26

HSL 8.88, 0.95%, 0.54%

LAB 55.42, 69.37, 60.59

 

CMYK 90 / 0 / 78 / 2

HEX #1AF937

RGB 26 249 55

HSL 127.8, 0.95%, 0.54%

LAB 86.13, -81.86, 72.92

 

CMYK 78 / 90 / 0 / 2

HEX #371AF9

RGB 55 26 249

HSL 247.8, 0.95%, 0.54%

LAB 34.78, 73.68, -100.31

 

CMYK 0 / 76 / 90 / 2

HEX #F93B1A

RGB 249 59 26

HSL 8.88, 0.95%, 0.54%

LAB 55.42, 69.37, 60.59

 

CMYK 30 / 0 / 90 / 2

HEX #AEF91A

RGB 174 249 26

HSL 80.18, 0.95%, 0.54%

LAB 90.24, -50.26, 84.46

 

CMYK 90 / 12 / 0 / 2

HEX #1ADBF9

RGB 26 219 249

HSL 188.07, 0.95%, 0.54%

LAB 80.58, -32.9, -26.91

 

CMYK 60 / 90 / 0 / 2

HEX #641AF9

RGB 100 26 249

HSL 259.91, 0.95%, 0.54%

LAB 38.35, 76.04, -94.27

 

CMYK 0 / 76 / 90 / 2

HEX #F93B1A

RGB 249 59 26

HSL 8.88, 0.95%, 0.54%

LAB 55.42, 69.37, 60.59

 

CMYK 57 / 0 / 90 / 2

HEX #6BF91A

RGB 107 249 26

HSL 98.21, 0.95%, 0.54%

LAB 87.46, -70.87, 81.03

 

CMYK 90 / 12 / 0 / 2

HEX #1ADBF9

RGB 26 219 249

HSL 188.07, 0.95%, 0.54%

LAB 80.58, -32.9, -26.91

 

CMYK 33 / 90 / 0 / 2

HEX #A71AF9

RGB 167 26 249

HSL 277.94, 0.95%, 0.54%

LAB 46.7, 82.58, -80.22

 

Description

Color code: RGB 249 59 26 | qconv.com Color code: RGB 249 59 26 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 59 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 59 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 90 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 90% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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