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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 51 255 it is the complementary color RGB 6 204 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 51 255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249 51 255 shade: RGB 254 51 250, RGB 255 69 255, RGB 255 87 255, RGB 255 105 255 and RGB 255 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 51 255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249 51 255 shade: RGB 249 51 255, RGB 232 33 236, RGB 215 15 217, RGB 198 0 198 and RGB 181 0 179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249 51 255 shade: RGB 249 50 255, RGB 255 50 205, RGB 255 50 150, RGB 255 50 95 and RGB 255 50 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249 51 255 shade: RGB 249 50 255, RGB 194 50 255, RGB 138 50 255, RGB 83 50 255 and RGB 50 50 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249 51 255 shade matches the following richer shades: RGB 249 50 255

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249 51 255 shade: RGB 249 50 255, RGB 233 67 238, RGB 217 84 221, RGB 202 100 205 and RGB 186 117 188

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249 51 255 shade: RGB 139 50 255, RGB 193 50 255, RGB 248 50 255, RGB 255 50 207 and RGB 255 50 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249 51 255 shade: RGB 216 0 223, RGB 247 9 255, RGB 249 50 255, RGB 250 92 255 and RGB 251 133 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249 51 255 shade: RGB 249 51 255, RGB 255 84 50 and RGB 50 255 166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249 51 255 shade: RGB 249 51 255, RGB 255 248 50 and RGB 50 255 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249 51 255 shade: RGB 249 51 255, RGB 255 84 50, RGB 57 255 50 and RGB 50 221 255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249 51 255 shade: RGB 249 51 255, RGB 255 146 50, RGB 57 255 50 and RGB 50 159 255

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 80 / 0 / 0

HEX #F933FF

RGB 249 51 255

HSL 298.24, 1%, 0.6%

LAB 61.42, 91.13, -59.14

 

Complementary color

CMYK 97 / 0 / 100 / 20

HEX #06CC00

RGB 6 204 0

HSL 118.24, 1%, 0.4%

LAB 71.71, -72.6, 70.34

 

CMYK 0 / 80 / 2 / 0

HEX #FE33FA

RGB 254 51 250

HSL 301.18, 0.99%, 0.6%

LAB 61.95, 91.29, -55.49

 

CMYK 0 / 73 / 0 / 0

HEX #FF45FF

RGB 255 69 255

HSL 300, 1%, 0.64%

LAB 63.95, 87.67, -55.06

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 2 / 80 / 0 / 0

HEX #F933FF

RGB 249 51 255

HSL 298.24, 1%, 0.6%

LAB 61.42, 91.13, -59.14

 

CMYK 2 / 86 / 0 / 7

HEX #E821EC

RGB 232 33 236

HSL 298.82, 0.84%, 0.53%

LAB 56.39, 88.81, -56.76

 

CMYK 1 / 93 / 0 / 15

HEX #D70FD9

RGB 215 15 217

HSL 299.41, 0.87%, 0.45%

LAB 51.61, 85.51, -53.82

 

CMYK 0 / 100 / 0 / 22

HEX #C600C6

RGB 198 0 198

HSL 300, 1%, 0.39%

LAB 47.08, 81.21, -50.29

 

CMYK 0 / 100 / 1 / 29

HEX #B500B3

RGB 181 0 179

HSL 300.66, 1%, 0.35%

LAB 42.88, 75.67, -46.05

 

CMYK 2 / 80 / 0 / 0

HEX #F932FF

RGB 249 50 255

HSL 298.24, 1%, 0.6%

LAB 61.34, 91.35, -59.26

 

CMYK 0 / 80 / 20 / 0

HEX #FF32CD

RGB 255 50 205

HSL 314.63, 1%, 0.6%

LAB 59.84, 85.67, -33.51

 

CMYK 0 / 80 / 41 / 0

HEX #FF3296

RGB 255 50 150

HSL 330.73, 1%, 0.6%

LAB 57.79, 79.78, -4.77

 

CMYK 0 / 80 / 63 / 0

HEX #FF325F

RGB 255 50 95

HSL 346.83, 1%, 0.6%

LAB 56.45, 75.79, 25.97

 

CMYK 0 / 80 / 80 / 0

HEX #FF3232

RGB 255 50 50

HSL 0, 1%, 0.6%

LAB 55.86, 73.97, 50.68

 

CMYK 2 / 80 / 0 / 0

HEX #F932FF

RGB 249 50 255

HSL 298.24, 1%, 0.6%

LAB 61.34, 91.35, -59.26

 

CMYK 24 / 80 / 0 / 0

HEX #C232FF

RGB 194 50 255

HSL 282.15, 1%, 0.6%

LAB 52.92, 82.08, -73.27

 

CMYK 46 / 80 / 0 / 0

HEX #8A32FF

RGB 138 50 255

HSL 265.76, 1%, 0.6%

LAB 45.5, 74.09, -85.69

 

CMYK 67 / 80 / 0 / 0

HEX #5332FF

RGB 83 50 255

HSL 249.66, 1%, 0.6%

LAB 40.15, 68.46, -94.7

 

CMYK 80 / 80 / 0 / 0

HEX #3232FF

RGB 50 50 255

HSL 240, 1%, 0.6%

LAB 38.16, 66.42, -98.06

 

CMYK 2 / 80 / 0 / 0

HEX #F932FF

RGB 249 50 255

HSL 298.24, 1%, 0.6%

LAB 61.34, 91.35, -59.26

 

CMYK 2 / 80 / 0 / 0

HEX #F932FF

RGB 249 50 255

HSL 298.24, 1%, 0.6%

LAB 61.34, 91.35, -59.26

 

CMYK 2 / 72 / 0 / 7

HEX #E943EE

RGB 233 67 238

HSL 298.25, 0.83%, 0.6%

LAB 59.44, 81.23, -52.99

 

CMYK 2 / 62 / 0 / 13

HEX #D954DD

RGB 217 84 221

HSL 298.25, 0.67%, 0.6%

LAB 58.33, 68.83, -45.37

 

CMYK 1 / 51 / 0 / 20

HEX #CA64CD

RGB 202 100 205

HSL 298.29, 0.51%, 0.6%

LAB 58.11, 55.04, -36.81

 

CMYK 1 / 38 / 0 / 26

HEX #BA75BC

RGB 186 117 188

HSL 298.31, 0.35%, 0.6%

LAB 58.78, 38.38, -26.25

 

CMYK 45 / 80 / 0 / 0

HEX #8B32FF

RGB 139 50 255

HSL 266.05, 1%, 0.6%

LAB 45.62, 74.21, -85.49

 

CMYK 24 / 80 / 0 / 0

HEX #C132FF

RGB 193 50 255

HSL 281.85, 1%, 0.6%

LAB 52.77, 81.92, -73.51

 

CMYK 3 / 80 / 0 / 0

HEX #F832FF

RGB 248 50 255

HSL 297.95, 1%, 0.6%

LAB 61.18, 91.17, -59.53

 

CMYK 0 / 80 / 19 / 0

HEX #FF32CF

RGB 255 50 207

HSL 314.05, 1%, 0.6%

LAB 59.93, 85.91, -34.51

 

CMYK 0 / 80 / 40 / 0

HEX #FF3299

RGB 255 50 153

HSL 329.85, 1%, 0.6%

LAB 57.89, 80.06, -6.39

 

CMYK 3 / 100 / 0 / 13

HEX #D800DF

RGB 216 0 223

HSL 298.12, 1%, 0.44%

LAB 51.75, 87.7, -56.99

 

CMYK 3 / 96 / 0 / 0

HEX #F709FF

RGB 247 9 255

HSL 298.05, 1%, 0.52%

LAB 59.15, 96.5, -62.79

 

CMYK 2 / 80 / 0 / 0

HEX #F932FF

RGB 249 50 255

HSL 298.24, 1%, 0.6%

LAB 61.34, 91.35, -59.26

 

CMYK 2 / 64 / 0 / 0

HEX #FA5CFF

RGB 250 92 255

HSL 298.16, 1%, 0.68%

LAB 65.9, 78.97, -52

 

CMYK 2 / 48 / 0 / 0

HEX #FB85FF

RGB 251 133 255

HSL 298.03, 1%, 0.76%

LAB 72.56, 61.52, -41.52

 

CMYK 2 / 80 / 0 / 0

HEX #F933FF

RGB 249 51 255

HSL 298.24, 1%, 0.6%

LAB 61.42, 91.13, -59.14

 

CMYK 0 / 67 / 80 / 0

HEX #FF5432

RGB 255 84 50

HSL 9.95, 1%, 0.6%

LAB 59.74, 63.21, 54.39

 

CMYK 80 / 0 / 35 / 0

HEX #32FFA6

RGB 50 255 166

HSL 153.95, 1%, 0.6%

LAB 89.37, -67.51, 29.22

 

CMYK 2 / 80 / 0 / 0

HEX #F933FF

RGB 249 51 255

HSL 298.24, 1%, 0.6%

LAB 61.42, 91.13, -59.14

 

CMYK 0 / 3 / 80 / 0

HEX #FFF832

RGB 255 248 50

HSL 57.95, 1%, 0.6%

LAB 95.42, -17.45, 86.24

 

CMYK 80 / 0 / 3 / 0

HEX #32FFF8

RGB 50 255 248

HSL 177.95, 1%, 0.6%

LAB 91.22, -48.01, -10.32

 

CMYK 2 / 80 / 0 / 0

HEX #F933FF

RGB 249 51 255

HSL 298.24, 1%, 0.6%

LAB 61.42, 91.13, -59.14

 

CMYK 0 / 67 / 80 / 0

HEX #FF5432

RGB 255 84 50

HSL 9.95, 1%, 0.6%

LAB 59.74, 63.21, 54.39

 

CMYK 78 / 0 / 80 / 0

HEX #39FF32

RGB 57 255 50

HSL 117.95, 1%, 0.6%

LAB 88.27, -81.01, 76.41

 

CMYK 80 / 13 / 0 / 0

HEX #32DDFF

RGB 50 221 255

HSL 189.95, 1%, 0.6%

LAB 81.63, -30.47, -28.47

 

CMYK 2 / 80 / 0 / 0

HEX #F933FF

RGB 249 51 255

HSL 298.24, 1%, 0.6%

LAB 61.42, 91.13, -59.14

 

CMYK 0 / 43 / 80 / 0

HEX #FF9232

RGB 255 146 50

HSL 28.1, 1%, 0.6%

LAB 70.9, 34.6, 64.73

 

CMYK 78 / 0 / 80 / 0

HEX #39FF32

RGB 57 255 50

HSL 117.95, 1%, 0.6%

LAB 88.27, -81.01, 76.41

 

CMYK 80 / 38 / 0 / 0

HEX #329FFF

RGB 50 159 255

HSL 208.1, 1%, 0.6%

LAB 63.91, 2.53, -56.13

 

Description

Color code: RGB 249 51 255 | qconv.com Color code: RGB 249 51 255 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 51 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 51 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 80 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 80% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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