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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 30 131 it is the complementary color RGB 6 225 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 30 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249 30 131 shade: RGB 254 30 126, RGB 255 48 145, RGB 255 66 164, RGB 255 84 183 and RGB 255 102 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 30 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249 30 131 shade: RGB 249 30 131, RGB 232 12 112, RGB 215 0 93, RGB 198 0 74 and RGB 181 0 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249 30 131 shade: RGB 249 31 131, RGB 249 31 72 and RGB 249 31 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249 30 131 shade: RGB 249 31 131, RGB 249 31 190, RGB 249 31 249, RGB 190 31 249 and RGB 131 31 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249 30 131 shade matches the following richer shades: RGB 249 31 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249 30 131 shade: RGB 249 31 131, RGB 230 49 133, RGB 212 68 134, RGB 193 86 136 and RGB 174 105 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249 30 131 shade: RGB 249 31 249, RGB 249 31 191, RGB 249 31 132, RGB 249 31 74 and RGB 249 45 31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249 30 131 shade: RGB 193 4 91, RGB 233 5 110, RGB 249 31 131, RGB 250 71 153 and RGB 251 111 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249 30 131 shade: RGB 249 30 131, RGB 249 191 31 and RGB 31 220 249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249 30 131 shade: RGB 249 30 131, RGB 132 249 31 and RGB 31 132 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249 30 131 shade: RGB 249 30 131, RGB 249 191 31, RGB 31 249 147 and RGB 31 89 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249 30 131 shade: RGB 249 30 131, RGB 241 249 31, RGB 31 249 147 and RGB 38 31 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 47 / 2

HEX #F91E83

RGB 249 30 131

HSL 332.33, 0.95%, 0.55%

LAB 54.77, 80.66, 1.95

 

Complementary color

CMYK 97 / 0 / 45 / 12

HEX #06E17C

RGB 6 225 124

HSL 152.33, 0.95%, 0.45%

LAB 79.24, -67.68, 36.82

 

CMYK 0 / 88 / 50 / 0

HEX #FE1E7E

RGB 254 30 126

HSL 334.29, 0.99%, 0.56%

LAB 55.59, 81.42, 6.25

 

CMYK 0 / 81 / 43 / 0

HEX #FF3091

RGB 255 48 145

HSL 331.88, 1%, 0.59%

LAB 57.48, 79.8, -2.28

 

CMYK 0 / 74 / 36 / 0

HEX #FF42A4

RGB 255 66 164

HSL 328.89, 1%, 0.63%

LAB 59.74, 76.86, -10.06

 

CMYK 0 / 67 / 28 / 0

HEX #FF54B7

RGB 255 84 183

HSL 325.26, 1%, 0.66%

LAB 62.52, 72.97, -16.82

 

CMYK 0 / 60 / 21 / 0

HEX #FF66CA

RGB 255 102 202

HSL 320.78, 1%, 0.7%

LAB 65.77, 68.33, -22.67

 

CMYK 0 / 88 / 47 / 2

HEX #F91E83

RGB 249 30 131

HSL 332.33, 0.95%, 0.55%

LAB 54.77, 80.66, 1.95

 

CMYK 0 / 95 / 52 / 9

HEX #E80C70

RGB 232 12 112

HSL 332.73, 0.9%, 0.48%

LAB 50.2, 77.53, 6.44

 

CMYK 0 / 100 / 57 / 16

HEX #D7005D

RGB 215 0 93

HSL 334.05, 1%, 0.42%

LAB 45.96, 73.37, 11.7

 

CMYK 0 / 100 / 63 / 22

HEX #C6004A

RGB 198 0 74

HSL 337.58, 1%, 0.39%

LAB 42, 68.31, 17.66

 

CMYK 0 / 100 / 70 / 29

HEX #B50037

RGB 181 0 55

HSL 341.77, 1%, 0.35%

LAB 38.02, 63.28, 23.87

 

CMYK 0 / 88 / 47 / 2

HEX #F91F83

RGB 249 31 131

HSL 332.48, 0.95%, 0.55%

LAB 54.82, 80.5, 2.03

 

CMYK 0 / 88 / 71 / 2

HEX #F91F48

RGB 249 31 72

HSL 348.72, 0.95%, 0.55%

LAB 53.59, 77.01, 35.69

 

CMYK 0 / 88 / 88 / 2

HEX #F91F1F

RGB 249 31 31

HSL 0, 0.95%, 0.55%

LAB 53.19, 75.86, 56.97

 

CMYK 0 / 88 / 47 / 2

HEX #F91F83

RGB 249 31 131

HSL 332.48, 0.95%, 0.55%

LAB 54.82, 80.5, 2.03

 

CMYK 0 / 88 / 24 / 2

HEX #F91FBE

RGB 249 31 190

HSL 316.24, 0.95%, 0.55%

LAB 56.92, 86.22, -29.54

 

CMYK 0 / 88 / 0 / 2

HEX #F91FF9

RGB 249 31 249

HSL 300, 0.95%, 0.55%

LAB 59.85, 93.85, -58.32

 

CMYK 24 / 88 / 0 / 2

HEX #BE1FF9

RGB 190 31 249

HSL 283.76, 0.95%, 0.55%

LAB 50.41, 84.72, -74.02

 

CMYK 47 / 88 / 0 / 2

HEX #831FF9

RGB 131 31 249

HSL 267.52, 0.95%, 0.55%

LAB 42.22, 77.51, -87.76

 

CMYK 0 / 88 / 47 / 2

HEX #F91F83

RGB 249 31 131

HSL 332.48, 0.95%, 0.55%

LAB 54.82, 80.5, 2.03

 

CMYK 0 / 88 / 47 / 2

HEX #F91F83

RGB 249 31 131

HSL 332.48, 0.95%, 0.55%

LAB 54.82, 80.5, 2.03

 

CMYK 0 / 79 / 42 / 10

HEX #E63185

RGB 230 49 133

HSL 332.15, 0.78%, 0.55%

LAB 52.63, 72.39, -2.79

 

CMYK 0 / 68 / 37 / 17

HEX #D44486

RGB 212 68 134

HSL 332.5, 0.63%, 0.55%

LAB 51.67, 61.58, -5.17

 

CMYK 0 / 55 / 30 / 24

HEX #C15688

RGB 193 86 136

HSL 331.96, 0.46%, 0.55%

LAB 51.58, 48.26, -6.83

 

CMYK 0 / 40 / 21 / 32

HEX #AE6989

RGB 174 105 137

HSL 332.17, 0.3%, 0.55%

LAB 52.85, 32.01, -5.82

 

CMYK 0 / 88 / 0 / 2

HEX #F91FF9

RGB 249 31 249

HSL 300, 0.95%, 0.55%

LAB 59.85, 93.85, -58.32

 

CMYK 0 / 88 / 23 / 2

HEX #F91FBF

RGB 249 31 191

HSL 315.96, 0.95%, 0.55%

LAB 56.96, 86.33, -30.05

 

CMYK 0 / 88 / 47 / 2

HEX #F91F84

RGB 249 31 132

HSL 332.2, 0.95%, 0.55%

LAB 54.85, 80.58, 1.47

 

CMYK 0 / 88 / 70 / 2

HEX #F91F4A

RGB 249 31 74

HSL 348.17, 0.95%, 0.55%

LAB 53.62, 77.09, 34.55

 

CMYK 0 / 82 / 88 / 2

HEX #F92D1F

RGB 249 45 31

HSL 3.85, 0.95%, 0.55%

LAB 54.15, 73.11, 57.7

 

CMYK 0 / 98 / 53 / 24

HEX #C1045B

RGB 193 4 91

HSL 332.38, 0.96%, 0.39%

LAB 41.5, 67.85, 6.03

 

CMYK 0 / 98 / 53 / 9

HEX #E9056E

RGB 233 5 110

HSL 332.37, 0.96%, 0.47%

LAB 50.17, 78.14, 7.64

 

CMYK 0 / 88 / 47 / 2

HEX #F91F83

RGB 249 31 131

HSL 332.48, 0.95%, 0.55%

LAB 54.82, 80.5, 2.03

 

CMYK 0 / 72 / 39 / 2

HEX #FA4799

RGB 250 71 153

HSL 332.51, 0.95%, 0.63%

LAB 59.09, 72.9, -4.7

 

CMYK 0 / 56 / 30 / 2

HEX #FB6FB0

RGB 251 111 176

HSL 332.14, 0.95%, 0.71%

LAB 65.76, 59.92, -8.04

 

CMYK 0 / 88 / 47 / 2

HEX #F91E83

RGB 249 30 131

HSL 332.33, 0.95%, 0.55%

LAB 54.77, 80.66, 1.95

 

CMYK 0 / 23 / 88 / 2

HEX #F9BF1F

RGB 249 191 31

HSL 44.04, 0.95%, 0.55%

LAB 80.46, 8.19, 78.1

 

CMYK 88 / 12 / 0 / 2

HEX #1FDCF9

RGB 31 220 249

HSL 187.98, 0.95%, 0.55%

LAB 80.91, -33.14, -26.4

 

CMYK 0 / 88 / 47 / 2

HEX #F91E83

RGB 249 30 131

HSL 332.33, 0.95%, 0.55%

LAB 54.77, 80.66, 1.95

 

CMYK 47 / 0 / 88 / 2

HEX #84F91F

RGB 132 249 31

HSL 92.2, 0.95%, 0.55%

LAB 88.33, -63.98, 81.3

 

CMYK 88 / 47 / 0 / 2

HEX #1F84F9

RGB 31 132 249

HSL 212.2, 0.95%, 0.55%

LAB 55.72, 15.09, -65.98

 

CMYK 0 / 88 / 47 / 2

HEX #F91E83

RGB 249 30 131

HSL 332.33, 0.95%, 0.55%

LAB 54.77, 80.66, 1.95

 

CMYK 0 / 23 / 88 / 2

HEX #F9BF1F

RGB 249 191 31

HSL 44.04, 0.95%, 0.55%

LAB 80.46, 8.19, 78.1

 

CMYK 88 / 0 / 41 / 2

HEX #1FF993

RGB 31 249 147

HSL 151.93, 0.95%, 0.55%

LAB 87.07, -70.49, 35.61

 

CMYK 88 / 64 / 0 / 2

HEX #1F59F9

RGB 31 89 249

HSL 224.04, 0.95%, 0.55%

LAB 44.63, 42.08, -84.04

 

CMYK 0 / 88 / 47 / 2

HEX #F91E83

RGB 249 30 131

HSL 332.33, 0.95%, 0.55%

LAB 54.77, 80.66, 1.95

 

CMYK 3 / 0 / 88 / 2

HEX #F1F91F

RGB 241 249 31

HSL 62.2, 0.95%, 0.55%

LAB 94.55, -24.11, 88.96

 

CMYK 88 / 0 / 41 / 2

HEX #1FF993

RGB 31 249 147

HSL 151.93, 0.95%, 0.55%

LAB 87.07, -70.49, 35.61

 

CMYK 85 / 88 / 0 / 2

HEX #261FF9

RGB 38 31 249

HSL 241.93, 0.95%, 0.55%

LAB 34.46, 71.68, -100.86

 

Description

Color code: RGB 249 30 131 | qconv.com Color code: RGB 249 30 131 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 30 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 30 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 47 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 47% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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