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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 253 204 it is the complementary color RGB 6 2 51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 253 204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249 253 204 shade: RGB 254 253 199, RGB 255 255 218 and RGB 255 255 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 253 204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249 253 204 shade: RGB 249 253 204, RGB 232 235 185, RGB 215 217 166, RGB 198 199 147 and RGB 181 181 128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249 253 204 shade: RGB 249 252 206, RGB 252 244 206, RGB 252 231 206, RGB 252 218 206 and RGB 252 206 206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249 253 204 shade: RGB 249 252 206, RGB 236 252 206, RGB 223 252 206, RGB 211 252 206 and RGB 206 252 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249 253 204 shade matches the following richer shades: RGB 249 252 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249 253 204 shade: RGB 249 252 206, RGB 245 248 210, RGB 242 244 214, RGB 238 240 218 and RGB 235 236 222

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249 253 204 shade: RGB 252 231 206, RGB 252 243 206, RGB 249 252 206, RGB 237 252 206 and RGB 224 252 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249 253 204 shade: RGB 239 249 126, RGB 244 251 166, RGB 249 252 206 and RGB 253 254 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249 253 204 shade: RGB 249 253 204, RGB 206 252 218 and RGB 237 206 252

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249 253 204 shade: RGB 249 253 204, RGB 206 249 252 and RGB 252 206 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249 253 204 shade: RGB 249 253 204, RGB 206 252 218, RGB 209 206 252 and RGB 252 206 240

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249 253 204 shade: RGB 249 253 204, RGB 206 252 232, RGB 209 206 252 and RGB 252 206 226

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 19 / 1

HEX #F9FDCC

RGB 249 253 204

HSL 64.9, 0.92%, 0.9%

LAB 97.93, -9.2, 23.06

 

Complementary color

CMYK 88 / 96 / 0 / 80

HEX #060233

RGB 6 2 51

HSL 244.9, 0.92%, 0.1%

LAB 2.9, 15.94, -28.86

 

CMYK 0 / 0 / 22 / 0

HEX #FEFDC7

RGB 254 253 199

HSL 58.91, 0.96%, 0.89%

LAB 98.21, -8.11, 26.04

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFED

RGB 255 255 237

HSL 60, 1%, 0.96%

LAB 99.57, -3.04, 8.59

 

CMYK 2 / 0 / 19 / 1

HEX #F9FDCC

RGB 249 253 204

HSL 64.9, 0.92%, 0.9%

LAB 97.93, -9.2, 23.06

 

CMYK 1 / 0 / 21 / 8

HEX #E8EBB9

RGB 232 235 185

HSL 63.6, 0.56%, 0.82%

LAB 91.72, -9.05, 23.99

 

CMYK 1 / 0 / 24 / 15

HEX #D7D9A6

RGB 215 217 166

HSL 62.35, 0.4%, 0.75%

LAB 85.42, -8.89, 24.97

 

CMYK 1 / 0 / 26 / 22

HEX #C6C793

RGB 198 199 147

HSL 61.15, 0.32%, 0.68%

LAB 79.02, -8.7, 26

 

CMYK 0 / 0 / 29 / 29

HEX #B5B580

RGB 181 181 128

HSL 60, 0.26%, 0.61%

LAB 72.51, -8.48, 27.09

 

CMYK 1 / 0 / 18 / 1

HEX #F9FCCE

RGB 249 252 206

HSL 63.91, 0.88%, 0.9%

LAB 97.72, -8.41, 21.75

 

CMYK 0 / 3 / 18 / 1

HEX #FCF4CE

RGB 252 244 206

HSL 49.57, 0.88%, 0.9%

LAB 95.94, -3.35, 19.29

 

CMYK 0 / 8 / 18 / 1

HEX #FCE7CE

RGB 252 231 206

HSL 32.61, 0.88%, 0.9%

LAB 92.71, 3.24, 14.76

 

CMYK 0 / 13 / 18 / 1

HEX #FCDACE

RGB 252 218 206

HSL 15.65, 0.88%, 0.9%

LAB 89.53, 9.93, 10.24

 

CMYK 0 / 18 / 18 / 1

HEX #FCCECE

RGB 252 206 206

HSL 0, 0.88%, 0.9%

LAB 86.65, 16.18, 6.11

 

CMYK 1 / 0 / 18 / 1

HEX #F9FCCE

RGB 249 252 206

HSL 63.91, 0.88%, 0.9%

LAB 97.72, -8.41, 21.75

 

CMYK 6 / 0 / 18 / 1

HEX #ECFCCE

RGB 236 252 206

HSL 80.87, 0.88%, 0.9%

LAB 96.78, -12.98, 20.3

 

CMYK 12 / 0 / 18 / 1

HEX #DFFCCE

RGB 223 252 206

HSL 97.83, 0.88%, 0.9%

LAB 95.9, -17.46, 18.94

 

CMYK 16 / 0 / 18 / 1

HEX #D3FCCE

RGB 211 252 206

HSL 113.48, 0.88%, 0.9%

LAB 95.13, -21.5, 17.74

 

CMYK 18 / 0 / 15 / 1

HEX #CEFCD5

RGB 206 252 213

HSL 129.13, 0.88%, 0.9%

LAB 94.97, -21.95, 13.88

 

CMYK 1 / 0 / 18 / 1

HEX #F9FCCE

RGB 249 252 206

HSL 63.91, 0.88%, 0.9%

LAB 97.72, -8.41, 21.75

 

CMYK 1 / 0 / 18 / 1

HEX #F9FCCE

RGB 249 252 206

HSL 63.91, 0.88%, 0.9%

LAB 97.72, -8.41, 21.75

 

CMYK 1 / 0 / 15 / 3

HEX #F5F8D2

RGB 245 248 210

HSL 64.74, 0.73%, 0.9%

LAB 96.49, -7.24, 17.95

 

CMYK 1 / 0 / 12 / 4

HEX #F2F4D6

RGB 242 244 214

HSL 64, 0.58%, 0.9%

LAB 95.34, -5.68, 14.24

 

CMYK 1 / 0 / 9 / 6

HEX #EEF0DA

RGB 238 240 218

HSL 65.45, 0.42%, 0.9%

LAB 94.12, -4.41, 10.4

 

CMYK 0 / 0 / 6 / 7

HEX #EBECDE

RGB 235 236 222

HSL 64.29, 0.27%, 0.9%

LAB 92.98, -2.75, 6.66

 

CMYK 0 / 8 / 18 / 1

HEX #FCE7CE

RGB 252 231 206

HSL 32.61, 0.88%, 0.9%

LAB 92.71, 3.24, 14.76

 

CMYK 0 / 4 / 18 / 1

HEX #FCF3CE

RGB 252 243 206

HSL 48.26, 0.88%, 0.9%

LAB 95.69, -2.85, 18.94

 

CMYK 1 / 0 / 18 / 1

HEX #F9FCCE

RGB 249 252 206

HSL 63.91, 0.88%, 0.9%

LAB 97.72, -8.41, 21.75

 

CMYK 6 / 0 / 18 / 1

HEX #EDFCCE

RGB 237 252 206

HSL 79.57, 0.88%, 0.9%

LAB 96.85, -12.64, 20.41

 

CMYK 11 / 0 / 18 / 1

HEX #E0FCCE

RGB 224 252 206

HSL 96.52, 0.88%, 0.9%

LAB 95.97, -17.12, 19.04

 

CMYK 4 / 0 / 49 / 2

HEX #EFF97E

RGB 239 249 126

HSL 64.88, 0.91%, 0.74%

LAB 95, -20.04, 57.32

 

CMYK 3 / 0 / 34 / 2

HEX #F4FBA6

RGB 244 251 166

HSL 64.94, 0.91%, 0.82%

LAB 96.4, -15, 40.02

 

CMYK 1 / 0 / 18 / 1

HEX #F9FCCE

RGB 249 252 206

HSL 63.91, 0.88%, 0.9%

LAB 97.72, -8.41, 21.75

 

CMYK 0 / 0 / 4 / 0

HEX #FDFEF5

RGB 253 254 245

HSL 66.67, 0.82%, 0.98%

LAB 99.36, -1.88, 4.17

 

CMYK 2 / 0 / 19 / 1

HEX #F9FDCC

RGB 249 253 204

HSL 64.9, 0.92%, 0.9%

LAB 97.93, -9.2, 23.06

 

CMYK 18 / 0 / 13 / 1

HEX #CEFCDA

RGB 206 252 218

HSL 135.65, 0.88%, 0.9%

LAB 95.08, -21.06, 11.47

 

CMYK 6 / 18 / 0 / 1

HEX #EDCEFC

RGB 237 206 252

HSL 280.43, 0.88%, 0.9%

LAB 86.59, 18.95, -18.5

 

CMYK 2 / 0 / 19 / 1

HEX #F9FDCC

RGB 249 253 204

HSL 64.9, 0.92%, 0.9%

LAB 97.93, -9.2, 23.06

 

CMYK 18 / 1 / 0 / 1

HEX #CEF9FC

RGB 206 249 252

HSL 183.91, 0.88%, 0.9%

LAB 95.12, -13.06, -6.01

 

CMYK 0 / 18 / 1 / 1

HEX #FCCEF9

RGB 252 206 249

HSL 303.91, 0.88%, 0.9%

LAB 87.81, 23.26, -14.95

 

CMYK 2 / 0 / 19 / 1

HEX #F9FDCC

RGB 249 253 204

HSL 64.9, 0.92%, 0.9%

LAB 97.93, -9.2, 23.06

 

CMYK 18 / 0 / 13 / 1

HEX #CEFCDA

RGB 206 252 218

HSL 135.65, 0.88%, 0.9%

LAB 95.08, -21.06, 11.47

 

CMYK 17 / 18 / 0 / 1

HEX #D1CEFC

RGB 209 206 252

HSL 243.91, 0.88%, 0.9%

LAB 84.34, 10.11, -22.12

 

CMYK 0 / 18 / 5 / 1

HEX #FCCEF0

RGB 252 206 240

HSL 315.65, 0.88%, 0.9%

LAB 87.55, 21.68, -10.59

 

CMYK 2 / 0 / 19 / 1

HEX #F9FDCC

RGB 249 253 204

HSL 64.9, 0.92%, 0.9%

LAB 97.93, -9.2, 23.06

 

CMYK 18 / 0 / 8 / 1

HEX #CEFCE8

RGB 206 252 232

HSL 153.91, 0.88%, 0.9%

LAB 95.4, -18.48, 4.72

 

CMYK 17 / 18 / 0 / 1

HEX #D1CEFC

RGB 209 206 252

HSL 243.91, 0.88%, 0.9%

LAB 84.34, 10.11, -22.12

 

CMYK 0 / 18 / 10 / 1

HEX #FCCEE2

RGB 252 206 226

HSL 333.91, 0.88%, 0.9%

LAB 87.16, 19.32, -3.75

 

Description

Color code: RGB 249 253 204 | qconv.com Color code: RGB 249 253 204 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 253 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 253 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 19 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 19% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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