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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 246 45 it is the complementary color RGB 6 9 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 246 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249 246 45 shade: RGB 254 246 40, RGB 255 255 59, RGB 255 255 78, RGB 255 255 97 and RGB 255 255 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 246 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249 246 45 shade: RGB 249 246 45, RGB 232 228 26, RGB 215 210 7, RGB 198 192 0 and RGB 181 174 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249 246 45 shade: RGB 248 245 47, RGB 248 191 47, RGB 248 137 47, RGB 248 82 47 and RGB 248 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249 246 45 shade: RGB 248 245 47, RGB 197 248 47, RGB 142 248 47, RGB 88 248 47 and RGB 47 248 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249 246 45 shade matches the following richer shades: RGB 248 245 47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249 246 45 shade: RGB 248 245 47, RGB 231 228 64, RGB 213 211 81, RGB 196 195 99 and RGB 179 178 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249 246 45 shade: RGB 248 137 47, RGB 248 191 47, RGB 248 245 47, RGB 198 248 47 and RGB 144 248 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249 246 45 shade: RGB 206 203 6, RGB 246 243 7, RGB 248 245 47, RGB 249 247 87 and RGB 251 249 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249 246 45 shade: RGB 249 246 45, RGB 47 248 84 and RGB 164 47 248

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249 246 45 shade: RGB 249 246 45, RGB 47 248 245 and RGB 245 47 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249 246 45 shade: RGB 249 246 45, RGB 47 248 84, RGB 47 50 248 and RGB 248 47 211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249 246 45 shade: RGB 249 246 45, RGB 47 248 144, RGB 47 50 248 and RGB 248 47 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 82 / 2

HEX #F9F62D

RGB 249 246 45

HSL 59.12, 0.94%, 0.58%

LAB 94.42, -19.09, 86.38

 

Complementary color

CMYK 97 / 96 / 0 / 18

HEX #0609D2

RGB 6 9 210

HSL 239.12, 0.94%, 0.42%

LAB 26.41, 66.66, -92.02

 

CMYK 0 / 3 / 84 / 0

HEX #FEF628

RGB 254 246 40

HSL 57.76, 0.99%, 0.58%

LAB 94.8, -17.15, 87.93

 

CMYK 0 / 0 / 77 / 0

HEX #FFFF3B

RGB 255 255 59

HSL 60, 1%, 0.62%

LAB 97.27, -20.52, 85.51

 

CMYK 0 / 0 / 69 / 0

HEX #FFFF4E

RGB 255 255 78

HSL 60, 1%, 0.65%

LAB 97.36, -19.76, 79.73

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF61

RGB 255 255 97

HSL 60, 1%, 0.69%

LAB 97.49, -18.75, 72.86

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF74

RGB 255 255 116

HSL 60, 1%, 0.73%

LAB 97.65, -17.48, 65.16

 

CMYK 0 / 1 / 82 / 2

HEX #F9F62D

RGB 249 246 45

HSL 59.12, 0.94%, 0.58%

LAB 94.42, -19.09, 86.38

 

CMYK 0 / 2 / 89 / 9

HEX #E8E41A

RGB 232 228 26

HSL 58.83, 0.82%, 0.51%

LAB 88.31, -17.84, 84.53

 

CMYK 0 / 2 / 97 / 16

HEX #D7D207

RGB 215 210 7

HSL 58.56, 0.94%, 0.44%

LAB 82.14, -16.42, 81.46

 

CMYK 0 / 3 / 100 / 22

HEX #C6C000

RGB 198 192 0

HSL 58.18, 1%, 0.39%

LAB 75.89, -14.81, 76.91

 

CMYK 0 / 4 / 100 / 29

HEX #B5AE00

RGB 181 174 0

HSL 57.68, 1%, 0.35%

LAB 69.54, -13.09, 71.64

 

CMYK 0 / 1 / 81 / 3

HEX #F8F52F

RGB 248 245 47

HSL 59.1, 0.93%, 0.58%

LAB 94.08, -18.97, 85.6

 

CMYK 0 / 23 / 81 / 3

HEX #F8BF2F

RGB 248 191 47

HSL 42.99, 0.93%, 0.58%

LAB 80.42, 8.15, 73.87

 

CMYK 0 / 45 / 81 / 3

HEX #F8892F

RGB 248 137 47

HSL 26.87, 0.93%, 0.58%

LAB 68.06, 36.32, 62.96

 

CMYK 0 / 67 / 81 / 3

HEX #F8522F

RGB 248 82 47

HSL 10.45, 0.93%, 0.58%

LAB 58.22, 61.64, 53.95

 

CMYK 0 / 81 / 81 / 3

HEX #F82F2F

RGB 248 47 47

HSL 0, 0.93%, 0.58%

LAB 54.23, 72.72, 50.18

 

CMYK 0 / 1 / 81 / 3

HEX #F8F52F

RGB 248 245 47

HSL 59.1, 0.93%, 0.58%

LAB 94.08, -18.97, 85.6

 

CMYK 21 / 0 / 81 / 3

HEX #C5F82F

RGB 197 248 47

HSL 75.22, 0.93%, 0.58%

LAB 91.33, -40.72, 81.83

 

CMYK 43 / 0 / 81 / 3

HEX #8EF82F

RGB 142 248 47

HSL 91.64, 0.93%, 0.58%

LAB 88.49, -60.01, 78.23

 

CMYK 65 / 0 / 81 / 3

HEX #58F82F

RGB 88 248 47

HSL 107.76, 0.93%, 0.58%

LAB 86.71, -74.03, 75.95

 

CMYK 81 / 0 / 76 / 3

HEX #2FF83C

RGB 47 248 60

HSL 123.88, 0.93%, 0.58%

LAB 86.04, -79.56, 71.41

 

CMYK 0 / 1 / 81 / 3

HEX #F8F52F

RGB 248 245 47

HSL 59.1, 0.93%, 0.58%

LAB 94.08, -18.97, 85.6

 

CMYK 0 / 1 / 81 / 3

HEX #F8F52F

RGB 248 245 47

HSL 59.1, 0.93%, 0.58%

LAB 94.08, -18.97, 85.6

 

CMYK 0 / 1 / 72 / 9

HEX #E7E440

RGB 231 228 64

HSL 58.92, 0.78%, 0.58%

LAB 88.37, -17.14, 75.16

 

CMYK 0 / 1 / 62 / 16

HEX #D5D351

RGB 213 211 81

HSL 59.09, 0.61%, 0.58%

LAB 82.56, -15.29, 62.5

 

CMYK 0 / 1 / 49 / 23

HEX #C4C363

RGB 196 195 99

HSL 59.38, 0.45%, 0.58%

LAB 77.08, -12.87, 47.89

 

CMYK 0 / 1 / 35 / 30

HEX #B3B274

RGB 179 178 116

HSL 59.05, 0.29%, 0.58%

LAB 71.34, -9.22, 31.86

 

CMYK 0 / 45 / 81 / 3

HEX #F8892F

RGB 248 137 47

HSL 26.87, 0.93%, 0.58%

LAB 68.06, 36.32, 62.96

 

CMYK 0 / 23 / 81 / 3

HEX #F8BF2F

RGB 248 191 47

HSL 42.99, 0.93%, 0.58%

LAB 80.42, 8.15, 73.87

 

CMYK 0 / 1 / 81 / 3

HEX #F8F52F

RGB 248 245 47

HSL 59.1, 0.93%, 0.58%

LAB 94.08, -18.97, 85.6

 

CMYK 20 / 0 / 81 / 3

HEX #C6F82F

RGB 198 248 47

HSL 74.93, 0.93%, 0.58%

LAB 91.39, -40.34, 81.91

 

CMYK 42 / 0 / 81 / 3

HEX #90F82F

RGB 144 248 47

HSL 91.04, 0.93%, 0.58%

LAB 88.58, -59.39, 78.34

 

CMYK 0 / 1 / 97 / 19

HEX #CECB06

RGB 206 203 6

HSL 59.1, 0.94%, 0.42%

LAB 79.53, -16.81, 79.28

 

CMYK 0 / 1 / 97 / 4

HEX #F6F307

RGB 246 243 7

HSL 59.25, 0.94%, 0.5%

LAB 93.32, -19.49, 90.86

 

CMYK 0 / 1 / 81 / 3

HEX #F8F52F

RGB 248 245 47

HSL 59.1, 0.93%, 0.58%

LAB 94.08, -18.97, 85.6

 

CMYK 0 / 1 / 65 / 2

HEX #F9F757

RGB 249 247 87

HSL 59.26, 0.93%, 0.66%

LAB 94.89, -17.88, 73.87

 

CMYK 0 / 1 / 49 / 2

HEX #FBF97F

RGB 251 249 127

HSL 59.03, 0.94%, 0.74%

LAB 95.91, -15.28, 58.17

 

CMYK 0 / 1 / 82 / 2

HEX #F9F62D

RGB 249 246 45

HSL 59.12, 0.94%, 0.58%

LAB 94.42, -19.09, 86.38

 

CMYK 81 / 0 / 66 / 3

HEX #2FF854

RGB 47 248 84

HSL 131.04, 0.93%, 0.58%

LAB 86.2, -77.6, 63.14

 

CMYK 34 / 81 / 0 / 3

HEX #A42FF8

RGB 164 47 248

HSL 274.93, 0.93%, 0.58%

LAB 47.88, 77.02, -77.75

 

CMYK 0 / 1 / 82 / 2

HEX #F9F62D

RGB 249 246 45

HSL 59.12, 0.94%, 0.58%

LAB 94.42, -19.09, 86.38

 

CMYK 81 / 0 / 1 / 3

HEX #2FF8F5

RGB 47 248 245

HSL 179.1, 0.93%, 0.58%

LAB 89.08, -46.04, -11.95

 

CMYK 1 / 81 / 0 / 3

HEX #F52FF8

RGB 245 47 248

HSL 299.1, 0.93%, 0.58%

LAB 60.09, 90.23, -57.42

 

CMYK 0 / 1 / 82 / 2

HEX #F9F62D

RGB 249 246 45

HSL 59.12, 0.94%, 0.58%

LAB 94.42, -19.09, 86.38

 

CMYK 81 / 0 / 66 / 3

HEX #2FF854

RGB 47 248 84

HSL 131.04, 0.93%, 0.58%

LAB 86.2, -77.6, 63.14

 

CMYK 81 / 80 / 0 / 3

HEX #2F32F8

RGB 47 50 248

HSL 239.1, 0.93%, 0.58%

LAB 37.23, 64.22, -95.68

 

CMYK 0 / 81 / 15 / 3

HEX #F82FD3

RGB 248 47 211

HSL 311.04, 0.93%, 0.58%

LAB 58.69, 85.65, -38.82

 

CMYK 0 / 1 / 82 / 2

HEX #F9F62D

RGB 249 246 45

HSL 59.12, 0.94%, 0.58%

LAB 94.42, -19.09, 86.38

 

CMYK 81 / 0 / 42 / 3

HEX #2FF890

RGB 47 248 144

HSL 148.96, 0.93%, 0.58%

LAB 86.88, -69.44, 36.87

 

CMYK 81 / 80 / 0 / 3

HEX #2F32F8

RGB 47 50 248

HSL 239.1, 0.93%, 0.58%

LAB 37.23, 64.22, -95.68

 

CMYK 0 / 81 / 39 / 3

HEX #F82F97

RGB 248 47 151

HSL 328.96, 0.93%, 0.58%

LAB 56.31, 78.92, -7.69

 

Description

Color code: RGB 249 246 45 | qconv.com Color code: RGB 249 246 45 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 246 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 246 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 82 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 82% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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