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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 177 252 it is the complementary color RGB 6 78 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 177 252. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249 177 252 shade: RGB 254 177 247, RGB 255 195 255, RGB 255 213 255, RGB 255 231 255 and RGB 255 249 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 177 252. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249 177 252 shade: RGB 249 177 252, RGB 232 159 233, RGB 215 141 214, RGB 198 123 195 and RGB 181 105 176

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249 177 252 shade: RGB 249 176 252, RGB 252 176 234, RGB 252 176 214, RGB 252 176 193 and RGB 252 176 176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249 177 252 shade: RGB 249 176 252, RGB 228 176 252, RGB 208 176 252, RGB 187 176 252 and RGB 176 176 252

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249 177 252 shade matches the following richer shades: RGB 249 176 252

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249 177 252 shade: RGB 249 176 252, RGB 243 182 245, RGB 236 189 238, RGB 230 196 232 and RGB 224 202 225

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249 177 252 shade: RGB 207 176 252, RGB 228 176 252, RGB 248 176 252, RGB 252 176 235 and RGB 252 176 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249 177 252 shade: RGB 243 96 249, RGB 246 136 250, RGB 249 176 252 and RGB 252 216 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249 177 252 shade: RGB 249 177 252, RGB 252 187 176 and RGB 176 252 217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249 177 252 shade: RGB 249 177 252, RGB 252 248 176 and RGB 176 252 248

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249 177 252 shade: RGB 249 177 252, RGB 252 187 176, RGB 180 252 176 and RGB 176 240 252

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249 177 252 shade: RGB 249 177 252, RGB 252 210 176, RGB 180 252 176 and RGB 176 217 252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 30 / 0 / 1

HEX #F9B1FC

RGB 249 177 252

HSL 297.6, 0.93%, 0.84%

LAB 81.08, 38.11, -26.77

 

Complementary color

CMYK 92 / 0 / 96 / 69

HEX #064E03

RGB 6 78 3

HSL 117.6, 0.93%, 0.16%

LAB 28.1, -35.36, 34.17

 

CMYK 0 / 30 / 3 / 0

HEX #FEB1F7

RGB 254 177 247

HSL 305.45, 0.97%, 0.85%

LAB 81.42, 38.79, -23.52

 

CMYK 0 / 24 / 0 / 0

HEX #FFC3FF

RGB 255 195 255

HSL 300, 1%, 0.88%

LAB 85.76, 31.1, -21.19

 

CMYK 0 / 16 / 0 / 0

HEX #FFD5FF

RGB 255 213 255

HSL 300, 1%, 0.92%

LAB 89.89, 21.65, -14.97

 

CMYK 0 / 9 / 0 / 0

HEX #FFE7FF

RGB 255 231 255

HSL 300, 1%, 0.95%

LAB 94.15, 12.27, -8.61

 

CMYK 0 / 2 / 0 / 0

HEX #FFF9FF

RGB 255 249 255

HSL 300, 1%, 0.99%

LAB 98.52, 3.04, -2.17

 

CMYK 1 / 30 / 0 / 1

HEX #F9B1FC

RGB 249 177 252

HSL 297.6, 0.93%, 0.84%

LAB 81.08, 38.11, -26.77

 

CMYK 0 / 32 / 0 / 9

HEX #E89FE9

RGB 232 159 233

HSL 299.19, 0.63%, 0.77%

LAB 74.72, 38.79, -26.39

 

CMYK 0 / 34 / 0 / 16

HEX #D78DD6

RGB 215 141 214

HSL 300.81, 0.48%, 0.7%

LAB 68.28, 39.51, -25.98

 

CMYK 0 / 38 / 2 / 22

HEX #C67BC3

RGB 198 123 195

HSL 302.4, 0.4%, 0.63%

LAB 61.75, 40.25, -25.54

 

CMYK 0 / 42 / 3 / 29

HEX #B569B0

RGB 181 105 176

HSL 303.95, 0.34%, 0.56%

LAB 55.14, 41.01, -25.04

 

CMYK 1 / 30 / 0 / 1

HEX #F9B0FC

RGB 249 176 252

HSL 297.63, 0.93%, 0.84%

LAB 80.86, 38.64, -27.1

 

CMYK 0 / 30 / 7 / 1

HEX #FCB0EA

RGB 252 176 234

HSL 314.21, 0.93%, 0.84%

LAB 80.56, 36.43, -17.85

 

CMYK 0 / 30 / 15 / 1

HEX #FCB0D6

RGB 252 176 214

HSL 330, 0.93%, 0.84%

LAB 79.95, 33.17, -7.97

 

CMYK 0 / 30 / 23 / 1

HEX #FCB0C1

RGB 252 176 193

HSL 346.58, 0.93%, 0.84%

LAB 79.38, 30.05, 2.57

 

CMYK 0 / 30 / 30 / 1

HEX #FCB0B0

RGB 252 176 176

HSL 0, 0.93%, 0.84%

LAB 78.97, 27.75, 11.19

 

CMYK 1 / 30 / 0 / 1

HEX #F9B0FC

RGB 249 176 252

HSL 297.63, 0.93%, 0.84%

LAB 80.86, 38.64, -27.1

 

CMYK 10 / 30 / 0 / 1

HEX #E4B0FC

RGB 228 176 252

HSL 281.05, 0.93%, 0.84%

LAB 78.79, 32.12, -30.45

 

CMYK 17 / 30 / 0 / 1

HEX #D0B0FC

RGB 208 176 252

HSL 265.26, 0.93%, 0.84%

LAB 76.97, 26.03, -33.4

 

CMYK 26 / 30 / 0 / 1

HEX #BBB0FC

RGB 187 176 252

HSL 248.68, 0.93%, 0.84%

LAB 75.23, 19.83, -36.24

 

CMYK 30 / 30 / 0 / 1

HEX #B0B0FC

RGB 176 176 252

HSL 240, 0.93%, 0.84%

LAB 74.39, 16.7, -37.62

 

CMYK 1 / 30 / 0 / 1

HEX #F9B0FC

RGB 249 176 252

HSL 297.63, 0.93%, 0.84%

LAB 80.86, 38.64, -27.1

 

CMYK 1 / 30 / 0 / 1

HEX #F9B0FC

RGB 249 176 252

HSL 297.63, 0.93%, 0.84%

LAB 80.86, 38.64, -27.1

 

CMYK 1 / 26 / 0 / 4

HEX #F3B6F5

RGB 243 182 245

HSL 298.1, 0.76%, 0.84%

LAB 81.35, 32.3, -22.66

 

CMYK 1 / 21 / 0 / 7

HEX #ECBDEE

RGB 236 189 238

HSL 297.55, 0.59%, 0.84%

LAB 82.06, 25.02, -17.9

 

CMYK 1 / 16 / 0 / 9

HEX #E6C4E8

RGB 230 196 232

HSL 296.67, 0.44%, 0.84%

LAB 82.98, 18.21, -13.36

 

CMYK 0 / 10 / 0 / 12

HEX #E0CAE1

RGB 224 202 225

HSL 297.39, 0.28%, 0.84%

LAB 83.72, 11.72, -8.58

 

CMYK 18 / 30 / 0 / 1

HEX #CFB0FC

RGB 207 176 252

HSL 264.47, 0.93%, 0.84%

LAB 76.89, 25.73, -33.54

 

CMYK 10 / 30 / 0 / 1

HEX #E4B0FC

RGB 228 176 252

HSL 281.05, 0.93%, 0.84%

LAB 78.79, 32.12, -30.45

 

CMYK 2 / 30 / 0 / 1

HEX #F8B0FC

RGB 248 176 252

HSL 296.84, 0.93%, 0.84%

LAB 80.76, 38.32, -27.26

 

CMYK 0 / 30 / 7 / 1

HEX #FCB0EB

RGB 252 176 235

HSL 313.42, 0.93%, 0.84%

LAB 80.6, 36.6, -18.34

 

CMYK 0 / 30 / 15 / 1

HEX #FCB0D7

RGB 252 176 215

HSL 329.21, 0.93%, 0.84%

LAB 79.98, 33.33, -8.47

 

CMYK 2 / 61 / 0 / 2

HEX #F360F9

RGB 243 96 249

HSL 297.65, 0.93%, 0.68%

LAB 65.17, 74.83, -49.93

 

CMYK 2 / 46 / 0 / 2

HEX #F688FA

RGB 246 136 250

HSL 297.89, 0.92%, 0.76%

LAB 72.3, 57.8, -39.26

 

CMYK 1 / 30 / 0 / 1

HEX #F9B0FC

RGB 249 176 252

HSL 297.63, 0.93%, 0.84%

LAB 80.86, 38.64, -27.1

 

CMYK 0 / 15 / 0 / 1

HEX #FCD8FD

RGB 252 216 253

HSL 298.38, 0.9%, 0.92%

LAB 90.28, 18.74, -13.37

 

CMYK 1 / 30 / 0 / 1

HEX #F9B1FC

RGB 249 177 252

HSL 297.6, 0.93%, 0.84%

LAB 81.08, 38.11, -26.77

 

CMYK 0 / 26 / 30 / 1

HEX #FCBBB0

RGB 252 187 176

HSL 8.68, 0.93%, 0.84%

LAB 81.49, 21.97, 14.76

 

CMYK 30 / 0 / 14 / 1

HEX #B0FCD9

RGB 176 252 217

HSL 152.37, 0.93%, 0.84%

LAB 93.39, -30.45, 9.35

 

CMYK 1 / 30 / 0 / 1

HEX #F9B1FC

RGB 249 177 252

HSL 297.6, 0.93%, 0.84%

LAB 81.08, 38.11, -26.77

 

CMYK 0 / 2 / 30 / 1

HEX #FCF8B0

RGB 252 248 176

HSL 56.84, 0.93%, 0.84%

LAB 96.4, -9.35, 35.15

 

CMYK 30 / 0 / 2 / 1

HEX #B0FCF8

RGB 176 252 248

HSL 176.84, 0.93%, 0.84%

LAB 94.15, -24, -5.56

 

CMYK 1 / 30 / 0 / 1

HEX #F9B1FC

RGB 249 177 252

HSL 297.6, 0.93%, 0.84%

LAB 81.08, 38.11, -26.77

 

CMYK 0 / 26 / 30 / 1

HEX #FCBBB0

RGB 252 187 176

HSL 8.68, 0.93%, 0.84%

LAB 81.49, 21.97, 14.76

 

CMYK 29 / 0 / 30 / 1

HEX #B4FCB0

RGB 180 252 176

HSL 116.84, 0.93%, 0.84%

LAB 92.78, -36.48, 29.48

 

CMYK 30 / 5 / 0 / 1

HEX #B0F0FC

RGB 176 240 252

HSL 189.47, 0.93%, 0.84%

LAB 91.04, -17.21, -12.25

 

CMYK 1 / 30 / 0 / 1

HEX #F9B1FC

RGB 249 177 252

HSL 297.6, 0.93%, 0.84%

LAB 81.08, 38.11, -26.77

 

CMYK 0 / 17 / 30 / 1

HEX #FCD2B0

RGB 252 210 176

HSL 26.84, 0.93%, 0.84%

LAB 86.96, 9.94, 22.37

 

CMYK 29 / 0 / 30 / 1

HEX #B4FCB0

RGB 180 252 176

HSL 116.84, 0.93%, 0.84%

LAB 92.78, -36.48, 29.48

 

CMYK 30 / 14 / 0 / 1

HEX #B0D9FC

RGB 176 217 252

HSL 207.63, 0.93%, 0.84%

LAB 84.94, -5.47, -21.43

 

Description

Color code: RGB 249 177 252 | qconv.com Color code: RGB 249 177 252 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 177 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 177 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 30 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 30% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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