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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 249 176 113 it is the complementary color RGB 6 79 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 249 176 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 249 176 113 shade: RGB 254 176 108, RGB 255 194 127, RGB 255 212 146, RGB 255 230 165 and RGB 255 248 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 249 176 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 249 176 113 shade: RGB 249 176 113, RGB 232 158 94, RGB 215 140 75, RGB 198 122 56 and RGB 181 104 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 249 176 113 shade: RGB 249 176 113, RGB 249 139 113 and RGB 249 113 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 249 176 113 shade: RGB 249 176 113, RGB 249 212 113, RGB 248 249 113, RGB 212 249 113 and RGB 175 249 113

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 249 176 113 shade matches the following richer shades: RGB 249 176 113

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 249 176 113 shade: RGB 249 176 113, RGB 237 176 124, RGB 225 177 136, RGB 213 178 148 and RGB 201 179 160

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 249 176 113 shade: RGB 249 113 124, RGB 249 137 113, RGB 249 174 113, RGB 249 210 113 and RGB 249 246 113

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 249 176 113 shade: RGB 245 131 33, RGB 247 154 73, RGB 249 176 113, RGB 250 198 152 and RGB 252 220 192

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 249 176 113 shade: RGB 249 176 113, RGB 160 249 113 and RGB 119 113 249

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 249 176 113 shade: RGB 249 176 113, RGB 113 249 174 and RGB 174 113 249

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 249 176 113 shade: RGB 249 176 113, RGB 160 249 113, RGB 113 187 249 and RGB 201 113 249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 249 176 113 shade: RGB 249 176 113, RGB 119 249 113, RGB 113 187 249 and RGB 242 113 249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 55 / 2

HEX #F9B071

RGB 249 176 113

HSL 27.79, 0.92%, 0.71%

LAB 77.51, 20, 42.63

 

Complementary color

CMYK 96 / 44 / 0 / 44

HEX #064F8E

RGB 6 79 142

HSL 207.79, 0.92%, 0.29%

LAB 33.1, 5.21, -40.44

 

CMYK 0 / 31 / 57 / 0

HEX #FEB06C

RGB 254 176 108

HSL 27.95, 0.99%, 0.71%

LAB 78, 21.62, 45.88

 

CMYK 0 / 24 / 50 / 0

HEX #FFC27F

RGB 255 194 127

HSL 31.41, 1%, 0.75%

LAB 82.58, 14.16, 41.98

 

CMYK 0 / 17 / 43 / 0

HEX #FFD492

RGB 255 212 146

HSL 36.33, 1%, 0.79%

LAB 87.2, 6.63, 38.25

 

CMYK 0 / 10 / 35 / 0

HEX #FFE6A5

RGB 255 230 165

HSL 43.33, 1%, 0.82%

LAB 91.94, -0.51, 34.82

 

CMYK 0 / 3 / 28 / 0

HEX #FFF8B8

RGB 255 248 184

HSL 54.08, 1%, 0.86%

LAB 96.76, -7.25, 31.66

 

CMYK 0 / 29 / 55 / 2

HEX #F9B071

RGB 249 176 113

HSL 27.79, 0.92%, 0.71%

LAB 77.51, 20, 42.63

 

CMYK 0 / 32 / 59 / 9

HEX #E89E5E

RGB 232 158 94

HSL 27.83, 0.75%, 0.64%

LAB 71.16, 21.18, 44.14

 

CMYK 0 / 35 / 65 / 16

HEX #D78C4B

RGB 215 140 75

HSL 27.86, 0.64%, 0.57%

LAB 64.73, 22.52, 45.69

 

CMYK 0 / 38 / 72 / 22

HEX #C67A38

RGB 198 122 56

HSL 27.89, 0.56%, 0.5%

LAB 58.24, 24.05, 47.23

 

CMYK 0 / 43 / 80 / 29

HEX #B56825

RGB 181 104 37

HSL 27.92, 0.66%, 0.43%

LAB 51.68, 25.81, 48.57

 

CMYK 0 / 29 / 55 / 2

HEX #F9B071

RGB 249 176 113

HSL 27.79, 0.92%, 0.71%

LAB 77.51, 20, 42.63

 

CMYK 0 / 44 / 55 / 2

HEX #F98B71

RGB 249 139 113

HSL 11.47, 0.92%, 0.71%

LAB 69.32, 39.26, 32.29

 

CMYK 0 / 55 / 55 / 2

HEX #F97171

RGB 249 113 113

HSL 0, 0.92%, 0.71%

LAB 64.28, 52.02, 25.69

 

CMYK 0 / 29 / 55 / 2

HEX #F9B071

RGB 249 176 113

HSL 27.79, 0.92%, 0.71%

LAB 77.51, 20, 42.63

 

CMYK 0 / 15 / 55 / 2

HEX #F9D471

RGB 249 212 113

HSL 43.68, 0.92%, 0.71%

LAB 86.22, 1.26, 53.16

 

CMYK 0 / 0 / 55 / 2

HEX #F8F971

RGB 248 249 113

HSL 60.44, 0.92%, 0.71%

LAB 95.54, -17.57, 63.93

 

CMYK 15 / 0 / 55 / 2

HEX #D4F971

RGB 212 249 113

HSL 76.32, 0.92%, 0.71%

LAB 92.99, -31.52, 60.34

 

CMYK 30 / 0 / 55 / 2

HEX #AFF971

RGB 175 249 113

HSL 92.65, 0.92%, 0.71%

LAB 90.81, -44.89, 57.25

 

CMYK 0 / 29 / 55 / 2

HEX #F9B071

RGB 249 176 113

HSL 27.79, 0.92%, 0.71%

LAB 77.51, 20, 42.63

 

CMYK 0 / 29 / 55 / 2

HEX #F9B071

RGB 249 176 113

HSL 27.79, 0.92%, 0.71%

LAB 77.51, 20, 42.63

 

CMYK 0 / 26 / 48 / 7

HEX #EDB07C

RGB 237 176 124

HSL 27.61, 0.76%, 0.71%

LAB 76.38, 16.15, 35.25

 

CMYK 0 / 21 / 40 / 12

HEX #E1B188

RGB 225 177 136

HSL 27.64, 0.6%, 0.71%

LAB 75.59, 12.08, 27.64

 

CMYK 0 / 16 / 31 / 16

HEX #D5B294

RGB 213 178 148

HSL 27.69, 0.44%, 0.71%

LAB 74.9, 8.29, 20.07

 

CMYK 0 / 11 / 20 / 21

HEX #C9B3A0

RGB 201 179 160

HSL 27.8, 0.28%, 0.71%

LAB 74.31, 4.84, 12.58

 

CMYK 0 / 55 / 50 / 2

HEX #F9717C

RGB 249 113 124

HSL 355.15, 0.92%, 0.71%

LAB 64.49, 52.92, 19.74

 

CMYK 0 / 45 / 55 / 2

HEX #F98971

RGB 249 137 113

HSL 10.59, 0.92%, 0.71%

LAB 68.91, 40.28, 31.76

 

CMYK 0 / 30 / 55 / 2

HEX #F9AE71

RGB 249 174 113

HSL 26.91, 0.92%, 0.71%

LAB 77.04, 21.05, 42.06

 

CMYK 0 / 16 / 55 / 2

HEX #F9D271

RGB 249 210 113

HSL 42.79, 0.92%, 0.71%

LAB 85.72, 2.29, 52.57

 

CMYK 0 / 1 / 55 / 2

HEX #F9F671

RGB 249 246 113

HSL 58.68, 0.92%, 0.71%

LAB 94.84, -15.72, 63.16

 

CMYK 0 / 47 / 87 / 4

HEX #F58321

RGB 245 131 33

HSL 27.74, 0.91%, 0.55%

LAB 66.33, 37.82, 66.21

 

CMYK 0 / 38 / 70 / 3

HEX #F79A49

RGB 247 154 73

HSL 27.93, 0.92%, 0.63%

LAB 71.8, 28.15, 55.55

 

CMYK 0 / 29 / 55 / 2

HEX #F9B071

RGB 249 176 113

HSL 27.79, 0.92%, 0.71%

LAB 77.51, 20, 42.63

 

CMYK 0 / 21 / 39 / 2

HEX #FAC698

RGB 250 198 152

HSL 28.16, 0.91%, 0.79%

LAB 83.43, 12.58, 30.1

 

CMYK 0 / 13 / 24 / 1

HEX #FCDCC0

RGB 252 220 192

HSL 28, 0.91%, 0.87%

LAB 89.71, 6.89, 17.83

 

CMYK 0 / 29 / 55 / 2

HEX #F9B071

RGB 249 176 113

HSL 27.79, 0.92%, 0.71%

LAB 77.51, 20, 42.63

 

CMYK 36 / 0 / 55 / 2

HEX #A0F971

RGB 160 249 113

HSL 99.26, 0.92%, 0.71%

LAB 90.05, -49.89, 56.17

 

CMYK 52 / 55 / 0 / 2

HEX #7771F9

RGB 119 113 249

HSL 242.65, 0.92%, 0.71%

LAB 54.63, 38.3, -67.55

 

CMYK 0 / 29 / 55 / 2

HEX #F9B071

RGB 249 176 113

HSL 27.79, 0.92%, 0.71%

LAB 77.51, 20, 42.63

 

CMYK 55 / 0 / 30 / 2

HEX #71F9AE

RGB 113 249 174

HSL 146.91, 0.92%, 0.71%

LAB 89.07, -53.83, 24.99

 

CMYK 30 / 55 / 0 / 2

HEX #AE71F9

RGB 174 113 249

HSL 266.91, 0.92%, 0.71%

LAB 59.57, 50.39, -59.35

 

CMYK 0 / 29 / 55 / 2

HEX #F9B071

RGB 249 176 113

HSL 27.79, 0.92%, 0.71%

LAB 77.51, 20, 42.63

 

CMYK 36 / 0 / 55 / 2

HEX #A0F971

RGB 160 249 113

HSL 99.26, 0.92%, 0.71%

LAB 90.05, -49.89, 56.17

 

CMYK 55 / 25 / 0 / 2

HEX #71BBF9

RGB 113 187 249

HSL 207.35, 0.92%, 0.71%

LAB 73.47, -5.8, -37.7

 

CMYK 19 / 55 / 0 / 2

HEX #C971F9

RGB 201 113 249

HSL 278.82, 0.92%, 0.71%

LAB 62.56, 57, -54.4

 

CMYK 0 / 29 / 55 / 2

HEX #F9B071

RGB 249 176 113

HSL 27.79, 0.92%, 0.71%

LAB 77.51, 20, 42.63

 

CMYK 52 / 0 / 55 / 2

HEX #77F971

RGB 119 249 113

HSL 117.35, 0.92%, 0.71%

LAB 88.38, -61.78, 53.79

 

CMYK 55 / 25 / 0 / 2

HEX #71BBF9

RGB 113 187 249

HSL 207.35, 0.92%, 0.71%

LAB 73.47, -5.8, -37.7

 

CMYK 3 / 55 / 0 / 2

HEX #F271F9

RGB 242 113 249

HSL 296.91, 0.92%, 0.71%

LAB 67.67, 67.37, -45.99

 

Description

Color code: RGB 249 176 113 | qconv.com Color code: RGB 249 176 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 249 red, 176 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
249 176 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 55 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 55% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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